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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 255 111 it is the complementary color RGB 139 0 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 255 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 255 111 shade: RGB 121 255 106, RGB 138 255 125, RGB 155 255 144, RGB 172 255 163 and RGB 189 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 255 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 255 111 shade: RGB 116 255 111, RGB 99 237 92, RGB 82 219 73, RGB 65 201 54 and RGB 48 183 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 255 111 shade: RGB 117 255 112, RGB 155 255 112, RGB 194 255 112, RGB 232 255 112 and RGB 255 238 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 255 111 shade: RGB 117 255 112, RGB 112 255 145, RGB 112 255 184, RGB 112 255 222 and RGB 112 248 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 255 111 shade matches the following richer shades: RGB 117 255 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 255 111 shade: RGB 117 255 112, RGB 127 243 123, RGB 138 231 135, RGB 149 220 146 and RGB 160 208 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 255 111 shade: RGB 195 255 112, RGB 157 255 112, RGB 119 255 112, RGB 112 255 143 and RGB 112 255 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 255 111 shade: RGB 37 255 29, RGB 77 255 70, RGB 117 255 112, RGB 156 255 153 and RGB 196 255 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 255 111 shade: RGB 116 255 111, RGB 112 233 255 and RGB 255 112 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 255 111 shade: RGB 116 255 111, RGB 112 119 255 and RGB 255 112 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 255 111 shade: RGB 116 255 111, RGB 112 233 255, RGB 247 112 255 and RGB 255 133 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 255 111 shade: RGB 116 255 111, RGB 112 190 255, RGB 247 112 255 and RGB 255 176 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

Complementary color

CMYK 3 / 100 / 0 / 44

HEX #8B0090

RGB 139 0 144

HSL 297.92, 1%, 0.28%

LAB 32.92, 63.35, -41.31

 

CMYK 53 / 0 / 58 / 0

HEX #79FF6A

RGB 121 255 106

HSL 113.96, 1%, 0.71%

LAB 90.15, -64.27, 58.95

 

CMYK 46 / 0 / 51 / 0

HEX #8AFF7D

RGB 138 255 125

HSL 114, 1%, 0.75%

LAB 90.96, -57.58, 51.58

 

CMYK 39 / 0 / 44 / 0

HEX #9BFF90

RGB 155 255 144

HSL 114.05, 1%, 0.78%

LAB 91.91, -50.22, 43.94

 

CMYK 33 / 0 / 36 / 0

HEX #ACFFA3

RGB 172 255 163

HSL 114.13, 1%, 0.82%

LAB 92.99, -42.32, 36.19

 

CMYK 26 / 0 / 29 / 0

HEX #BDFFB6

RGB 189 255 182

HSL 114.25, 1%, 0.86%

LAB 94.19, -34.02, 28.45

 

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

CMYK 58 / 0 / 61 / 7

HEX #63ED5C

RGB 99 237 92

HSL 117.1, 0.8%, 0.65%

LAB 83.96, -64.61, 57.71

 

CMYK 63 / 0 / 67 / 14

HEX #52DB49

RGB 82 219 73

HSL 116.3, 0.67%, 0.57%

LAB 77.84, -63.99, 58.64

 

CMYK 68 / 0 / 73 / 21

HEX #41C936

RGB 65 201 54

HSL 115.51, 0.58%, 0.5%

LAB 71.67, -63.02, 59.23

 

CMYK 74 / 0 / 81 / 28

HEX #30B723

RGB 48 183 35

HSL 114.73, 0.68%, 0.43%

LAB 65.45, -61.54, 59.18

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 39 / 0 / 56 / 0

HEX #9BFF70

RGB 155 255 112

HSL 101.96, 1%, 0.72%

LAB 91.53, -54.03, 58.29

 

CMYK 24 / 0 / 56 / 0

HEX #C2FF70

RGB 194 255 112

HSL 85.59, 1%, 0.72%

LAB 93.52, -40.94, 61.1

 

CMYK 9 / 0 / 56 / 0

HEX #E8FF70

RGB 232 255 112

HSL 69.65, 1%, 0.72%

LAB 95.93, -26.75, 64.49

 

CMYK 0 / 7 / 56 / 0

HEX #FFEE70

RGB 255 238 112

HSL 52.87, 1%, 0.72%

LAB 93.27, -9.48, 61.94

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 56 / 0 / 43 / 0

HEX #70FF91

RGB 112 255 145

HSL 133.85, 1%, 0.72%

LAB 90.33, -61.37, 41.11

 

CMYK 56 / 0 / 28 / 0

HEX #70FFB8

RGB 112 255 184

HSL 150.21, 1%, 0.72%

LAB 90.97, -54.54, 22.51

 

CMYK 56 / 0 / 13 / 0

HEX #70FFDE

RGB 112 255 222

HSL 166.15, 1%, 0.72%

LAB 91.79, -46.39, 4.14

 

CMYK 56 / 3 / 0 / 0

HEX #70F8FF

RGB 112 248 255

HSL 182.94, 1%, 0.72%

LAB 90.69, -35.04, -14.62

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 48 / 0 / 49 / 5

HEX #7FF37B

RGB 127 243 123

HSL 118, 0.83%, 0.72%

LAB 87.02, -56.15, 47.59

 

CMYK 40 / 0 / 42 / 9

HEX #8AE787

RGB 138 231 135

HSL 118.13, 0.67%, 0.72%

LAB 84.12, -46.46, 38.22

 

CMYK 32 / 0 / 34 / 14

HEX #95DC92

RGB 149 220 146

HSL 117.57, 0.51%, 0.72%

LAB 81.65, -36.54, 29.51

 

CMYK 23 / 0 / 24 / 18

HEX #A0D09E

RGB 160 208 158

HSL 117.6, 0.35%, 0.72%

LAB 79.07, -25.29, 19.85

 

CMYK 24 / 0 / 56 / 0

HEX #C3FF70

RGB 195 255 112

HSL 85.17, 1%, 0.72%

LAB 93.58, -40.58, 61.18

 

CMYK 38 / 0 / 56 / 0

HEX #9DFF70

RGB 157 255 112

HSL 101.12, 1%, 0.72%

LAB 91.62, -53.41, 58.41

 

CMYK 53 / 0 / 56 / 0

HEX #77FF70

RGB 119 255 112

HSL 117.06, 1%, 0.72%

LAB 90.14, -64.12, 56.31

 

CMYK 56 / 0 / 44 / 0

HEX #70FF8F

RGB 112 255 143

HSL 133.01, 1%, 0.72%

LAB 90.3, -61.67, 42.04

 

CMYK 56 / 0 / 29 / 0

HEX #70FFB5

RGB 112 255 181

HSL 148.95, 1%, 0.72%

LAB 90.92, -55.13, 23.95

 

CMYK 85 / 0 / 89 / 0

HEX #25FF1D

RGB 37 255 29

HSL 117.88, 1%, 0.56%

LAB 87.97, -83.9, 80.46

 

CMYK 70 / 0 / 73 / 0

HEX #4DFF46

RGB 77 255 70

HSL 117.73, 1%, 0.64%

LAB 88.7, -76.85, 70.99

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 39 / 0 / 40 / 0

HEX #9CFF99

RGB 156 255 153

HSL 118.24, 1%, 0.8%

LAB 92.08, -48.66, 39.8

 

CMYK 23 / 0 / 24 / 0

HEX #C4FFC2

RGB 196 255 194

HSL 118.03, 1%, 0.88%

LAB 94.8, -29.83, 23.28

 

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

CMYK 56 / 9 / 0 / 0

HEX #70E9FF

RGB 112 233 255

HSL 189.23, 1%, 0.72%

LAB 86.48, -27.92, -20.96

 

CMYK 0 / 56 / 31 / 0

HEX #FF70B0

RGB 255 112 176

HSL 333.15, 1%, 0.72%

LAB 66.51, 60.7, -6.86

 

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

CMYK 56 / 53 / 0 / 0

HEX #7077FF

RGB 112 119 255

HSL 237.06, 1%, 0.72%

LAB 55.95, 35.28, -68.77

 

CMYK 0 / 56 / 53 / 0

HEX #FF7077

RGB 255 112 119

HSL 357.06, 1%, 0.72%

LAB 65.11, 55.01, 23.56

 

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

CMYK 56 / 9 / 0 / 0

HEX #70E9FF

RGB 112 233 255

HSL 189.23, 1%, 0.72%

LAB 86.48, -27.92, -20.96

 

CMYK 3 / 56 / 0 / 0

HEX #F770FF

RGB 247 112 255

HSL 296.64, 1%, 0.72%

LAB 68.45, 70.1, -48.01

 

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

 

CMYK 55 / 0 / 56 / 0

HEX #74FF6F

RGB 116 255 111

HSL 117.92, 1%, 0.72%

LAB 90.04, -64.97, 56.6

 

CMYK 56 / 25 / 0 / 0

HEX #70BEFF

RGB 112 190 255

HSL 207.27, 1%, 0.72%

LAB 74.5, -5.83, -39.33

 

CMYK 3 / 56 / 0 / 0

HEX #F770FF

RGB 247 112 255

HSL 296.64, 1%, 0.72%

LAB 68.45, 70.1, -48.01

 

CMYK 0 / 31 / 56 / 0

HEX #FFB070

RGB 255 176 112

HSL 26.85, 1%, 0.72%

LAB 78.16, 22.33, 44.09

 

Description

Color code: RGB 116 255 111 | qconv.com Color code: RGB 116 255 111 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 255 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 255 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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