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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 182 111 it is the complementary color RGB 137 73 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 182 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 182 111 shade: RGB 123 182 106, RGB 140 200 125, RGB 157 218 144, RGB 174 236 163 and RGB 191 254 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 182 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 182 111 shade: RGB 118 182 111, RGB 101 164 92, RGB 84 146 73, RGB 67 128 54 and RGB 50 110 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 182 111 shade: RGB 116 181 109, RGB 135 181 109, RGB 155 181 109, RGB 174 181 109 and RGB 181 168 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 182 111 shade: RGB 116 181 109, RGB 109 181 121, RGB 109 181 141, RGB 109 181 160 and RGB 109 181 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 182 111 shade matches the following richer shades: RGB 116 181 109, RGB 102 199 91, RGB 87 217 73, RGB 73 234 55 and RGB 59 252 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 182 111 shade: RGB 116 181 109, RGB 130 163 126, RGB 144 146 144, RGB 159 128 162 and RGB 173 110 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 182 111 shade: RGB 154 181 109, RGB 135 181 109, RGB 116 181 109, RGB 109 181 121 and RGB 109 181 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 182 111 shade: RGB 76 138 69, RGB 91 165 83, RGB 116 181 109, RGB 142 195 136 and RGB 168 209 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 182 111 shade: RGB 118 182 111, RGB 109 174 181 and RGB 181 109 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 182 111 shade: RGB 118 182 111, RGB 109 116 181 and RGB 181 109 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 182 111 shade: RGB 118 182 111, RGB 109 174 181, RGB 174 109 181 and RGB 181 116 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 182 111 shade: RGB 118 182 111, RGB 109 152 181, RGB 174 109 181 and RGB 181 138 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

Complementary color

CMYK 5 / 49 / 0 / 44

HEX #894990

RGB 137 73 144

HSL 294.08, 0.33%, 0.43%

LAB 41.37, 38.42, -27.94

 

CMYK 32 / 0 / 42 / 29

HEX #7BB66A

RGB 123 182 106

HSL 106.58, 0.34%, 0.56%

LAB 68.54, -33.7, 32.72

 

CMYK 30 / 0 / 38 / 22

HEX #8CC87D

RGB 140 200 125

HSL 108, 0.41%, 0.64%

LAB 75.05, -33.51, 31.52

 

CMYK 28 / 0 / 34 / 15

HEX #9DDA90

RGB 157 218 144

HSL 109.46, 0.5%, 0.71%

LAB 81.47, -33.31, 30.38

 

CMYK 26 / 0 / 31 / 7

HEX #AEECA3

RGB 174 236 163

HSL 110.96, 0.66%, 0.78%

LAB 87.79, -33.11, 29.29

 

CMYK 25 / 0 / 28 / 0

HEX #BFFEB6

RGB 191 254 182

HSL 112.5, 0.97%, 0.85%

LAB 94.03, -32.91, 28.25

 

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

CMYK 38 / 0 / 44 / 36

HEX #65A45C

RGB 101 164 92

HSL 112.5, 0.28%, 0.5%

LAB 61.73, -34.84, 31.08

 

CMYK 42 / 0 / 50 / 43

HEX #549249

RGB 84 146 73

HSL 110.96, 0.33%, 0.43%

LAB 54.99, -34.98, 32.38

 

CMYK 48 / 0 / 58 / 50

HEX #438036

RGB 67 128 54

HSL 109.46, 0.41%, 0.36%

LAB 48.13, -35, 33.68

 

CMYK 55 / 0 / 68 / 57

HEX #326E23

RGB 50 110 35

HSL 108, 0.52%, 0.28%

LAB 41.14, -34.78, 34.82

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 25 / 0 / 40 / 29

HEX #87B56D

RGB 135 181 109

HSL 98.33, 0.33%, 0.57%

LAB 68.97, -28.58, 31.85

 

CMYK 14 / 0 / 40 / 29

HEX #9BB56D

RGB 155 181 109

HSL 81.67, 0.33%, 0.57%

LAB 70.26, -21.09, 33.77

 

CMYK 4 / 0 / 40 / 29

HEX #AEB56D

RGB 174 181 109

HSL 65.83, 0.33%, 0.57%

LAB 71.66, -13.61, 35.84

 

CMYK 0 / 7 / 40 / 29

HEX #B5A86D

RGB 181 168 109

HSL 49.17, 0.33%, 0.57%

LAB 68.7, -3.94, 32.17

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 40 / 0 / 33 / 29

HEX #6DB579

RGB 109 181 121

HSL 130, 0.33%, 0.57%

LAB 67.78, -35.39, 23.68

 

CMYK 40 / 0 / 22 / 29

HEX #6DB58D

RGB 109 181 141

HSL 146.67, 0.33%, 0.57%

LAB 68.18, -31.61, 13.4

 

CMYK 40 / 0 / 12 / 29

HEX #6DB5A0

RGB 109 181 160

HSL 162.5, 0.33%, 0.57%

LAB 68.63, -27.51, 3.62

 

CMYK 40 / 0 / 1 / 29

HEX #6DB5B4

RGB 109 181 180

HSL 179.17, 0.33%, 0.57%

LAB 69.18, -22.73, -6.6

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 49 / 0 / 54 / 22

HEX #66C75B

RGB 102 199 91

HSL 113.89, 0.49%, 0.57%

LAB 72.51, -49.66, 44.9

 

CMYK 60 / 0 / 66 / 15

HEX #57D949

RGB 87 217 73

HSL 114.17, 0.65%, 0.57%

LAB 77.36, -62.19, 58.16

 

CMYK 69 / 0 / 76 / 8

HEX #49EA37

RGB 73 234 55

HSL 113.97, 0.81%, 0.57%

LAB 82.13, -72.05, 69.29

 

CMYK 77 / 0 / 85 / 1

HEX #3BFC26

RGB 59 252 38

HSL 114.11, 0.97%, 0.57%

LAB 87.33, -80.44, 78.36

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 20 / 0 / 23 / 36

HEX #82A37E

RGB 130 163 126

HSL 113.51, 0.17%, 0.57%

LAB 63.71, -18.72, 15.57

 

CMYK 1 / 0 / 1 / 43

HEX #909290

RGB 144 146 144

HSL 120, 0.01%, 0.57%

LAB 60.34, -1.12, 0.79

 

CMYK 2 / 21 / 0 / 36

HEX #9F80A2

RGB 159 128 162

HSL 294.71, 0.15%, 0.57%

LAB 57.48, 18.09, -13.61

 

CMYK 4 / 39 / 0 / 29

HEX #AD6EB4

RGB 173 110 180

HSL 294, 0.32%, 0.57%

LAB 55.41, 36.54, -27

 

CMYK 15 / 0 / 40 / 29

HEX #9AB56D

RGB 154 181 109

HSL 82.5, 0.33%, 0.57%

LAB 70.19, -21.48, 33.67

 

CMYK 25 / 0 / 40 / 29

HEX #87B56D

RGB 135 181 109

HSL 98.33, 0.33%, 0.57%

LAB 68.97, -28.58, 31.85

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 40 / 0 / 33 / 29

HEX #6DB579

RGB 109 181 121

HSL 130, 0.33%, 0.57%

LAB 67.78, -35.39, 23.68

 

CMYK 40 / 0 / 23 / 29

HEX #6DB58C

RGB 109 181 140

HSL 145.83, 0.33%, 0.57%

LAB 68.16, -31.81, 13.92

 

CMYK 45 / 0 / 50 / 46

HEX #4C8A45

RGB 76 138 69

HSL 113.91, 0.33%, 0.41%

LAB 52, -34.54, 30.68

 

CMYK 45 / 0 / 50 / 35

HEX #5BA553

RGB 91 165 83

HSL 114.15, 0.33%, 0.49%

LAB 61.45, -39.78, 35.28

 

CMYK 36 / 0 / 40 / 29

HEX #74B56D

RGB 116 181 109

HSL 114.17, 0.33%, 0.57%

LAB 67.92, -35.14, 30.29

 

CMYK 27 / 0 / 30 / 24

HEX #8EC388

RGB 142 195 136

HSL 113.9, 0.33%, 0.65%

LAB 73.91, -28.76, 24.25

 

CMYK 20 / 0 / 22 / 18

HEX #A8D1A4

RGB 168 209 164

HSL 114.67, 0.33%, 0.73%

LAB 79.96, -22.05, 17.98

 

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

CMYK 40 / 4 / 0 / 29

HEX #6DAEB5

RGB 109 174 181

HSL 185.83, 0.33%, 0.57%

LAB 67.17, -18.89, -10.14

 

CMYK 0 / 40 / 20 / 29

HEX #B56D91

RGB 181 109 145

HSL 330, 0.33%, 0.57%

LAB 54.87, 33.57, -7.41

 

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

CMYK 40 / 36 / 0 / 29

HEX #6D74B5

RGB 109 116 181

HSL 234.17, 0.33%, 0.57%

LAB 50.78, 13.92, -35.26

 

CMYK 0 / 40 / 36 / 29

HEX #B56D74

RGB 181 109 116

HSL 354.17, 0.33%, 0.57%

LAB 54.05, 29.47, 8.4

 

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

CMYK 40 / 4 / 0 / 29

HEX #6DAEB5

RGB 109 174 181

HSL 185.83, 0.33%, 0.57%

LAB 67.17, -18.89, -10.14

 

CMYK 4 / 40 / 0 / 29

HEX #AE6DB5

RGB 174 109 181

HSL 294.17, 0.33%, 0.57%

LAB 55.35, 37.6, -27.66

 

CMYK 0 / 36 / 40 / 29

HEX #B5746D

RGB 181 116 109

HSL 5.83, 0.33%, 0.57%

LAB 55.5, 24.74, 14.52

 

CMYK 35 / 0 / 39 / 29

HEX #76B66F

RGB 118 182 111

HSL 114.08, 0.33%, 0.57%

LAB 68.35, -34.64, 29.82

 

CMYK 40 / 16 / 0 / 29

HEX #6D98B5

RGB 109 152 181

HSL 204.17, 0.33%, 0.57%

LAB 60.82, -7.07, -19.72

 

CMYK 4 / 40 / 0 / 29

HEX #AE6DB5

RGB 174 109 181

HSL 294.17, 0.33%, 0.57%

LAB 55.35, 37.6, -27.66

 

CMYK 0 / 24 / 40 / 29

HEX #B58A6D

RGB 181 138 109

HSL 24.17, 0.33%, 0.57%

LAB 60.87, 12.47, 21.85

 

Description

Color code: RGB 118 182 111 | qconv.com Color code: RGB 118 182 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 182 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 182 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 39 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 39% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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