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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 154 213 it is the complementary color RGB 138 101 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 154 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 154 213 shade: RGB 122 154 208, RGB 139 172 227, RGB 156 190 246, RGB 173 208 255 and RGB 190 226 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 154 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 154 213 shade: RGB 117 154 213, RGB 100 136 194, RGB 83 118 175, RGB 66 100 156 and RGB 49 82 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 154 213 shade: RGB 118 154 213, RGB 118 129 213, RGB 133 118 213, RGB 158 118 213 and RGB 184 118 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 154 213 shade: RGB 118 154 213, RGB 118 129 213 and RGB 118 118 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 154 213 shade matches the following richer shades: RGB 118 154 213, RGB 104 151 227 and RGB 89 148 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 154 213 shade: RGB 118 154 213, RGB 132 158 198, RGB 147 161 184, RGB 161 164 169 and RGB 176 168 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 154 213 shade: RGB 118 206 213, RGB 118 181 213, RGB 118 156 213, RGB 118 131 213 and RGB 131 118 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 154 213 shade: RGB 58 109 190, RGB 86 131 203, RGB 118 154 213, RGB 150 178 222 and RGB 181 201 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 154 213 shade: RGB 117 154 213, RGB 194 118 213 and RGB 194 213 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 154 213 shade: RGB 117 154 213, RGB 213 118 156 and RGB 156 213 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 154 213 shade: RGB 117 154 213, RGB 194 118 213, RGB 213 175 118 and RGB 137 213 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 154 213 shade: RGB 117 154 213, RGB 213 118 203, RGB 213 175 118 and RGB 118 213 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

Complementary color

CMYK 0 / 27 / 70 / 46

HEX #8A652A

RGB 138 101 42

HSL 36.88, 0.53%, 0.35%

LAB 45.47, 8.54, 38.17

 

CMYK 41 / 26 / 0 / 18

HEX #7A9AD0

RGB 122 154 208

HSL 217.67, 0.48%, 0.65%

LAB 63.18, 2.76, -31.18

 

CMYK 39 / 24 / 0 / 11

HEX #8BACE3

RGB 139 172 227

HSL 217.5, 0.61%, 0.72%

LAB 69.85, 2.33, -31.26

 

CMYK 37 / 23 / 0 / 4

HEX #9CBEF6

RGB 156 190 246

HSL 217.33, 0.83%, 0.79%

LAB 76.4, 1.96, -31.37

 

CMYK 32 / 18 / 0 / 0

HEX #ADD0FF

RGB 173 208 255

HSL 214.39, 1%, 0.84%

LAB 82.49, -0.84, -26.75

 

CMYK 25 / 11 / 0 / 0

HEX #BEE2FF

RGB 190 226 255

HSL 206.77, 1%, 0.87%

LAB 88.24, -5.46, -17.94

 

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

CMYK 48 / 30 / 0 / 24

HEX #6488C2

RGB 100 136 194

HSL 217.02, 0.44%, 0.58%

LAB 56.3, 3.5, -34.1

 

CMYK 53 / 33 / 0 / 31

HEX #5376AF

RGB 83 118 175

HSL 217.17, 0.37%, 0.51%

LAB 49.36, 4.24, -34.12

 

CMYK 58 / 36 / 0 / 39

HEX #42649C

RGB 66 100 156

HSL 217.33, 0.41%, 0.44%

LAB 42.27, 5.17, -34.19

 

CMYK 64 / 40 / 0 / 46

HEX #315289

RGB 49 82 137

HSL 217.5, 0.47%, 0.36%

LAB 34.99, 6.4, -34.3

 

CMYK 45 / 28 / 0 / 16

HEX #769AD5

RGB 118 154 213

HSL 217.26, 0.53%, 0.65%

LAB 63.15, 3.15, -34.02

 

CMYK 45 / 39 / 0 / 16

HEX #7681D5

RGB 118 129 213

HSL 233.05, 0.53%, 0.65%

LAB 56.44, 17.77, -44.54

 

CMYK 38 / 45 / 0 / 16

HEX #8576D5

RGB 133 118 213

HSL 249.47, 0.53%, 0.65%

LAB 54.81, 28.11, -47.05

 

CMYK 26 / 45 / 0 / 16

HEX #9E76D5

RGB 158 118 213

HSL 265.26, 0.53%, 0.65%

LAB 57.1, 34.85, -43.27

 

CMYK 14 / 45 / 0 / 16

HEX #B876D5

RGB 184 118 213

HSL 281.68, 0.53%, 0.65%

LAB 59.84, 42.25, -38.78

 

CMYK 45 / 28 / 0 / 16

HEX #769AD5

RGB 118 154 213

HSL 217.26, 0.53%, 0.65%

LAB 63.15, 3.15, -34.02

 

CMYK 45 / 39 / 0 / 16

HEX #7681D5

RGB 118 129 213

HSL 233.05, 0.53%, 0.65%

LAB 56.44, 17.77, -44.54

 

CMYK 45 / 45 / 0 / 16

HEX #7676D5

RGB 118 118 213

HSL 240, 0.53%, 0.65%

LAB 53.61, 24.35, -49.03

 

CMYK 45 / 28 / 0 / 16

HEX #769AD5

RGB 118 154 213

HSL 217.26, 0.53%, 0.65%

LAB 63.15, 3.15, -34.02

 

CMYK 54 / 33 / 0 / 11

HEX #6897E3

RGB 104 151 227

HSL 217.07, 0.69%, 0.65%

LAB 62.19, 5.82, -43.36

 

CMYK 63 / 39 / 0 / 5

HEX #5994F1

RGB 89 148 241

HSL 216.71, 0.84%, 0.65%

LAB 61.35, 9.21, -52.45

 

CMYK 45 / 28 / 0 / 16

HEX #769AD5

RGB 118 154 213

HSL 217.26, 0.53%, 0.65%

LAB 63.15, 3.15, -34.02

 

CMYK 33 / 20 / 0 / 22

HEX #849EC6

RGB 132 158 198

HSL 216.36, 0.37%, 0.65%

LAB 64.51, 0.56, -23.49

 

CMYK 20 / 13 / 0 / 28

HEX #93A1B8

RGB 147 161 184

HSL 217.3, 0.21%, 0.65%

LAB 65.87, 0.06, -13.53

 

CMYK 5 / 3 / 0 / 34

HEX #A1A4A9

RGB 161 164 169

HSL 217.5, 0.04%, 0.65%

LAB 67.27, -0.09, -2.96

 

CMYK 0 / 5 / 12 / 31

HEX #B0A89B

RGB 176 168 155

HSL 37.14, 0.12%, 0.65%

LAB 69.19, 0.59, 7.73

 

CMYK 45 / 3 / 0 / 16

HEX #76CED5

RGB 118 206 213

HSL 184.42, 0.53%, 0.65%

LAB 77.76, -24.64, -11.75

 

CMYK 45 / 15 / 0 / 16

HEX #76B5D5

RGB 118 181 213

HSL 200.21, 0.53%, 0.65%

LAB 70.67, -11.78, -22.45

 

CMYK 45 / 27 / 0 / 16

HEX #769CD5

RGB 118 156 213

HSL 216, 0.53%, 0.65%

LAB 63.7, 2.01, -33.17

 

CMYK 45 / 38 / 0 / 16

HEX #7683D5

RGB 118 131 213

HSL 231.79, 0.53%, 0.65%

LAB 56.97, 16.58, -43.71

 

CMYK 38 / 45 / 0 / 16

HEX #8376D5

RGB 131 118 213

HSL 248.21, 0.53%, 0.65%

LAB 54.64, 27.59, -47.33

 

CMYK 69 / 43 / 0 / 25

HEX #3A6DBE

RGB 58 109 190

HSL 216.82, 0.53%, 0.49%

LAB 46.38, 10.07, -47.61

 

CMYK 58 / 35 / 0 / 20

HEX #5683CB

RGB 86 131 203

HSL 216.92, 0.53%, 0.57%

LAB 54.58, 6.16, -41.96

 

CMYK 45 / 28 / 0 / 16

HEX #769AD5

RGB 118 154 213

HSL 217.26, 0.53%, 0.65%

LAB 63.15, 3.15, -34.02

 

CMYK 32 / 20 / 0 / 13

HEX #96B2DE

RGB 150 178 222

HSL 216.67, 0.52%, 0.73%

LAB 71.96, 0.74, -25.23

 

CMYK 22 / 13 / 0 / 9

HEX #B5C9E8

RGB 181 201 232

HSL 216.47, 0.53%, 0.81%

LAB 80.42, -0.18, -17.6

 

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

CMYK 9 / 45 / 0 / 16

HEX #C276D5

RGB 194 118 213

HSL 288, 0.53%, 0.65%

LAB 60.98, 45.15, -36.91

 

CMYK 9 / 0 / 45 / 16

HEX #C2D576

RGB 194 213 118

HSL 72, 0.53%, 0.65%

LAB 82.04, -20.8, 44.64

 

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

CMYK 0 / 45 / 27 / 16

HEX #D5769C

RGB 213 118 156

HSL 336, 0.53%, 0.65%

LAB 61.22, 41.58, -3.92

 

CMYK 27 / 0 / 45 / 16

HEX #9CD576

RGB 156 213 118

HSL 96, 0.53%, 0.65%

LAB 79.59, -34.94, 41.07

 

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

CMYK 9 / 45 / 0 / 16

HEX #C276D5

RGB 194 118 213

HSL 288, 0.53%, 0.65%

LAB 60.98, 45.15, -36.91

 

CMYK 0 / 18 / 45 / 16

HEX #D5AF76

RGB 213 175 118

HSL 36, 0.53%, 0.65%

LAB 73.62, 6.39, 34.35

 

CMYK 36 / 0 / 45 / 16

HEX #89D576

RGB 137 213 118

HSL 108, 0.53%, 0.65%

LAB 78.59, -41.37, 39.59

 

CMYK 45 / 28 / 0 / 16

HEX #759AD5

RGB 117 154 213

HSL 216.88, 0.53%, 0.65%

LAB 63.09, 2.9, -34.12

 

CMYK 0 / 45 / 5 / 16

HEX #D576CB

RGB 213 118 203

HSL 306.32, 0.53%, 0.65%

LAB 62.86, 48.93, -28.2

 

CMYK 0 / 18 / 45 / 16

HEX #D5AF76

RGB 213 175 118

HSL 36, 0.53%, 0.65%

LAB 73.62, 6.39, 34.35

 

CMYK 45 / 0 / 40 / 16

HEX #76D57F

RGB 118 213 127

HSL 125.68, 0.53%, 0.65%

LAB 77.86, -45.85, 33.96

 

Description

Color code: RGB 117 154 213 | qconv.com Color code: RGB 117 154 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 154 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 154 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 28 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 28% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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