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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 74 62 it is the complementary color RGB 139 181 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 74 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 74 62 shade: RGB 121 74 57, RGB 138 92 76, RGB 155 110 95, RGB 172 128 114 and RGB 189 146 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 74 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 99 56 43, RGB 82 38 24, RGB 65 20 5 and RGB 48 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 74 62 shade: RGB 116 74 62 and RGB 116 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 116 88 62, RGB 116 103 62, RGB 114 116 62 and RGB 99 116 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 74 62 shade matches the following richer shades: RGB 116 74 62, RGB 130 66 48, RGB 144 58 33, RGB 159 50 19 and RGB 173 42 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 101 82 76, RGB 87 90 91, RGB 72 98 105 and RGB 58 106 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 74 62 shade: RGB 116 62 79, RGB 116 62 65, RGB 116 74 62, RGB 116 88 62 and RGB 116 102 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 74 62 shade: RGB 62 39 33, RGB 89 57 48, RGB 116 74 62, RGB 142 91 76 and RGB 167 109 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 93 116 62 and RGB 62 72 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 62 116 74 and RGB 74 62 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 93 116 62, RGB 62 104 116 and RGB 84 62 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 74 62 shade: RGB 116 74 62, RGB 77 116 62, RGB 62 104 116 and RGB 100 62 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

Complementary color

CMYK 28 / 6 / 0 / 24

HEX #8BB5C1

RGB 139 181 193

HSL 193.33, 0.3%, 0.65%

LAB 71.14, -11.18, -10.66

 

CMYK 0 / 39 / 53 / 53

HEX #794A39

RGB 121 74 57

HSL 15.94, 0.36%, 0.35%

LAB 36.48, 18.01, 18.5

 

CMYK 0 / 33 / 45 / 46

HEX #8A5C4C

RGB 138 92 76

HSL 15.48, 0.29%, 0.42%

LAB 43.62, 16.83, 16.87

 

CMYK 0 / 29 / 39 / 39

HEX #9B6E5F

RGB 155 110 95

HSL 15, 0.24%, 0.49%

LAB 50.62, 15.86, 15.47

 

CMYK 0 / 26 / 34 / 33

HEX #AC8072

RGB 172 128 114

HSL 14.48, 0.26%, 0.56%

LAB 57.49, 15.03, 14.23

 

CMYK 0 / 23 / 30 / 26

HEX #BD9285

RGB 189 146 133

HSL 13.93, 0.3%, 0.63%

LAB 64.22, 14.31, 13.12

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 43 / 57 / 61

HEX #63382B

RGB 99 56 43

HSL 13.93, 0.39%, 0.28%

LAB 28.53, 17.62, 16.31

 

CMYK 0 / 54 / 71 / 68

HEX #522618

RGB 82 38 24

HSL 14.48, 0.55%, 0.21%

LAB 21, 19.18, 18.54

 

CMYK 0 / 69 / 92 / 75

HEX #411405

RGB 65 20 5

HSL 15, 0.86%, 0.14%

LAB 13.44, 20.94, 18.46

 

CMYK 0 / 96 / 100 / 81

HEX #300200

RGB 48 2 0

HSL 2.5, 1%, 0.09%

LAB 6.07, 22.6, 9.54

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 47 / 47 / 55

HEX #743E3E

RGB 116 62 62

HSL 0, 0.3%, 0.35%

LAB 32.93, 23.5, 10.48

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 24 / 47 / 55

HEX #74583E

RGB 116 88 62

HSL 28.89, 0.3%, 0.35%

LAB 39.65, 7.88, 19.5

 

CMYK 0 / 11 / 47 / 55

HEX #74673E

RGB 116 103 62

HSL 45.56, 0.3%, 0.35%

LAB 43.89, -1.04, 24.96

 

CMYK 2 / 0 / 47 / 55

HEX #72743E

RGB 114 116 62

HSL 62.22, 0.3%, 0.35%

LAB 47.52, -9.37, 29.45

 

CMYK 15 / 0 / 47 / 55

HEX #63743E

RGB 99 116 62

HSL 78.89, 0.3%, 0.35%

LAB 46.3, -15.9, 27.67

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 49 / 63 / 49

HEX #824230

RGB 130 66 48

HSL 13.17, 0.46%, 0.35%

LAB 35.7, 25.77, 23.28

 

CMYK 0 / 60 / 77 / 44

HEX #903A21

RGB 144 58 33

HSL 13.51, 0.63%, 0.35%

LAB 36.11, 34.9, 33.09

 

CMYK 0 / 69 / 88 / 38

HEX #9F3213

RGB 159 50 19

HSL 13.29, 0.79%, 0.35%

LAB 37.3, 43.77, 42.22

 

CMYK 0 / 76 / 98 / 32

HEX #AD2A04

RGB 173 42 4

HSL 13.49, 0.95%, 0.35%

LAB 38.81, 51.32, 50.02

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 19 / 25 / 60

HEX #65524C

RGB 101 82 76

HSL 14.4, 0.14%, 0.35%

LAB 36.6, 6.85, 6.48

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 31 / 7 / 0 / 59

HEX #486269

RGB 72 98 105

HSL 192.73, 0.19%, 0.35%

LAB 39.8, -7.76, -7.1

 

CMYK 52 / 12 / 0 / 53

HEX #3A6A78

RGB 58 106 120

HSL 193.55, 0.35%, 0.35%

LAB 42.1, -12.13, -12.86

 

CMYK 0 / 47 / 32 / 55

HEX #743E4F

RGB 116 62 79

HSL 341.11, 0.3%, 0.35%

LAB 33.4, 25.73, 0.22

 

CMYK 0 / 47 / 44 / 55

HEX #743E41

RGB 116 62 65

HSL 356.67, 0.3%, 0.35%

LAB 33.01, 23.86, 8.66

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 24 / 47 / 55

HEX #74583E

RGB 116 88 62

HSL 28.89, 0.3%, 0.35%

LAB 39.65, 7.88, 19.5

 

CMYK 0 / 12 / 47 / 55

HEX #74663E

RGB 116 102 62

HSL 44.44, 0.3%, 0.35%

LAB 43.6, -0.46, 24.6

 

CMYK 0 / 37 / 47 / 76

HEX #3E2721

RGB 62 39 33

HSL 12.41, 0.31%, 0.19%

LAB 18.3, 9.94, 8.37

 

CMYK 0 / 36 / 46 / 65

HEX #593930

RGB 89 57 48

HSL 13.17, 0.3%, 0.27%

LAB 27.47, 12.98, 11.42

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 0 / 36 / 46 / 44

HEX #8E5B4C

RGB 142 91 76

HSL 13.64, 0.3%, 0.43%

LAB 43.88, 19.13, 17.3

 

CMYK 0 / 35 / 44 / 35

HEX #A76D5D

RGB 167 109 93

HSL 12.97, 0.3%, 0.51%

LAB 51.77, 21.16, 18.44

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 20 / 0 / 47 / 55

HEX #5D743E

RGB 93 116 62

HSL 85.56, 0.3%, 0.35%

LAB 45.86, -18.42, 27.03

 

CMYK 47 / 38 / 0 / 55

HEX #3E4874

RGB 62 72 116

HSL 228.89, 0.3%, 0.35%

LAB 31.62, 8.77, -26.56

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 47 / 0 / 36 / 55

HEX #3E744A

RGB 62 116 74

HSL 133.33, 0.3%, 0.35%

LAB 44.25, -27.9, 17.78

 

CMYK 36 / 47 / 0 / 55

HEX #4A3E74

RGB 74 62 116

HSL 253.33, 0.3%, 0.35%

LAB 29.82, 18.85, -29.34

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 20 / 0 / 47 / 55

HEX #5D743E

RGB 93 116 62

HSL 85.56, 0.3%, 0.35%

LAB 45.86, -18.42, 27.03

 

CMYK 47 / 10 / 0 / 55

HEX #3E6874

RGB 62 104 116

HSL 193.33, 0.3%, 0.35%

LAB 41.51, -11.14, -11.3

 

CMYK 28 / 47 / 0 / 55

HEX #543E74

RGB 84 62 116

HSL 264.44, 0.3%, 0.35%

LAB 30.86, 21.9, -27.63

 

CMYK 0 / 36 / 47 / 55

HEX #744A3E

RGB 116 74 62

HSL 13.33, 0.3%, 0.35%

LAB 35.9, 16.35, 14.53

 

CMYK 34 / 0 / 47 / 55

HEX #4D743E

RGB 77 116 62

HSL 103.33, 0.3%, 0.35%

LAB 44.82, -24.76, 25.5

 

CMYK 47 / 10 / 0 / 55

HEX #3E6874

RGB 62 104 116

HSL 193.33, 0.3%, 0.35%

LAB 41.51, -11.14, -11.3

 

CMYK 14 / 47 / 0 / 55

HEX #643E74

RGB 100 62 116

HSL 282.22, 0.3%, 0.35%

LAB 32.73, 27, -24.55

 

Description

Color code: RGB 116 74 62 | qconv.com Color code: RGB 116 74 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 74 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 74 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 47 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 47% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 【早稲田塾】大学受験予備校・人財育成のた...
Link: http://www.wasedajuku.com

15% - Gizmag | New and Eme...
Link: http://www.gizmag.com

39% - Asociación de María ...
Link: http://www.admacaceres.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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