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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 33 118 it is the complementary color RGB 139 222 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 33 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 33 118 shade: RGB 121 33 113, RGB 138 51 132, RGB 155 69 151, RGB 172 87 170 and RGB 189 105 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 33 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 33 118 shade: RGB 116 33 118, RGB 99 15 99, RGB 82 0 80, RGB 65 0 61 and RGB 48 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 33 118 shade: RGB 117 33 119, RGB 119 33 98, RGB 119 33 75, RGB 119 33 52 and RGB 119 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 33 118 shade: RGB 117 33 119, RGB 94 33 119, RGB 71 33 119, RGB 48 33 119 and RGB 33 33 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 33 118 shade matches the following richer shades: RGB 117 33 119, RGB 129 21 131 and RGB 140 8 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 33 118 shade: RGB 117 33 119, RGB 105 46 106, RGB 93 58 94, RGB 81 70 82 and RGB 70 83 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 33 118 shade: RGB 70 33 119, RGB 93 33 119, RGB 116 33 119, RGB 119 33 99 and RGB 119 33 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 33 118 shade: RGB 54 15 54, RGB 85 24 87, RGB 117 33 119, RGB 148 42 151 and RGB 180 51 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 33 118 shade: RGB 116 33 118, RGB 119 47 33 and RGB 33 119 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 33 118 shade: RGB 116 33 118, RGB 119 116 33 and RGB 33 119 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 33 118 shade: RGB 116 33 118, RGB 119 47 33, RGB 36 119 33 and RGB 33 105 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 33 118 shade: RGB 116 33 118, RGB 119 73 33, RGB 36 119 33 and RGB 33 79 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

Complementary color

CMYK 37 / 0 / 38 / 13

HEX #8BDE89

RGB 139 222 137

HSL 118.59, 0.56%, 0.7%

LAB 81.59, -41.97, 33.93

 

CMYK 0 / 73 / 7 / 53

HEX #792171

RGB 121 33 113

HSL 305.45, 0.57%, 0.3%

LAB 30.27, 47.23, -26.31

 

CMYK 0 / 63 / 4 / 46

HEX #8A3384

RGB 138 51 132

HSL 304.14, 0.46%, 0.37%

LAB 36.81, 47.46, -27.74

 

CMYK 0 / 55 / 3 / 39

HEX #9B4597

RGB 155 69 151

HSL 302.79, 0.38%, 0.44%

LAB 43.45, 47.14, -28.73

 

CMYK 0 / 49 / 1 / 33

HEX #AC57AA

RGB 172 87 170

HSL 301.41, 0.34%, 0.51%

LAB 50.08, 46.56, -29.47

 

CMYK 0 / 44 / 0 / 26

HEX #BD69BD

RGB 189 105 189

HSL 300, 0.39%, 0.58%

LAB 56.68, 45.87, -30.05

 

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

CMYK 0 / 85 / 0 / 61

HEX #630F63

RGB 99 15 99

HSL 300, 0.74%, 0.22%

LAB 23.32, 45.62, -28.51

 

CMYK 0 / 100 / 2 / 68

HEX #520050

RGB 82 0 80

HSL 301.46, 1%, 0.16%

LAB 17.33, 42.76, -25.55

 

CMYK 0 / 100 / 6 / 75

HEX #41003D

RGB 65 0 61

HSL 303.69, 1%, 0.13%

LAB 12.36, 36.18, -20.45

 

CMYK 0 / 100 / 13 / 81

HEX #30002A

RGB 48 0 42

HSL 307.5, 1%, 0.09%

LAB 7.19, 29.18, -14.97

 

CMYK 2 / 72 / 0 / 53

HEX #752177

RGB 117 33 119

HSL 298.6, 0.57%, 0.3%

LAB 29.92, 47.29, -30.72

 

CMYK 0 / 72 / 18 / 53

HEX #772162

RGB 119 33 98

HSL 314.65, 0.57%, 0.3%

LAB 29.14, 44.26, -18.46

 

CMYK 0 / 72 / 37 / 53

HEX #77214B

RGB 119 33 75

HSL 330.7, 0.57%, 0.3%

LAB 28.16, 41.05, -4.83

 

CMYK 0 / 72 / 56 / 53

HEX #772134

RGB 119 33 52

HSL 346.74, 0.57%, 0.3%

LAB 27.46, 38.64, 9.56

 

CMYK 0 / 72 / 72 / 53

HEX #772121

RGB 119 33 33

HSL 0, 0.57%, 0.3%

LAB 27.07, 37.29, 21.64

 

CMYK 2 / 72 / 0 / 53

HEX #752177

RGB 117 33 119

HSL 298.6, 0.57%, 0.3%

LAB 29.92, 47.29, -30.72

 

CMYK 21 / 72 / 0 / 53

HEX #5E2177

RGB 94 33 119

HSL 282.56, 0.57%, 0.3%

LAB 26.16, 41.8, -36.95

 

CMYK 40 / 72 / 0 / 53

HEX #472177

RGB 71 33 119

HSL 266.51, 0.57%, 0.3%

LAB 22.86, 36.68, -42.44

 

CMYK 60 / 72 / 0 / 53

HEX #302177

RGB 48 33 119

HSL 250.47, 0.57%, 0.3%

LAB 20.24, 32.31, -46.83

 

CMYK 72 / 72 / 0 / 53

HEX #212177

RGB 33 33 119

HSL 240, 0.57%, 0.3%

LAB 18.98, 30.1, -48.93

 

CMYK 2 / 72 / 0 / 53

HEX #752177

RGB 117 33 119

HSL 298.6, 0.57%, 0.3%

LAB 29.92, 47.29, -30.72

 

CMYK 2 / 84 / 0 / 49

HEX #811583

RGB 129 21 131

HSL 298.91, 0.72%, 0.3%

LAB 31.44, 55.84, -35.71

 

CMYK 3 / 94 / 0 / 44

HEX #8C0890

RGB 140 8 144

HSL 298.24, 0.89%, 0.3%

LAB 33.48, 62.42, -40.4

 

CMYK 2 / 72 / 0 / 53

HEX #752177

RGB 117 33 119

HSL 298.6, 0.57%, 0.3%

LAB 29.92, 47.29, -30.72

 

CMYK 1 / 57 / 0 / 58

HEX #692E6A

RGB 105 46 106

HSL 299, 0.39%, 0.3%

LAB 29.41, 35.54, -23.37

 

CMYK 1 / 38 / 0 / 63

HEX #5D3A5E

RGB 93 58 94

HSL 298.33, 0.24%, 0.3%

LAB 29.82, 22.07, -15.15

 

CMYK 1 / 15 / 0 / 68

HEX #514652

RGB 81 70 82

HSL 295, 0.08%, 0.3%

LAB 31.2, 7.17, -5.44

 

CMYK 16 / 0 / 17 / 67

HEX #465345

RGB 70 83 69

HSL 115.71, 0.09%, 0.3%

LAB 33.81, -8.23, 6.51

 

CMYK 41 / 72 / 0 / 53

HEX #462177

RGB 70 33 119

HSL 265.81, 0.57%, 0.3%

LAB 22.73, 36.47, -42.65

 

CMYK 22 / 72 / 0 / 53

HEX #5D2177

RGB 93 33 119

HSL 281.86, 0.57%, 0.3%

LAB 26, 41.57, -37.2

 

CMYK 3 / 72 / 0 / 53

HEX #742177

RGB 116 33 119

HSL 297.91, 0.57%, 0.3%

LAB 29.74, 47.05, -31

 

CMYK 0 / 72 / 17 / 53

HEX #772163

RGB 119 33 99

HSL 313.95, 0.57%, 0.3%

LAB 29.19, 44.41, -19.03

 

CMYK 0 / 72 / 36 / 53

HEX #77214C

RGB 119 33 76

HSL 330, 0.57%, 0.3%

LAB 28.2, 41.17, -5.44

 

CMYK 0 / 72 / 0 / 79

HEX #360F36

RGB 54 15 54

HSL 300, 0.57%, 0.14%

LAB 11.91, 25.54, -16.28

 

CMYK 2 / 72 / 0 / 66

HEX #551857

RGB 85 24 87

HSL 298.1, 0.57%, 0.22%

LAB 21.1, 36.84, -24.24

 

CMYK 2 / 72 / 0 / 53

HEX #752177

RGB 117 33 119

HSL 298.6, 0.57%, 0.3%

LAB 29.92, 47.29, -30.72

 

CMYK 2 / 72 / 0 / 41

HEX #942A97

RGB 148 42 151

HSL 298.35, 0.56%, 0.38%

LAB 38.17, 56.91, -37.12

 

CMYK 2 / 72 / 0 / 28

HEX #B433B7

RGB 180 51 183

HSL 298.64, 0.56%, 0.46%

LAB 46.3, 66.34, -42.97

 

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

CMYK 0 / 61 / 72 / 53

HEX #772F21

RGB 119 47 33

HSL 9.77, 0.57%, 0.3%

LAB 29.58, 30.59, 24.6

 

CMYK 72 / 0 / 31 / 53

HEX #217752

RGB 33 119 82

HSL 154.19, 0.57%, 0.3%

LAB 44.41, -34.66, 13.18

 

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

CMYK 0 / 3 / 72 / 53

HEX #777421

RGB 119 116 33

HSL 57.91, 0.57%, 0.3%

LAB 47.65, -9.51, 43.91

 

CMYK 72 / 0 / 3 / 53

HEX #217774

RGB 33 119 116

HSL 177.91, 0.57%, 0.3%

LAB 45.33, -25.38, -5.69

 

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

CMYK 0 / 61 / 72 / 53

HEX #772F21

RGB 119 47 33

HSL 9.77, 0.57%, 0.3%

LAB 29.58, 30.59, 24.6

 

CMYK 70 / 0 / 72 / 53

HEX #247721

RGB 36 119 33

HSL 117.91, 0.57%, 0.3%

LAB 43.77, -42.22, 38.39

 

CMYK 72 / 12 / 0 / 53

HEX #216977

RGB 33 105 119

HSL 189.77, 0.57%, 0.3%

LAB 40.83, -16.99, -14.26

 

CMYK 2 / 72 / 0 / 54

HEX #742176

RGB 116 33 118

HSL 298.59, 0.56%, 0.3%

LAB 29.69, 46.86, -30.46

 

CMYK 0 / 39 / 72 / 53

HEX #774921

RGB 119 73 33

HSL 27.91, 0.57%, 0.3%

LAB 35.59, 15.74, 31.39

 

CMYK 70 / 0 / 72 / 53

HEX #247721

RGB 36 119 33

HSL 117.91, 0.57%, 0.3%

LAB 43.77, -42.22, 38.39

 

CMYK 72 / 34 / 0 / 53

HEX #214F77

RGB 33 79 119

HSL 207.91, 0.57%, 0.3%

LAB 32.36, -1.37, -27.38

 

Description

Color code: RGB 116 33 118 | qconv.com Color code: RGB 116 33 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 33 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 33 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 72 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 72% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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