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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 28 231 it is the complementary color RGB 138 227 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 28 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 28 231 shade: RGB 122 28 226, RGB 139 46 245, RGB 156 64 255, RGB 173 82 255 and RGB 190 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 28 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 100 10 212, RGB 83 0 193, RGB 66 0 174 and RGB 49 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 172 28 231, RGB 226 28 231, RGB 231 28 181 and RGB 231 28 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 63 28 231 and RGB 28 28 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 28 231 shade matches the following richer shades: RGB 117 28 231 and RGB 115 8 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 120 49 211, RGB 122 69 190, RGB 125 89 170 and RGB 127 109 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 28 231 shade: RGB 28 49 231, RGB 62 28 231, RGB 116 28 231, RGB 170 28 231 and RGB 224 28 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 28 231 shade: RGB 79 16 160, RGB 98 20 198, RGB 117 28 231, RGB 140 66 235 and RGB 162 103 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 231 28 103 and RGB 28 231 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 231 116 28 and RGB 28 231 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 231 28 103, RGB 143 231 28 and RGB 28 231 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 28 231 shade: RGB 117 28 231, RGB 231 28 42, RGB 143 231 28 and RGB 28 231 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

Complementary color

CMYK 39 / 0 / 89 / 11

HEX #8AE318

RGB 138 227 24

HSL 86.31, 0.81%, 0.49%

LAB 82.06, -53.95, 77.31

 

CMYK 46 / 88 / 0 / 11

HEX #7A1CE2

RGB 122 28 226

HSL 268.48, 0.78%, 0.5%

LAB 38.65, 72.2, -80.66

 

CMYK 43 / 81 / 0 / 4

HEX #8B2EF5

RGB 139 46 245

HSL 268.04, 0.91%, 0.57%

LAB 44.28, 73.27, -82.09

 

CMYK 39 / 75 / 0 / 0

HEX #9C40FF

RGB 156 64 255

HSL 268.9, 1%, 0.63%

LAB 49.44, 71.44, -79.15

 

CMYK 32 / 68 / 0 / 0

HEX #AD52FF

RGB 173 82 255

HSL 271.56, 1%, 0.66%

LAB 54.17, 66.84, -71.36

 

CMYK 25 / 61 / 0 / 0

HEX #BE64FF

RGB 190 100 255

HSL 274.84, 1%, 0.7%

LAB 59.23, 62.04, -63.1

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 53 / 95 / 0 / 17

HEX #640AD4

RGB 100 10 212

HSL 266.73, 0.91%, 0.44%

LAB 33.31, 70.54, -81.52

 

CMYK 57 / 100 / 0 / 24

HEX #5300C1

RGB 83 0 193

HSL 265.8, 1%, 0.38%

LAB 28.61, 66.58, -78.25

 

CMYK 62 / 100 / 0 / 32

HEX #4200AE

RGB 66 0 174

HSL 262.76, 1%, 0.34%

LAB 24.37, 61.15, -74.04

 

CMYK 68 / 100 / 0 / 39

HEX #31009B

RGB 49 0 155

HSL 258.97, 1%, 0.3%

LAB 20.12, 55.7, -69.6

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 26 / 88 / 0 / 9

HEX #AC1CE7

RGB 172 28 231

HSL 282.56, 0.81%, 0.51%

LAB 46.14, 79.46, -70.97

 

CMYK 2 / 88 / 0 / 9

HEX #E21CE7

RGB 226 28 231

HSL 298.52, 0.81%, 0.51%

LAB 54.83, 87.82, -56.49

 

CMYK 0 / 88 / 22 / 9

HEX #E71CB5

RGB 231 28 181

HSL 314.78, 0.81%, 0.51%

LAB 53.12, 82.03, -30.46

 

CMYK 0 / 88 / 45 / 9

HEX #E71C7E

RGB 231 28 126

HSL 331.03, 0.81%, 0.51%

LAB 51.07, 76.45, -0.85

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 73 / 88 / 0 / 9

HEX #3F1CE7

RGB 63 28 231

HSL 250.34, 0.81%, 0.51%

LAB 33.26, 68.78, -92.63

 

CMYK 88 / 88 / 0 / 9

HEX #1C1CE7

RGB 28 28 231

HSL 240, 0.81%, 0.51%

LAB 31.46, 67.55, -95.68

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 54 / 97 / 0 / 2

HEX #7308FB

RGB 115 8 251

HSL 266.42, 0.97%, 0.51%

LAB 39.21, 80.52, -93.92

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 43 / 77 / 0 / 17

HEX #7831D3

RGB 120 49 211

HSL 266.3, 0.65%, 0.51%

LAB 39.4, 61.56, -70.83

 

CMYK 36 / 64 / 0 / 25

HEX #7A45BE

RGB 122 69 190

HSL 266.28, 0.48%, 0.51%

LAB 41.39, 47.25, -55.38

 

CMYK 26 / 48 / 0 / 33

HEX #7D59AA

RGB 125 89 170

HSL 266.67, 0.32%, 0.51%

LAB 44.81, 31.69, -38.15

 

CMYK 15 / 27 / 0 / 41

HEX #7F6D96

RGB 127 109 150

HSL 266.34, 0.16%, 0.51%

LAB 49.07, 15.56, -19.69

 

CMYK 88 / 79 / 0 / 9

HEX #1C31E7

RGB 28 49 231

HSL 233.79, 0.81%, 0.51%

LAB 34.42, 58.74, -90.74

 

CMYK 73 / 88 / 0 / 9

HEX #3E1CE7

RGB 62 28 231

HSL 250.05, 0.81%, 0.51%

LAB 33.19, 68.73, -92.75

 

CMYK 50 / 88 / 0 / 9

HEX #741CE7

RGB 116 28 231

HSL 266.01, 0.81%, 0.51%

LAB 38.4, 72.71, -83.95

 

CMYK 26 / 88 / 0 / 9

HEX #AA1CE7

RGB 170 28 231

HSL 281.97, 0.81%, 0.51%

LAB 45.83, 79.18, -71.48

 

CMYK 3 / 88 / 0 / 9

HEX #E01CE7

RGB 224 28 231

HSL 297.93, 0.81%, 0.51%

LAB 54.5, 87.49, -57.05

 

CMYK 51 / 90 / 0 / 37

HEX #4F10A0

RGB 79 16 160

HSL 266.25, 0.82%, 0.35%

LAB 25.48, 55.32, -63.68

 

CMYK 51 / 90 / 0 / 22

HEX #6214C6

RGB 98 20 198

HSL 266.29, 0.82%, 0.43%

LAB 32.2, 65.29, -75.2

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 40 / 72 / 0 / 8

HEX #8C42EB

RGB 140 66 235

HSL 266.27, 0.81%, 0.59%

LAB 46.27, 63.32, -73.2

 

CMYK 32 / 57 / 0 / 6

HEX #A267EF

RGB 162 103 239

HSL 266.03, 0.81%, 0.67%

LAB 55.7, 50.46, -60.07

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 0 / 88 / 55 / 9

HEX #E71C67

RGB 231 28 103

HSL 337.83, 0.81%, 0.51%

LAB 50.45, 74.73, 12.27

 

CMYK 88 / 0 / 85 / 9

HEX #1CE723

RGB 28 231 35

HSL 122.07, 0.81%, 0.51%

LAB 80.47, -77.84, 72.77

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 0 / 50 / 88 / 9

HEX #E7741C

RGB 231 116 28

HSL 26.01, 0.81%, 0.51%

LAB 61.28, 39.76, 62.94

 

CMYK 88 / 0 / 50 / 9

HEX #1CE774

RGB 28 231 116

HSL 146.01, 0.81%, 0.51%

LAB 81.1, -69.97, 43.11

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 0 / 88 / 55 / 9

HEX #E71C67

RGB 231 28 103

HSL 337.83, 0.81%, 0.51%

LAB 50.45, 74.73, 12.27

 

CMYK 38 / 0 / 88 / 9

HEX #8FE71C

RGB 143 231 28

HSL 86.01, 0.81%, 0.51%

LAB 83.48, -53.75, 77.93

 

CMYK 88 / 0 / 32 / 9

HEX #1CE79D

RGB 28 231 157

HSL 158.13, 0.81%, 0.51%

LAB 81.75, -62.46, 23.41

 

CMYK 49 / 88 / 0 / 9

HEX #751CE7

RGB 117 28 231

HSL 266.31, 0.81%, 0.51%

LAB 38.52, 72.81, -83.75

 

CMYK 0 / 88 / 82 / 9

HEX #E71C2A

RGB 231 28 42

HSL 355.86, 0.81%, 0.51%

LAB 49.48, 71.96, 47.07

 

CMYK 38 / 0 / 88 / 9

HEX #8FE71C

RGB 143 231 28

HSL 86.01, 0.81%, 0.51%

LAB 83.48, -53.75, 77.93

 

CMYK 88 / 0 / 6 / 9

HEX #1CE7D9

RGB 28 231 217

HSL 175.86, 0.81%, 0.51%

LAB 83.13, -47.72, -6.11

 

Description

Color code: RGB 117 28 231 | qconv.com Color code: RGB 117 28 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 28 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 28 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 88 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 88% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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