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Color name
RGB 118 172 107

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 172 107 it is the complementary color RGB 137 83 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 172 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 172 107 shade: RGB 123 172 102, RGB 140 190 121, RGB 157 208 140, RGB 174 226 159 and RGB 191 244 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 172 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 172 107 shade: RGB 118 172 107, RGB 101 154 88, RGB 84 136 69, RGB 67 118 50 and RGB 50 100 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 172 107 shade: RGB 118 172 108, RGB 136 172 108, RGB 153 172 108, RGB 170 172 108 and RGB 172 156 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 172 107 shade: RGB 118 172 108, RGB 108 172 114, RGB 108 172 131, RGB 108 172 149 and RGB 108 172 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 172 107 shade matches the following richer shades: RGB 118 172 108, RGB 106 190 89, RGB 94 209 70, RGB 82 228 52 and RGB 69 246 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 172 107 shade: RGB 118 172 108, RGB 131 153 126, RGB 143 135 145, RGB 155 116 163 and RGB 168 98 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 172 107 shade: RGB 154 172 108, RGB 137 172 108, RGB 119 172 108, RGB 108 172 113 and RGB 108 172 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 172 107 shade: RGB 80 126 71, RGB 97 153 86, RGB 118 172 108, RGB 143 187 134 and RGB 167 202 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 172 107 shade: RGB 118 172 107, RGB 108 171 172 and RGB 172 108 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 172 107 shade: RGB 118 172 107, RGB 108 119 172 and RGB 172 108 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 172 107 shade: RGB 118 172 107, RGB 108 171 172, RGB 160 108 172 and RGB 172 109 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 172 107 shade: RGB 118 172 107, RGB 108 152 172, RGB 160 108 172 and RGB 172 128 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

Complementary color

CMYK 7 / 44 / 0 / 42

HEX #895394

RGB 137 83 148

HSL 289.85, 0.28%, 0.45%

LAB 43.72, 33.69, -26.69

 

CMYK 28 / 0 / 41 / 33

HEX #7BAC66

RGB 123 172 102

HSL 102, 0.3%, 0.54%

LAB 65.5, -29.56, 30.89

 

CMYK 26 / 0 / 36 / 25

HEX #8CBE79

RGB 140 190 121

HSL 103.48, 0.35%, 0.61%

LAB 72.08, -29.39, 29.7

 

CMYK 25 / 0 / 33 / 18

HEX #9DD08C

RGB 157 208 140

HSL 105, 0.42%, 0.68%

LAB 78.56, -29.21, 28.57

 

CMYK 23 / 0 / 30 / 11

HEX #AEE29F

RGB 174 226 159

HSL 106.57, 0.54%, 0.75%

LAB 84.94, -29.04, 27.49

 

CMYK 22 / 0 / 27 / 4

HEX #BFF4B2

RGB 191 244 178

HSL 108.18, 0.75%, 0.83%

LAB 91.23, -28.87, 26.47

 

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

CMYK 34 / 0 / 43 / 40

HEX #659A58

RGB 101 154 88

HSL 108.18, 0.27%, 0.47%

LAB 58.59, -30.77, 29.17

 

CMYK 38 / 0 / 49 / 47

HEX #548845

RGB 84 136 69

HSL 106.57, 0.33%, 0.4%

LAB 51.75, -30.93, 30.46

 

CMYK 43 / 0 / 58 / 54

HEX #437632

RGB 67 118 50

HSL 105, 0.4%, 0.33%

LAB 44.77, -30.99, 31.76

 

CMYK 50 / 0 / 69 / 61

HEX #32641F

RGB 50 100 31

HSL 103.48, 0.53%, 0.26%

LAB 37.65, -30.83, 32.88

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 21 / 0 / 37 / 33

HEX #88AC6C

RGB 136 172 108

HSL 93.75, 0.28%, 0.55%

LAB 66.38, -23.95, 29.03

 

CMYK 11 / 0 / 37 / 33

HEX #99AC6C

RGB 153 172 108

HSL 77.81, 0.28%, 0.55%

LAB 67.55, -17.44, 30.76

 

CMYK 1 / 0 / 37 / 33

HEX #AAAC6C

RGB 170 172 108

HSL 61.88, 0.28%, 0.55%

LAB 68.85, -10.66, 32.7

 

CMYK 0 / 9 / 37 / 33

HEX #AC9C6C

RGB 172 156 108

HSL 45, 0.28%, 0.55%

LAB 64.67, -1.3, 27.3

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 37 / 0 / 34 / 33

HEX #6CAC72

RGB 108 172 114

HSL 125.63, 0.28%, 0.55%

LAB 64.89, -32.75, 23.54

 

CMYK 37 / 0 / 24 / 33

HEX #6CAC83

RGB 108 172 131

HSL 141.56, 0.28%, 0.55%

LAB 65.23, -29.61, 14.73

 

CMYK 37 / 0 / 13 / 33

HEX #6CAC95

RGB 108 172 149

HSL 158.44, 0.28%, 0.55%

LAB 65.64, -25.83, 5.38

 

CMYK 37 / 0 / 3 / 33

HEX #6CACA6

RGB 108 172 166

HSL 174.38, 0.28%, 0.55%

LAB 66.09, -21.88, -3.41

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 44 / 0 / 53 / 25

HEX #6ABE59

RGB 106 190 89

HSL 109.9, 0.44%, 0.55%

LAB 69.9, -45.03, 42.76

 

CMYK 55 / 0 / 67 / 18

HEX #5ED146

RGB 94 209 70

HSL 109.64, 0.6%, 0.55%

LAB 75.09, -57.89, 56.99

 

CMYK 64 / 0 / 77 / 11

HEX #52E434

RGB 82 228 52

HSL 109.77, 0.77%, 0.55%

LAB 80.48, -68.58, 68.68

 

CMYK 72 / 0 / 87 / 4

HEX #45F621

RGB 69 246 33

HSL 109.86, 0.92%, 0.55%

LAB 85.65, -77.44, 77.93

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 14 / 0 / 18 / 40

HEX #83997E

RGB 131 153 126

HSL 108.89, 0.12%, 0.55%

LAB 60.88, -13.11, 11.63

 

CMYK 1 / 7 / 0 / 43

HEX #8F8791

RGB 143 135 145

HSL 288, 0.04%, 0.55%

LAB 57.28, 4.93, -4.27

 

CMYK 5 / 29 / 0 / 36

HEX #9B74A3

RGB 155 116 163

HSL 289.79, 0.2%, 0.55%

LAB 54.14, 23.81, -19.3

 

CMYK 8 / 46 / 0 / 29

HEX #A862B6

RGB 168 98 182

HSL 290, 0.37%, 0.55%

LAB 52.33, 41.93, -32.99

 

CMYK 10 / 0 / 37 / 33

HEX #9AAC6C

RGB 154 172 108

HSL 76.88, 0.28%, 0.55%

LAB 67.62, -17.05, 30.87

 

CMYK 20 / 0 / 37 / 33

HEX #89AC6C

RGB 137 172 108

HSL 92.81, 0.28%, 0.55%

LAB 66.45, -23.58, 29.12

 

CMYK 31 / 0 / 37 / 33

HEX #77AC6C

RGB 119 172 108

HSL 109.69, 0.28%, 0.55%

LAB 65.37, -30.07, 27.5

 

CMYK 37 / 0 / 34 / 33

HEX #6CAC71

RGB 108 172 113

HSL 124.69, 0.28%, 0.55%

LAB 64.87, -32.92, 24.06

 

CMYK 37 / 0 / 24 / 33

HEX #6CAC82

RGB 108 172 130

HSL 140.63, 0.28%, 0.55%

LAB 65.2, -29.8, 15.25

 

CMYK 37 / 0 / 44 / 51

HEX #507E47

RGB 80 126 71

HSL 110.18, 0.28%, 0.39%

LAB 48.36, -27.25, 25.06

 

CMYK 37 / 0 / 44 / 40

HEX #619956

RGB 97 153 86

HSL 110.15, 0.28%, 0.47%

LAB 58.03, -31.97, 29.48

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 24 / 0 / 28 / 27

HEX #8FBB86

RGB 143 187 134

HSL 109.81, 0.28%, 0.63%

LAB 71.62, -24.85, 22.23

 

CMYK 17 / 0 / 21 / 21

HEX #A7CAA0

RGB 167 202 160

HSL 110, 0.28%, 0.71%

LAB 77.87, -19.59, 17.19

 

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

CMYK 37 / 1 / 0 / 33

HEX #6CABAC

RGB 108 171 172

HSL 180.94, 0.28%, 0.55%

LAB 65.98, -19.89, -6.92

 

CMYK 0 / 37 / 16 / 33

HEX #AC6C91

RGB 172 108 145

HSL 325.31, 0.28%, 0.55%

LAB 53.54, 30.92, -9.52

 

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

CMYK 37 / 31 / 0 / 33

HEX #6C77AC

RGB 108 119 172

HSL 229.69, 0.28%, 0.55%

LAB 51.11, 9.27, -29.54

 

CMYK 0 / 37 / 31 / 33

HEX #AC6C77

RGB 172 108 119

HSL 349.69, 0.28%, 0.55%

LAB 52.76, 26.96, 4.64

 

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

CMYK 37 / 1 / 0 / 33

HEX #6CABAC

RGB 108 171 172

HSL 180.94, 0.28%, 0.55%

LAB 65.98, -19.89, -6.92

 

CMYK 7 / 37 / 0 / 33

HEX #A06CAC

RGB 160 108 172

HSL 288.75, 0.28%, 0.55%

LAB 53.14, 31.89, -26

 

CMYK 0 / 37 / 37 / 33

HEX #AC6D6C

RGB 172 109 108

HSL 0.94, 0.28%, 0.55%

LAB 52.72, 24.96, 11.06

 

CMYK 31 / 0 / 38 / 33

HEX #76AC6B

RGB 118 172 107

HSL 109.85, 0.28%, 0.55%

LAB 65.29, -30.57, 27.93

 

CMYK 37 / 12 / 0 / 33

HEX #6C98AC

RGB 108 152 172

HSL 198.75, 0.28%, 0.55%

LAB 60.45, -9.76, -15.21

 

CMYK 7 / 37 / 0 / 33

HEX #A06CAC

RGB 160 108 172

HSL 288.75, 0.28%, 0.55%

LAB 53.14, 31.89, -26

 

CMYK 0 / 26 / 37 / 33

HEX #AC806C

RGB 172 128 108

HSL 18.75, 0.28%, 0.55%

LAB 57.36, 14.26, 17.49

 

Description

Color code: RGB 118 172 107 | qconv.com Color code: RGB 118 172 107 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 172 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 172 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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