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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 148 203 it is the complementary color RGB 138 107 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 148 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 148 203 shade: RGB 122 148 198, RGB 139 166 217, RGB 156 184 236, RGB 173 202 255 and RGB 190 220 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 148 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 148 203 shade: RGB 117 148 203, RGB 100 130 184, RGB 83 112 165, RGB 66 94 146 and RGB 49 76 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 148 203 shade: RGB 118 148 203, RGB 118 125 203, RGB 133 118 203, RGB 156 118 203 and RGB 179 118 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 148 203 shade: RGB 118 148 203, RGB 118 125 203 and RGB 118 118 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 148 203 shade matches the following richer shades: RGB 118 148 203, RGB 102 144 218, RGB 87 140 233 and RGB 72 136 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 148 203 shade: RGB 118 148 203, RGB 133 153 187, RGB 148 157 172, RGB 163 161 157 and RGB 179 165 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 148 203 shade: RGB 118 194 203, RGB 118 171 203, RGB 118 149 203, RGB 118 126 203 and RGB 132 118 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 148 203 shade: RGB 65 104 173, RGB 88 125 191, RGB 118 148 203, RGB 148 172 214 and RGB 178 195 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 148 203 shade: RGB 117 148 203, RGB 188 118 203 and RGB 183 203 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 148 203 shade: RGB 117 148 203, RGB 203 118 149 and RGB 149 203 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 148 203 shade: RGB 117 148 203, RGB 188 118 203, RGB 203 171 118 and RGB 132 203 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 148 203 shade: RGB 117 148 203, RGB 203 118 191, RGB 203 171 118 and RGB 118 203 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

Complementary color

CMYK 0 / 22 / 62 / 46

HEX #8A6B34

RGB 138 107 52

HSL 38.37, 0.45%, 0.37%

LAB 47.19, 5.74, 34.99

 

CMYK 38 / 25 / 0 / 22

HEX #7A94C6

RGB 122 148 198

HSL 219.47, 0.4%, 0.63%

LAB 61.13, 3.42, -28.76

 

CMYK 36 / 24 / 0 / 15

HEX #8BA6D9

RGB 139 166 217

HSL 219.23, 0.51%, 0.7%

LAB 67.85, 3.02, -28.86

 

CMYK 34 / 22 / 0 / 7

HEX #9CB8EC

RGB 156 184 236

HSL 219, 0.68%, 0.77%

LAB 74.45, 2.68, -28.99

 

CMYK 32 / 21 / 0 / 0

HEX #ADCAFF

RGB 173 202 255

HSL 218.78, 1%, 0.84%

LAB 80.93, 2.37, -29.14

 

CMYK 25 / 14 / 0 / 0

HEX #BEDCFF

RGB 190 220 255

HSL 212.31, 1%, 0.87%

LAB 86.68, -2.34, -20.29

 

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

CMYK 46 / 29 / 0 / 28

HEX #6482B8

RGB 100 130 184

HSL 218.57, 0.37%, 0.56%

LAB 54.17, 4.02, -31.72

 

CMYK 50 / 32 / 0 / 35

HEX #5370A5

RGB 83 112 165

HSL 218.78, 0.33%, 0.49%

LAB 47.16, 4.7, -31.74

 

CMYK 55 / 36 / 0 / 43

HEX #425E92

RGB 66 94 146

HSL 219, 0.38%, 0.42%

LAB 39.98, 5.56, -31.81

 

CMYK 61 / 40 / 0 / 50

HEX #314C7F

RGB 49 76 127

HSL 219.23, 0.44%, 0.35%

LAB 32.6, 6.7, -31.93

 

CMYK 42 / 27 / 0 / 20

HEX #7694CB

RGB 118 148 203

HSL 218.82, 0.45%, 0.63%

LAB 61.08, 3.73, -31.65

 

CMYK 42 / 38 / 0 / 20

HEX #767DCB

RGB 118 125 203

HSL 235.06, 0.45%, 0.63%

LAB 54.9, 17.24, -41.33

 

CMYK 34 / 42 / 0 / 20

HEX #8576CB

RGB 133 118 203

HSL 250.59, 0.45%, 0.63%

LAB 54.3, 25.4, -42.2

 

CMYK 23 / 42 / 0 / 20

HEX #9C76CB

RGB 156 118 203

HSL 266.82, 0.45%, 0.63%

LAB 56.42, 31.89, -38.7

 

CMYK 12 / 42 / 0 / 20

HEX #B376CB

RGB 179 118 203

HSL 283.06, 0.45%, 0.63%

LAB 58.84, 38.68, -34.75

 

CMYK 42 / 27 / 0 / 20

HEX #7694CB

RGB 118 148 203

HSL 218.82, 0.45%, 0.63%

LAB 61.08, 3.73, -31.65

 

CMYK 42 / 38 / 0 / 20

HEX #767DCB

RGB 118 125 203

HSL 235.06, 0.45%, 0.63%

LAB 54.9, 17.24, -41.33

 

CMYK 42 / 42 / 0 / 20

HEX #7676CB

RGB 118 118 203

HSL 240, 0.45%, 0.63%

LAB 53.08, 21.44, -44.2

 

CMYK 42 / 27 / 0 / 20

HEX #7694CB

RGB 118 148 203

HSL 218.82, 0.45%, 0.63%

LAB 61.08, 3.73, -31.65

 

CMYK 53 / 34 / 0 / 15

HEX #6690DA

RGB 102 144 218

HSL 218.28, 0.61%, 0.63%

LAB 59.74, 6.66, -42.21

 

CMYK 63 / 40 / 0 / 9

HEX #578CE9

RGB 87 140 233

HSL 218.22, 0.77%, 0.63%

LAB 58.66, 10.93, -52.31

 

CMYK 71 / 45 / 0 / 3

HEX #4888F8

RGB 72 136 248

HSL 218.18, 0.93%, 0.63%

LAB 57.81, 16.19, -62.01

 

CMYK 42 / 27 / 0 / 20

HEX #7694CB

RGB 118 148 203

HSL 218.82, 0.45%, 0.63%

LAB 61.08, 3.73, -31.65

 

CMYK 29 / 18 / 0 / 27

HEX #8599BB

RGB 133 153 187

HSL 217.78, 0.28%, 0.63%

LAB 62.81, 0.87, -19.94

 

CMYK 14 / 9 / 0 / 33

HEX #949DAC

RGB 148 157 172

HSL 217.5, 0.13%, 0.63%

LAB 64.47, -0.07, -8.89

 

CMYK 0 / 1 / 4 / 36

HEX #A3A19D

RGB 163 161 157

HSL 40, 0.03%, 0.63%

LAB 66.3, -0.02, 2.33

 

CMYK 0 / 8 / 21 / 30

HEX #B3A58E

RGB 179 165 142

HSL 37.3, 0.2%, 0.63%

LAB 68.35, 1.27, 13.76

 

CMYK 42 / 4 / 0 / 20

HEX #76C2CB

RGB 118 194 203

HSL 186.35, 0.45%, 0.63%

LAB 74.03, -21.19, -11.92

 

CMYK 42 / 16 / 0 / 20

HEX #76ABCB

RGB 118 171 203

HSL 202.59, 0.45%, 0.63%

LAB 67.49, -9.13, -21.79

 

CMYK 42 / 27 / 0 / 20

HEX #7695CB

RGB 118 149 203

HSL 218.12, 0.45%, 0.63%

LAB 61.36, 3.16, -31.22

 

CMYK 42 / 38 / 0 / 20

HEX #767ECB

RGB 118 126 203

HSL 234.35, 0.45%, 0.63%

LAB 55.16, 16.65, -40.91

 

CMYK 35 / 42 / 0 / 20

HEX #8476CB

RGB 132 118 203

HSL 249.88, 0.45%, 0.63%

LAB 54.21, 25.13, -42.34

 

CMYK 62 / 40 / 0 / 32

HEX #4168AD

RGB 65 104 173

HSL 218.33, 0.45%, 0.47%

LAB 44.29, 8.34, -41.02

 

CMYK 54 / 35 / 0 / 25

HEX #587DBF

RGB 88 125 191

HSL 218.45, 0.45%, 0.55%

LAB 52.4, 6.29, -38.55

 

CMYK 42 / 27 / 0 / 20

HEX #7694CB

RGB 118 148 203

HSL 218.82, 0.45%, 0.63%

LAB 61.08, 3.73, -31.65

 

CMYK 31 / 20 / 0 / 16

HEX #94ACD6

RGB 148 172 214

HSL 218.18, 0.45%, 0.71%

LAB 69.93, 1.47, -23.96

 

CMYK 21 / 13 / 0 / 12

HEX #B2C3E1

RGB 178 195 225

HSL 218.3, 0.44%, 0.79%

LAB 78.42, 0.54, -16.87

 

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

CMYK 7 / 42 / 0 / 20

HEX #BC76CB

RGB 188 118 203

HSL 289.41, 0.45%, 0.63%

LAB 59.85, 41.38, -33.09

 

CMYK 10 / 0 / 42 / 20

HEX #B7CB76

RGB 183 203 118

HSL 74.12, 0.45%, 0.63%

LAB 78.51, -20.14, 40.07

 

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

CMYK 0 / 42 / 27 / 20

HEX #CB7695

RGB 203 118 149

HSL 338.12, 0.45%, 0.63%

LAB 59.73, 37.12, -2.24

 

CMYK 27 / 0 / 42 / 20

HEX #95CB76

RGB 149 203 118

HSL 98.12, 0.45%, 0.63%

LAB 76.32, -32.78, 36.84

 

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

CMYK 7 / 42 / 0 / 20

HEX #BC76CB

RGB 188 118 203

HSL 289.41, 0.45%, 0.63%

LAB 59.85, 41.38, -33.09

 

CMYK 0 / 16 / 42 / 20

HEX #CBAB76

RGB 203 171 118

HSL 37.41, 0.45%, 0.63%

LAB 71.64, 4.45, 31.61

 

CMYK 35 / 0 / 42 / 20

HEX #84CB76

RGB 132 203 118

HSL 110.12, 0.45%, 0.63%

LAB 75.4, -38.56, 35.48

 

CMYK 42 / 27 / 0 / 20

HEX #7594CB

RGB 117 148 203

HSL 218.37, 0.45%, 0.63%

LAB 61.02, 3.47, -31.75

 

CMYK 0 / 42 / 6 / 20

HEX #CB76BF

RGB 203 118 191

HSL 308.47, 0.45%, 0.63%

LAB 61.15, 43.76, -24.15

 

CMYK 0 / 16 / 42 / 20

HEX #CBAB76

RGB 203 171 118

HSL 37.41, 0.45%, 0.63%

LAB 71.64, 4.45, 31.61

 

CMYK 42 / 0 / 36 / 20

HEX #76CB81

RGB 118 203 129

HSL 127.76, 0.45%, 0.63%

LAB 74.92, -41.22, 29.07

 

Description

Color code: RGB 117 148 203 | qconv.com Color code: RGB 117 148 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 148 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 148 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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