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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 74 140 it is the complementary color RGB 139 181 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 74 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 74 140 shade: RGB 121 74 135, RGB 138 92 154, RGB 155 110 173, RGB 172 128 192 and RGB 189 146 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 74 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 74 140 shade: RGB 116 74 140, RGB 99 56 121, RGB 82 38 102, RGB 65 20 83 and RGB 48 2 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 74 140 shade: RGB 116 73 140, RGB 134 73 140, RGB 140 73 128, RGB 140 73 110 and RGB 140 73 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 74 140 shade: RGB 116 73 140, RGB 98 73 140, RGB 80 73 140 and RGB 73 73 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 74 140 shade matches the following richer shades: RGB 116 73 140, RGB 120 56 157, RGB 125 39 174, RGB 130 21 192 and RGB 135 4 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 74 140 shade: RGB 116 73 140, RGB 111 91 122, RGB 106 108 105, RGB 101 125 88 and RGB 97 143 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 74 140 shade: RGB 80 73 140, RGB 98 73 140, RGB 115 73 140, RGB 133 73 140 and RGB 140 73 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 74 140 shade: RGB 71 45 86, RGB 93 59 113, RGB 116 73 140, RGB 138 88 167 and RGB 157 115 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 74 140 shade: RGB 116 74 140, RGB 140 73 84 and RGB 73 140 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 74 140 shade: RGB 116 74 140, RGB 140 115 73 and RGB 73 140 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 74 140 shade: RGB 116 74 140, RGB 140 73 84, RGB 98 140 73 and RGB 73 140 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 74 140 shade: RGB 116 74 140, RGB 140 82 73, RGB 98 140 73 and RGB 73 131 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

Complementary color

CMYK 23 / 0 / 36 / 29

HEX #8BB573

RGB 139 181 115

HSL 98.18, 0.31%, 0.58%

LAB 69.31, -26.27, 29.19

 

CMYK 10 / 45 / 0 / 47

HEX #794A87

RGB 121 74 135

HSL 286.23, 0.29%, 0.41%

LAB 39.09, 30.97, -26.19

 

CMYK 10 / 40 / 0 / 40

HEX #8A5C9A

RGB 138 92 154

HSL 284.52, 0.25%, 0.48%

LAB 46.16, 30.14, -26.45

 

CMYK 10 / 36 / 0 / 32

HEX #9B6EAD

RGB 155 110 173

HSL 282.86, 0.28%, 0.55%

LAB 53.1, 29.36, -26.69

 

CMYK 10 / 33 / 0 / 25

HEX #AC80C0

RGB 172 128 192

HSL 281.25, 0.34%, 0.63%

LAB 59.9, 28.63, -26.93

 

CMYK 10 / 31 / 0 / 17

HEX #BD92D3

RGB 189 146 211

HSL 279.69, 0.42%, 0.7%

LAB 66.58, 27.95, -27.16

 

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

CMYK 18 / 54 / 0 / 53

HEX #633879

RGB 99 56 121

HSL 279.69, 0.37%, 0.35%

LAB 31.49, 31.43, -29.66

 

CMYK 20 / 63 / 0 / 60

HEX #522666

RGB 82 38 102

HSL 281.25, 0.46%, 0.27%

LAB 24.13, 32.25, -29.36

 

CMYK 22 / 76 / 0 / 67

HEX #411453

RGB 65 20 83

HSL 282.86, 0.61%, 0.2%

LAB 16.74, 32.67, -28.71

 

CMYK 25 / 97 / 0 / 75

HEX #300240

RGB 48 2 64

HSL 284.52, 0.94%, 0.13%

LAB 9.34, 32.55, -27.64

 

CMYK 17 / 48 / 0 / 45

HEX #74498C

RGB 116 73 140

HSL 278.51, 0.31%, 0.42%

LAB 38.5, 31.13, -30.2

 

CMYK 4 / 48 / 0 / 45

HEX #86498C

RGB 134 73 140

HSL 294.63, 0.31%, 0.42%

LAB 40.78, 36.69, -26.47

 

CMYK 0 / 48 / 9 / 45

HEX #8C4980

RGB 140 73 128

HSL 310.75, 0.31%, 0.42%

LAB 41.06, 36.3, -18.66

 

CMYK 0 / 48 / 21 / 45

HEX #8C496E

RGB 140 73 110

HSL 326.87, 0.31%, 0.42%

LAB 40.36, 33.24, -8.64

 

CMYK 0 / 48 / 34 / 45

HEX #8C495C

RGB 140 73 92

HSL 342.99, 0.31%, 0.42%

LAB 39.77, 30.59, 1.69

 

CMYK 17 / 48 / 0 / 45

HEX #74498C

RGB 116 73 140

HSL 278.51, 0.31%, 0.42%

LAB 38.5, 31.13, -30.2

 

CMYK 30 / 48 / 0 / 45

HEX #62498C

RGB 98 73 140

HSL 262.39, 0.31%, 0.42%

LAB 36.47, 25.73, -33.54

 

CMYK 43 / 48 / 0 / 45

HEX #50498C

RGB 80 73 140

HSL 246.27, 0.31%, 0.42%

LAB 34.73, 20.67, -36.42

 

CMYK 48 / 48 / 0 / 45

HEX #49498C

RGB 73 73 140

HSL 240, 0.31%, 0.42%

LAB 34.14, 18.85, -37.39

 

CMYK 17 / 48 / 0 / 45

HEX #74498C

RGB 116 73 140

HSL 278.51, 0.31%, 0.42%

LAB 38.5, 31.13, -30.2

 

CMYK 24 / 64 / 0 / 38

HEX #78389D

RGB 120 56 157

HSL 278.02, 0.47%, 0.42%

LAB 36.47, 45.5, -43.71

 

CMYK 28 / 78 / 0 / 32

HEX #7D27AE

RGB 125 39 174

HSL 278.22, 0.63%, 0.42%

LAB 35.73, 57.77, -55.09

 

CMYK 32 / 89 / 0 / 25

HEX #8215C0

RGB 130 21 192

HSL 278.25, 0.8%, 0.42%

LAB 36.15, 67.5, -65.02

 

CMYK 35 / 98 / 0 / 18

HEX #8704D1

RGB 135 4 209

HSL 278.34, 0.96%, 0.42%

LAB 37.56, 74.01, -72.61

 

CMYK 17 / 48 / 0 / 45

HEX #74498C

RGB 116 73 140

HSL 278.51, 0.31%, 0.42%

LAB 38.5, 31.13, -30.2

 

CMYK 9 / 25 / 0 / 52

HEX #6F5B7A

RGB 111 91 122

HSL 278.71, 0.15%, 0.42%

LAB 41.64, 14.42, -14.41

 

CMYK 2 / 0 / 3 / 58

HEX #6A6C69

RGB 106 108 105

HSL 100, 0.01%, 0.42%

LAB 45.37, -1.38, 1.4

 

CMYK 19 / 0 / 30 / 51

HEX #657D58

RGB 101 125 88

HSL 98.92, 0.17%, 0.42%

LAB 49.66, -16.1, 17.4

 

CMYK 32 / 0 / 51 / 44

HEX #618F46

RGB 97 143 70

HSL 97.81, 0.34%, 0.42%

LAB 54.69, -29.43, 33.71

 

CMYK 43 / 48 / 0 / 45

HEX #50498C

RGB 80 73 140

HSL 246.27, 0.31%, 0.42%

LAB 34.73, 20.67, -36.42

 

CMYK 30 / 48 / 0 / 45

HEX #62498C

RGB 98 73 140

HSL 262.39, 0.31%, 0.42%

LAB 36.47, 25.73, -33.54

 

CMYK 18 / 48 / 0 / 45

HEX #73498C

RGB 115 73 140

HSL 277.61, 0.31%, 0.42%

LAB 38.38, 30.82, -30.4

 

CMYK 5 / 48 / 0 / 45

HEX #85498C

RGB 133 73 140

HSL 293.73, 0.31%, 0.42%

LAB 40.65, 36.38, -26.69

 

CMYK 0 / 48 / 8 / 45

HEX #8C4981

RGB 140 73 129

HSL 309.85, 0.31%, 0.42%

LAB 41.1, 36.49, -19.21

 

CMYK 17 / 48 / 0 / 66

HEX #472D56

RGB 71 45 86

HSL 278.05, 0.31%, 0.26%

LAB 23.3, 20.62, -20.26

 

CMYK 18 / 48 / 0 / 56

HEX #5D3B71

RGB 93 59 113

HSL 277.78, 0.31%, 0.34%

LAB 30.99, 25.85, -25.46

 

CMYK 17 / 48 / 0 / 45

HEX #74498C

RGB 116 73 140

HSL 278.51, 0.31%, 0.42%

LAB 38.5, 31.13, -30.2

 

CMYK 17 / 47 / 0 / 35

HEX #8A58A7

RGB 138 88 167

HSL 277.97, 0.31%, 0.5%

LAB 45.87, 35.33, -34.61

 

CMYK 13 / 36 / 0 / 29

HEX #9D73B5

RGB 157 115 181

HSL 278.18, 0.31%, 0.58%

LAB 54.83, 28.87, -28.62

 

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

CMYK 0 / 48 / 40 / 45

HEX #8C4954

RGB 140 73 84

HSL 350.15, 0.31%, 0.42%

LAB 39.55, 29.55, 6.37

 

CMYK 48 / 0 / 36 / 45

HEX #498C59

RGB 73 140 89

HSL 134.33, 0.31%, 0.42%

LAB 52.83, -33.08, 20.83

 

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

CMYK 0 / 18 / 48 / 45

HEX #8C7349

RGB 140 115 73

HSL 37.61, 0.31%, 0.42%

LAB 49.88, 3.96, 26.84

 

CMYK 48 / 0 / 18 / 45

HEX #498C73

RGB 73 140 115

HSL 157.61, 0.31%, 0.42%

LAB 53.4, -27.6, 6.82

 

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

CMYK 0 / 48 / 40 / 45

HEX #8C4954

RGB 140 73 84

HSL 350.15, 0.31%, 0.42%

LAB 39.55, 29.55, 6.37

 

CMYK 30 / 0 / 48 / 45

HEX #628C49

RGB 98 140 73

HSL 97.61, 0.31%, 0.42%

LAB 53.85, -27.22, 31.12

 

CMYK 48 / 0 / 8 / 45

HEX #498C81

RGB 73 140 129

HSL 170.15, 0.31%, 0.42%

LAB 53.77, -24.14, -0.72

 

CMYK 17 / 47 / 0 / 45

HEX #744A8C

RGB 116 74 140

HSL 278.18, 0.31%, 0.42%

LAB 38.73, 30.54, -29.84

 

CMYK 0 / 41 / 48 / 45

HEX #8C5249

RGB 140 82 73

HSL 8.06, 0.31%, 0.42%

LAB 41.36, 23.17, 15.68

 

CMYK 30 / 0 / 48 / 45

HEX #628C49

RGB 98 140 73

HSL 97.61, 0.31%, 0.42%

LAB 53.85, -27.22, 31.12

 

CMYK 48 / 6 / 0 / 45

HEX #49838C

RGB 73 131 140

HSL 188.06, 0.31%, 0.42%

LAB 51.32, -16.41, -10.76

 

Description

Color code: RGB 116 74 140 | qconv.com Color code: RGB 116 74 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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