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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 123 9 it is the complementary color RGB 137 132 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 123 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 123 9 shade: RGB 123 123 4, RGB 140 141 23, RGB 157 159 42, RGB 174 177 61 and RGB 191 195 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 123 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 101 105 0, RGB 84 87 0, RGB 67 69 0 and RGB 50 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 123 97 9, RGB 123 66 9, RGB 123 36 9 and RGB 123 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 87 123 9, RGB 56 123 9, RGB 26 123 9 and RGB 9 123 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 123 9 shade matches the following richer shades: RGB 118 123 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 108 112 20, RGB 98 101 30, RGB 88 91 41 and RGB 79 80 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 123 9 shade: RGB 123 66 9, RGB 123 96 9, RGB 119 123 9, RGB 89 123 9 and RGB 58 123 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 123 9 shade: RGB 44 46 3, RGB 81 84 6, RGB 118 123 9, RGB 155 161 12 and RGB 191 200 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 9 123 35 and RGB 81 9 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 9 119 123 and RGB 123 9 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 9 123 35, RGB 13 9 123 and RGB 123 9 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 123 9 shade: RGB 118 123 9, RGB 9 123 70, RGB 13 9 123 and RGB 123 9 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

Complementary color

CMYK 44 / 46 / 0 / 4

HEX #8984F6

RGB 137 132 246

HSL 242.63, 0.86%, 0.74%

LAB 60.32, 30.13, -56.69

 

CMYK 0 / 0 / 97 / 52

HEX #7B7B04

RGB 123 123 4

HSL 60, 0.94%, 0.25%

LAB 49.96, -12.48, 54.28

 

CMYK 1 / 0 / 84 / 45

HEX #8C8D17

RGB 140 141 23

HSL 60.51, 0.72%, 0.32%

LAB 56.77, -13.83, 56.34

 

CMYK 1 / 0 / 74 / 38

HEX #9D9F2A

RGB 157 159 42

HSL 61.03, 0.58%, 0.39%

LAB 63.45, -14.92, 56.93

 

CMYK 2 / 0 / 66 / 31

HEX #AEB13D

RGB 174 177 61

HSL 61.55, 0.49%, 0.47%

LAB 70.02, -15.78, 56.62

 

CMYK 2 / 0 / 59 / 24

HEX #BFC350

RGB 191 195 80

HSL 62.09, 0.49%, 0.54%

LAB 76.49, -16.47, 55.86

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 4 / 0 / 100 / 59

HEX #656900

RGB 101 105 0

HSL 62.29, 1%, 0.21%

LAB 42.57, -13.15, 48.78

 

CMYK 3 / 0 / 100 / 66

HEX #545700

RGB 84 87 0

HSL 62.07, 1%, 0.17%

LAB 35.4, -11.34, 42.83

 

CMYK 3 / 0 / 100 / 73

HEX #434500

RGB 67 69 0

HSL 61.74, 1%, 0.14%

LAB 27.98, -9.45, 36.54

 

CMYK 2 / 0 / 100 / 80

HEX #323300

RGB 50 51 0

HSL 61.18, 1%, 0.1%

LAB 20.23, -7.47, 28.35

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 0 / 21 / 93 / 52

HEX #7B6109

RGB 123 97 9

HSL 46.32, 0.86%, 0.26%

LAB 42.43, 2.36, 47.39

 

CMYK 0 / 46 / 93 / 52

HEX #7B4209

RGB 123 66 9

HSL 30, 0.86%, 0.26%

LAB 34.25, 20.76, 41.02

 

CMYK 0 / 71 / 93 / 52

HEX #7B2409

RGB 123 36 9

HSL 14.21, 0.86%, 0.26%

LAB 28.09, 36.55, 36.25

 

CMYK 0 / 93 / 93 / 52

HEX #7B0909

RGB 123 9 9

HSL 0, 0.86%, 0.26%

LAB 25.03, 45.1, 33.51

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 29 / 0 / 93 / 52

HEX #577B09

RGB 87 123 9

HSL 78.95, 0.86%, 0.26%

LAB 47.25, -28.51, 49.99

 

CMYK 54 / 0 / 93 / 52

HEX #387B09

RGB 56 123 9

HSL 95.26, 0.86%, 0.26%

LAB 45.67, -39.94, 48.03

 

CMYK 79 / 0 / 93 / 52

HEX #1A7B09

RGB 26 123 9

HSL 111.05, 0.86%, 0.26%

LAB 44.81, -47.09, 46.95

 

CMYK 93 / 0 / 81 / 52

HEX #097B17

RGB 9 123 23

HSL 127.37, 0.86%, 0.26%

LAB 44.64, -48.36, 42.96

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 4 / 0 / 82 / 56

HEX #6C7014

RGB 108 112 20

HSL 62.61, 0.7%, 0.26%

LAB 45.4, -13.08, 46.23

 

CMYK 3 / 0 / 70 / 60

HEX #62651E

RGB 98 101 30

HSL 62.54, 0.54%, 0.26%

LAB 41.21, -11.15, 38.1

 

CMYK 3 / 0 / 55 / 64

HEX #585B29

RGB 88 91 41

HSL 63.6, 0.38%, 0.26%

LAB 37.33, -9.24, 28.1

 

CMYK 1 / 0 / 35 / 69

HEX #4F5034

RGB 79 80 52

HSL 62.14, 0.21%, 0.26%

LAB 33.24, -5.55, 16.41

 

CMYK 0 / 46 / 93 / 52

HEX #7B4209

RGB 123 66 9

HSL 30, 0.86%, 0.26%

LAB 34.25, 20.76, 41.02

 

CMYK 0 / 22 / 93 / 52

HEX #7B6009

RGB 123 96 9

HSL 45.79, 0.86%, 0.26%

LAB 42.15, 2.95, 47.17

 

CMYK 3 / 0 / 93 / 52

HEX #777B09

RGB 119 123 9

HSL 62.11, 0.86%, 0.26%

LAB 49.63, -14.24, 52.9

 

CMYK 28 / 0 / 93 / 52

HEX #597B09

RGB 89 123 9

HSL 77.89, 0.86%, 0.26%

LAB 47.38, -27.67, 50.14

 

CMYK 53 / 0 / 93 / 52

HEX #3A7B09

RGB 58 123 9

HSL 94.21, 0.86%, 0.26%

LAB 45.75, -39.31, 48.13

 

CMYK 4 / 0 / 93 / 82

HEX #2C2E03

RGB 44 46 3

HSL 62.79, 0.88%, 0.1%

LAB 17.9, -7.35, 24.27

 

CMYK 4 / 0 / 93 / 67

HEX #515406

RGB 81 84 6

HSL 62.31, 0.87%, 0.18%

LAB 34.2, -10.89, 39.82

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 4 / 0 / 93 / 37

HEX #9BA10C

RGB 155 161 12

HSL 62.42, 0.86%, 0.34%

LAB 63.74, -17.78, 64.78

 

CMYK 5 / 0 / 93 / 22

HEX #BFC80F

RGB 191 200 15

HSL 62.92, 0.86%, 0.42%

LAB 77.53, -21.63, 76.31

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 93 / 0 / 72 / 52

HEX #097B23

RGB 9 123 35

HSL 133.68, 0.86%, 0.26%

LAB 44.72, -47.29, 38.41

 

CMYK 34 / 93 / 0 / 52

HEX #51097B

RGB 81 9 123

HSL 277.89, 0.86%, 0.26%

LAB 21.49, 48.66, -47.17

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 93 / 3 / 0 / 52

HEX #09777B

RGB 9 119 123

HSL 182.11, 0.86%, 0.26%

LAB 45.2, -25.51, -10.1

 

CMYK 0 / 93 / 3 / 52

HEX #7B0977

RGB 123 9 119

HSL 302.11, 0.86%, 0.26%

LAB 28.74, 55.13, -32.52

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 93 / 0 / 72 / 52

HEX #097B23

RGB 9 123 35

HSL 133.68, 0.86%, 0.26%

LAB 44.72, -47.29, 38.41

 

CMYK 89 / 93 / 0 / 52

HEX #0D097B

RGB 13 9 123

HSL 242.11, 0.86%, 0.26%

LAB 13.89, 42.71, -59.96

 

CMYK 0 / 93 / 22 / 52

HEX #7B0960

RGB 123 9 96

HSL 314.21, 0.86%, 0.26%

LAB 27.44, 51.74, -19.74

 

CMYK 4 / 0 / 93 / 52

HEX #767B09

RGB 118 123 9

HSL 62.63, 0.86%, 0.26%

LAB 49.54, -14.71, 52.8

 

CMYK 93 / 0 / 43 / 52

HEX #097B46

RGB 9 123 70

HSL 152.11, 0.86%, 0.26%

LAB 45.17, -41.84, 21.05

 

CMYK 89 / 93 / 0 / 52

HEX #0D097B

RGB 13 9 123

HSL 242.11, 0.86%, 0.26%

LAB 13.89, 42.71, -59.96

 

CMYK 0 / 93 / 50 / 52

HEX #7B093E

RGB 123 9 62

HSL 332.11, 0.86%, 0.26%

LAB 26.02, 47.9, 0.86

 

Description

Color code: RGB 118 123 9 | qconv.com Color code: RGB 118 123 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 123 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 123 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 93 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 93% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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