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Color name
RGB 118 173 187

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 173 187 it is the complementary color RGB 137 82 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 173 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 173 187 shade: RGB 123 173 182, RGB 140 191 201, RGB 157 209 220, RGB 174 227 239 and RGB 191 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 173 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 101 155 168, RGB 84 137 149, RGB 67 119 130 and RGB 50 101 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 118 154 187, RGB 118 136 187, RGB 119 118 187 and RGB 137 118 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 118 154 187, RGB 118 136 187 and RGB 118 118 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 173 187 shade matches the following richer shades: RGB 118 173 187, RGB 101 183 204, RGB 85 193 220, RGB 68 203 237 and RGB 52 212 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 134 163 171, RGB 151 153 154, RGB 167 144 138 and RGB 184 134 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 173 187 shade: RGB 118 187 164, RGB 118 187 183, RGB 118 173 187, RGB 118 155 187 and RGB 118 136 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 173 187 shade: RGB 73 134 149, RGB 90 157 174, RGB 118 173 187, RGB 145 190 201 and RGB 173 206 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 146 118 187 and RGB 187 173 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 187 118 173 and RGB 173 187 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 146 118 187, RGB 187 132 118 and RGB 159 187 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 173 187 shade: RGB 118 173 187, RGB 166 118 187, RGB 187 132 118 and RGB 139 187 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

Complementary color

CMYK 0 / 40 / 50 / 46

HEX #895244

RGB 137 82 68

HSL 12.17, 0.34%, 0.4%

LAB 40.85, 21.37, 17.96

 

CMYK 32 / 5 / 0 / 29

HEX #7BADB6

RGB 123 173 182

HSL 189.15, 0.29%, 0.6%

LAB 67.63, -14.27, -9.93

 

CMYK 30 / 5 / 0 / 21

HEX #8CBFC9

RGB 140 191 201

HSL 189.84, 0.36%, 0.67%

LAB 74.22, -14.24, -10.42

 

CMYK 29 / 5 / 0 / 14

HEX #9DD1DC

RGB 157 209 220

HSL 190.48, 0.47%, 0.74%

LAB 80.7, -14.21, -10.9

 

CMYK 27 / 5 / 0 / 6

HEX #AEE3EF

RGB 174 227 239

HSL 191.08, 0.67%, 0.81%

LAB 87.08, -14.19, -11.36

 

CMYK 25 / 4 / 0 / 0

HEX #BFF5FF

RGB 191 245 255

HSL 189.38, 1%, 0.87%

LAB 93.28, -14.83, -10.39

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 40 / 8 / 0 / 34

HEX #659BA8

RGB 101 155 168

HSL 191.64, 0.28%, 0.53%

LAB 60.81, -14.38, -12.43

 

CMYK 44 / 8 / 0 / 42

HEX #548995

RGB 84 137 149

HSL 191.08, 0.28%, 0.46%

LAB 53.97, -14.32, -11.95

 

CMYK 48 / 8 / 0 / 49

HEX #437782

RGB 67 119 130

HSL 190.48, 0.32%, 0.39%

LAB 46.97, -14.21, -11.44

 

CMYK 55 / 9 / 0 / 56

HEX #32656F

RGB 50 101 111

HSL 189.84, 0.38%, 0.32%

LAB 39.8, -14.01, -10.89

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 37 / 18 / 0 / 27

HEX #769ABB

RGB 118 154 187

HSL 208.7, 0.34%, 0.6%

LAB 62.13, -4.07, -21.06

 

CMYK 37 / 27 / 0 / 27

HEX #7688BB

RGB 118 136 187

HSL 224.35, 0.34%, 0.6%

LAB 57.12, 6.22, -28.76

 

CMYK 36 / 37 / 0 / 27

HEX #7776BB

RGB 119 118 187

HSL 240.87, 0.34%, 0.6%

LAB 52.36, 17.17, -36.18

 

CMYK 27 / 37 / 0 / 27

HEX #8976BB

RGB 137 118 187

HSL 256.52, 0.34%, 0.6%

LAB 53.88, 22.38, -33.69

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 37 / 18 / 0 / 27

HEX #769ABB

RGB 118 154 187

HSL 208.7, 0.34%, 0.6%

LAB 62.13, -4.07, -21.06

 

CMYK 37 / 27 / 0 / 27

HEX #7688BB

RGB 118 136 187

HSL 224.35, 0.34%, 0.6%

LAB 57.12, 6.22, -28.76

 

CMYK 37 / 37 / 0 / 27

HEX #7676BB

RGB 118 118 187

HSL 240, 0.34%, 0.6%

LAB 52.28, 16.89, -36.31

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 50 / 10 / 0 / 20

HEX #65B7CC

RGB 101 183 204

HSL 192.23, 0.5%, 0.6%

LAB 70.17, -19.3, -18.34

 

CMYK 61 / 12 / 0 / 14

HEX #55C1DC

RGB 85 193 220

HSL 192, 0.66%, 0.6%

LAB 73.05, -22.96, -22.75

 

CMYK 71 / 14 / 0 / 7

HEX #44CBED

RGB 68 203 237

HSL 192.07, 0.82%, 0.6%

LAB 76.1, -25.37, -27.3

 

CMYK 79 / 16 / 0 / 1

HEX #34D4FD

RGB 52 212 253

HSL 192.24, 0.98%, 0.6%

LAB 78.99, -26.52, -31.46

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 22 / 5 / 0 / 33

HEX #86A3AB

RGB 134 163 171

HSL 192.97, 0.18%, 0.6%

LAB 65.12, -8.18, -7.47

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 0 / 14 / 17 / 35

HEX #A7908A

RGB 167 144 138

HSL 12.41, 0.14%, 0.6%

LAB 61.65, 7.6, 6.36

 

CMYK 0 / 27 / 34 / 28

HEX #B88679

RGB 184 134 121

HSL 12.38, 0.31%, 0.6%

LAB 60.45, 17.4, 14.55

 

CMYK 37 / 0 / 12 / 27

HEX #76BBA4

RGB 118 187 164

HSL 160, 0.34%, 0.6%

LAB 70.92, -27.03, 4.79

 

CMYK 37 / 0 / 2 / 27

HEX #76BBB7

RGB 118 187 183

HSL 176.52, 0.34%, 0.6%

LAB 71.43, -22.64, -4.87

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 37 / 17 / 0 / 27

HEX #769BBB

RGB 118 155 187

HSL 207.83, 0.34%, 0.6%

LAB 62.41, -4.63, -20.63

 

CMYK 37 / 27 / 0 / 27

HEX #7688BB

RGB 118 136 187

HSL 224.35, 0.34%, 0.6%

LAB 57.12, 6.22, -28.76

 

CMYK 51 / 10 / 0 / 42

HEX #498695

RGB 73 134 149

HSL 191.84, 0.34%, 0.44%

LAB 52.55, -15.44, -14.14

 

CMYK 48 / 10 / 0 / 32

HEX #5A9DAE

RGB 90 157 174

HSL 192.14, 0.34%, 0.52%

LAB 61.08, -16.61, -15.46

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 28 / 5 / 0 / 21

HEX #91BEC9

RGB 145 190 201

HSL 191.79, 0.34%, 0.68%

LAB 74.23, -12.26, -10.38

 

CMYK 19 / 4 / 0 / 16

HEX #ADCED6

RGB 173 206 214

HSL 191.71, 0.33%, 0.76%

LAB 80.67, -9.22, -7.63

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 22 / 37 / 0 / 27

HEX #9276BB

RGB 146 118 187

HSL 264.35, 0.34%, 0.6%

LAB 54.72, 25.1, -32.32

 

CMYK 0 / 7 / 37 / 27

HEX #BBAD76

RGB 187 173 118

HSL 47.83, 0.34%, 0.6%

LAB 70.71, -3.12, 30.1

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 0 / 37 / 7 / 27

HEX #BB76AD

RGB 187 118 173

HSL 312.17, 0.34%, 0.6%

LAB 58.54, 35.4, -18.02

 

CMYK 7 / 0 / 37 / 27

HEX #ADBB76

RGB 173 187 118

HSL 72.17, 0.34%, 0.6%

LAB 73.37, -16, 33.36

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 22 / 37 / 0 / 27

HEX #9276BB

RGB 146 118 187

HSL 264.35, 0.34%, 0.6%

LAB 54.72, 25.1, -32.32

 

CMYK 0 / 29 / 37 / 27

HEX #BB8476

RGB 187 132 118

HSL 12.17, 0.34%, 0.6%

LAB 60.23, 19.33, 16

 

CMYK 15 / 0 / 37 / 27

HEX #9FBB76

RGB 159 187 118

HSL 84.35, 0.34%, 0.6%

LAB 72.38, -21.39, 31.87

 

CMYK 37 / 7 / 0 / 27

HEX #76ADBB

RGB 118 173 187

HSL 192.17, 0.34%, 0.6%

LAB 67.52, -14.42, -12.89

 

CMYK 11 / 37 / 0 / 27

HEX #A676BB

RGB 166 118 187

HSL 281.74, 0.34%, 0.6%

LAB 56.73, 31.31, -29.03

 

CMYK 0 / 29 / 37 / 27

HEX #BB8476

RGB 187 132 118

HSL 12.17, 0.34%, 0.6%

LAB 60.23, 19.33, 16

 

CMYK 26 / 0 / 37 / 27

HEX #8BBB76

RGB 139 187 118

HSL 101.74, 0.34%, 0.6%

LAB 71.1, -28.74, 29.97

 

Description

Color code: RGB 118 173 187 | qconv.com Color code: RGB 118 173 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 173 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 173 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 7 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 7% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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