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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 69 140 it is the complementary color RGB 139 186 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 69 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 69 140 shade: RGB 121 69 135, RGB 138 87 154, RGB 155 105 173, RGB 172 123 192 and RGB 189 141 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 69 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 99 51 121, RGB 82 33 102, RGB 65 15 83 and RGB 48 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 135 69 140, RGB 140 69 125, RGB 140 69 106 and RGB 140 69 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 96 69 140, RGB 77 69 140 and RGB 69 69 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 69 140 shade matches the following richer shades: RGB 116 69 140, RGB 121 52 157, RGB 127 35 173, RGB 132 18 190 and RGB 137 1 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 110 85 123, RGB 105 102 106, RGB 99 119 89 and RGB 94 136 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 69 140 shade: RGB 77 69 140, RGB 96 69 140, RGB 115 69 140, RGB 134 69 140 and RGB 140 69 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 69 140 shade: RGB 70 41 84, RGB 93 55 112, RGB 116 69 140, RGB 138 82 167 and RGB 157 108 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 140 69 79 and RGB 69 140 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 140 115 69 and RGB 69 140 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 140 69 79, RGB 93 140 69 and RGB 69 140 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 69 140 shade: RGB 116 69 140, RGB 140 79 69, RGB 93 140 69 and RGB 69 129 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

Complementary color

CMYK 25 / 0 / 38 / 27

HEX #8BBA73

RGB 139 186 115

HSL 99.72, 0.34%, 0.59%

LAB 70.76, -28.7, 31.09

 

CMYK 10 / 49 / 0 / 47

HEX #794587

RGB 121 69 135

HSL 287.27, 0.32%, 0.4%

LAB 37.97, 33.84, -27.94

 

CMYK 10 / 44 / 0 / 40

HEX #8A579A

RGB 138 87 154

HSL 285.67, 0.28%, 0.47%

LAB 45.02, 33.01, -28.24

 

CMYK 10 / 39 / 0 / 32

HEX #9B69AD

RGB 155 105 173

HSL 284.12, 0.29%, 0.55%

LAB 51.94, 32.21, -28.5

 

CMYK 10 / 36 / 0 / 25

HEX #AC7BC0

RGB 172 123 192

HSL 282.61, 0.35%, 0.62%

LAB 58.74, 31.44, -28.73

 

CMYK 10 / 33 / 0 / 17

HEX #BD8DD3

RGB 189 141 211

HSL 281.14, 0.44%, 0.69%

LAB 65.41, 30.73, -28.96

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 18 / 58 / 0 / 53

HEX #633379

RGB 99 51 121

HSL 281.14, 0.41%, 0.34%

LAB 30.4, 34.3, -31.38

 

CMYK 20 / 68 / 0 / 60

HEX #522166

RGB 82 33 102

HSL 282.61, 0.51%, 0.26%

LAB 23.14, 34.95, -30.93

 

CMYK 22 / 82 / 0 / 67

HEX #410F53

RGB 65 15 83

HSL 284.12, 0.69%, 0.19%

LAB 15.95, 34.91, -29.98

 

CMYK 25 / 100 / 0 / 75

HEX #300040

RGB 48 0 64

HSL 285, 1%, 0.13%

LAB 8.98, 33.61, -28.22

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 4 / 51 / 0 / 45

HEX #87458C

RGB 135 69 140

HSL 295.77, 0.34%, 0.41%

LAB 40.08, 39.17, -27.55

 

CMYK 0 / 51 / 11 / 45

HEX #8C457D

RGB 140 69 125

HSL 312.68, 0.34%, 0.41%

LAB 40.1, 37.92, -18.29

 

CMYK 0 / 51 / 24 / 45

HEX #8C456A

RGB 140 69 106

HSL 328.73, 0.34%, 0.41%

LAB 39.36, 34.79, -7.64

 

CMYK 0 / 51 / 38 / 45

HEX #8C4557

RGB 140 69 87

HSL 344.79, 0.34%, 0.41%

LAB 38.76, 32.13, 3.36

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 31 / 51 / 0 / 45

HEX #60458C

RGB 96 69 140

HSL 262.82, 0.34%, 0.41%

LAB 35.27, 27.61, -35.46

 

CMYK 45 / 51 / 0 / 45

HEX #4D458C

RGB 77 69 140

HSL 246.76, 0.34%, 0.41%

LAB 33.41, 22.46, -38.54

 

CMYK 51 / 51 / 0 / 45

HEX #45458C

RGB 69 69 140

HSL 240, 0.34%, 0.41%

LAB 32.73, 20.48, -39.66

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 23 / 67 / 0 / 38

HEX #79349D

RGB 121 52 157

HSL 279.43, 0.5%, 0.41%

LAB 35.9, 47.69, -44.63

 

CMYK 27 / 80 / 0 / 32

HEX #7F23AD

RGB 127 35 173

HSL 280, 0.66%, 0.41%

LAB 35.46, 59.32, -54.91

 

CMYK 31 / 91 / 0 / 25

HEX #8412BE

RGB 132 18 190

HSL 279.77, 0.83%, 0.41%

LAB 36.09, 67.96, -63.93

 

CMYK 34 / 100 / 0 / 19

HEX #8901CF

RGB 137 1 207

HSL 279.61, 0.99%, 0.41%

LAB 37.56, 74.2, -71.43

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 11 / 31 / 0 / 52

HEX #6E557B

RGB 110 85 123

HSL 279.47, 0.18%, 0.41%

LAB 39.99, 17.97, -17.56

 

CMYK 1 / 4 / 0 / 58

HEX #69666A

RGB 105 102 106

HSL 285, 0.02%, 0.41%

LAB 43.58, 2, -1.84

 

CMYK 17 / 0 / 25 / 53

HEX #637759

RGB 99 119 89

HSL 100, 0.14%, 0.41%

LAB 47.71, -13.44, 14.13

 

CMYK 31 / 0 / 47 / 47

HEX #5E8848

RGB 94 136 72

HSL 99.38, 0.31%, 0.41%

LAB 52.35, -26.89, 29.73

 

CMYK 45 / 51 / 0 / 45

HEX #4D458C

RGB 77 69 140

HSL 246.76, 0.34%, 0.41%

LAB 33.41, 22.46, -38.54

 

CMYK 31 / 51 / 0 / 45

HEX #60458C

RGB 96 69 140

HSL 262.82, 0.34%, 0.41%

LAB 35.27, 27.61, -35.46

 

CMYK 18 / 51 / 0 / 45

HEX #73458C

RGB 115 69 140

HSL 278.87, 0.34%, 0.41%

LAB 37.47, 33.15, -31.84

 

CMYK 4 / 51 / 0 / 45

HEX #86458C

RGB 134 69 140

HSL 294.93, 0.34%, 0.41%

LAB 39.95, 38.86, -27.78

 

CMYK 0 / 51 / 9 / 45

HEX #8C457F

RGB 140 69 127

HSL 310.99, 0.34%, 0.41%

LAB 40.19, 38.27, -19.39

 

CMYK 17 / 51 / 0 / 67

HEX #462954

RGB 70 41 84

HSL 280.47, 0.34%, 0.25%

LAB 22.05, 22.34, -20.91

 

CMYK 17 / 51 / 0 / 56

HEX #5D3770

RGB 93 55 112

HSL 280, 0.34%, 0.33%

LAB 29.98, 28.03, -26.41

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 17 / 51 / 0 / 35

HEX #8A52A7

RGB 138 82 167

HSL 279.53, 0.34%, 0.49%

LAB 44.56, 38.7, -36.68

 

CMYK 14 / 41 / 0 / 29

HEX #9D6CB6

RGB 157 108 182

HSL 279.73, 0.34%, 0.57%

LAB 53.24, 33.08, -31.66

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 0 / 51 / 44 / 45

HEX #8C454F

RGB 140 69 79

HSL 351.55, 0.34%, 0.41%

LAB 38.54, 31.16, 8.07

 

CMYK 51 / 0 / 39 / 45

HEX #458C56

RGB 69 140 86

HSL 134.37, 0.34%, 0.41%

LAB 52.61, -34.79, 22.18

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 0 / 18 / 51 / 45

HEX #8C7345

RGB 140 115 69

HSL 38.87, 0.34%, 0.41%

LAB 49.82, 3.54, 29

 

CMYK 51 / 0 / 18 / 45

HEX #458C73

RGB 69 140 115

HSL 158.87, 0.34%, 0.41%

LAB 53.23, -28.65, 6.56

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 0 / 51 / 44 / 45

HEX #8C454F

RGB 140 69 79

HSL 351.55, 0.34%, 0.41%

LAB 38.54, 31.16, 8.07

 

CMYK 34 / 0 / 51 / 45

HEX #5D8C45

RGB 93 140 69

HSL 99.72, 0.34%, 0.41%

LAB 53.51, -29.6, 32.74

 

CMYK 51 / 0 / 8 / 45

HEX #458C81

RGB 69 140 129

HSL 170.7, 0.34%, 0.41%

LAB 53.61, -25.14, -0.98

 

CMYK 17 / 51 / 0 / 45

HEX #74458C

RGB 116 69 140

HSL 279.72, 0.34%, 0.41%

LAB 37.59, 33.45, -31.63

 

CMYK 0 / 44 / 51 / 45

HEX #8C4F45

RGB 140 79 69

HSL 8.45, 0.34%, 0.41%

LAB 40.57, 24.47, 17.05

 

CMYK 34 / 0 / 51 / 45

HEX #5D8C45

RGB 93 140 69

HSL 99.72, 0.34%, 0.41%

LAB 53.51, -29.6, 32.74

 

CMYK 51 / 8 / 0 / 45

HEX #45818C

RGB 69 129 140

HSL 189.3, 0.34%, 0.41%

LAB 50.52, -16.3, -11.97

 

Description

Color code: RGB 116 69 140 | qconv.com Color code: RGB 116 69 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 69 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 69 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 51 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 51% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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