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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 75 210 it is the complementary color RGB 139 180 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 75 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 75 210 shade: RGB 121 75 205, RGB 138 93 224, RGB 155 111 243, RGB 172 129 255 and RGB 189 147 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 75 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 99 57 191, RGB 82 39 172, RGB 65 21 153 and RGB 48 3 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 152 75 210, RGB 188 75 210, RGB 210 75 194 and RGB 210 75 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 80 75 210 and RGB 75 75 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 75 210 shade matches the following richer shades: RGB 116 75 210, RGB 109 57 228 and RGB 102 39 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 123 93 191, RGB 130 111 173, RGB 137 129 155 and RGB 144 148 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 75 210 shade: RGB 75 106 210, RGB 79 75 210, RGB 115 75 210, RGB 151 75 210 and RGB 187 75 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 75 210 shade: RGB 77 40 162, RGB 93 48 195, RGB 116 75 210, RGB 141 108 218 and RGB 167 141 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 210 75 142 and RGB 88 210 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 210 115 75 and RGB 75 210 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 210 75 142, RGB 169 210 75 and RGB 75 210 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 75 210 shade: RGB 116 75 210, RGB 210 75 102, RGB 169 210 75 and RGB 75 210 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

Complementary color

CMYK 23 / 0 / 75 / 29

HEX #8BB42D

RGB 139 180 45

HSL 78.22, 0.6%, 0.44%

LAB 68.26, -32.71, 60.02

 

CMYK 41 / 63 / 0 / 20

HEX #794BCD

RGB 121 75 205

HSL 261.23, 0.57%, 0.55%

LAB 43.51, 47.75, -60.66

 

CMYK 38 / 58 / 0 / 12

HEX #8A5DE0

RGB 138 93 224

HSL 260.61, 0.68%, 0.62%

LAB 50.23, 46.61, -60.57

 

CMYK 36 / 54 / 0 / 5

HEX #9B6FF3

RGB 155 111 243

HSL 260, 0.85%, 0.69%

LAB 56.89, 45.5, -60.43

 

CMYK 33 / 49 / 0 / 0

HEX #AC81FF

RGB 172 129 255

HSL 260.48, 1%, 0.75%

LAB 63.09, 42.69, -57.05

 

CMYK 26 / 42 / 0 / 0

HEX #BD93FF

RGB 189 147 255

HSL 263.33, 1%, 0.79%

LAB 68.68, 37.18, -48.08

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 48 / 70 / 0 / 25

HEX #6339BF

RGB 99 57 191

HSL 258.81, 0.54%, 0.49%

LAB 36.63, 49.29, -63.81

 

CMYK 52 / 77 / 0 / 33

HEX #5227AC

RGB 82 39 172

HSL 259.4, 0.63%, 0.41%

LAB 29.97, 50.24, -63.52

 

CMYK 58 / 86 / 0 / 40

HEX #411599

RGB 65 21 153

HSL 260, 0.76%, 0.34%

LAB 23.54, 50.49, -62.65

 

CMYK 64 / 98 / 0 / 47

HEX #300386

RGB 48 3 134

HSL 260.61, 0.96%, 0.27%

LAB 17.53, 49.51, -60.83

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 28 / 64 / 0 / 18

HEX #984BD2

RGB 152 75 210

HSL 274.22, 0.6%, 0.56%

LAB 47.44, 55.61, -57.01

 

CMYK 10 / 64 / 0 / 18

HEX #BC4BD2

RGB 188 75 210

HSL 290.22, 0.6%, 0.56%

LAB 52.26, 63.77, -49.03

 

CMYK 0 / 64 / 8 / 18

HEX #D24BC2

RGB 210 75 194

HSL 307.11, 0.6%, 0.56%

LAB 54.69, 66.32, -35.81

 

CMYK 0 / 64 / 25 / 18

HEX #D24B9E

RGB 210 75 158

HSL 323.11, 0.6%, 0.56%

LAB 53.17, 61.14, -17.2

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 62 / 64 / 0 / 18

HEX #504BD2

RGB 80 75 210

HSL 242.22, 0.6%, 0.56%

LAB 40.23, 41.84, -69.04

 

CMYK 64 / 64 / 0 / 18

HEX #4B4BD2

RGB 75 75 210

HSL 240, 0.6%, 0.56%

LAB 39.88, 41.11, -69.63

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 52 / 75 / 0 / 11

HEX #6D39E4

RGB 109 57 228

HSL 258.25, 0.76%, 0.56%

LAB 40.86, 60.84, -78.22

 

CMYK 59 / 84 / 0 / 4

HEX #6627F6

RGB 102 39 246

HSL 258.26, 0.92%, 0.56%

LAB 39.46, 71.79, -90.74

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 36 / 51 / 0 / 25

HEX #7B5DBF

RGB 123 93 191

HSL 258.37, 0.43%, 0.56%

LAB 46.71, 34.28, -47.41

 

CMYK 25 / 36 / 0 / 32

HEX #826FAD

RGB 130 111 173

HSL 258.39, 0.27%, 0.56%

LAB 50.84, 20.89, -30.4

 

CMYK 12 / 17 / 0 / 39

HEX #89819B

RGB 137 129 155

HSL 258.46, 0.12%, 0.56%

LAB 55.47, 8.35, -12.81

 

CMYK 3 / 0 / 7 / 42

HEX #909489

RGB 144 148 137

HSL 81.82, 0.05%, 0.56%

LAB 60.71, -3.55, 5.3

 

CMYK 64 / 50 / 0 / 18

HEX #4B6AD2

RGB 75 106 210

HSL 226.22, 0.6%, 0.56%

LAB 47.57, 21.84, -57.15

 

CMYK 62 / 64 / 0 / 18

HEX #4F4BD2

RGB 79 75 210

HSL 241.78, 0.6%, 0.56%

LAB 40.16, 41.69, -69.16

 

CMYK 45 / 64 / 0 / 18

HEX #734BD2

RGB 115 75 210

HSL 257.78, 0.6%, 0.56%

LAB 43.26, 47.9, -63.98

 

CMYK 28 / 64 / 0 / 18

HEX #974BD2

RGB 151 75 210

HSL 273.78, 0.6%, 0.56%

LAB 47.32, 55.39, -57.21

 

CMYK 11 / 64 / 0 / 18

HEX #BB4BD2

RGB 187 75 210

HSL 289.78, 0.6%, 0.56%

LAB 52.12, 63.54, -49.26

 

CMYK 52 / 75 / 0 / 36

HEX #4D28A2

RGB 77 40 162

HSL 258.2, 0.6%, 0.4%

LAB 28.65, 46.23, -59.67

 

CMYK 52 / 75 / 0 / 24

HEX #5D30C3

RGB 93 48 195

HSL 258.37, 0.6%, 0.48%

LAB 34.76, 53.9, -69.24

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 35 / 50 / 0 / 15

HEX #8D6CDA

RGB 141 108 218

HSL 258, 0.6%, 0.64%

LAB 53.44, 37.31, -52.02

 

CMYK 26 / 38 / 0 / 11

HEX #A78DE2

RGB 167 141 226

HSL 258.35, 0.59%, 0.72%

LAB 63.96, 27.48, -39.71

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 0 / 64 / 32 / 18

HEX #D24B8E

RGB 210 75 142

HSL 330.22, 0.6%, 0.56%

LAB 52.6, 59.14, -8.58

 

CMYK 58 / 0 / 64 / 18

HEX #58D24B

RGB 88 210 75

HSL 114.22, 0.6%, 0.56%

LAB 75.25, -59.28, 55.06

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 0 / 45 / 64 / 18

HEX #D2734B

RGB 210 115 75

HSL 17.78, 0.6%, 0.56%

LAB 58.48, 33.82, 38.26

 

CMYK 64 / 0 / 45 / 18

HEX #4BD273

RGB 75 210 115

HSL 137.78, 0.6%, 0.56%

LAB 75.34, -56.95, 36.49

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 0 / 64 / 32 / 18

HEX #D24B8E

RGB 210 75 142

HSL 330.22, 0.6%, 0.56%

LAB 52.6, 59.14, -8.58

 

CMYK 20 / 0 / 64 / 18

HEX #A9D24B

RGB 169 210 75

HSL 78.22, 0.6%, 0.56%

LAB 79.06, -32.95, 60.3

 

CMYK 64 / 0 / 32 / 18

HEX #4BD28E

RGB 75 210 142

HSL 149.78, 0.6%, 0.56%

LAB 75.79, -52.09, 23.2

 

CMYK 45 / 64 / 0 / 18

HEX #744BD2

RGB 116 75 210

HSL 258.22, 0.6%, 0.56%

LAB 43.36, 48.1, -63.82

 

CMYK 0 / 64 / 51 / 18

HEX #D24B66

RGB 210 75 102

HSL 348, 0.6%, 0.56%

LAB 51.49, 55.09, 13.73

 

CMYK 20 / 0 / 64 / 18

HEX #A9D24B

RGB 169 210 75

HSL 78.22, 0.6%, 0.56%

LAB 79.06, -32.95, 60.3

 

CMYK 64 / 0 / 13 / 18

HEX #4BD2B7

RGB 75 210 183

HSL 168, 0.6%, 0.56%

LAB 76.68, -42.85, 2.64

 

Description

Color code: RGB 116 75 210 | qconv.com Color code: RGB 116 75 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 75 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 75 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 64 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 64% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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