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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 155 250 it is the complementary color RGB 138 100 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 155 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 155 250 shade: RGB 122 155 245, RGB 139 173 255, RGB 156 191 255, RGB 173 209 255 and RGB 190 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 155 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 100 137 231, RGB 83 119 212, RGB 66 101 193 and RGB 49 83 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 117 119 250, RGB 150 117 250, RGB 186 117 250 and RGB 222 117 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 117 119 250 and RGB 117 117 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 155 250 shade matches the following richer shades: RGB 117 155 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 128 160 238, RGB 140 165 226, RGB 151 169 215 and RGB 163 174 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 155 250 shade: RGB 117 227 250, RGB 117 192 250, RGB 117 157 250, RGB 117 121 250 and RGB 148 117 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 155 250 shade: RGB 37 97 247, RGB 77 126 248, RGB 117 155 250, RGB 157 183 251 and RGB 196 212 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 236 117 250 and RGB 210 250 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 250 117 157 and RGB 157 250 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 236 117 250, RGB 250 210 117 and RGB 130 250 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 155 250 shade: RGB 117 155 250, RGB 250 117 223, RGB 250 210 117 and RGB 117 250 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

Complementary color

CMYK 0 / 28 / 96 / 46

HEX #8A6405

RGB 138 100 5

HSL 42.86, 0.93%, 0.28%

LAB 44.98, 7.74, 51.05

 

CMYK 50 / 37 / 0 / 4

HEX #7A9BF5

RGB 122 155 245

HSL 223.9, 0.86%, 0.72%

LAB 65.1, 12.96, -48.61

 

CMYK 45 / 32 / 0 / 0

HEX #8BADFF

RGB 139 173 255

HSL 222.41, 1%, 0.77%

LAB 71.28, 9.53, -44.27

 

CMYK 39 / 25 / 0 / 0

HEX #9CBFFF

RGB 156 191 255

HSL 218.79, 1%, 0.81%

LAB 77.01, 3.77, -35.27

 

CMYK 32 / 18 / 0 / 0

HEX #ADD1FF

RGB 173 209 255

HSL 213.66, 1%, 0.84%

LAB 82.76, -1.37, -26.35

 

CMYK 25 / 11 / 0 / 0

HEX #BEE3FF

RGB 190 227 255

HSL 205.85, 1%, 0.87%

LAB 88.5, -5.98, -17.55

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 57 / 41 / 0 / 9

HEX #6489E7

RGB 100 137 231

HSL 223.05, 0.73%, 0.65%

LAB 58.39, 14.52, -51.6

 

CMYK 61 / 44 / 0 / 17

HEX #5377D4

RGB 83 119 212

HSL 223.26, 0.6%, 0.58%

LAB 51.59, 15.86, -51.81

 

CMYK 66 / 48 / 0 / 24

HEX #4265C1

RGB 66 101 193

HSL 223.46, 0.51%, 0.51%

LAB 44.68, 17.51, -52.05

 

CMYK 72 / 52 / 0 / 32

HEX #3153AE

RGB 49 83 174

HSL 223.68, 0.56%, 0.44%

LAB 37.65, 19.56, -52.29

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 53 / 52 / 0 / 2

HEX #7577FA

RGB 117 119 250

HSL 239.1, 0.93%, 0.72%

LAB 55.97, 34.67, -65.96

 

CMYK 40 / 53 / 0 / 2

HEX #9675FA

RGB 150 117 250

HSL 254.89, 0.93%, 0.72%

LAB 58.14, 42.84, -62.32

 

CMYK 26 / 53 / 0 / 2

HEX #BA75FA

RGB 186 117 250

HSL 271.13, 0.93%, 0.72%

LAB 61.71, 51.44, -56.41

 

CMYK 11 / 53 / 0 / 2

HEX #DE75FA

RGB 222 117 250

HSL 287.37, 0.93%, 0.72%

LAB 65.87, 60.57, -49.55

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 53 / 52 / 0 / 2

HEX #7577FA

RGB 117 119 250

HSL 239.1, 0.93%, 0.72%

LAB 55.97, 34.67, -65.96

 

CMYK 53 / 53 / 0 / 2

HEX #7575FA

RGB 117 117 250

HSL 240, 0.93%, 0.72%

LAB 55.49, 35.86, -66.73

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 46 / 33 / 0 / 7

HEX #80A0EE

RGB 128 160 238

HSL 222.55, 0.76%, 0.72%

LAB 66.45, 9.4, -42.63

 

CMYK 38 / 27 / 0 / 11

HEX #8CA5E2

RGB 140 165 226

HSL 222.56, 0.6%, 0.72%

LAB 68, 6.25, -33.57

 

CMYK 30 / 21 / 0 / 16

HEX #97A9D7

RGB 151 169 215

HSL 223.13, 0.44%, 0.72%

LAB 69.37, 4.25, -25.35

 

CMYK 20 / 14 / 0 / 20

HEX #A3AECB

RGB 163 174 203

HSL 223.5, 0.28%, 0.72%

LAB 71.13, 2.31, -16.01

 

CMYK 53 / 9 / 0 / 2

HEX #75E3FA

RGB 117 227 250

HSL 190.38, 0.93%, 0.72%

LAB 84.8, -25.4, -20.84

 

CMYK 53 / 23 / 0 / 2

HEX #75C0FA

RGB 117 192 250

HSL 206.17, 0.93%, 0.72%

LAB 75.07, -7.38, -35.76

 

CMYK 53 / 37 / 0 / 2

HEX #759DFA

RGB 117 157 250

HSL 221.95, 0.93%, 0.72%

LAB 65.59, 12.24, -50.59

 

CMYK 53 / 52 / 0 / 2

HEX #7579FA

RGB 117 121 250

HSL 238.2, 0.93%, 0.72%

LAB 56.45, 33.49, -65.19

 

CMYK 41 / 53 / 0 / 2

HEX #9475FA

RGB 148 117 250

HSL 253.98, 0.93%, 0.72%

LAB 57.96, 42.39, -62.62

 

CMYK 85 / 61 / 0 / 3

HEX #2561F7

RGB 37 97 247

HSL 222.86, 0.93%, 0.56%

LAB 46.52, 36.69, -79.81

 

CMYK 69 / 49 / 0 / 3

HEX #4D7EF8

RGB 77 126 248

HSL 222.81, 0.92%, 0.64%

LAB 55.36, 22.99, -65.95

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 37 / 27 / 0 / 2

HEX #9DB7FB

RGB 157 183 251

HSL 223.4, 0.92%, 0.8%

LAB 74.82, 7.38, -36.5

 

CMYK 22 / 16 / 0 / 1

HEX #C4D4FC

RGB 196 212 252

HSL 222.86, 0.9%, 0.88%

LAB 84.92, 2.97, -21.33

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 6 / 53 / 0 / 2

HEX #EC75FA

RGB 236 117 250

HSL 293.68, 0.93%, 0.72%

LAB 67.62, 64.18, -46.67

 

CMYK 16 / 0 / 53 / 2

HEX #D2FA75

RGB 210 250 117

HSL 78.05, 0.93%, 0.72%

LAB 93.17, -32.38, 58.74

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 0 / 53 / 37 / 2

HEX #FA759D

RGB 250 117 157

HSL 341.95, 0.93%, 0.72%

LAB 66.12, 54.63, 3.28

 

CMYK 37 / 0 / 53 / 2

HEX #9DFA75

RGB 157 250 117

HSL 101.95, 0.93%, 0.72%

LAB 90.24, -50.83, 54.56

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 6 / 53 / 0 / 2

HEX #EC75FA

RGB 236 117 250

HSL 293.68, 0.93%, 0.72%

LAB 67.62, 64.18, -46.67

 

CMYK 0 / 16 / 53 / 2

HEX #FAD275

RGB 250 210 117

HSL 41.95, 0.93%, 0.72%

LAB 85.86, 3.01, 50.85

 

CMYK 48 / 0 / 53 / 2

HEX #82FA75

RGB 130 250 117

HSL 114.14, 0.93%, 0.72%

LAB 89.11, -58.8, 52.94

 

CMYK 53 / 38 / 0 / 2

HEX #759BFA

RGB 117 155 250

HSL 222.86, 0.93%, 0.72%

LAB 65.06, 13.4, -51.42

 

CMYK 0 / 53 / 11 / 2

HEX #FA75DF

RGB 250 117 223

HSL 312.18, 0.93%, 0.72%

LAB 68.3, 63.43, -30.59

 

CMYK 0 / 16 / 53 / 2

HEX #FAD275

RGB 250 210 117

HSL 41.95, 0.93%, 0.72%

LAB 85.86, 3.01, 50.85

 

CMYK 53 / 0 / 43 / 2

HEX #75FA8F

RGB 117 250 143

HSL 131.73, 0.93%, 0.72%

LAB 88.99, -58.61, 40.39

 

Description

Color code: RGB 117 155 250 | qconv.com Color code: RGB 117 155 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 155 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 155 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 38 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 38% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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