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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 141 213 it is the complementary color RGB 138 114 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 141 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 141 213 shade: RGB 122 141 208, RGB 139 159 227, RGB 156 177 246, RGB 173 195 255 and RGB 190 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 141 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 141 213 shade: RGB 117 141 213, RGB 100 123 194, RGB 83 105 175, RGB 66 87 156 and RGB 49 69 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 141 213 shade: RGB 118 142 213, RGB 120 118 213, RGB 145 118 213, RGB 171 118 213 and RGB 196 118 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 141 213 shade: RGB 118 142 213 and RGB 118 118 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 141 213 shade matches the following richer shades: RGB 118 142 213, RGB 104 134 227 and RGB 89 127 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 141 213 shade: RGB 118 142 213, RGB 132 149 198, RGB 147 156 184, RGB 161 163 169 and RGB 176 170 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 141 213 shade: RGB 118 192 213, RGB 118 167 213, RGB 118 142 213, RGB 120 118 213 and RGB 145 118 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 141 213 shade: RGB 58 91 190, RGB 86 116 203, RGB 118 142 213, RGB 150 168 222 and RGB 181 194 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 141 213 shade: RGB 117 141 213, RGB 208 118 213 and RGB 179 213 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 141 213 shade: RGB 117 141 213, RGB 213 118 142 and RGB 142 213 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 141 213 shade: RGB 117 141 213, RGB 208 118 213, RGB 213 189 118 and RGB 123 213 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 141 213 shade: RGB 117 141 213, RGB 213 118 189, RGB 213 189 118 and RGB 118 213 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

Complementary color

CMYK 0 / 17 / 70 / 46

HEX #8A722A

RGB 138 114 42

HSL 45, 0.53%, 0.35%

LAB 49.01, 1.02, 41.95

 

CMYK 41 / 32 / 0 / 18

HEX #7A8DD0

RGB 122 141 208

HSL 226.74, 0.48%, 0.65%

LAB 59.65, 10.26, -36.66

 

CMYK 39 / 30 / 0 / 11

HEX #8B9FE3

RGB 139 159 227

HSL 226.36, 0.61%, 0.72%

LAB 66.39, 9.66, -36.63

 

CMYK 37 / 28 / 0 / 4

HEX #9CB1F6

RGB 156 177 246

HSL 226, 0.83%, 0.79%

LAB 73, 9.13, -36.63

 

CMYK 32 / 24 / 0 / 0

HEX #ADC3FF

RGB 173 195 255

HSL 223.9, 1%, 0.84%

LAB 79.12, 6.15, -31.93

 

CMYK 25 / 16 / 0 / 0

HEX #BED5FF

RGB 190 213 255

HSL 218.77, 1%, 0.87%

LAB 84.87, 1.34, -23.03

 

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

CMYK 48 / 37 / 0 / 24

HEX #647BC2

RGB 100 123 194

HSL 225.32, 0.44%, 0.58%

LAB 52.7, 11.24, -39.75

 

CMYK 53 / 40 / 0 / 31

HEX #5369AF

RGB 83 105 175

HSL 225.65, 0.37%, 0.51%

LAB 45.69, 12.23, -39.92

 

CMYK 58 / 44 / 0 / 39

HEX #42579C

RGB 66 87 156

HSL 226, 0.41%, 0.44%

LAB 38.51, 13.47, -40.15

 

CMYK 64 / 50 / 0 / 46

HEX #314589

RGB 49 69 137

HSL 226.36, 0.47%, 0.36%

LAB 31.15, 15.07, -40.43

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 44 / 45 / 0 / 16

HEX #7876D5

RGB 120 118 213

HSL 241.26, 0.53%, 0.65%

LAB 53.77, 24.84, -48.78

 

CMYK 32 / 45 / 0 / 16

HEX #9176D5

RGB 145 118 213

HSL 257.05, 0.53%, 0.65%

LAB 55.87, 31.28, -45.31

 

CMYK 20 / 45 / 0 / 16

HEX #AB76D5

RGB 171 118 213

HSL 273.47, 0.53%, 0.65%

LAB 58.43, 38.52, -41.09

 

CMYK 8 / 45 / 0 / 16

HEX #C476D5

RGB 196 118 213

HSL 289.26, 0.53%, 0.65%

LAB 61.22, 45.73, -36.53

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 45 / 45 / 0 / 16

HEX #7676D5

RGB 118 118 213

HSL 240, 0.53%, 0.65%

LAB 53.61, 24.35, -49.03

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 54 / 41 / 0 / 11

HEX #6886E3

RGB 104 134 227

HSL 225.37, 0.69%, 0.65%

LAB 57.6, 15.86, -50.61

 

CMYK 63 / 47 / 0 / 5

HEX #597FF1

RGB 89 127 241

HSL 225, 0.84%, 0.65%

LAB 55.74, 21.83, -61.42

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 33 / 25 / 0 / 22

HEX #8495C6

RGB 132 149 198

HSL 224.55, 0.37%, 0.65%

LAB 62.06, 5.67, -27.26

 

CMYK 20 / 15 / 0 / 28

HEX #939CB8

RGB 147 156 184

HSL 225.41, 0.21%, 0.65%

LAB 64.52, 2.85, -15.57

 

CMYK 5 / 4 / 0 / 34

HEX #A1A3A9

RGB 161 163 169

HSL 225, 0.04%, 0.65%

LAB 67, 0.46, -3.36

 

CMYK 0 / 3 / 12 / 31

HEX #B0AA9B

RGB 176 170 155

HSL 42.86, 0.12%, 0.65%

LAB 69.72, -0.49, 8.49

 

CMYK 45 / 10 / 0 / 16

HEX #76C0D5

RGB 118 192 213

HSL 193.26, 0.53%, 0.65%

LAB 73.78, -17.55, -17.73

 

CMYK 45 / 22 / 0 / 16

HEX #76A7D5

RGB 118 167 213

HSL 209.05, 0.53%, 0.65%

LAB 66.74, -4.17, -28.46

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 44 / 45 / 0 / 16

HEX #7876D5

RGB 120 118 213

HSL 241.26, 0.53%, 0.65%

LAB 53.77, 24.84, -48.78

 

CMYK 32 / 45 / 0 / 16

HEX #9176D5

RGB 145 118 213

HSL 257.05, 0.53%, 0.65%

LAB 55.87, 31.28, -45.31

 

CMYK 69 / 52 / 0 / 25

HEX #3A5BBE

RGB 58 91 190

HSL 225, 0.53%, 0.49%

LAB 41.37, 21.58, -55.66

 

CMYK 58 / 43 / 0 / 20

HEX #5674CB

RGB 86 116 203

HSL 224.62, 0.53%, 0.57%

LAB 50.43, 15.27, -48.54

 

CMYK 45 / 33 / 0 / 16

HEX #768ED5

RGB 118 142 213

HSL 224.84, 0.53%, 0.65%

LAB 59.89, 10.09, -39.11

 

CMYK 32 / 24 / 0 / 13

HEX #96A8DE

RGB 150 168 222

HSL 225, 0.52%, 0.73%

LAB 69.3, 6.28, -29.31

 

CMYK 22 / 16 / 0 / 9

HEX #B5C2E8

RGB 181 194 232

HSL 224.71, 0.53%, 0.81%

LAB 78.6, 3.57, -20.35

 

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

CMYK 2 / 45 / 0 / 16

HEX #D076D5

RGB 208 118 213

HSL 296.84, 0.53%, 0.65%

LAB 62.65, 49.24, -34.19

 

CMYK 16 / 0 / 45 / 16

HEX #B3D576

RGB 179 213 118

HSL 81.47, 0.53%, 0.65%

LAB 81.01, -26.55, 43.14

 

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

CMYK 0 / 45 / 33 / 16

HEX #D5768E

RGB 213 118 142

HSL 344.84, 0.53%, 0.65%

LAB 60.83, 39.75, 3.56

 

CMYK 33 / 0 / 45 / 16

HEX #8ED576

RGB 142 213 118

HSL 104.84, 0.53%, 0.65%

LAB 78.84, -39.73, 39.96

 

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

CMYK 2 / 45 / 0 / 16

HEX #D076D5

RGB 208 118 213

HSL 296.84, 0.53%, 0.65%

LAB 62.65, 49.24, -34.19

 

CMYK 0 / 11 / 45 / 16

HEX #D5BD76

RGB 213 189 118

HSL 44.84, 0.53%, 0.65%

LAB 77.19, -1.02, 38.91

 

CMYK 42 / 0 / 45 / 16

HEX #7BD576

RGB 123 213 118

HSL 116.84, 0.53%, 0.65%

LAB 77.94, -45.73, 38.63

 

CMYK 45 / 34 / 0 / 16

HEX #758DD5

RGB 117 141 213

HSL 225, 0.53%, 0.65%

LAB 59.56, 10.43, -39.64

 

CMYK 0 / 45 / 11 / 16

HEX #D576BD

RGB 213 118 189

HSL 315.16, 0.53%, 0.65%

LAB 62.32, 46.56, -21.11

 

CMYK 0 / 11 / 45 / 16

HEX #D5BD76

RGB 213 189 118

HSL 44.84, 0.53%, 0.65%

LAB 77.19, -1.02, 38.91

 

CMYK 45 / 0 / 33 / 16

HEX #76D58E

RGB 118 213 142

HSL 135.16, 0.53%, 0.65%

LAB 78.11, -43.37, 26.58

 

Description

Color code: RGB 117 141 213 | qconv.com Color code: RGB 117 141 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 141 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 141 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 34 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 34% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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