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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 54 221 it is the complementary color RGB 139 201 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 54 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 54 221 shade: RGB 121 54 216, RGB 138 72 235, RGB 155 90 254, RGB 172 108 255 and RGB 189 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 54 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 54 221 shade: RGB 116 54 221, RGB 99 36 202, RGB 82 18 183, RGB 65 0 164 and RGB 48 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 54 221 shade: RGB 116 54 220, RGB 161 54 220, RGB 206 54 220, RGB 220 54 190 and RGB 220 54 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 54 221 shade: RGB 116 54 220, RGB 71 54 220 and RGB 54 54 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 54 221 shade matches the following richer shades: RGB 116 54 220 and RGB 111 35 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 54 221 shade: RGB 116 54 220, RGB 121 73 202, RGB 126 92 183, RGB 130 111 164 and RGB 135 130 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 54 221 shade: RGB 54 82 220, RGB 71 54 220, RGB 115 54 220, RGB 159 54 220 and RGB 204 54 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 54 221 shade: RGB 78 27 164, RGB 95 33 200, RGB 116 54 220, RGB 140 89 226 and RGB 165 124 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 54 221 shade: RGB 116 54 221, RGB 220 54 126 and RGB 59 220 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 54 221 shade: RGB 116 54 221, RGB 220 115 54 and RGB 54 220 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 54 221 shade: RGB 116 54 221, RGB 220 54 126, RGB 159 220 54 and RGB 54 220 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 54 221 shade: RGB 116 54 221, RGB 220 54 76, RGB 159 220 54 and RGB 54 220 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

Complementary color

CMYK 31 / 0 / 83 / 21

HEX #8BC922

RGB 139 201 34

HSL 82.28, 0.71%, 0.46%

LAB 74.43, -42.6, 68.86

 

CMYK 44 / 75 / 0 / 15

HEX #7936D8

RGB 121 54 216

HSL 264.81, 0.68%, 0.53%

LAB 40.67, 60.84, -71.62

 

CMYK 41 / 69 / 0 / 8

HEX #8A48EB

RGB 138 72 235

HSL 264.29, 0.8%, 0.6%

LAB 47.02, 60.23, -71.98

 

CMYK 39 / 65 / 0 / 0

HEX #9B5AFE

RGB 155 90 254

HSL 263.78, 0.99%, 0.67%

LAB 53.42, 59.36, -72.12

 

CMYK 33 / 58 / 0 / 0

HEX #AC6CFF

RGB 172 108 255

HSL 266.12, 1%, 0.71%

LAB 58.71, 53.99, -64.05

 

CMYK 26 / 51 / 0 / 0

HEX #BD7EFF

RGB 189 126 255

HSL 269.3, 1%, 0.75%

LAB 64.13, 48.59, -55.29

 

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

CMYK 51 / 82 / 0 / 21

HEX #6324CA

RGB 99 36 202

HSL 262.77, 0.7%, 0.47%

LAB 34.35, 61.53, -73.99

 

CMYK 55 / 90 / 0 / 28

HEX #5212B7

RGB 82 18 183

HSL 263.27, 0.82%, 0.39%

LAB 28.5, 60.71, -72.52

 

CMYK 60 / 100 / 0 / 36

HEX #4100A4

RGB 65 0 164

HSL 263.78, 1%, 0.32%

LAB 23.01, 58.73, -70.24

 

CMYK 67 / 100 / 0 / 43

HEX #300091

RGB 48 0 145

HSL 259.86, 1%, 0.28%

LAB 18.68, 53.18, -65.81

 

CMYK 47 / 75 / 0 / 14

HEX #7436DC

RGB 116 54 220

HSL 262.41, 0.7%, 0.54%

LAB 40.44, 61.09, -74.31

 

CMYK 27 / 75 / 0 / 14

HEX #A136DC

RGB 161 54 220

HSL 278.67, 0.7%, 0.54%

LAB 46.15, 68.45, -64.75

 

CMYK 6 / 75 / 0 / 14

HEX #CE36DC

RGB 206 54 220

HSL 294.94, 0.7%, 0.54%

LAB 52.87, 76.87, -53.59

 

CMYK 0 / 75 / 14 / 14

HEX #DC36BE

RGB 220 54 190

HSL 310.84, 0.7%, 0.54%

LAB 53.57, 75.23, -35.13

 

CMYK 0 / 75 / 34 / 14

HEX #DC3692

RGB 220 54 146

HSL 326.75, 0.7%, 0.54%

LAB 51.76, 69.78, -12.07

 

CMYK 47 / 75 / 0 / 14

HEX #7436DC

RGB 116 54 220

HSL 262.41, 0.7%, 0.54%

LAB 40.44, 61.09, -74.31

 

CMYK 68 / 75 / 0 / 14

HEX #4736DC

RGB 71 54 220

HSL 246.14, 0.7%, 0.54%

LAB 36.26, 55.53, -81.34

 

CMYK 75 / 75 / 0 / 14

HEX #3636DC

RGB 54 54 220

HSL 240, 0.7%, 0.54%

LAB 35.18, 54.07, -83.16

 

CMYK 47 / 75 / 0 / 14

HEX #7436DC

RGB 116 54 220

HSL 262.41, 0.7%, 0.54%

LAB 40.44, 61.09, -74.31

 

CMYK 54 / 85 / 0 / 6

HEX #6F23EF

RGB 111 35 239

HSL 262.35, 0.86%, 0.54%

LAB 39.26, 72.17, -87.08

 

CMYK 47 / 75 / 0 / 14

HEX #7436DC

RGB 116 54 220

HSL 262.41, 0.7%, 0.54%

LAB 40.44, 61.09, -74.31

 

CMYK 40 / 64 / 0 / 21

HEX #7949CA

RGB 121 73 202

HSL 262.33, 0.55%, 0.54%

LAB 42.9, 48.03, -59.91

 

CMYK 31 / 50 / 0 / 28

HEX #7E5CB7

RGB 126 92 183

HSL 262.42, 0.39%, 0.54%

LAB 46.32, 33.53, -43.36

 

CMYK 21 / 32 / 0 / 36

HEX #826FA4

RGB 130 111 164

HSL 261.51, 0.23%, 0.54%

LAB 50.45, 18.67, -25.77

 

CMYK 7 / 10 / 0 / 43

HEX #878291

RGB 135 130 145

HSL 260, 0.06%, 0.54%

LAB 55.24, 4.9, -7.38

 

CMYK 75 / 63 / 0 / 14

HEX #3652DC

RGB 54 82 220

HSL 229.88, 0.7%, 0.54%

LAB 41.19, 37.69, -73.26

 

CMYK 68 / 75 / 0 / 14

HEX #4736DC

RGB 71 54 220

HSL 246.14, 0.7%, 0.54%

LAB 36.26, 55.53, -81.34

 

CMYK 48 / 75 / 0 / 14

HEX #7336DC

RGB 115 54 220

HSL 262.05, 0.7%, 0.54%

LAB 40.33, 60.94, -74.5

 

CMYK 28 / 75 / 0 / 14

HEX #9F36DC

RGB 159 54 220

HSL 277.95, 0.7%, 0.54%

LAB 45.88, 68.1, -65.22

 

CMYK 7 / 75 / 0 / 14

HEX #CC36DC

RGB 204 54 220

HSL 294.22, 0.7%, 0.54%

LAB 52.56, 76.48, -54.11

 

CMYK 52 / 84 / 0 / 36

HEX #4E1BA4

RGB 78 27 164

HSL 262.34, 0.72%, 0.37%

LAB 26.97, 52.65, -63.65

 

CMYK 53 / 84 / 0 / 22

HEX #5F21C8

RGB 95 33 200

HSL 262.28, 0.72%, 0.46%

LAB 33.33, 61.64, -74.52

 

CMYK 47 / 75 / 0 / 14

HEX #7436DC

RGB 116 54 220

HSL 262.41, 0.7%, 0.54%

LAB 40.44, 61.09, -74.31

 

CMYK 38 / 61 / 0 / 11

HEX #8C59E2

RGB 140 89 226

HSL 262.34, 0.7%, 0.62%

LAB 49.75, 49.74, -62.46

 

CMYK 29 / 47 / 0 / 9

HEX #A57CE8

RGB 165 124 232

HSL 262.78, 0.7%, 0.7%

LAB 60.11, 37.99, -49.13

 

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

CMYK 0 / 75 / 43 / 14

HEX #DC367E

RGB 220 54 126

HSL 333.98, 0.7%, 0.54%

LAB 51.11, 67.76, -1.04

 

CMYK 73 / 0 / 75 / 14

HEX #3BDC36

RGB 59 220 54

HSL 118.19, 0.7%, 0.54%

LAB 77.51, -70.12, 65.01

 

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

CMYK 0 / 48 / 75 / 14

HEX #DC7336

RGB 220 115 54

HSL 22.05, 0.7%, 0.54%

LAB 59.66, 36.7, 50.58

 

CMYK 75 / 0 / 48 / 14

HEX #36DC73

RGB 54 220 115

HSL 142.05, 0.7%, 0.54%

LAB 78, -63.94, 39.76

 

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

CMYK 0 / 75 / 43 / 14

HEX #DC367E

RGB 220 54 126

HSL 333.98, 0.7%, 0.54%

LAB 51.11, 67.76, -1.04

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 0 / 33 / 14

HEX #36DC94

RGB 54 220 148

HSL 153.98, 0.7%, 0.54%

LAB 78.53, -57.94, 23.72

 

CMYK 48 / 76 / 0 / 13

HEX #7436DD

RGB 116 54 221

HSL 262.28, 0.71%, 0.54%

LAB 40.53, 61.34, -74.74

 

CMYK 0 / 75 / 65 / 14

HEX #DC364C

RGB 220 54 76

HSL 352.05, 0.7%, 0.54%

LAB 49.95, 64.08, 27.59

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 0 / 10 / 14

HEX #36DCC6

RGB 54 220 198

HSL 172.05, 0.7%, 0.54%

LAB 79.64, -46.15, -1.12

 

Description

Color code: RGB 116 54 221 | qconv.com Color code: RGB 116 54 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 54 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 54 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 76 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 76% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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