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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 214 91 it is the complementary color RGB 139 41 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 214 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 214 91 shade: RGB 121 214 86, RGB 138 232 105, RGB 155 250 124, RGB 172 255 143 and RGB 189 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 214 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 99 196 72, RGB 82 178 53, RGB 65 160 34 and RGB 48 142 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 149 214 91, RGB 182 214 91, RGB 214 212 91 and RGB 214 179 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 91 214 99, RGB 91 214 132, RGB 91 214 165 and RGB 91 214 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 214 91 shade matches the following richer shades: RGB 116 214 91, RGB 106 230 75 and RGB 97 247 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 126 197 108, RGB 136 181 124, RGB 146 164 141 and RGB 155 148 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 214 91 shade: RGB 183 214 91, RGB 150 214 91, RGB 118 214 91, RGB 91 214 97 and RGB 91 214 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 214 91 shade: RGB 71 178 44, RGB 88 205 58, RGB 116 214 91, RGB 144 222 124 and RGB 172 230 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 91 214 212 and RGB 214 91 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 91 118 214 and RGB 214 91 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 91 214 212, RGB 187 91 214 and RGB 214 91 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 214 91 shade: RGB 116 214 91, RGB 91 179 214, RGB 187 91 214 and RGB 214 126 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

Complementary color

CMYK 15 / 75 / 0 / 36

HEX #8B29A4

RGB 139 41 164

HSL 287.8, 0.6%, 0.4%

LAB 37.4, 57.71, -46.29

 

CMYK 43 / 0 / 60 / 16

HEX #79D656

RGB 121 214 86

HSL 103.59, 0.61%, 0.59%

LAB 77.77, -50.62, 53.5

 

CMYK 41 / 0 / 55 / 9

HEX #8AE869

RGB 138 232 105

HSL 104.41, 0.73%, 0.66%

LAB 84.04, -50.69, 52.45

 

CMYK 38 / 0 / 50 / 2

HEX #9BFA7C

RGB 155 250 124

HSL 105.24, 0.93%, 0.73%

LAB 90.23, -50.67, 51.32

 

CMYK 33 / 0 / 44 / 0

HEX #ACFF8F

RGB 172 255 143

HSL 104.46, 1%, 0.78%

LAB 92.7, -45.07, 45.58

 

CMYK 26 / 0 / 36 / 0

HEX #BDFFA2

RGB 189 255 162

HSL 102.58, 1%, 0.82%

LAB 93.86, -36.97, 38

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 49 / 0 / 63 / 23

HEX #63C448

RGB 99 196 72

HSL 106.94, 0.51%, 0.53%

LAB 71.28, -51.41, 52.06

 

CMYK 54 / 0 / 70 / 30

HEX #52B235

RGB 82 178 53

HSL 106.08, 0.54%, 0.45%

LAB 64.88, -51, 52.8

 

CMYK 59 / 0 / 79 / 37

HEX #41A022

RGB 65 160 34

HSL 105.24, 0.65%, 0.38%

LAB 58.4, -50.24, 52.96

 

CMYK 66 / 0 / 89 / 44

HEX #308E0F

RGB 48 142 15

HSL 104.41, 0.81%, 0.31%

LAB 51.85, -48.94, 51.99

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 30 / 0 / 57 / 16

HEX #95D65B

RGB 149 214 91

HSL 91.71, 0.6%, 0.6%

LAB 79.18, -40.85, 53.25

 

CMYK 15 / 0 / 57 / 16

HEX #B6D65B

RGB 182 214 91

HSL 75.61, 0.6%, 0.6%

LAB 81.18, -28.52, 56.06

 

CMYK 0 / 1 / 57 / 16

HEX #D6D45B

RGB 214 212 91

HSL 59.02, 0.6%, 0.6%

LAB 82.99, -14.7, 58.73

 

CMYK 0 / 16 / 57 / 16

HEX #D6B35B

RGB 214 179 91

HSL 42.93, 0.6%, 0.6%

LAB 74.38, 2.27, 48.95

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 57 / 0 / 54 / 16

HEX #5BD663

RGB 91 214 99

HSL 123.9, 0.6%, 0.6%

LAB 76.81, -57.31, 46.18

 

CMYK 57 / 0 / 38 / 16

HEX #5BD684

RGB 91 214 132

HSL 140, 0.6%, 0.6%

LAB 77.27, -52.3, 30.45

 

CMYK 57 / 0 / 23 / 16

HEX #5BD6A5

RGB 91 214 165

HSL 156.1, 0.6%, 0.6%

LAB 77.9, -45.82, 14.05

 

CMYK 57 / 0 / 7 / 16

HEX #5BD6C6

RGB 91 214 198

HSL 172.2, 0.6%, 0.6%

LAB 78.69, -38.03, -2.41

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 54 / 0 / 67 / 10

HEX #6AE64B

RGB 106 230 75

HSL 108, 0.76%, 0.6%

LAB 81.93, -61.99, 62.43

 

CMYK 61 / 0 / 77 / 3

HEX #61F73A

RGB 97 247 58

HSL 107.62, 0.92%, 0.6%

LAB 86.69, -71.21, 72.98

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 36 / 0 / 45 / 23

HEX #7EC56C

RGB 126 197 108

HSL 107.87, 0.43%, 0.6%

LAB 73.19, -39.23, 37.65

 

CMYK 25 / 0 / 31 / 29

HEX #88B57C

RGB 136 181 124

HSL 107.37, 0.28%, 0.6%

LAB 69.28, -25.97, 24.34

 

CMYK 11 / 0 / 14 / 36

HEX #92A48D

RGB 146 164 141

HSL 106.96, 0.11%, 0.6%

LAB 65.42, -10.77, 9.82

 

CMYK 1 / 6 / 0 / 38

HEX #9B949D

RGB 155 148 157

HSL 286.67, 0.04%, 0.6%

LAB 62.15, 4.29, -3.82

 

CMYK 14 / 0 / 57 / 16

HEX #B7D65B

RGB 183 214 91

HSL 75.12, 0.6%, 0.6%

LAB 81.25, -28.13, 56.15

 

CMYK 30 / 0 / 57 / 16

HEX #96D65B

RGB 150 214 91

HSL 91.22, 0.6%, 0.6%

LAB 79.23, -40.49, 53.33

 

CMYK 45 / 0 / 57 / 16

HEX #76D65B

RGB 118 214 91

HSL 106.83, 0.6%, 0.6%

LAB 77.7, -51.01, 51.16

 

CMYK 57 / 0 / 55 / 16

HEX #5BD661

RGB 91 214 97

HSL 122.93, 0.6%, 0.6%

LAB 76.79, -57.57, 47.09

 

CMYK 57 / 0 / 39 / 16

HEX #5BD682

RGB 91 214 130

HSL 139.02, 0.6%, 0.6%

LAB 77.24, -52.65, 31.44

 

CMYK 60 / 0 / 75 / 30

HEX #47B22C

RGB 71 178 44

HSL 107.91, 0.6%, 0.44%

LAB 64.45, -54.56, 55.57

 

CMYK 57 / 0 / 72 / 20

HEX #58CD3A

RGB 88 205 58

HSL 107.76, 0.6%, 0.52%

LAB 73.57, -58.96, 59.93

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 35 / 0 / 44 / 13

HEX #90DE7C

RGB 144 222 124

HSL 107.76, 0.6%, 0.68%

LAB 81.64, -42.25, 40.55

 

CMYK 25 / 0 / 32 / 10

HEX #ACE69D

RGB 172 230 157

HSL 107.67, 0.59%, 0.76%

LAB 85.91, -31.9, 29.79

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 57 / 0 / 1 / 16

HEX #5BD6D4

RGB 91 214 212

HSL 179.02, 0.6%, 0.6%

LAB 79.08, -34.38, -9.33

 

CMYK 0 / 57 / 22 / 16

HEX #D65BA7

RGB 214 91 167

HSL 322.93, 0.6%, 0.6%

LAB 56.65, 56.63, -17.11

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 57 / 45 / 0 / 16

HEX #5B76D6

RGB 91 118 214

HSL 226.83, 0.6%, 0.6%

LAB 51.88, 18.69, -52.47

 

CMYK 0 / 57 / 45 / 16

HEX #D65B76

RGB 214 91 118

HSL 346.83, 0.6%, 0.6%

LAB 55.16, 50.77, 9.45

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 57 / 0 / 1 / 16

HEX #5BD6D4

RGB 91 214 212

HSL 179.02, 0.6%, 0.6%

LAB 79.08, -34.38, -9.33

 

CMYK 13 / 57 / 0 / 16

HEX #BB5BD6

RGB 187 91 214

HSL 286.83, 0.6%, 0.6%

LAB 54.97, 57.1, -47

 

CMYK 0 / 57 / 57 / 16

HEX #D65B5D

RGB 214 91 93

HSL 359.02, 0.6%, 0.6%

LAB 54.63, 48.59, 23.41

 

CMYK 46 / 0 / 57 / 16

HEX #74D65B

RGB 116 214 91

HSL 107.8, 0.6%, 0.6%

LAB 77.62, -51.61, 51.04

 

CMYK 57 / 16 / 0 / 16

HEX #5BB3D6

RGB 91 179 214

HSL 197.07, 0.6%, 0.6%

LAB 68.98, -16.41, -25.67

 

CMYK 13 / 57 / 0 / 16

HEX #BB5BD6

RGB 187 91 214

HSL 286.83, 0.6%, 0.6%

LAB 54.97, 57.1, -47

 

CMYK 0 / 41 / 57 / 16

HEX #D67E5B

RGB 214 126 91

HSL 17.07, 0.6%, 0.6%

LAB 61.63, 30.73, 33.56

 

Description

Color code: RGB 116 214 91 | qconv.com Color code: RGB 116 214 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 214 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 214 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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