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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 144 115 it is the complementary color RGB 137 111 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 144 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 144 115 shade: RGB 123 144 110, RGB 140 162 129, RGB 157 180 148, RGB 174 198 167 and RGB 191 216 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 144 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 144 115 shade: RGB 118 144 115, RGB 101 126 96, RGB 84 108 77, RGB 67 90 58 and RGB 50 72 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 144 115 shade: RGB 118 145 115, RGB 126 145 115, RGB 134 145 115, RGB 142 145 115 and RGB 145 139 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 144 115 shade: RGB 118 145 115, RGB 115 145 120, RGB 115 145 128, RGB 115 145 136 and RGB 115 145 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 144 115 shade matches the following richer shades: RGB 118 145 115, RGB 102 165 94, RGB 86 185 74, RGB 70 205 54 and RGB 54 225 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 144 115 shade: RGB 118 145 115, RGB 134 124 135, RGB 150 104 155, RGB 166 84 175 and RGB 182 64 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 144 115 shade: RGB 134 145 115, RGB 126 145 115, RGB 118 145 115, RGB 115 145 119 and RGB 115 145 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 144 115 shade: RGB 80 99 78, RGB 99 122 96, RGB 118 145 115, RGB 140 163 138 and RGB 163 181 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 144 115 shade: RGB 118 144 115, RGB 115 142 145 and RGB 145 115 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 144 115 shade: RGB 118 144 115, RGB 115 118 145 and RGB 145 115 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 144 115 shade: RGB 118 144 115, RGB 115 142 145, RGB 141 115 145 and RGB 145 117 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 144 115 shade: RGB 118 144 115, RGB 115 133 145, RGB 141 115 145 and RGB 145 126 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

Complementary color

CMYK 2 / 21 / 0 / 45

HEX #896F8C

RGB 137 111 140

HSL 293.79, 0.12%, 0.49%

LAB 50.19, 15.68, -12

 

CMYK 15 / 0 / 24 / 44

HEX #7B906E

RGB 123 144 110

HSL 97.06, 0.13%, 0.5%

LAB 57.35, -14.1, 15.64

 

CMYK 14 / 0 / 20 / 36

HEX #8CA281

RGB 140 162 129

HSL 100, 0.15%, 0.57%

LAB 64.16, -14.03, 14.64

 

CMYK 13 / 0 / 18 / 29

HEX #9DB494

RGB 157 180 148

HSL 103.13, 0.18%, 0.64%

LAB 70.84, -13.97, 13.71

 

CMYK 12 / 0 / 16 / 22

HEX #AEC6A7

RGB 174 198 167

HSL 106.45, 0.21%, 0.72%

LAB 77.39, -13.92, 12.84

 

CMYK 12 / 0 / 14 / 15

HEX #BFD8BA

RGB 191 216 186

HSL 110, 0.28%, 0.79%

LAB 83.83, -13.87, 12.01

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 20 / 0 / 24 / 51

HEX #657E60

RGB 101 126 96

HSL 110, 0.14%, 0.44%

LAB 50.14, -15.24, 13.43

 

CMYK 22 / 0 / 29 / 58

HEX #546C4D

RGB 84 108 77

HSL 106.45, 0.17%, 0.36%

LAB 42.98, -15.4, 14.53

 

CMYK 26 / 0 / 36 / 65

HEX #435A3A

RGB 67 90 58

HSL 103.13, 0.22%, 0.29%

LAB 35.62, -15.59, 15.75

 

CMYK 31 / 0 / 46 / 72

HEX #324827

RGB 50 72 39

HSL 100, 0.3%, 0.22%

LAB 28.01, -15.77, 17.1

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 13 / 0 / 21 / 43

HEX #7E9173

RGB 126 145 115

HSL 98, 0.12%, 0.51%

LAB 57.97, -12.64, 13.7

 

CMYK 8 / 0 / 21 / 43

HEX #869173

RGB 134 145 115

HSL 82, 0.12%, 0.51%

LAB 58.56, -9.58, 14.62

 

CMYK 2 / 0 / 21 / 43

HEX #8E9173

RGB 142 145 115

HSL 66, 0.12%, 0.51%

LAB 59.2, -6.45, 15.59

 

CMYK 0 / 4 / 21 / 43

HEX #918B73

RGB 145 139 115

HSL 48, 0.12%, 0.51%

LAB 57.77, -1.94, 13.66

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 21 / 0 / 17 / 43

HEX #739178

RGB 115 145 120

HSL 130, 0.12%, 0.51%

LAB 57.32, -15.76, 9.84

 

CMYK 21 / 0 / 12 / 43

HEX #739180

RGB 115 145 128

HSL 146, 0.12%, 0.51%

LAB 57.52, -14.16, 5.56

 

CMYK 21 / 0 / 6 / 43

HEX #739188

RGB 115 145 136

HSL 162, 0.12%, 0.51%

LAB 57.73, -12.47, 1.3

 

CMYK 21 / 0 / 1 / 43

HEX #739190

RGB 115 145 144

HSL 178, 0.12%, 0.51%

LAB 57.95, -10.69, -2.95

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 38 / 0 / 43 / 35

HEX #66A55E

RGB 102 165 94

HSL 113.24, 0.28%, 0.51%

LAB 62.12, -34.67, 30.53

 

CMYK 54 / 0 / 60 / 27

HEX #56B94A

RGB 86 185 74

HSL 113.51, 0.44%, 0.51%

LAB 67.4, -50.56, 46.67

 

CMYK 66 / 0 / 74 / 20

HEX #46CD36

RGB 70 205 54

HSL 113.64, 0.6%, 0.51%

LAB 73.04, -63.35, 60.65

 

CMYK 76 / 0 / 85 / 12

HEX #36E122

RGB 54 225 34

HSL 113.72, 0.76%, 0.51%

LAB 78.9, -73.46, 71.71

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 1 / 8 / 0 / 47

HEX #867C87

RGB 134 124 135

HSL 294.55, 0.04%, 0.51%

LAB 53.2, 5.95, -4.59

 

CMYK 3 / 33 / 0 / 39

HEX #96689B

RGB 150 104 155

HSL 294.12, 0.2%, 0.51%

LAB 50.39, 27.39, -20.4

 

CMYK 5 / 52 / 0 / 31

HEX #A654AF

RGB 166 84 175

HSL 294.07, 0.36%, 0.51%

LAB 48.94, 47.29, -34.25

 

CMYK 7 / 67 / 0 / 24

HEX #B640C3

RGB 182 64 195

HSL 294.05, 0.52%, 0.51%

LAB 48.95, 64.13, -45.73

 

CMYK 8 / 0 / 21 / 43

HEX #869173

RGB 134 145 115

HSL 82, 0.12%, 0.51%

LAB 58.56, -9.58, 14.62

 

CMYK 13 / 0 / 21 / 43

HEX #7E9173

RGB 126 145 115

HSL 98, 0.12%, 0.51%

LAB 57.97, -12.64, 13.7

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 21 / 0 / 18 / 43

HEX #739177

RGB 115 145 119

HSL 128, 0.12%, 0.51%

LAB 57.3, -15.96, 10.38

 

CMYK 21 / 0 / 12 / 43

HEX #73917F

RGB 115 145 127

HSL 144, 0.12%, 0.51%

LAB 57.49, -14.37, 6.1

 

CMYK 19 / 0 / 21 / 61

HEX #50634E

RGB 80 99 78

HSL 114.29, 0.12%, 0.35%

LAB 39.88, -11.75, 9.6

 

CMYK 19 / 0 / 21 / 52

HEX #637A60

RGB 99 122 96

HSL 113.08, 0.12%, 0.43%

LAB 48.78, -13.81, 11.52

 

CMYK 19 / 0 / 21 / 43

HEX #769173

RGB 118 145 115

HSL 114, 0.12%, 0.51%

LAB 57.41, -15.62, 12.83

 

CMYK 14 / 0 / 15 / 36

HEX #8CA38A

RGB 140 163 138

HSL 115.2, 0.12%, 0.59%

LAB 64.65, -12.96, 10.33

 

CMYK 10 / 0 / 11 / 29

HEX #A3B5A1

RGB 163 181 161

HSL 114, 0.12%, 0.67%

LAB 71.83, -10.04, 8.08

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 21 / 2 / 0 / 43

HEX #738E91

RGB 115 142 145

HSL 186, 0.12%, 0.51%

LAB 57.11, -8.81, -4.76

 

CMYK 0 / 21 / 10 / 43

HEX #917382

RGB 145 115 130

HSL 330, 0.12%, 0.51%

LAB 51.72, 14.36, -3.74

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 21 / 19 / 0 / 43

HEX #737691

RGB 115 118 145

HSL 234, 0.12%, 0.51%

LAB 50.27, 4.95, -15.01

 

CMYK 0 / 21 / 19 / 43

HEX #917376

RGB 145 115 118

HSL 354, 0.12%, 0.51%

LAB 51.37, 12.26, 2.83

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 21 / 2 / 0 / 43

HEX #738E91

RGB 115 142 145

HSL 186, 0.12%, 0.51%

LAB 57.11, -8.81, -4.76

 

CMYK 3 / 21 / 0 / 43

HEX #8D7391

RGB 141 115 145

HSL 292, 0.12%, 0.51%

LAB 51.8, 15.79, -12.47

 

CMYK 0 / 19 / 21 / 43

HEX #917573

RGB 145 117 115

HSL 4, 0.12%, 0.51%

LAB 51.81, 10.6, 5.23

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 21 / 8 / 0 / 43

HEX #738591

RGB 115 133 145

HSL 204, 0.12%, 0.51%

LAB 54.52, -3.76, -8.62

 

CMYK 3 / 21 / 0 / 43

HEX #8D7391

RGB 141 115 145

HSL 292, 0.12%, 0.51%

LAB 51.8, 15.79, -12.47

 

CMYK 0 / 13 / 21 / 43

HEX #917E73

RGB 145 126 115

HSL 22, 0.12%, 0.51%

LAB 54.22, 5.41, 8.66

 

Description

Color code: RGB 118 144 115 | qconv.com Color code: RGB 118 144 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 144 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 144 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 20 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 20% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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