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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 247 99 it is the complementary color RGB 137 8 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 247 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 247 99 shade: RGB 123 247 94, RGB 140 255 113, RGB 157 255 132, RGB 174 255 151 and RGB 191 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 247 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 247 99 shade: RGB 118 247 99, RGB 101 229 80, RGB 84 211 61, RGB 67 193 42 and RGB 50 175 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 247 99 shade: RGB 118 246 99, RGB 158 246 99, RGB 198 246 99, RGB 237 246 99 and RGB 246 216 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 247 99 shade: RGB 118 246 99, RGB 99 246 120, RGB 99 246 160, RGB 99 246 199 and RGB 99 246 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 247 99 shade matches the following richer shades: RGB 118 246 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 247 99 shade: RGB 118 246 99, RGB 128 233 113, RGB 138 220 126, RGB 148 207 139 and RGB 158 194 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 247 99 shade: RGB 197 246 99, RGB 158 246 99, RGB 119 246 99, RGB 99 246 119 and RGB 99 246 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 247 99 shade: RGB 49 242 21, RGB 84 244 60, RGB 118 246 99, RGB 153 248 139 and RGB 187 250 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 247 99 shade: RGB 118 247 99, RGB 99 237 246 and RGB 246 99 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 247 99 shade: RGB 118 247 99, RGB 99 119 246 and RGB 246 99 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 247 99 shade: RGB 118 247 99, RGB 99 237 246, RGB 227 99 246 and RGB 246 109 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 247 99 shade: RGB 118 247 99, RGB 99 192 246, RGB 227 99 246 and RGB 246 153 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

Complementary color

CMYK 12 / 95 / 0 / 39

HEX #89089C

RGB 137 8 156

HSL 292.3, 0.9%, 0.32%

LAB 33.76, 63.91, -47.34

 

CMYK 50 / 0 / 62 / 3

HEX #7BF75E

RGB 123 247 94

HSL 108.63, 0.91%, 0.67%

LAB 87.75, -62.02, 61.32

 

CMYK 45 / 0 / 56 / 0

HEX #8CFF71

RGB 140 255 113

HSL 108.59, 1%, 0.72%

LAB 90.91, -58.39, 56.96

 

CMYK 38 / 0 / 48 / 0

HEX #9DFF84

RGB 157 255 132

HSL 107.8, 1%, 0.76%

LAB 91.84, -51.16, 49.59

 

CMYK 32 / 0 / 41 / 0

HEX #AEFF97

RGB 174 255 151

HSL 106.73, 1%, 0.8%

LAB 92.91, -43.38, 42.01

 

CMYK 25 / 0 / 33 / 0

HEX #BFFFAA

RGB 191 255 170

HSL 105.18, 1%, 0.83%

LAB 94.1, -35.17, 34.37

 

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

CMYK 56 / 0 / 65 / 10

HEX #65E550

RGB 101 229 80

HSL 111.54, 0.74%, 0.61%

LAB 81.5, -62.45, 59.96

 

CMYK 60 / 0 / 71 / 17

HEX #54D33D

RGB 84 211 61

HSL 110.8, 0.63%, 0.53%

LAB 75.33, -61.81, 60.6

 

CMYK 65 / 0 / 78 / 24

HEX #43C12A

RGB 67 193 42

HSL 110.07, 0.64%, 0.46%

LAB 69.11, -60.79, 60.72

 

CMYK 71 / 0 / 87 / 31

HEX #32AF17

RGB 50 175 23

HSL 109.34, 0.77%, 0.39%

LAB 62.84, -59.24, 59.89

 

CMYK 52 / 0 / 60 / 4

HEX #76F663

RGB 118 246 99

HSL 112.24, 0.89%, 0.68%

LAB 87.32, -62.47, 58.69

 

CMYK 36 / 0 / 60 / 4

HEX #9EF663

RGB 158 246 99

HSL 95.92, 0.89%, 0.68%

LAB 88.96, -50.66, 60.99

 

CMYK 20 / 0 / 60 / 4

HEX #C6F663

RGB 198 246 99

HSL 79.59, 0.89%, 0.68%

LAB 91.15, -36.56, 64.04

 

CMYK 4 / 0 / 60 / 4

HEX #EDF663

RGB 237 246 99

HSL 63.67, 0.89%, 0.68%

LAB 93.8, -21.47, 67.71

 

CMYK 0 / 12 / 60 / 4

HEX #F6D863

RGB 246 216 99

HSL 47.76, 0.89%, 0.68%

LAB 86.8, -3.02, 60.2

 

CMYK 52 / 0 / 60 / 4

HEX #76F663

RGB 118 246 99

HSL 112.24, 0.89%, 0.68%

LAB 87.32, -62.47, 58.69

 

CMYK 60 / 0 / 51 / 4

HEX #63F678

RGB 99 246 120

HSL 128.57, 0.89%, 0.68%

LAB 86.96, -64.49, 48.72

 

CMYK 60 / 0 / 35 / 4

HEX #63F6A0

RGB 99 246 160

HSL 144.9, 0.89%, 0.68%

LAB 87.53, -58.18, 29.93

 

CMYK 60 / 0 / 19 / 4

HEX #63F6C7

RGB 99 246 199

HSL 160.82, 0.89%, 0.68%

LAB 88.3, -50.26, 10.98

 

CMYK 60 / 0 / 3 / 4

HEX #63F6EF

RGB 99 246 239

HSL 177.14, 0.89%, 0.68%

LAB 89.3, -40.57, -8.4

 

CMYK 52 / 0 / 60 / 4

HEX #76F663

RGB 118 246 99

HSL 112.24, 0.89%, 0.68%

LAB 87.32, -62.47, 58.69

 

CMYK 52 / 0 / 60 / 4

HEX #76F663

RGB 118 246 99

HSL 112.24, 0.89%, 0.68%

LAB 87.32, -62.47, 58.69

 

CMYK 45 / 0 / 52 / 9

HEX #80E971

RGB 128 233 113

HSL 112.5, 0.73%, 0.68%

LAB 84, -53.16, 48.61

 

CMYK 37 / 0 / 43 / 14

HEX #8ADC7E

RGB 138 220 126

HSL 112.34, 0.57%, 0.68%

LAB 80.79, -43.01, 38.42

 

CMYK 29 / 0 / 33 / 19

HEX #94CF8B

RGB 148 207 139

HSL 112.06, 0.41%, 0.68%

LAB 77.75, -31.95, 27.91

 

CMYK 19 / 0 / 22 / 24

HEX #9EC298

RGB 158 194 152

HSL 111.43, 0.26%, 0.68%

LAB 74.9, -20.08, 17.24

 

CMYK 20 / 0 / 60 / 4

HEX #C5F663

RGB 197 246 99

HSL 80, 0.89%, 0.68%

LAB 91.09, -36.93, 63.96

 

CMYK 36 / 0 / 60 / 4

HEX #9EF663

RGB 158 246 99

HSL 95.92, 0.89%, 0.68%

LAB 88.96, -50.66, 60.99

 

CMYK 52 / 0 / 60 / 4

HEX #77F663

RGB 119 246 99

HSL 111.84, 0.89%, 0.68%

LAB 87.36, -62.21, 58.74

 

CMYK 60 / 0 / 52 / 4

HEX #63F677

RGB 99 246 119

HSL 128.16, 0.89%, 0.68%

LAB 86.95, -64.62, 49.17

 

CMYK 60 / 0 / 36 / 4

HEX #63F69E

RGB 99 246 158

HSL 144.08, 0.89%, 0.68%

LAB 87.5, -58.54, 30.9

 

CMYK 80 / 0 / 91 / 5

HEX #31F215

RGB 49 242 21

HSL 112.4, 0.89%, 0.52%

LAB 84.08, -79.39, 78.4

 

CMYK 66 / 0 / 75 / 4

HEX #54F43C

RGB 84 244 60

HSL 112.17, 0.89%, 0.6%

LAB 85.46, -72.83, 71.07

 

CMYK 52 / 0 / 60 / 4

HEX #76F663

RGB 118 246 99

HSL 112.24, 0.89%, 0.68%

LAB 87.32, -62.47, 58.69

 

CMYK 38 / 0 / 44 / 3

HEX #99F88B

RGB 153 248 139

HSL 112.29, 0.89%, 0.76%

LAB 89.75, -48.57, 43.6

 

CMYK 25 / 0 / 29 / 2

HEX #BBFAB2

RGB 187 250 178

HSL 112.5, 0.88%, 0.84%

LAB 92.64, -32.99, 28.35

 

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

CMYK 60 / 4 / 0 / 4

HEX #63EDF6

RGB 99 237 246

HSL 183.67, 0.89%, 0.68%

LAB 86.94, -34.58, -15.58

 

CMYK 0 / 60 / 28 / 4

HEX #F663B2

RGB 246 99 178

HSL 327.76, 0.89%, 0.68%

LAB 63.12, 63.94, -13.2

 

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

CMYK 60 / 52 / 0 / 4

HEX #6377F6

RGB 99 119 246

HSL 231.84, 0.89%, 0.68%

LAB 54.55, 30.07, -66.08

 

CMYK 0 / 60 / 52 / 4

HEX #F66377

RGB 246 99 119

HSL 351.84, 0.89%, 0.68%

LAB 61.52, 57.84, 18.47

 

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

CMYK 60 / 4 / 0 / 4

HEX #63EDF6

RGB 99 237 246

HSL 183.67, 0.89%, 0.68%

LAB 86.94, -34.58, -15.58

 

CMYK 8 / 60 / 0 / 4

HEX #E363F6

RGB 227 99 246

HSL 292.24, 0.89%, 0.68%

LAB 63.27, 69.29, -51.42

 

CMYK 0 / 56 / 60 / 4

HEX #F66D63

RGB 246 109 99

HSL 4.08, 0.89%, 0.68%

LAB 62.87, 51.83, 31.64

 

CMYK 52 / 0 / 60 / 3

HEX #76F763

RGB 118 247 99

HSL 112.3, 0.9%, 0.68%

LAB 87.62, -62.84, 59.03

 

CMYK 60 / 22 / 0 / 4

HEX #63C0F6

RGB 99 192 246

HSL 202.04, 0.89%, 0.68%

LAB 74.19, -12.11, -35.01

 

CMYK 8 / 60 / 0 / 4

HEX #E363F6

RGB 227 99 246

HSL 292.24, 0.89%, 0.68%

LAB 63.27, 69.29, -51.42

 

CMYK 0 / 38 / 60 / 4

HEX #F69963

RGB 246 153 99

HSL 22.04, 0.89%, 0.68%

LAB 71.74, 29.82, 42.67

 

Description

Color code: RGB 118 247 99 | qconv.com Color code: RGB 118 247 99 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 247 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 247 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 60 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 60% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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