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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 213 179 it is the complementary color RGB 137 42 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 213 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 213 179 shade: RGB 123 213 174, RGB 140 231 193, RGB 157 249 212, RGB 174 255 231 and RGB 191 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 213 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 101 195 160, RGB 84 177 141, RGB 67 159 122 and RGB 50 141 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 118 213 153, RGB 118 213 128, RGB 134 213 118 and RGB 159 213 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 118 213 204, RGB 118 195 213, RGB 118 170 213 and RGB 118 144 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 213 179 shade matches the following richer shades: RGB 118 213 179, RGB 104 227 183 and RGB 89 241 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 132 198 175, RGB 147 184 170, RGB 161 169 166 and RGB 176 155 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 213 179 shade: RGB 118 213 127, RGB 118 213 153, RGB 118 213 178, RGB 118 213 203 and RGB 118 197 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 213 179 shade: RGB 58 190 143, RGB 86 203 161, RGB 118 213 179, RGB 150 222 196 and RGB 181 232 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 118 134 213 and RGB 213 140 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 178 118 213 and RGB 213 178 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 118 134 213, RGB 213 118 153 and RGB 213 197 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 213 179 shade: RGB 118 213 179, RGB 131 118 213, RGB 213 118 153 and RGB 200 213 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

Complementary color

CMYK 0 / 69 / 45 / 46

HEX #892A4C

RGB 137 42 76

HSL 338.53, 0.53%, 0.35%

LAB 32.91, 43.1, 1.88

 

CMYK 42 / 0 / 18 / 16

HEX #7BD5AE

RGB 123 213 174

HSL 154, 0.52%, 0.66%

LAB 78.96, -35.85, 10.93

 

CMYK 39 / 0 / 16 / 9

HEX #8CE7C1

RGB 140 231 193

HSL 154.95, 0.65%, 0.73%

LAB 85.29, -35.63, 10.02

 

CMYK 37 / 0 / 15 / 2

HEX #9DF9D4

RGB 157 249 212

HSL 155.87, 0.88%, 0.8%

LAB 91.54, -35.41, 9.16

 

CMYK 32 / 0 / 9 / 0

HEX #AEFFE7

RGB 174 255 231

HSL 162.22, 1%, 0.84%

LAB 94.44, -29.62, 3.62

 

CMYK 25 / 0 / 2 / 0

HEX #BFFFFA

RGB 191 255 250

HSL 175.31, 1%, 0.87%

LAB 95.79, -20.84, -4.09

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 48 / 0 / 18 / 24

HEX #65C3A0

RGB 101 195 160

HSL 157.66, 0.44%, 0.58%

LAB 72.45, -36.25, 9.06

 

CMYK 53 / 0 / 20 / 31

HEX #54B18D

RGB 84 177 141

HSL 156.77, 0.37%, 0.51%

LAB 65.94, -36.37, 10.1

 

CMYK 58 / 0 / 23 / 38

HEX #439F7A

RGB 67 159 122

HSL 155.87, 0.41%, 0.44%

LAB 59.34, -36.41, 11.23

 

CMYK 65 / 0 / 27 / 45

HEX #328D67

RGB 50 141 103

HSL 154.95, 0.48%, 0.37%

LAB 52.63, -36.3, 12.5

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 45 / 0 / 28 / 16

HEX #76D599

RGB 118 213 153

HSL 142.11, 0.53%, 0.65%

LAB 78.31, -41.38, 21.1

 

CMYK 45 / 0 / 40 / 16

HEX #76D580

RGB 118 213 128

HSL 126.32, 0.53%, 0.65%

LAB 77.87, -45.7, 33.47

 

CMYK 37 / 0 / 45 / 16

HEX #86D576

RGB 134 213 118

HSL 109.89, 0.53%, 0.65%

LAB 78.44, -42.33, 39.37

 

CMYK 25 / 0 / 45 / 16

HEX #9FD576

RGB 159 213 118

HSL 94.11, 0.53%, 0.65%

LAB 79.77, -33.88, 41.32

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 45 / 0 / 4 / 16

HEX #76D5CC

RGB 118 213 204

HSL 174.32, 0.53%, 0.65%

LAB 79.5, -30.3, -4.33

 

CMYK 45 / 8 / 0 / 16

HEX #76C3D5

RGB 118 195 213

HSL 191.37, 0.53%, 0.65%

LAB 74.63, -19.1, -16.44

 

CMYK 45 / 20 / 0 / 16

HEX #76AAD5

RGB 118 170 213

HSL 207.16, 0.53%, 0.65%

LAB 67.58, -5.82, -27.17

 

CMYK 45 / 32 / 0 / 16

HEX #7690D5

RGB 118 144 213

HSL 223.58, 0.53%, 0.65%

LAB 60.43, 8.92, -38.27

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 54 / 0 / 19 / 11

HEX #68E3B7

RGB 104 227 183

HSL 158.54, 0.69%, 0.65%

LAB 82.54, -44.73, 11.16

 

CMYK 63 / 0 / 22 / 5

HEX #59F1BB

RGB 89 241 187

HSL 158.68, 0.84%, 0.65%

LAB 86.32, -52.64, 14.36

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 33 / 0 / 12 / 22

HEX #84C6AF

RGB 132 198 175

HSL 159.09, 0.37%, 0.65%

LAB 75.07, -25.99, 4.88

 

CMYK 20 / 0 / 8 / 28

HEX #93B8AA

RGB 147 184 170

HSL 157.3, 0.21%, 0.65%

LAB 71.82, -15.32, 3

 

CMYK 5 / 0 / 2 / 34

HEX #A1A9A6

RGB 161 169 166

HSL 157.5, 0.04%, 0.65%

LAB 68.54, -3.4, 0.56

 

CMYK 0 / 12 / 8 / 31

HEX #B09BA2

RGB 176 155 162

HSL 340, 0.12%, 0.65%

LAB 65.97, 8.95, -0.82

 

CMYK 45 / 0 / 40 / 16

HEX #76D57F

RGB 118 213 127

HSL 125.68, 0.53%, 0.65%

LAB 77.86, -45.85, 33.96

 

CMYK 45 / 0 / 28 / 16

HEX #76D599

RGB 118 213 153

HSL 142.11, 0.53%, 0.65%

LAB 78.31, -41.38, 21.1

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B2

RGB 118 213 178

HSL 157.89, 0.53%, 0.65%

LAB 78.84, -36.3, 8.61

 

CMYK 45 / 0 / 5 / 16

HEX #76D5CB

RGB 118 213 203

HSL 173.68, 0.53%, 0.65%

LAB 79.47, -30.55, -3.83

 

CMYK 45 / 8 / 0 / 16

HEX #76C5D5

RGB 118 197 213

HSL 190.11, 0.53%, 0.65%

LAB 75.19, -20.12, -15.59

 

CMYK 69 / 0 / 25 / 25

HEX #3ABE8F

RGB 58 190 143

HSL 158.64, 0.53%, 0.49%

LAB 69.26, -46.65, 13.58

 

CMYK 58 / 0 / 21 / 20

HEX #56CBA1

RGB 86 203 161

HSL 158.46, 0.53%, 0.57%

LAB 74.36, -43, 11.16

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 32 / 0 / 12 / 13

HEX #96DEC4

RGB 150 222 196

HSL 158.33, 0.52%, 0.73%

LAB 83.29, -27.98, 5.63

 

CMYK 22 / 0 / 8 / 9

HEX #B5E8D6

RGB 181 232 214

HSL 158.82, 0.53%, 0.81%

LAB 88.16, -19.91, 3.4

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 45 / 37 / 0 / 16

HEX #7686D5

RGB 118 134 213

HSL 229.89, 0.53%, 0.65%

LAB 57.76, 14.8, -42.47

 

CMYK 0 / 34 / 45 / 16

HEX #D58C76

RGB 213 140 118

HSL 13.89, 0.53%, 0.65%

LAB 65.13, 25.28, 23.18

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 16 / 45 / 0 / 16

HEX #B276D5

RGB 178 118 213

HSL 277.89, 0.53%, 0.65%

LAB 59.18, 40.52, -39.86

 

CMYK 0 / 16 / 45 / 16

HEX #D5B276

RGB 213 178 118

HSL 37.89, 0.53%, 0.65%

LAB 74.38, 4.79, 35.33

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 45 / 37 / 0 / 16

HEX #7686D5

RGB 118 134 213

HSL 229.89, 0.53%, 0.65%

LAB 57.76, 14.8, -42.47

 

CMYK 0 / 45 / 28 / 16

HEX #D57699

RGB 213 118 153

HSL 337.89, 0.53%, 0.65%

LAB 61.14, 41.18, -2.32

 

CMYK 0 / 8 / 45 / 16

HEX #D5C576

RGB 213 197 118

HSL 49.89, 0.53%, 0.65%

LAB 79.26, -5.18, 41.52

 

CMYK 45 / 0 / 16 / 16

HEX #76D5B3

RGB 118 213 179

HSL 158.53, 0.53%, 0.65%

LAB 78.87, -36.08, 8.11

 

CMYK 38 / 45 / 0 / 16

HEX #8376D5

RGB 131 118 213

HSL 248.21, 0.53%, 0.65%

LAB 54.64, 27.59, -47.33

 

CMYK 0 / 45 / 28 / 16

HEX #D57699

RGB 213 118 153

HSL 337.89, 0.53%, 0.65%

LAB 61.14, 41.18, -2.32

 

CMYK 6 / 0 / 45 / 16

HEX #C8D576

RGB 200 213 118

HSL 68.21, 0.53%, 0.65%

LAB 82.47, -18.46, 45.28

 

Description

Color code: RGB 118 213 179 | qconv.com Color code: RGB 118 213 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 213 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 213 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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