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Color name
RGB 116 250 156

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 250 156 it is the complementary color RGB 139 5 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 250 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 250 156 shade: RGB 121 250 151, RGB 138 255 170, RGB 155 255 189, RGB 172 255 208 and RGB 189 255 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 250 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 250 156 shade: RGB 116 250 156, RGB 99 232 137, RGB 82 214 118, RGB 65 196 99 and RGB 48 178 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 250 156 shade: RGB 117 250 156, RGB 117 250 121, RGB 149 250 117, RGB 184 250 117 and RGB 220 250 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 250 156 shade: RGB 117 250 156, RGB 117 250 192, RGB 117 250 228, RGB 117 235 250 and RGB 117 199 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 250 156 shade matches the following richer shades: RGB 117 250 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 250 156 shade: RGB 117 250 156, RGB 128 238 161, RGB 140 226 166, RGB 151 215 170 and RGB 163 203 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 250 156 shade: RGB 150 250 117, RGB 117 250 119, RGB 117 250 154, RGB 117 250 190 and RGB 117 250 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 250 156 shade: RGB 37 247 100, RGB 77 248 128, RGB 117 250 156, RGB 157 251 185 and RGB 196 252 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 250 156 shade: RGB 116 250 156, RGB 117 185 250 and RGB 250 117 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 250 156 shade: RGB 116 250 156, RGB 154 117 250 and RGB 250 154 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 250 156 shade: RGB 116 250 156, RGB 117 185 250, RGB 250 117 212 and RGB 250 181 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 250 156 shade: RGB 116 250 156, RGB 117 145 250, RGB 250 117 212 and RGB 250 221 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

Complementary color

CMYK 0 / 96 / 29 / 45

HEX #8B0563

RGB 139 5 99

HSL 317.91, 0.93%, 0.28%

LAB 30.64, 56.29, -16.47

 

CMYK 52 / 0 / 40 / 2

HEX #79FA97

RGB 121 250 151

HSL 133.95, 0.93%, 0.73%

LAB 89.24, -56.39, 36.81

 

CMYK 46 / 0 / 33 / 0

HEX #8AFFAA

RGB 138 255 170

HSL 136.41, 1%, 0.77%

LAB 91.61, -51, 30.59

 

CMYK 39 / 0 / 26 / 0

HEX #9BFFBD

RGB 155 255 189

HSL 140.4, 1%, 0.8%

LAB 92.65, -43.08, 22.52

 

CMYK 33 / 0 / 18 / 0

HEX #ACFFD0

RGB 172 255 208

HSL 146.02, 1%, 0.84%

LAB 93.82, -34.74, 14.56

 

CMYK 26 / 0 / 11 / 0

HEX #BDFFE3

RGB 189 255 227

HSL 154.55, 1%, 0.87%

LAB 95.11, -26.09, 6.76

 

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

CMYK 57 / 0 / 41 / 9

HEX #63E889

RGB 99 232 137

HSL 137.14, 0.74%, 0.65%

LAB 83, -56.74, 35.5

 

CMYK 62 / 0 / 45 / 16

HEX #52D676

RGB 82 214 118

HSL 136.36, 0.62%, 0.58%

LAB 76.8, -56.57, 36.88

 

CMYK 67 / 0 / 49 / 23

HEX #41C463

RGB 65 196 99

HSL 135.57, 0.53%, 0.51%

LAB 70.53, -56.18, 38.33

 

CMYK 73 / 0 / 55 / 30

HEX #30B250

RGB 48 178 80

HSL 134.77, 0.58%, 0.44%

LAB 64.2, -55.47, 39.82

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 40 / 0 / 53 / 2

HEX #95FA75

RGB 149 250 117

HSL 105.56, 0.93%, 0.72%

LAB 89.88, -53.32, 54.05

 

CMYK 26 / 0 / 53 / 2

HEX #B8FA75

RGB 184 250 117

HSL 89.77, 0.93%, 0.72%

LAB 91.62, -41.81, 56.53

 

CMYK 12 / 0 / 53 / 2

HEX #DCFA75

RGB 220 250 117

HSL 73.53, 0.93%, 0.72%

LAB 93.83, -28.6, 59.67

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 53 / 0 / 23 / 2

HEX #75FAC0

RGB 117 250 192

HSL 153.83, 0.93%, 0.72%

LAB 89.84, -49.81, 16.85

 

CMYK 53 / 0 / 9 / 2

HEX #75FAE4

RGB 117 250 228

HSL 170.08, 0.93%, 0.72%

LAB 90.67, -41.8, -0.59

 

CMYK 53 / 6 / 0 / 2

HEX #75EBFA

RGB 117 235 250

HSL 186.77, 0.93%, 0.72%

LAB 87.05, -29.28, -17.46

 

CMYK 53 / 20 / 0 / 2

HEX #75C7FA

RGB 117 199 250

HSL 203.01, 0.93%, 0.72%

LAB 77, -11.12, -32.77

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 46 / 0 / 32 / 7

HEX #80EEA1

RGB 128 238 161

HSL 138, 0.76%, 0.72%

LAB 86.16, -48.05, 27.74

 

CMYK 38 / 0 / 27 / 11

HEX #8CE2A6

RGB 140 226 166

HSL 138.14, 0.6%, 0.72%

LAB 83.3, -38.6, 21.33

 

CMYK 30 / 0 / 21 / 16

HEX #97D7AA

RGB 151 215 170

HSL 137.81, 0.44%, 0.72%

LAB 80.78, -29.45, 15.82

 

CMYK 20 / 0 / 14 / 20

HEX #A3CBAF

RGB 163 203 175

HSL 138, 0.28%, 0.72%

LAB 78.22, -18.77, 9.64

 

CMYK 40 / 0 / 53 / 2

HEX #96FA75

RGB 150 250 117

HSL 105.11, 0.93%, 0.72%

LAB 89.92, -53.01, 54.11

 

CMYK 53 / 0 / 52 / 2

HEX #75FA77

RGB 117 250 119

HSL 120.9, 0.93%, 0.72%

LAB 88.68, -61.93, 51.4

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9A

RGB 117 250 154

HSL 136.69, 0.93%, 0.72%

LAB 89.15, -56.86, 35.19

 

CMYK 53 / 0 / 24 / 2

HEX #75FABE

RGB 117 250 190

HSL 152.93, 0.93%, 0.72%

LAB 89.8, -50.22, 17.83

 

CMYK 53 / 0 / 10 / 2

HEX #75FAE1

RGB 117 250 225

HSL 168.72, 0.93%, 0.72%

LAB 90.59, -42.51, 0.86

 

CMYK 85 / 0 / 60 / 3

HEX #25F764

RGB 37 247 100

HSL 138, 0.93%, 0.56%

LAB 85.92, -76.48, 56.21

 

CMYK 69 / 0 / 48 / 3

HEX #4DF880

RGB 77 248 128

HSL 137.89, 0.92%, 0.64%

LAB 87.13, -68.2, 45.05

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 37 / 0 / 26 / 2

HEX #9DFBB9

RGB 157 251 185

HSL 137.87, 0.92%, 0.8%

LAB 91.53, -41.47, 23.03

 

CMYK 22 / 0 / 15 / 1

HEX #C4FCD5

RGB 196 252 213

HSL 138.21, 0.9%, 0.88%

LAB 94.38, -25.14, 12.97

 

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

CMYK 53 / 26 / 0 / 2

HEX #75B9FA

RGB 117 185 250

HSL 209.32, 0.93%, 0.72%

LAB 73.14, -3.58, -38.74

 

CMYK 0 / 53 / 47 / 2

HEX #FA7584

RGB 250 117 132

HSL 353.23, 0.93%, 0.72%

LAB 65.52, 52.1, 16.64

 

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

CMYK 38 / 53 / 0 / 2

HEX #9A75FA

RGB 154 117 250

HSL 256.69, 0.93%, 0.72%

LAB 58.5, 43.76, -61.72

 

CMYK 0 / 38 / 53 / 2

HEX #FA9A75

RGB 250 154 117

HSL 16.69, 0.93%, 0.72%

LAB 72.71, 32.25, 34.52

 

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

CMYK 53 / 26 / 0 / 2

HEX #75B9FA

RGB 117 185 250

HSL 209.32, 0.93%, 0.72%

LAB 73.14, -3.58, -38.74

 

CMYK 0 / 53 / 15 / 2

HEX #FA75D4

RGB 250 117 212

HSL 317.14, 0.93%, 0.72%

LAB 67.87, 61.77, -25.12

 

CMYK 0 / 28 / 53 / 2

HEX #FAB575

RGB 250 181 117

HSL 28.87, 0.93%, 0.72%

LAB 78.84, 18.1, 42.27

 

CMYK 54 / 0 / 38 / 2

HEX #74FA9C

RGB 116 250 156

HSL 137.91, 0.93%, 0.72%

LAB 89.15, -56.76, 34.18

 

CMYK 53 / 42 / 0 / 2

HEX #7591FA

RGB 117 145 250

HSL 227.37, 0.93%, 0.72%

LAB 62.45, 19.26, -55.57

 

CMYK 0 / 53 / 15 / 2

HEX #FA75D4

RGB 250 117 212

HSL 317.14, 0.93%, 0.72%

LAB 67.87, 61.77, -25.12

 

CMYK 0 / 12 / 53 / 2

HEX #FADD75

RGB 250 221 117

HSL 46.92, 0.93%, 0.72%

LAB 88.6, -2.6, 54.12

 

Description

Color code: RGB 116 250 156 | qconv.com Color code: RGB 116 250 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 250 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 250 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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