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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 117 152 it is the complementary color RGB 137 138 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 117 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 117 152 shade: RGB 123 117 147, RGB 140 135 166, RGB 157 153 185, RGB 174 171 204 and RGB 191 189 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 117 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 117 152 shade: RGB 118 117 152, RGB 101 99 133, RGB 84 81 114, RGB 67 63 95 and RGB 50 45 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 117 152 shade: RGB 118 117 153, RGB 127 117 153, RGB 137 117 153, RGB 147 117 153 and RGB 153 117 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 117 152 shade: RGB 118 117 153 and RGB 117 117 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 117 152 shade matches the following richer shades: RGB 118 117 153, RGB 99 97 172, RGB 81 78 191, RGB 63 58 211 and RGB 45 39 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 117 152 shade: RGB 118 117 153, RGB 136 136 133, RGB 154 155 114, RGB 173 175 94 and RGB 191 194 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 117 152 shade: RGB 117 135 153, RGB 117 126 153, RGB 117 117 153, RGB 127 117 153 and RGB 136 117 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 117 152 shade: RGB 80 79 107, RGB 98 97 131, RGB 118 117 153, RGB 141 140 170 and RGB 165 164 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 117 152 shade: RGB 118 117 152, RGB 153 117 145 and RGB 130 153 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 117 152 shade: RGB 118 117 152, RGB 153 117 117 and RGB 117 153 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 117 152 shade: RGB 118 117 152, RGB 153 117 145, RGB 152 153 117 and RGB 117 153 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 117 152 shade: RGB 118 117 152, RGB 153 117 134, RGB 152 153 117 and RGB 117 153 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

Complementary color

CMYK 1 / 0 / 25 / 46

HEX #898A67

RGB 137 138 103

HSL 61.71, 0.15%, 0.47%

LAB 56.56, -6.45, 18.68

 

CMYK 16 / 20 / 0 / 42

HEX #7B7593

RGB 123 117 147

HSL 252, 0.12%, 0.52%

LAB 50.73, 8.73, -15.42

 

CMYK 16 / 19 / 0 / 35

HEX #8C87A6

RGB 140 135 166

HSL 249.68, 0.15%, 0.59%

LAB 57.71, 8.36, -15.72

 

CMYK 15 / 17 / 0 / 27

HEX #9D99B9

RGB 157 153 185

HSL 247.5, 0.19%, 0.66%

LAB 64.53, 8.02, -16.04

 

CMYK 15 / 16 / 0 / 20

HEX #AEABCC

RGB 174 171 204

HSL 245.45, 0.24%, 0.74%

LAB 71.2, 7.71, -16.36

 

CMYK 14 / 15 / 0 / 13

HEX #BFBDDF

RGB 191 189 223

HSL 243.53, 0.35%, 0.81%

LAB 77.76, 7.43, -16.7

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 24 / 26 / 0 / 48

HEX #656385

RGB 101 99 133

HSL 243.53, 0.15%, 0.45%

LAB 43.34, 8.69, -18.56

 

CMYK 26 / 29 / 0 / 55

HEX #545172

RGB 84 81 114

HSL 245.45, 0.17%, 0.38%

LAB 35.95, 9.2, -18.42

 

CMYK 29 / 34 / 0 / 63

HEX #433F5F

RGB 67 63 95

HSL 247.5, 0.2%, 0.31%

LAB 28.31, 9.81, -18.35

 

CMYK 34 / 41 / 0 / 70

HEX #322D4C

RGB 50 45 76

HSL 249.68, 0.26%, 0.24%

LAB 20.35, 10.59, -18.37

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 17 / 24 / 0 / 40

HEX #7F7599

RGB 127 117 153

HSL 256.67, 0.15%, 0.53%

LAB 51.31, 11.5, -18.04

 

CMYK 10 / 24 / 0 / 40

HEX #897599

RGB 137 117 153

HSL 273.33, 0.15%, 0.53%

LAB 52.22, 14.92, -16.56

 

CMYK 4 / 24 / 0 / 40

HEX #937599

RGB 147 117 153

HSL 290, 0.15%, 0.53%

LAB 53.2, 18.4, -14.99

 

CMYK 0 / 24 / 3 / 40

HEX #997595

RGB 153 117 149

HSL 306.67, 0.15%, 0.53%

LAB 53.67, 19.73, -11.88

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 24 / 24 / 0 / 40

HEX #757599

RGB 117 117 153

HSL 240, 0.15%, 0.53%

LAB 50.46, 8.17, -19.41

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 42 / 44 / 0 / 33

HEX #6361AC

RGB 99 97 172

HSL 241.6, 0.31%, 0.53%

LAB 44.49, 20.24, -39.99

 

CMYK 58 / 59 / 0 / 25

HEX #514EBF

RGB 81 78 191

HSL 241.59, 0.47%, 0.53%

LAB 39.51, 34.02, -59.19

 

CMYK 70 / 73 / 0 / 17

HEX #3F3AD3

RGB 63 58 211

HSL 241.96, 0.63%, 0.53%

LAB 35.57, 49.83, -77.32

 

CMYK 80 / 83 / 0 / 10

HEX #2D27E6

RGB 45 39 230

HSL 241.88, 0.79%, 0.53%

LAB 33.4, 63.68, -91.86

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 1 / 0 / 26 / 39

HEX #9A9B72

RGB 154 155 114

HSL 61.46, 0.17%, 0.53%

LAB 62.95, -7.27, 21.45

 

CMYK 1 / 0 / 46 / 31

HEX #ADAF5E

RGB 173 175 94

HSL 61.48, 0.34%, 0.53%

LAB 69.72, -12.53, 41.04

 

CMYK 2 / 0 / 61 / 24

HEX #BFC24B

RGB 191 194 75

HSL 61.51, 0.49%, 0.53%

LAB 76.17, -16.31, 57.68

 

CMYK 24 / 12 / 0 / 40

HEX #758799

RGB 117 135 153

HSL 210, 0.15%, 0.53%

LAB 55.49, -2.33, -11.77

 

CMYK 24 / 18 / 0 / 40

HEX #757E99

RGB 117 126 153

HSL 225, 0.15%, 0.53%

LAB 52.95, 2.87, -15.6

 

CMYK 24 / 24 / 0 / 40

HEX #757599

RGB 117 117 153

HSL 240, 0.15%, 0.53%

LAB 50.46, 8.17, -19.41

 

CMYK 17 / 24 / 0 / 40

HEX #7F7599

RGB 127 117 153

HSL 256.67, 0.15%, 0.53%

LAB 51.31, 11.5, -18.04

 

CMYK 11 / 24 / 0 / 40

HEX #887599

RGB 136 117 153

HSL 271.67, 0.15%, 0.53%

LAB 52.13, 14.57, -16.71

 

CMYK 25 / 26 / 0 / 58

HEX #504F6B

RGB 80 79 107

HSL 242.14, 0.15%, 0.36%

LAB 34.72, 7.22, -15.99

 

CMYK 25 / 26 / 0 / 49

HEX #626183

RGB 98 97 131

HSL 241.76, 0.15%, 0.45%

LAB 42.44, 8.4, -18.76

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 17 / 18 / 0 / 33

HEX #8D8CAA

RGB 141 140 170

HSL 242, 0.15%, 0.61%

LAB 59.27, 6.73, -15.64

 

CMYK 12 / 13 / 0 / 26

HEX #A5A4BC

RGB 165 164 188

HSL 242.5, 0.15%, 0.69%

LAB 68.15, 5.19, -12.18

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 0 / 24 / 5 / 40

HEX #997591

RGB 153 117 145

HSL 313.33, 0.15%, 0.53%

LAB 53.53, 18.96, -9.74

 

CMYK 15 / 0 / 24 / 40

HEX #829975

RGB 130 153 117

HSL 98.33, 0.15%, 0.53%

LAB 60.62, -15.06, 16.29

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 0 / 24 / 24 / 40

HEX #997575

RGB 153 117 117

HSL 0, 0.15%, 0.53%

LAB 52.71, 14.11, 5.45

 

CMYK 24 / 0 / 24 / 40

HEX #759975

RGB 117 153 117

HSL 120, 0.15%, 0.53%

LAB 59.75, -19.81, 14.96

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 0 / 24 / 5 / 40

HEX #997591

RGB 153 117 145

HSL 313.33, 0.15%, 0.53%

LAB 53.53, 18.96, -9.74

 

CMYK 1 / 0 / 24 / 40

HEX #989975

RGB 152 153 117

HSL 61.67, 0.15%, 0.53%

LAB 62.29, -6.55, 18.86

 

CMYK 24 / 0 / 19 / 40

HEX #75997C

RGB 117 153 124

HSL 131.67, 0.15%, 0.53%

LAB 59.91, -18.5, 11.25

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 0 / 24 / 12 / 40

HEX #997586

RGB 153 117 134

HSL 331.67, 0.15%, 0.53%

LAB 53.19, 16.94, -3.82

 

CMYK 1 / 0 / 24 / 40

HEX #989975

RGB 152 153 117

HSL 61.67, 0.15%, 0.53%

LAB 62.29, -6.55, 18.86

 

CMYK 24 / 0 / 12 / 40

HEX #759987

RGB 117 153 135

HSL 150, 0.15%, 0.53%

LAB 60.17, -16.29, 5.42

 

Description

Color code: RGB 118 117 152 | qconv.com Color code: RGB 118 117 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 117 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 117 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 23 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 23% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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