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Color name
RGB 117 192 50

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 192 50 it is the complementary color RGB 138 63 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 192 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 192 50 shade: RGB 122 192 45, RGB 139 210 64, RGB 156 228 83, RGB 173 246 102 and RGB 190 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 192 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 192 50 shade: RGB 117 192 50, RGB 100 174 31, RGB 83 156 12, RGB 66 138 0 and RGB 49 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 192 50 shade: RGB 115 190 49, RGB 154 190 49, RGB 190 188 49, RGB 190 150 49 and RGB 190 112 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 192 50 shade: RGB 115 190 49, RGB 77 190 49, RGB 49 190 58, RGB 49 190 96 and RGB 49 190 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 192 50 shade matches the following richer shades: RGB 115 190 49, RGB 114 209 29 and RGB 113 229 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 192 50 shade: RGB 115 190 49, RGB 116 171 68, RGB 118 151 87, RGB 119 132 107 and RGB 120 112 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 192 50 shade: RGB 190 188 49, RGB 155 190 49, RGB 117 190 49, RGB 79 190 49 and RGB 49 190 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 192 50 shade: RGB 75 124 32, RGB 95 157 40, RGB 115 190 49, RGB 136 208 72 and RGB 157 216 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 192 50 shade: RGB 117 192 50, RGB 49 190 150 and RGB 190 49 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 192 50 shade: RGB 117 192 50, RGB 49 117 190 and RGB 190 49 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 192 50 shade: RGB 117 192 50, RGB 49 190 150, RGB 122 49 190 and RGB 190 49 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 192 50 shade: RGB 117 192 50, RGB 49 188 190, RGB 122 49 190 and RGB 190 51 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

Complementary color

CMYK 33 / 69 / 0 / 20

HEX #8A3FCD

RGB 138 63 205

HSL 271.69, 0.59%, 0.53%

LAB 43.31, 57.18, -60.9

 

CMYK 36 / 0 / 77 / 25

HEX #7AC02D

RGB 122 192 45

HSL 88.57, 0.62%, 0.46%

LAB 70.89, -44.43, 62.2

 

CMYK 34 / 0 / 70 / 18

HEX #8BD240

RGB 139 210 64

HSL 89.18, 0.62%, 0.54%

LAB 77.25, -44.87, 62.16

 

CMYK 32 / 0 / 64 / 11

HEX #9CE453

RGB 156 228 83

HSL 89.79, 0.73%, 0.61%

LAB 83.54, -45.16, 61.62

 

CMYK 30 / 0 / 59 / 4

HEX #ADF666

RGB 173 246 102

HSL 90.42, 0.89%, 0.68%

LAB 89.75, -45.33, 60.8

 

CMYK 25 / 0 / 53 / 0

HEX #BEFF79

RGB 190 255 121

HSL 89.1, 1%, 0.74%

LAB 93.38, -41.5, 56.9

 

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

CMYK 43 / 0 / 82 / 32

HEX #64AE1F

RGB 100 174 31

HSL 91.05, 0.7%, 0.4%

LAB 64.23, -45.27, 59.78

 

CMYK 47 / 0 / 92 / 39

HEX #539C0C

RGB 83 156 12

HSL 90.42, 0.86%, 0.33%

LAB 57.7, -44.36, 58.02

 

CMYK 52 / 0 / 100 / 46

HEX #428A00

RGB 66 138 0

HSL 91.3, 1%, 0.27%

LAB 51.08, -43.01, 54.35

 

CMYK 59 / 0 / 100 / 53

HEX #317800

RGB 49 120 0

HSL 95.5, 1%, 0.24%

LAB 44.36, -41.19, 48.79

 

CMYK 39 / 0 / 74 / 25

HEX #73BE31

RGB 115 190 49

HSL 91.91, 0.59%, 0.47%

LAB 69.96, -45.79, 59.85

 

CMYK 19 / 0 / 74 / 25

HEX #9ABE31

RGB 154 190 49

HSL 75.32, 0.59%, 0.47%

LAB 72.17, -31.16, 62.76

 

CMYK 0 / 1 / 74 / 25

HEX #BEBC31

RGB 190 188 49

HSL 59.15, 0.59%, 0.47%

LAB 74.28, -15.14, 65.69

 

CMYK 0 / 21 / 74 / 25

HEX #BE9631

RGB 190 150 49

HSL 42.98, 0.59%, 0.47%

LAB 64.15, 4.88, 56.02

 

CMYK 0 / 41 / 74 / 25

HEX #BE7031

RGB 190 112 49

HSL 26.81, 0.59%, 0.47%

LAB 54.82, 25.77, 46.66

 

CMYK 39 / 0 / 74 / 25

HEX #73BE31

RGB 115 190 49

HSL 91.91, 0.59%, 0.47%

LAB 69.96, -45.79, 59.85

 

CMYK 59 / 0 / 74 / 25

HEX #4DBE31

RGB 77 190 49

HSL 108.09, 0.59%, 0.47%

LAB 68.48, -57.01, 57.89

 

CMYK 74 / 0 / 69 / 25

HEX #31BE3A

RGB 49 190 58

HSL 123.83, 0.59%, 0.47%

LAB 67.86, -61.9, 53.7

 

CMYK 74 / 0 / 49 / 25

HEX #31BE60

RGB 49 190 96

HSL 140, 0.59%, 0.47%

LAB 68.26, -57.16, 36.92

 

CMYK 74 / 0 / 29 / 25

HEX #31BE86

RGB 49 190 134

HSL 156.17, 0.59%, 0.47%

LAB 68.9, -49.98, 17.91

 

CMYK 39 / 0 / 74 / 25

HEX #73BE31

RGB 115 190 49

HSL 91.91, 0.59%, 0.47%

LAB 69.96, -45.79, 59.85

 

CMYK 45 / 0 / 86 / 18

HEX #72D11D

RGB 114 209 29

HSL 91.67, 0.76%, 0.47%

LAB 75.62, -54.61, 70.54

 

CMYK 51 / 0 / 96 / 10

HEX #71E50A

RGB 113 229 10

HSL 91.78, 0.92%, 0.47%

LAB 81.6, -62.72, 78.21

 

CMYK 39 / 0 / 74 / 25

HEX #73BE31

RGB 115 190 49

HSL 91.91, 0.59%, 0.47%

LAB 69.96, -45.79, 59.85

 

CMYK 32 / 0 / 60 / 33

HEX #74AB44

RGB 116 171 68

HSL 92.04, 0.43%, 0.47%

LAB 64.37, -35.7, 46.31

 

CMYK 22 / 0 / 42 / 41

HEX #769757

RGB 118 151 87

HSL 90.94, 0.27%, 0.47%

LAB 58.67, -23.19, 30.01

 

CMYK 10 / 0 / 19 / 48

HEX #77846B

RGB 119 132 107

HSL 91.2, 0.1%, 0.47%

LAB 53.48, -9.64, 11.92

 

CMYK 5 / 11 / 0 / 51

HEX #78707E

RGB 120 112 126

HSL 274.29, 0.06%, 0.47%

LAB 48.37, 5.93, -6.6

 

CMYK 0 / 1 / 74 / 25

HEX #BEBC31

RGB 190 188 49

HSL 59.15, 0.59%, 0.47%

LAB 74.28, -15.14, 65.69

 

CMYK 18 / 0 / 74 / 25

HEX #9BBE31

RGB 155 190 49

HSL 74.89, 0.59%, 0.47%

LAB 72.24, -30.76, 62.85

 

CMYK 38 / 0 / 74 / 25

HEX #75BE31

RGB 117 190 49

HSL 91.06, 0.59%, 0.47%

LAB 70.06, -45.1, 59.98

 

CMYK 58 / 0 / 74 / 25

HEX #4FBE31

RGB 79 190 49

HSL 107.23, 0.59%, 0.47%

LAB 68.54, -56.52, 57.97

 

CMYK 74 / 0 / 71 / 25

HEX #31BE38

RGB 49 190 56

HSL 122.98, 0.59%, 0.47%

LAB 67.85, -62.08, 54.46

 

CMYK 40 / 0 / 74 / 51

HEX #4B7C20

RGB 75 124 32

HSL 91.96, 0.59%, 0.31%

LAB 46.99, -32.61, 42.62

 

CMYK 39 / 0 / 75 / 38

HEX #5F9D28

RGB 95 157 40

HSL 91.79, 0.59%, 0.39%

LAB 58.7, -39.37, 51.61

 

CMYK 39 / 0 / 74 / 25

HEX #73BE31

RGB 115 190 49

HSL 91.91, 0.59%, 0.47%

LAB 69.96, -45.79, 59.85

 

CMYK 35 / 0 / 65 / 18

HEX #88D048

RGB 136 208 72

HSL 91.76, 0.59%, 0.55%

LAB 76.57, -44.48, 58.28

 

CMYK 27 / 0 / 51 / 15

HEX #9DD869

RGB 157 216 105

HSL 91.89, 0.59%, 0.63%

LAB 80.35, -37.47, 48.29

 

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

CMYK 74 / 0 / 21 / 25

HEX #31BE96

RGB 49 190 150

HSL 162.98, 0.59%, 0.47%

LAB 69.24, -46.28, 9.72

 

CMYK 0 / 74 / 8 / 25

HEX #BE31AE

RGB 190 49 174

HSL 306.81, 0.59%, 0.47%

LAB 47.24, 67.77, -36.09

 

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

CMYK 74 / 38 / 0 / 25

HEX #3175BE

RGB 49 117 190

HSL 211.06, 0.59%, 0.47%

LAB 48.38, 3.79, -44.45

 

CMYK 0 / 74 / 38 / 25

HEX #BE3175

RGB 190 49 117

HSL 331.06, 0.59%, 0.47%

LAB 44.84, 60.42, -5.41

 

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

CMYK 74 / 0 / 21 / 25

HEX #31BE96

RGB 49 190 150

HSL 162.98, 0.59%, 0.47%

LAB 69.24, -46.28, 9.72

 

CMYK 36 / 74 / 0 / 25

HEX #7A31BE

RGB 122 49 190

HSL 271.06, 0.59%, 0.47%

LAB 37.94, 56.86, -60.98

 

CMYK 0 / 74 / 53 / 25

HEX #BE3159

RGB 190 49 89

HSL 342.98, 0.59%, 0.47%

LAB 44.04, 57.84, 10.78

 

CMYK 39 / 0 / 74 / 25

HEX #75C032

RGB 117 192 50

HSL 91.69, 0.59%, 0.47%

LAB 70.67, -45.87, 60.24

 

CMYK 74 / 1 / 0 / 25

HEX #31BCBE

RGB 49 188 190

HSL 180.85, 0.59%, 0.47%

LAB 69.71, -34.6, -11.5

 

CMYK 36 / 74 / 0 / 25

HEX #7A31BE

RGB 122 49 190

HSL 271.06, 0.59%, 0.47%

LAB 37.94, 56.86, -60.98

 

CMYK 0 / 73 / 74 / 25

HEX #BE3331

RGB 190 51 49

HSL 0.85, 0.59%, 0.47%

LAB 43.56, 54.73, 34.54

 

Description

Color code: RGB 117 192 50 | qconv.com Color code: RGB 117 192 50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 192 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 192 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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