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Color name
RGB 116 42 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 42 151 it is the complementary color RGB 139 213 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 42 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 42 151 shade: RGB 121 42 146, RGB 138 60 165, RGB 155 78 184, RGB 172 96 203 and RGB 189 114 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 42 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 99 24 132, RGB 82 6 113, RGB 65 0 94 and RGB 48 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 145 42 151, RGB 151 42 127, RGB 151 42 98 and RGB 151 42 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 87 42 151, RGB 57 42 151 and RGB 42 42 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 42 151 shade matches the following richer shades: RGB 116 42 151, RGB 121 26 166 and RGB 127 11 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 110 58 135, RGB 105 73 119, RGB 99 89 104 and RGB 93 105 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 42 151 shade: RGB 57 42 151, RGB 86 42 151, RGB 114 42 151, RGB 143 42 151 and RGB 151 42 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 42 151 shade: RGB 66 24 86, RGB 91 33 118, RGB 116 42 151, RGB 141 51 183 and RGB 161 72 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 151 42 57 and RGB 42 151 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 151 114 42 and RGB 42 151 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 151 42 57, RGB 78 151 42 and RGB 42 151 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 42 151 shade: RGB 116 42 151, RGB 151 60 42, RGB 78 151 42 and RGB 42 133 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

Complementary color

CMYK 35 / 0 / 51 / 16

HEX #8BD568

RGB 139 213 104

HSL 100.73, 0.56%, 0.62%

LAB 78.51, -42.47, 46.32

 

CMYK 17 / 71 / 0 / 43

HEX #792A92

RGB 121 42 146

HSL 285.58, 0.55%, 0.37%

LAB 33.55, 49.84, -41.69

 

CMYK 16 / 64 / 0 / 35

HEX #8A3CA5

RGB 138 60 165

HSL 284.57, 0.47%, 0.44%

LAB 40.17, 49.68, -42.47

 

CMYK 16 / 58 / 0 / 28

HEX #9B4EB8

RGB 155 78 184

HSL 283.58, 0.43%, 0.51%

LAB 46.81, 49.15, -42.96

 

CMYK 15 / 53 / 0 / 20

HEX #AC60CB

RGB 172 96 203

HSL 282.62, 0.51%, 0.59%

LAB 53.44, 48.45, -43.29

 

CMYK 15 / 49 / 0 / 13

HEX #BD72DE

RGB 189 114 222

HSL 281.67, 0.62%, 0.66%

LAB 60, 47.68, -43.54

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 25 / 82 / 0 / 48

HEX #631884

RGB 99 24 132

HSL 281.67, 0.69%, 0.31%

LAB 26.65, 49.3, -44.32

 

CMYK 27 / 95 / 0 / 56

HEX #520671

RGB 82 6 113

HSL 282.62, 0.9%, 0.23%

LAB 20.5, 47.39, -42.34

 

CMYK 31 / 100 / 0 / 63

HEX #41005E

RGB 65 0 94

HSL 281.49, 1%, 0.18%

LAB 15.13, 42.61, -38.75

 

CMYK 36 / 100 / 0 / 71

HEX #30004B

RGB 48 0 75

HSL 278.4, 1%, 0.15%

LAB 10.08, 36.07, -34.17

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 4 / 72 / 0 / 41

HEX #912A97

RGB 145 42 151

HSL 296.7, 0.56%, 0.38%

LAB 37.68, 56.23, -37.93

 

CMYK 0 / 72 / 16 / 41

HEX #972A7F

RGB 151 42 127

HSL 313.21, 0.56%, 0.38%

LAB 37.42, 53.75, -23.53

 

CMYK 0 / 72 / 35 / 41

HEX #972A62

RGB 151 42 98

HSL 329.17, 0.56%, 0.38%

LAB 36.21, 49.86, -7.14

 

CMYK 0 / 72 / 55 / 41

HEX #972A44

RGB 151 42 68

HSL 345.69, 0.56%, 0.38%

LAB 35.31, 46.84, 10.83

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 42 / 72 / 0 / 41

HEX #572A97

RGB 87 42 151

HSL 264.77, 0.56%, 0.38%

LAB 29.2, 43.89, -52.03

 

CMYK 62 / 72 / 0 / 41

HEX #392A97

RGB 57 42 151

HSL 248.26, 0.56%, 0.38%

LAB 26.04, 38.84, -57.33

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 27 / 84 / 0 / 35

HEX #791AA6

RGB 121 26 166

HSL 280.71, 0.73%, 0.38%

LAB 33.04, 59.63, -54.68

 

CMYK 30 / 94 / 0 / 29

HEX #7F0BB6

RGB 127 11 182

HSL 280.7, 0.89%, 0.38%

LAB 34.25, 66.85, -62.24

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 19 / 57 / 0 / 47

HEX #6E3A87

RGB 110 58 135

HSL 280.52, 0.4%, 0.38%

LAB 34.17, 36.77, -34.03

 

CMYK 12 / 39 / 0 / 53

HEX #694977

RGB 105 73 119

HSL 281.74, 0.24%, 0.38%

LAB 36.18, 22.67, -21.01

 

CMYK 5 / 14 / 0 / 59

HEX #635968

RGB 99 89 104

HSL 280, 0.08%, 0.38%

LAB 39.24, 7.16, -7.11

 

CMYK 11 / 0 / 16 / 59

HEX #5D6958

RGB 93 105 88

HSL 102.35, 0.09%, 0.38%

LAB 42.97, -8.11, 8.04

 

CMYK 62 / 72 / 0 / 41

HEX #392A97

RGB 57 42 151

HSL 248.26, 0.56%, 0.38%

LAB 26.04, 38.84, -57.33

 

CMYK 43 / 72 / 0 / 41

HEX #562A97

RGB 86 42 151

HSL 264.22, 0.56%, 0.38%

LAB 29.08, 43.7, -52.23

 

CMYK 25 / 72 / 0 / 41

HEX #722A97

RGB 114 42 151

HSL 279.63, 0.56%, 0.38%

LAB 32.85, 49.37, -45.94

 

CMYK 5 / 72 / 0 / 41

HEX #8F2A97

RGB 143 42 151

HSL 295.6, 0.56%, 0.38%

LAB 37.35, 55.78, -38.47

 

CMYK 0 / 72 / 15 / 41

HEX #972A81

RGB 151 42 129

HSL 312.11, 0.56%, 0.38%

LAB 37.52, 54.05, -24.62

 

CMYK 23 / 72 / 0 / 66

HEX #421856

RGB 66 24 86

HSL 280.65, 0.56%, 0.22%

LAB 17.84, 31.63, -28.96

 

CMYK 23 / 72 / 0 / 54

HEX #5B2176

RGB 91 33 118

HSL 280.94, 0.56%, 0.3%

LAB 25.62, 40.88, -37.19

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 23 / 72 / 0 / 28

HEX #8D33B7

RGB 141 51 183

HSL 280.91, 0.56%, 0.46%

LAB 40.33, 58.11, -52.87

 

CMYK 21 / 65 / 0 / 20

HEX #A148CB

RGB 161 72 203

HSL 280.76, 0.56%, 0.54%

LAB 47.65, 57.51, -52.59

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 0 / 72 / 62 / 41

HEX #972A39

RGB 151 42 57

HSL 351.74, 0.56%, 0.38%

LAB 35.06, 46.01, 17.58

 

CMYK 72 / 0 / 53 / 41

HEX #2A9747

RGB 42 151 71

HSL 135.96, 0.56%, 0.38%

LAB 55.16, -48.04, 33.29

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 0 / 25 / 72 / 41

HEX #97722A

RGB 151 114 42

HSL 39.63, 0.56%, 0.38%

LAB 50.43, 7.03, 43.86

 

CMYK 72 / 0 / 25 / 41

HEX #2A9772

RGB 42 151 114

HSL 159.63, 0.56%, 0.38%

LAB 55.93, -39.48, 10.84

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 0 / 72 / 62 / 41

HEX #972A39

RGB 151 42 57

HSL 351.74, 0.56%, 0.38%

LAB 35.06, 46.01, 17.58

 

CMYK 48 / 0 / 72 / 41

HEX #4E972A

RGB 78 151 42

HSL 100.18, 0.56%, 0.38%

LAB 56.01, -42.44, 47.89

 

CMYK 72 / 0 / 10 / 41

HEX #2A9788

RGB 42 151 136

HSL 171.74, 0.56%, 0.38%

LAB 56.49, -33.72, -0.88

 

CMYK 23 / 72 / 0 / 41

HEX #742A97

RGB 116 42 151

HSL 280.73, 0.56%, 0.38%

LAB 33.14, 49.8, -45.45

 

CMYK 0 / 60 / 72 / 41

HEX #973C2A

RGB 151 60 42

HSL 9.91, 0.56%, 0.38%

LAB 37.8, 37.06, 30.18

 

CMYK 48 / 0 / 72 / 41

HEX #4E972A

RGB 78 151 42

HSL 100.18, 0.56%, 0.38%

LAB 56.01, -42.44, 47.89

 

CMYK 72 / 12 / 0 / 41

HEX #2A8597

RGB 42 133 151

HSL 189.91, 0.56%, 0.38%

LAB 51.27, -20.18, -17.34

 

Description

Color code: RGB 116 42 151 | qconv.com Color code: RGB 116 42 151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 42 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 42 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 72 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 72% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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