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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 138 69 it is the complementary color RGB 138 117 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 138 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 138 69 shade: RGB 122 138 64, RGB 139 156 83, RGB 156 174 102, RGB 173 192 121 and RGB 190 210 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 138 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 138 69 shade: RGB 117 138 69, RGB 100 120 50, RGB 83 102 31, RGB 66 84 12 and RGB 49 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 138 69 shade: RGB 118 139 70, RGB 136 139 70, RGB 139 122 70, RGB 139 104 70 and RGB 139 85 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 138 69 shade: RGB 118 139 70, RGB 99 139 70, RGB 80 139 70, RGB 70 139 77 and RGB 70 139 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 138 69 shade matches the following richer shades: RGB 118 139 70, RGB 124 155 53, RGB 131 172 36, RGB 137 189 19 and RGB 144 206 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 138 69 shade: RGB 118 139 70, RGB 111 122 86, RGB 104 105 103, RGB 98 88 120 and RGB 91 71 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 138 69 shade: RGB 139 122 70, RGB 136 139 70, RGB 118 139 70, RGB 99 139 70 and RGB 81 139 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 138 69 shade: RGB 71 84 42, RGB 94 111 56, RGB 118 139 70, RGB 141 166 83 and RGB 159 181 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 138 69 shade: RGB 117 138 69, RGB 70 139 104 and RGB 132 70 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 138 69 shade: RGB 117 138 69, RGB 70 118 139 and RGB 139 70 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 138 69 shade: RGB 117 138 69, RGB 70 139 104, RGB 90 70 139 and RGB 139 70 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 138 69 shade: RGB 117 138 69, RGB 70 139 125, RGB 90 70 139 and RGB 139 70 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

Complementary color

CMYK 26 / 37 / 0 / 27

HEX #8A75BA

RGB 138 117 186

HSL 258.26, 0.33%, 0.59%

LAB 53.68, 23.02, -33.43

 

CMYK 12 / 0 / 54 / 46

HEX #7A8A40

RGB 122 138 64

HSL 72.97, 0.37%, 0.4%

LAB 54.75, -17.6, 37.25

 

CMYK 11 / 0 / 47 / 39

HEX #8B9C53

RGB 139 156 83

HSL 73.97, 0.31%, 0.47%

LAB 61.56, -17.85, 36.05

 

CMYK 10 / 0 / 41 / 32

HEX #9CAE66

RGB 156 174 102

HSL 75, 0.31%, 0.54%

LAB 68.24, -18.03, 34.84

 

CMYK 10 / 0 / 37 / 25

HEX #ADC079

RGB 173 192 121

HSL 76.06, 0.36%, 0.61%

LAB 74.8, -18.15, 33.66

 

CMYK 10 / 0 / 33 / 18

HEX #BED28C

RGB 190 210 140

HSL 77.14, 0.44%, 0.69%

LAB 81.26, -18.24, 32.53

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 17 / 0 / 58 / 53

HEX #647832

RGB 100 120 50

HSL 77.14, 0.41%, 0.33%

LAB 47.46, -18.94, 35.41

 

CMYK 19 / 0 / 70 / 60

HEX #53661F

RGB 83 102 31

HSL 76.06, 0.53%, 0.26%

LAB 40.31, -18.56, 36.33

 

CMYK 21 / 0 / 86 / 67

HEX #42540C

RGB 66 84 12

HSL 75, 0.75%, 0.19%

LAB 32.97, -17.9, 36.37

 

CMYK 26 / 0 / 100 / 74

HEX #314200

RGB 49 66 0

HSL 75.45, 1%, 0.13%

LAB 25.41, -16.79, 33.67

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 2 / 0 / 50 / 45

HEX #888B46

RGB 136 139 70

HSL 62.61, 0.33%, 0.41%

LAB 56.23, -11.52, 36.22

 

CMYK 0 / 12 / 50 / 45

HEX #8B7A46

RGB 139 122 70

HSL 45.22, 0.33%, 0.41%

LAB 51.67, -0.8, 30.73

 

CMYK 0 / 25 / 50 / 45

HEX #8B6846

RGB 139 104 70

HSL 29.57, 0.33%, 0.41%

LAB 46.75, 9.58, 24.53

 

CMYK 0 / 39 / 50 / 45

HEX #8B5546

RGB 139 85 70

HSL 13.04, 0.33%, 0.41%

LAB 41.89, 20.69, 18.18

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 29 / 0 / 50 / 45

HEX #638B46

RGB 99 139 70

HSL 94.78, 0.33%, 0.41%

LAB 53.56, -26.74, 32.36

 

CMYK 42 / 0 / 50 / 45

HEX #508B46

RGB 80 139 70

HSL 111.3, 0.33%, 0.41%

LAB 52.52, -33.54, 30.85

 

CMYK 50 / 0 / 45 / 45

HEX #468B4D

RGB 70 139 77

HSL 126.09, 0.33%, 0.41%

LAB 52.18, -35.61, 26.57

 

CMYK 50 / 0 / 31 / 45

HEX #468B60

RGB 70 139 96

HSL 142.61, 0.33%, 0.41%

LAB 52.52, -32.12, 16.45

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 20 / 0 / 66 / 39

HEX #7C9B35

RGB 124 155 53

HSL 78.24, 0.49%, 0.41%

LAB 59.88, -26.34, 48.18

 

CMYK 24 / 0 / 79 / 33

HEX #83AC24

RGB 131 172 36

HSL 78.09, 0.65%, 0.41%

LAB 65.32, -32.63, 59.97

 

CMYK 28 / 0 / 90 / 26

HEX #89BD13

RGB 137 189 19

HSL 78.35, 0.82%, 0.41%

LAB 70.71, -38.55, 68.74

 

CMYK 30 / 0 / 99 / 19

HEX #90CE02

RGB 144 206 2

HSL 78.24, 0.98%, 0.41%

LAB 76.12, -43.57, 75.22

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 9 / 0 / 30 / 52

HEX #6F7A56

RGB 111 122 86

HSL 78.33, 0.17%, 0.41%

LAB 49.46, -10.79, 18.4

 

CMYK 1 / 0 / 2 / 59

HEX #686967

RGB 104 105 103

HSL 90, 0.01%, 0.41%

LAB 44.27, -0.8, 0.98

 

CMYK 18 / 27 / 0 / 53

HEX #625878

RGB 98 88 120

HSL 258.75, 0.15%, 0.41%

LAB 39.47, 11.17, -16.62

 

CMYK 34 / 48 / 0 / 46

HEX #5B4789

RGB 91 71 137

HSL 258.18, 0.32%, 0.41%

LAB 35.08, 24.12, -33.96

 

CMYK 0 / 12 / 50 / 45

HEX #8B7A46

RGB 139 122 70

HSL 45.22, 0.33%, 0.41%

LAB 51.67, -0.8, 30.73

 

CMYK 2 / 0 / 50 / 45

HEX #888B46

RGB 136 139 70

HSL 62.61, 0.33%, 0.41%

LAB 56.23, -11.52, 36.22

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 29 / 0 / 50 / 45

HEX #638B46

RGB 99 139 70

HSL 94.78, 0.33%, 0.41%

LAB 53.56, -26.74, 32.36

 

CMYK 42 / 0 / 50 / 45

HEX #518B46

RGB 81 139 70

HSL 110.43, 0.33%, 0.41%

LAB 52.57, -33.21, 30.92

 

CMYK 15 / 0 / 50 / 67

HEX #47542A

RGB 71 84 42

HSL 78.57, 0.33%, 0.25%

LAB 33.66, -12.93, 22.78

 

CMYK 15 / 0 / 50 / 56

HEX #5E6F38

RGB 94 111 56

HSL 78.55, 0.33%, 0.33%

LAB 44.28, -16.07, 28.38

 

CMYK 15 / 0 / 50 / 45

HEX #768B46

RGB 118 139 70

HSL 78.26, 0.33%, 0.41%

LAB 54.82, -19.16, 34.19

 

CMYK 15 / 0 / 50 / 35

HEX #8DA653

RGB 141 166 83

HSL 78.07, 0.33%, 0.49%

LAB 64.61, -22.13, 39.8

 

CMYK 12 / 0 / 40 / 29

HEX #9FB56D

RGB 159 181 109

HSL 78.33, 0.33%, 0.57%

LAB 70.54, -19.54, 34.18

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 50 / 0 / 25 / 45

HEX #468B68

RGB 70 139 104

HSL 149.57, 0.33%, 0.41%

LAB 52.69, -30.43, 12.12

 

CMYK 5 / 50 / 0 / 45

HEX #84468B

RGB 132 70 139

HSL 293.91, 0.33%, 0.41%

LAB 39.83, 37.51, -27.36

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 50 / 15 / 0 / 45

HEX #46768B

RGB 70 118 139

HSL 198.26, 0.33%, 0.41%

LAB 47.14, -10.2, -16.51

 

CMYK 0 / 50 / 15 / 45

HEX #8B4676

RGB 139 70 118

HSL 318.26, 0.33%, 0.41%

LAB 39.88, 35.84, -14.33

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 50 / 0 / 25 / 45

HEX #468B68

RGB 70 139 104

HSL 149.57, 0.33%, 0.41%

LAB 52.69, -30.43, 12.12

 

CMYK 35 / 50 / 0 / 45

HEX #5A468B

RGB 90 70 139

HSL 257.39, 0.33%, 0.41%

LAB 34.84, 25.02, -35.57

 

CMYK 0 / 50 / 25 / 45

HEX #8B4668

RGB 139 70 104

HSL 330.43, 0.33%, 0.41%

LAB 39.36, 33.59, -6.42

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 50 / 0 / 10 / 45

HEX #468B7D

RGB 70 139 125

HSL 167.83, 0.33%, 0.41%

LAB 53.22, -25.43, 0.77

 

CMYK 35 / 50 / 0 / 45

HEX #5A468B

RGB 90 70 139

HSL 257.39, 0.33%, 0.41%

LAB 34.84, 25.02, -35.57

 

CMYK 0 / 50 / 40 / 45

HEX #8B4653

RGB 139 70 83

HSL 348.7, 0.33%, 0.41%

LAB 38.71, 30.7, 5.78

 

Description

Color code: RGB 117 138 69 | qconv.com Color code: RGB 117 138 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 138 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 138 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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