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Color name
RGB 118 195 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 195 111 it is the complementary color RGB 137 60 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 195 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 195 111 shade: RGB 123 195 106, RGB 140 213 125, RGB 157 231 144, RGB 174 249 163 and RGB 191 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 195 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 195 111 shade: RGB 118 195 111, RGB 101 177 92, RGB 84 159 73, RGB 67 141 54 and RGB 50 123 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 195 111 shade: RGB 118 194 111, RGB 140 194 111, RGB 163 194 111, RGB 185 194 111 and RGB 194 181 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 195 111 shade: RGB 118 194 111, RGB 111 194 126, RGB 111 194 149, RGB 111 194 171 and RGB 111 194 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 195 111 shade matches the following richer shades: RGB 118 194 111, RGB 104 211 94, RGB 90 227 78 and RGB 76 244 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 195 111 shade: RGB 118 194 111, RGB 131 178 127, RGB 145 161 144, RGB 159 145 160 and RGB 173 128 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 195 111 shade: RGB 162 194 111, RGB 140 194 111, RGB 118 194 111, RGB 111 194 126 and RGB 111 194 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 195 111 shade: RGB 73 157 65, RGB 90 182 82, RGB 118 194 111, RGB 145 206 140 and RGB 173 219 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 195 111 shade: RGB 118 195 111, RGB 111 185 194 and RGB 194 111 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 195 111 shade: RGB 118 195 111, RGB 111 118 194 and RGB 194 111 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 195 111 shade: RGB 118 195 111, RGB 111 185 194, RGB 187 111 194 and RGB 194 120 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 195 111 shade: RGB 118 195 111, RGB 111 159 194, RGB 187 111 194 and RGB 194 146 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

Complementary color

CMYK 5 / 58 / 0 / 44

HEX #893C90

RGB 137 60 144

HSL 295, 0.41%, 0.4%

LAB 38.84, 45.17, -31.92

 

CMYK 37 / 0 / 46 / 24

HEX #7BC36A

RGB 123 195 106

HSL 108.54, 0.43%, 0.59%

LAB 72.42, -39.6, 37.65

 

CMYK 34 / 0 / 41 / 16

HEX #8CD57D

RGB 140 213 125

HSL 109.77, 0.51%, 0.66%

LAB 78.84, -39.43, 36.43

 

CMYK 32 / 0 / 38 / 9

HEX #9DE790

RGB 157 231 144

HSL 111.03, 0.64%, 0.74%

LAB 85.17, -39.24, 35.26

 

CMYK 30 / 0 / 35 / 2

HEX #AEF9A3

RGB 174 249 163

HSL 112.33, 0.88%, 0.81%

LAB 91.41, -39.03, 34.13

 

CMYK 25 / 0 / 29 / 0

HEX #BFFFB6

RGB 191 255 182

HSL 112.6, 1%, 0.86%

LAB 94.3, -33.37, 28.62

 

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

CMYK 43 / 0 / 48 / 31

HEX #65B15C

RGB 101 177 92

HSL 113.65, 0.35%, 0.53%

LAB 65.74, -40.64, 36.13

 

CMYK 47 / 0 / 54 / 38

HEX #549F49

RGB 84 159 73

HSL 112.33, 0.37%, 0.45%

LAB 59.12, -40.69, 37.41

 

CMYK 52 / 0 / 62 / 45

HEX #438D36

RGB 67 141 54

HSL 111.03, 0.45%, 0.38%

LAB 52.41, -40.56, 38.64

 

CMYK 59 / 0 / 72 / 52

HEX #327B23

RGB 50 123 35

HSL 109.77, 0.56%, 0.31%

LAB 45.59, -40.11, 39.59

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 28 / 0 / 43 / 24

HEX #8CC26F

RGB 140 194 111

HSL 99.04, 0.4%, 0.6%

LAB 73.09, -32.69, 36.17

 

CMYK 16 / 0 / 43 / 24

HEX #A3C26F

RGB 163 194 111

HSL 82.41, 0.4%, 0.6%

LAB 74.52, -24.22, 38.27

 

CMYK 5 / 0 / 43 / 24

HEX #B9C26F

RGB 185 194 111

HSL 66.51, 0.4%, 0.6%

LAB 76.1, -15.62, 40.59

 

CMYK 0 / 7 / 43 / 24

HEX #C2B56F

RGB 194 181 111

HSL 50.6, 0.4%, 0.6%

LAB 73.33, -5.28, 37.26

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 43 / 0 / 35 / 24

HEX #6FC27E

RGB 111 194 126

HSL 130.84, 0.4%, 0.6%

LAB 71.87, -39.8, 26.53

 

CMYK 43 / 0 / 23 / 24

HEX #6FC295

RGB 111 194 149

HSL 147.47, 0.4%, 0.6%

LAB 72.32, -35.5, 14.87

 

CMYK 43 / 0 / 12 / 24

HEX #6FC2AB

RGB 111 194 171

HSL 163.37, 0.4%, 0.6%

LAB 72.83, -30.76, 3.69

 

CMYK 43 / 0 / 0 / 24

HEX #6FC2C2

RGB 111 194 194

HSL 180, 0.4%, 0.6%

LAB 73.45, -25.21, -7.91

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 51 / 0 / 55 / 17

HEX #68D35E

RGB 104 211 94

HSL 114.87, 0.57%, 0.6%

LAB 76.28, -53.49, 47.99

 

CMYK 60 / 0 / 66 / 11

HEX #5AE34E

RGB 90 227 78

HSL 115.17, 0.73%, 0.6%

LAB 80.55, -64.53, 59.63

 

CMYK 69 / 0 / 75 / 4

HEX #4CF43D

RGB 76 244 61

HSL 115.08, 0.89%, 0.6%

LAB 85.29, -74.25, 70.53

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 26 / 0 / 29 / 30

HEX #83B27F

RGB 131 178 127

HSL 115.29, 0.25%, 0.6%

LAB 68.17, -25.75, 21.17

 

CMYK 10 / 0 / 11 / 37

HEX #91A190

RGB 145 161 144

HSL 116.47, 0.08%, 0.6%

LAB 64.58, -8.98, 6.93

 

CMYK 1 / 9 / 0 / 37

HEX #9F91A0

RGB 159 145 160

HSL 296, 0.07%, 0.6%

LAB 61.79, 8.01, -6.01

 

CMYK 2 / 28 / 0 / 31

HEX #AD80B1

RGB 173 128 177

HSL 295.1, 0.24%, 0.6%

LAB 59.43, 25.89, -19.11

 

CMYK 16 / 0 / 43 / 24

HEX #A2C26F

RGB 162 194 111

HSL 83.13, 0.4%, 0.6%

LAB 74.45, -24.6, 38.17

 

CMYK 28 / 0 / 43 / 24

HEX #8CC26F

RGB 140 194 111

HSL 99.04, 0.4%, 0.6%

LAB 73.09, -32.69, 36.17

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 43 / 0 / 35 / 24

HEX #6FC27E

RGB 111 194 126

HSL 130.84, 0.4%, 0.6%

LAB 71.87, -39.8, 26.53

 

CMYK 43 / 0 / 24 / 24

HEX #6FC294

RGB 111 194 148

HSL 146.75, 0.4%, 0.6%

LAB 72.3, -35.7, 15.38

 

CMYK 54 / 0 / 59 / 38

HEX #499D41

RGB 73 157 65

HSL 114.78, 0.41%, 0.44%

LAB 57.95, -44.08, 39.83

 

CMYK 51 / 0 / 55 / 29

HEX #5AB652

RGB 90 182 82

HSL 115.2, 0.41%, 0.52%

LAB 66.7, -47.32, 42.14

 

CMYK 39 / 0 / 43 / 24

HEX #76C26F

RGB 118 194 111

HSL 114.94, 0.4%, 0.6%

LAB 71.95, -40.05, 34.47

 

CMYK 30 / 0 / 32 / 19

HEX #91CE8C

RGB 145 206 140

HSL 115.45, 0.4%, 0.68%

LAB 77.31, -32.32, 26.77

 

CMYK 21 / 0 / 23 / 14

HEX #ADDBA9

RGB 173 219 169

HSL 115.2, 0.41%, 0.76%

LAB 83.13, -24.4, 19.81

 

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

CMYK 43 / 5 / 0 / 24

HEX #6FB9C2

RGB 111 185 194

HSL 186.51, 0.4%, 0.6%

LAB 70.85, -20.68, -11.79

 

CMYK 0 / 43 / 22 / 24

HEX #C26F97

RGB 194 111 151

HSL 331.08, 0.4%, 0.6%

LAB 57.15, 37.97, -7.34

 

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

CMYK 43 / 39 / 0 / 24

HEX #6F76C2

RGB 111 118 194

HSL 234.94, 0.4%, 0.6%

LAB 52.1, 17.02, -40.65

 

CMYK 0 / 43 / 39 / 24

HEX #C26F76

RGB 194 111 118

HSL 354.94, 0.4%, 0.6%

LAB 56.23, 33.57, 10.56

 

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

CMYK 43 / 5 / 0 / 24

HEX #6FB9C2

RGB 111 185 194

HSL 186.51, 0.4%, 0.6%

LAB 70.85, -20.68, -11.79

 

CMYK 4 / 43 / 0 / 24

HEX #BB6FC2

RGB 187 111 194

HSL 294.94, 0.4%, 0.6%

LAB 57.87, 43.06, -31.07

 

CMYK 0 / 38 / 43 / 24

HEX #C2786F

RGB 194 120 111

HSL 6.51, 0.4%, 0.6%

LAB 58.08, 27.9, 17.18

 

CMYK 39 / 0 / 43 / 24

HEX #76C36F

RGB 118 195 111

HSL 115, 0.41%, 0.6%

LAB 72.25, -40.49, 34.86

 

CMYK 43 / 18 / 0 / 24

HEX #6F9FC2

RGB 111 159 194

HSL 205.3, 0.4%, 0.6%

LAB 63.4, -6.84, -23.07

 

CMYK 4 / 43 / 0 / 24

HEX #BB6FC2

RGB 187 111 194

HSL 294.94, 0.4%, 0.6%

LAB 57.87, 43.06, -31.07

 

CMYK 0 / 25 / 43 / 24

HEX #C2926F

RGB 194 146 111

HSL 25.3, 0.4%, 0.6%

LAB 64.3, 13.6, 25.57

 

Description

Color code: RGB 118 195 111 | qconv.com Color code: RGB 118 195 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 195 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 195 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 43 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 43% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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