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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 39 236 it is the complementary color RGB 138 216 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 39 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 39 236 shade: RGB 122 39 231, RGB 139 57 250, RGB 156 75 255, RGB 173 93 255 and RGB 190 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 39 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 100 21 217, RGB 83 3 198, RGB 66 0 179 and RGB 49 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 170 39 236, RGB 223 39 236, RGB 236 39 195 and RGB 236 39 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 64 39 236 and RGB 39 39 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 39 236 shade matches the following richer shades: RGB 117 39 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 121 58 217, RGB 125 77 198, RGB 129 96 179 and RGB 132 115 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 39 236 shade: RGB 39 68 236, RGB 62 39 236, RGB 114 39 236, RGB 167 39 236 and RGB 219 39 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 39 236 shade: RGB 79 15 177, RGB 96 18 215, RGB 117 39 236, RGB 141 77 239 and RGB 165 115 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 236 39 121 and RGB 42 236 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 236 114 39 and RGB 39 236 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 236 39 121, RGB 160 236 39 and RGB 39 236 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 39 236 shade: RGB 117 39 236, RGB 236 39 62, RGB 160 236 39 and RGB 39 236 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

Complementary color

CMYK 36 / 0 / 91 / 15

HEX #8AD813

RGB 138 216 19

HSL 83.76, 0.84%, 0.46%

LAB 78.79, -49.66, 75.37

 

CMYK 47 / 83 / 0 / 9

HEX #7A27E7

RGB 122 39 231

HSL 265.94, 0.8%, 0.53%

LAB 40.18, 70.22, -81

 

CMYK 44 / 77 / 0 / 2

HEX #8B39FA

RGB 139 57 250

HSL 265.49, 0.95%, 0.6%

LAB 46.07, 70.49, -81.97

 

CMYK 39 / 71 / 0 / 0

HEX #9C4BFF

RGB 156 75 255

HSL 267, 1%, 0.65%

LAB 51.06, 66.85, -76.51

 

CMYK 32 / 64 / 0 / 0

HEX #AD5DFF

RGB 173 93 255

HSL 269.63, 1%, 0.68%

LAB 56.02, 61.74, -68.38

 

CMYK 25 / 56 / 0 / 0

HEX #BE6FFF

RGB 190 111 255

HSL 272.92, 1%, 0.72%

LAB 61.25, 56.63, -59.87

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 54 / 90 / 0 / 15

HEX #6415D9

RGB 100 21 217

HSL 264.18, 0.82%, 0.47%

LAB 34.51, 69.68, -82.42

 

CMYK 58 / 98 / 0 / 22

HEX #5303C6

RGB 83 3 198

HSL 264.62, 0.97%, 0.39%

LAB 29.37, 67.21, -79.95

 

CMYK 63 / 100 / 0 / 30

HEX #4200B3

RGB 66 0 179

HSL 262.12, 1%, 0.35%

LAB 24.99, 62.33, -76

 

CMYK 69 / 100 / 0 / 37

HEX #3100A0

RGB 49 0 160

HSL 258.38, 1%, 0.31%

LAB 20.79, 56.93, -71.54

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 28 / 83 / 0 / 7

HEX #AA27EC

RGB 170 39 236

HSL 279.9, 0.84%, 0.54%

LAB 47.04, 77.69, -72.33

 

CMYK 6 / 83 / 0 / 7

HEX #DF27EC

RGB 223 39 236

HSL 296.04, 0.84%, 0.54%

LAB 55.27, 86.2, -58.63

 

CMYK 0 / 83 / 17 / 7

HEX #EC27C3

RGB 236 39 195

HSL 312.49, 0.84%, 0.54%

LAB 55.3, 82.84, -35.11

 

CMYK 0 / 83 / 40 / 7

HEX #EC278E

RGB 236 39 142

HSL 328.63, 0.84%, 0.54%

LAB 53.21, 77.01, -7.21

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 73 / 83 / 0 / 7

HEX #4027EC

RGB 64 39 236

HSL 247.61, 0.84%, 0.54%

LAB 35.2, 66.35, -92.25

 

CMYK 83 / 83 / 0 / 7

HEX #2727EC

RGB 39 39 236

HSL 240, 0.84%, 0.54%

LAB 33.85, 65.17, -94.52

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 44 / 73 / 0 / 15

HEX #793AD9

RGB 121 58 217

HSL 263.77, 0.68%, 0.54%

LAB 41.38, 59.32, -71.04

 

CMYK 37 / 61 / 0 / 22

HEX #7D4DC6

RGB 125 77 198

HSL 263.8, 0.51%, 0.54%

LAB 43.86, 45.69, -56.02

 

CMYK 28 / 46 / 0 / 30

HEX #8160B3

RGB 129 96 179

HSL 263.86, 0.35%, 0.54%

LAB 47.35, 30.99, -39.38

 

CMYK 18 / 28 / 0 / 37

HEX #8473A0

RGB 132 115 160

HSL 262.67, 0.19%, 0.54%

LAB 51.5, 16, -21.79

 

CMYK 83 / 71 / 0 / 7

HEX #2744EC

RGB 39 68 236

HSL 231.17, 0.84%, 0.54%

LAB 38.94, 50.57, -86.1

 

CMYK 74 / 83 / 0 / 7

HEX #3E27EC

RGB 62 39 236

HSL 247.01, 0.84%, 0.54%

LAB 35.07, 66.23, -92.47

 

CMYK 52 / 83 / 0 / 7

HEX #7227EC

RGB 114 39 236

HSL 262.84, 0.84%, 0.54%

LAB 39.72, 70.51, -84.62

 

CMYK 29 / 83 / 0 / 7

HEX #A727EC

RGB 167 39 236

HSL 278.98, 0.84%, 0.54%

LAB 46.61, 77.25, -73.06

 

CMYK 7 / 83 / 0 / 7

HEX #DB27EC

RGB 219 39 236

HSL 294.82, 0.84%, 0.54%

LAB 54.62, 85.51, -59.71

 

CMYK 55 / 92 / 0 / 31

HEX #4F0FB1

RGB 79 15 177

HSL 263.7, 0.84%, 0.38%

LAB 27.24, 59.72, -71.04

 

CMYK 55 / 92 / 0 / 16

HEX #6012D7

RGB 96 18 215

HSL 263.76, 0.85%, 0.46%

LAB 33.62, 69.53, -82.76

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 41 / 68 / 0 / 6

HEX #8D4DEF

RGB 141 77 239

HSL 263.7, 0.84%, 0.62%

LAB 48.51, 59.37, -71.79

 

CMYK 32 / 52 / 0 / 5

HEX #A573F2

RGB 165 115 242

HSL 263.62, 0.83%, 0.7%

LAB 58.67, 45.44, -56.97

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 0 / 83 / 49 / 7

HEX #EC2779

RGB 236 39 121

HSL 335.03, 0.84%, 0.54%

LAB 52.58, 75.21, 4.49

 

CMYK 82 / 0 / 83 / 7

HEX #2AEC27

RGB 42 236 39

HSL 119.09, 0.84%, 0.54%

LAB 82.18, -77.85, 73.46

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 0 / 52 / 83 / 7

HEX #EC7227

RGB 236 114 39

HSL 22.84, 0.84%, 0.54%

LAB 61.67, 42.95, 59.74

 

CMYK 83 / 0 / 52 / 7

HEX #27EC72

RGB 39 236 114

HSL 142.84, 0.84%, 0.54%

LAB 82.72, -71.04, 46.08

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 0 / 83 / 49 / 7

HEX #EC2779

RGB 236 39 121

HSL 335.03, 0.84%, 0.54%

LAB 52.58, 75.21, 4.49

 

CMYK 32 / 0 / 83 / 7

HEX #A0EC27

RGB 160 236 39

HSL 83.15, 0.84%, 0.54%

LAB 85.81, -49.55, 78.06

 

CMYK 83 / 0 / 35 / 7

HEX #27EC9A

RGB 39 236 154

HSL 155.03, 0.84%, 0.54%

LAB 83.31, -64.1, 27.1

 

CMYK 50 / 83 / 0 / 7

HEX #7527EC

RGB 117 39 236

HSL 263.76, 0.84%, 0.54%

LAB 40.06, 70.84, -84.05

 

CMYK 0 / 83 / 74 / 7

HEX #EC273E

RGB 236 39 62

HSL 352.99, 0.84%, 0.54%

LAB 51.42, 71.79, 38.32

 

CMYK 32 / 0 / 83 / 7

HEX #A0EC27

RGB 160 236 39

HSL 83.15, 0.84%, 0.54%

LAB 85.81, -49.55, 78.06

 

CMYK 83 / 0 / 10 / 7

HEX #27ECD5

RGB 39 236 213

HSL 172.99, 0.84%, 0.54%

LAB 84.6, -50.25, -1.82

 

Description

Color code: RGB 117 39 236 | qconv.com Color code: RGB 117 39 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 39 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 39 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 83 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 83% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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