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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 92 154 it is the complementary color RGB 138 163 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 92 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 92 154 shade: RGB 122 92 149, RGB 139 110 168, RGB 156 128 187, RGB 173 146 206 and RGB 190 164 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 92 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 92 154 shade: RGB 117 92 154, RGB 100 74 135, RGB 83 56 116, RGB 66 38 97 and RGB 49 20 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 92 154 shade: RGB 116 91 153, RGB 132 91 153, RGB 149 91 153, RGB 153 91 140 and RGB 153 91 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 92 154 shade: RGB 116 91 153, RGB 99 91 153 and RGB 91 91 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 92 154 shade matches the following richer shades: RGB 116 91 153, RGB 112 71 172, RGB 108 52 192, RGB 104 32 212 and RGB 101 12 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 92 154 shade: RGB 116 91 153, RGB 120 111 133, RGB 124 131 113, RGB 127 151 93 and RGB 131 171 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 92 154 shade: RGB 91 99 153, RGB 99 91 153, RGB 116 91 153, RGB 132 91 153 and RGB 148 91 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 92 154 shade: RGB 77 60 101, RGB 96 76 127, RGB 116 91 153, RGB 137 115 171 and RGB 159 140 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 92 154 shade: RGB 117 92 154, RGB 153 91 116 and RGB 91 153 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 92 154 shade: RGB 117 92 154, RGB 153 116 91 and RGB 91 153 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 92 154 shade: RGB 117 92 154, RGB 153 91 116, RGB 128 153 91 and RGB 91 153 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 92 154 shade: RGB 117 92 154, RGB 153 91 97, RGB 128 153 91 and RGB 91 153 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

Complementary color

CMYK 15 / 0 / 38 / 36

HEX #8AA365

RGB 138 163 101

HSL 84.19, 0.25%, 0.52%

LAB 63.78, -19.63, 29.39

 

CMYK 18 / 38 / 0 / 42

HEX #7A5C95

RGB 122 92 149

HSL 271.58, 0.24%, 0.47%

LAB 44.18, 23.85, -26.7

 

CMYK 17 / 35 / 0 / 34

HEX #8B6EA8

RGB 139 110 168

HSL 270, 0.25%, 0.55%

LAB 51.23, 23.1, -26.82

 

CMYK 17 / 32 / 0 / 27

HEX #9C80BB

RGB 156 128 187

HSL 268.47, 0.3%, 0.62%

LAB 58.13, 22.43, -26.96

 

CMYK 16 / 29 / 0 / 19

HEX #AD92CE

RGB 173 146 206

HSL 267, 0.38%, 0.69%

LAB 64.88, 21.81, -27.12

 

CMYK 16 / 27 / 0 / 12

HEX #BEA4E1

RGB 190 164 225

HSL 265.57, 0.5%, 0.76%

LAB 71.51, 21.25, -27.3

 

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

CMYK 26 / 45 / 0 / 47

HEX #644A87

RGB 100 74 135

HSL 265.57, 0.29%, 0.41%

LAB 36.66, 24.38, -30.17

 

CMYK 28 / 52 / 0 / 55

HEX #533874

RGB 83 56 116

HSL 267, 0.35%, 0.34%

LAB 29.23, 25.38, -30.21

 

CMYK 32 / 61 / 0 / 62

HEX #422661

RGB 66 38 97

HSL 268.47, 0.44%, 0.26%

LAB 21.61, 26.46, -30.24

 

CMYK 37 / 74 / 0 / 69

HEX #31144E

RGB 49 20 78

HSL 270, 0.59%, 0.19%

LAB 13.85, 27.45, -30.1

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 14 / 41 / 0 / 40

HEX #845B99

RGB 132 91 153

HSL 279.68, 0.25%, 0.48%

LAB 45.2, 28.58, -27.41

 

CMYK 3 / 41 / 0 / 40

HEX #955B99

RGB 149 91 153

HSL 296.13, 0.25%, 0.48%

LAB 47.2, 34.05, -24.15

 

CMYK 0 / 41 / 8 / 40

HEX #995B8C

RGB 153 91 140

HSL 312.58, 0.25%, 0.48%

LAB 47.17, 32.9, -16.41

 

CMYK 0 / 41 / 20 / 40

HEX #995B7B

RGB 153 91 123

HSL 329.03, 0.25%, 0.48%

LAB 46.56, 29.98, -7.12

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 35 / 41 / 0 / 40

HEX #635B99

RGB 99 91 153

HSL 247.74, 0.25%, 0.48%

LAB 41.9, 18.44, -32.82

 

CMYK 41 / 41 / 0 / 40

HEX #5B5B99

RGB 91 91 153

HSL 240, 0.25%, 0.48%

LAB 41.23, 16.16, -33.93

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 35 / 59 / 0 / 33

HEX #7047AC

RGB 112 71 172

HSL 264.36, 0.42%, 0.48%

LAB 39.46, 39.2, -47.94

 

CMYK 44 / 73 / 0 / 25

HEX #6C34C0

RGB 108 52 192

HSL 264, 0.57%, 0.48%

LAB 36.84, 53.56, -64.02

 

CMYK 51 / 85 / 0 / 17

HEX #6820D4

RGB 104 32 212

HSL 264, 0.74%, 0.48%

LAB 35.46, 65.91, -77.95

 

CMYK 56 / 95 / 0 / 9

HEX #650CE8

RGB 101 12 232

HSL 264.27, 0.9%, 0.48%

LAB 35.71, 74.84, -89.04

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 10 / 17 / 0 / 48

HEX #786F85

RGB 120 111 133

HSL 264.55, 0.09%, 0.48%

LAB 48.33, 8.05, -10.82

 

CMYK 5 / 0 / 14 / 49

HEX #7C8371

RGB 124 131 113

HSL 83.33, 0.07%, 0.48%

LAB 53.72, -6.07, 8.85

 

CMYK 16 / 0 / 38 / 41

HEX #7F975D

RGB 127 151 93

HSL 84.83, 0.24%, 0.48%

LAB 59.38, -18.86, 27.82

 

CMYK 23 / 0 / 57 / 33

HEX #83AB49

RGB 131 171 73

HSL 84.49, 0.4%, 0.48%

LAB 65.3, -29.55, 45.3

 

CMYK 41 / 35 / 0 / 40

HEX #5B6399

RGB 91 99 153

HSL 232.26, 0.25%, 0.48%

LAB 43.43, 11.16, -30.46

 

CMYK 35 / 41 / 0 / 40

HEX #635B99

RGB 99 91 153

HSL 247.74, 0.25%, 0.48%

LAB 41.9, 18.44, -32.82

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 14 / 41 / 0 / 40

HEX #845B99

RGB 132 91 153

HSL 279.68, 0.25%, 0.48%

LAB 45.2, 28.58, -27.41

 

CMYK 3 / 41 / 0 / 40

HEX #945B99

RGB 148 91 153

HSL 295.16, 0.25%, 0.48%

LAB 47.08, 33.73, -24.35

 

CMYK 24 / 41 / 0 / 60

HEX #4D3C65

RGB 77 60 101

HSL 264.88, 0.25%, 0.32%

LAB 28.77, 16.86, -21.42

 

CMYK 24 / 40 / 0 / 50

HEX #604C7F

RGB 96 76 127

HSL 263.53, 0.25%, 0.4%

LAB 36.34, 19.8, -25.78

 

CMYK 24 / 41 / 0 / 40

HEX #745B99

RGB 116 91 153

HSL 264.19, 0.25%, 0.48%

LAB 43.5, 23.54, -30.19

 

CMYK 20 / 33 / 0 / 33

HEX #8973AB

RGB 137 115 171

HSL 263.57, 0.25%, 0.56%

LAB 52.42, 20.23, -26.73

 

CMYK 15 / 25 / 0 / 27

HEX #9F8CBA

RGB 159 140 186

HSL 264.78, 0.25%, 0.64%

LAB 61.37, 16.28, -21.38

 

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

CMYK 0 / 41 / 24 / 40

HEX #995B74

RGB 153 91 116

HSL 335.81, 0.25%, 0.48%

LAB 46.33, 28.87, -3.23

 

CMYK 41 / 0 / 41 / 40

HEX #5B995B

RGB 91 153 91

HSL 120, 0.25%, 0.48%

LAB 57.81, -33.19, 26.45

 

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

CMYK 0 / 24 / 41 / 40

HEX #99745B

RGB 153 116 91

HSL 24.19, 0.25%, 0.48%

LAB 51.86, 11.07, 19.43

 

CMYK 41 / 0 / 24 / 40

HEX #5B9974

RGB 91 153 116

HSL 144.19, 0.25%, 0.48%

LAB 58.29, -28.59, 13.27

 

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

CMYK 0 / 41 / 24 / 40

HEX #995B74

RGB 153 91 116

HSL 335.81, 0.25%, 0.48%

LAB 46.33, 28.87, -3.23

 

CMYK 16 / 0 / 41 / 40

HEX #80995B

RGB 128 153 91

HSL 84.19, 0.25%, 0.48%

LAB 60, -19.76, 29.72

 

CMYK 41 / 0 / 16 / 40

HEX #5B9980

RGB 91 153 128

HSL 155.81, 0.25%, 0.48%

LAB 58.57, -26.01, 6.89

 

CMYK 24 / 40 / 0 / 40

HEX #755C9A

RGB 117 92 154

HSL 264.19, 0.25%, 0.48%

LAB 43.9, 23.5, -30.16

 

CMYK 0 / 41 / 37 / 40

HEX #995B61

RGB 153 91 97

HSL 354.19, 0.25%, 0.48%

LAB 45.79, 26.18, 7.5

 

CMYK 16 / 0 / 41 / 40

HEX #80995B

RGB 128 153 91

HSL 84.19, 0.25%, 0.48%

LAB 60, -19.76, 29.72

 

CMYK 41 / 0 / 5 / 40

HEX #5B9992

RGB 91 153 146

HSL 173.23, 0.25%, 0.48%

LAB 59.05, -21.73, -2.63

 

Description

Color code: RGB 117 92 154 | qconv.com Color code: RGB 117 92 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 92 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 92 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 40 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 40% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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