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Color name
RGB 116 20 201

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 20 201 it is the complementary color RGB 139 235 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 20 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 20 201 shade: RGB 121 20 196, RGB 138 38 215, RGB 155 56 234, RGB 172 74 253 and RGB 189 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 20 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 20 201 shade: RGB 116 20 201, RGB 99 2 182, RGB 82 0 163, RGB 65 0 144 and RGB 48 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 20 201 shade: RGB 115 19 199, RGB 163 19 199, RGB 199 19 187, RGB 199 19 138 and RGB 199 19 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 20 201 shade: RGB 115 19 199, RGB 66 19 199 and RGB 19 19 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 20 201 shade matches the following richer shades: RGB 115 19 199 and RGB 116 1 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 20 201 shade: RGB 115 19 199, RGB 114 37 181, RGB 112 55 164, RGB 111 72 146 and RGB 110 90 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 20 201 shade: RGB 19 22 199, RGB 64 19 199, RGB 112 19 199, RGB 160 19 199 and RGB 199 19 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 20 201 shade: RGB 71 12 124, RGB 93 16 162, RGB 115 19 199, RGB 136 28 232 and RGB 156 65 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 20 201 shade: RGB 116 20 201, RGB 199 19 70 and RGB 19 199 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 20 201 shade: RGB 116 20 201, RGB 199 112 19 and RGB 19 199 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 20 201 shade: RGB 116 20 201, RGB 199 19 70, RGB 106 199 19 and RGB 19 199 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 20 201 shade: RGB 116 20 201, RGB 199 22 19, RGB 106 199 19 and RGB 19 196 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

Complementary color

CMYK 41 / 0 / 77 / 8

HEX #8BEB36

RGB 139 235 54

HSL 91.82, 0.82%, 0.57%

LAB 84.57, -55.64, 72.68

 

CMYK 38 / 90 / 0 / 23

HEX #7914C4

RGB 121 20 196

HSL 274.43, 0.81%, 0.42%

LAB 35.1, 67.38, -69.14

 

CMYK 36 / 82 / 0 / 16

HEX #8A26D7

RGB 138 38 215

HSL 273.9, 0.7%, 0.5%

LAB 40.73, 69.03, -70.86

 

CMYK 34 / 76 / 0 / 8

HEX #9B38EA

RGB 155 56 234

HSL 273.37, 0.81%, 0.57%

LAB 46.63, 69.66, -71.97

 

CMYK 32 / 71 / 0 / 1

HEX #AC4AFD

RGB 172 74 253

HSL 272.85, 0.98%, 0.64%

LAB 52.69, 69.65, -72.67

 

CMYK 26 / 64 / 0 / 0

HEX #BD5CFF

RGB 189 92 255

HSL 275.71, 1%, 0.68%

LAB 57.74, 65.57, -65.5

 

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

CMYK 46 / 99 / 0 / 29

HEX #6302B6

RGB 99 2 182

HSL 272.33, 0.98%, 0.36%

LAB 29.6, 65.05, -70.04

 

CMYK 50 / 100 / 0 / 36

HEX #5200A3

RGB 82 0 163

HSL 270.18, 1%, 0.32%

LAB 25.07, 59.73, -66.16

 

CMYK 55 / 100 / 0 / 44

HEX #410090

RGB 65 0 144

HSL 267.08, 1%, 0.28%

LAB 20.59, 54, -61.96

 

CMYK 62 / 100 / 0 / 51

HEX #30007D

RGB 48 0 125

HSL 263.04, 1%, 0.25%

LAB 16.05, 48.21, -57.57

 

CMYK 42 / 90 / 0 / 22

HEX #7313C7

RGB 115 19 199

HSL 272, 0.83%, 0.43%

LAB 34.47, 67.53, -71.98

 

CMYK 18 / 90 / 0 / 22

HEX #A313C7

RGB 163 19 199

HSL 288, 0.83%, 0.43%

LAB 41.81, 73.93, -59.68

 

CMYK 0 / 90 / 6 / 22

HEX #C713BB

RGB 199 19 187

HSL 304, 0.83%, 0.43%

LAB 47.23, 78.01, -43.63

 

CMYK 0 / 90 / 31 / 22

HEX #C7138A

RGB 199 19 138

HSL 320.33, 0.83%, 0.43%

LAB 44.86, 71.83, -18.08

 

CMYK 0 / 90 / 55 / 22

HEX #C7135A

RGB 199 19 90

HSL 336.33, 0.83%, 0.43%

LAB 43.28, 67.52, 9.35

 

CMYK 42 / 90 / 0 / 22

HEX #7313C7

RGB 115 19 199

HSL 272, 0.83%, 0.43%

LAB 34.47, 67.53, -71.98

 

CMYK 67 / 90 / 0 / 22

HEX #4213C7

RGB 66 19 199

HSL 255.67, 0.83%, 0.43%

LAB 28.77, 63.25, -81.58

 

CMYK 90 / 90 / 0 / 22

HEX #1313C7

RGB 19 19 199

HSL 240, 0.83%, 0.43%

LAB 25.94, 61.46, -86.36

 

CMYK 42 / 90 / 0 / 22

HEX #7313C7

RGB 115 19 199

HSL 272, 0.83%, 0.43%

LAB 34.47, 67.53, -71.98

 

CMYK 47 / 100 / 0 / 15

HEX #7401D9

RGB 116 1 217

HSL 271.94, 0.99%, 0.43%

LAB 35.49, 74.16, -80.74

 

CMYK 42 / 90 / 0 / 22

HEX #7313C7

RGB 115 19 199

HSL 272, 0.83%, 0.43%

LAB 34.47, 67.53, -71.98

 

CMYK 37 / 80 / 0 / 29

HEX #7225B5

RGB 114 37 181

HSL 272.08, 0.66%, 0.43%

LAB 34.47, 58.19, -61.36

 

CMYK 32 / 66 / 0 / 36

HEX #7037A4

RGB 112 55 164

HSL 271.38, 0.5%, 0.43%

LAB 35.71, 45.81, -49.21

 

CMYK 24 / 51 / 0 / 43

HEX #6F4892

RGB 111 72 146

HSL 271.62, 0.34%, 0.43%

LAB 38, 31.67, -34.68

 

CMYK 14 / 30 / 0 / 50

HEX #6E5A80

RGB 110 90 128

HSL 271.58, 0.17%, 0.43%

LAB 41.51, 16.06, -18.27

 

CMYK 90 / 89 / 0 / 22

HEX #1316C7

RGB 19 22 199

HSL 239, 0.83%, 0.43%

LAB 26.26, 60.49, -85.83

 

CMYK 68 / 90 / 0 / 22

HEX #4013C7

RGB 64 19 199

HSL 255, 0.83%, 0.43%

LAB 28.59, 63.13, -81.88

 

CMYK 44 / 90 / 0 / 22

HEX #7013C7

RGB 112 19 199

HSL 271, 0.83%, 0.43%

LAB 34.05, 67.2, -72.67

 

CMYK 20 / 90 / 0 / 22

HEX #A013C7

RGB 160 19 199

HSL 287, 0.83%, 0.43%

LAB 41.32, 73.47, -60.5

 

CMYK 0 / 90 / 5 / 22

HEX #C713BE

RGB 199 19 190

HSL 303, 0.83%, 0.43%

LAB 47.4, 78.44, -45.12

 

CMYK 43 / 90 / 0 / 51

HEX #470C7C

RGB 71 12 124

HSL 271.61, 0.82%, 0.27%

LAB 20.27, 46.72, -49.85

 

CMYK 43 / 90 / 0 / 36

HEX #5D10A2

RGB 93 16 162

HSL 271.64, 0.82%, 0.35%

LAB 27.59, 57.39, -61.34

 

CMYK 42 / 90 / 0 / 22

HEX #7313C7

RGB 115 19 199

HSL 272, 0.83%, 0.43%

LAB 34.47, 67.53, -71.98

 

CMYK 41 / 88 / 0 / 9

HEX #881CE8

RGB 136 28 232

HSL 271.76, 0.82%, 0.51%

LAB 41.04, 75.06, -80.08

 

CMYK 34 / 72 / 0 / 7

HEX #9C41EC

RGB 156 65 236

HSL 271.93, 0.82%, 0.59%

LAB 48.14, 66.75, -70.63

 

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

CMYK 0 / 90 / 65 / 22

HEX #C71346

RGB 199 19 70

HSL 343, 0.83%, 0.43%

LAB 42.84, 66.28, 21.32

 

CMYK 90 / 0 / 80 / 22

HEX #13C728

RGB 19 199 40

HSL 127, 0.83%, 0.43%

LAB 70.27, -69.24, 62.15

 

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

CMYK 0 / 44 / 90 / 22

HEX #C77013

RGB 199 112 19

HSL 31, 0.83%, 0.43%

LAB 55.86, 28.64, 59.4

 

CMYK 90 / 0 / 44 / 22

HEX #13C770

RGB 19 199 112

HSL 151, 0.83%, 0.43%

LAB 70.98, -60.57, 32.21

 

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

CMYK 0 / 90 / 65 / 22

HEX #C71346

RGB 199 19 70

HSL 343, 0.83%, 0.43%

LAB 42.84, 66.28, 21.32

 

CMYK 47 / 0 / 90 / 22

HEX #6AC713

RGB 106 199 19

HSL 91, 0.83%, 0.43%

LAB 72.2, -53.59, 69.35

 

CMYK 90 / 0 / 26 / 22

HEX #13C794

RGB 19 199 148

HSL 163, 0.83%, 0.43%

LAB 71.64, -53.02, 14.14

 

CMYK 42 / 90 / 0 / 21

HEX #7414C9

RGB 116 20 201

HSL 271.82, 0.82%, 0.43%

LAB 34.86, 67.87, -72.48

 

CMYK 0 / 89 / 90 / 22

HEX #C71613

RGB 199 22 19

HSL 1, 0.83%, 0.43%

LAB 42.4, 64.1, 49.59

 

CMYK 47 / 0 / 90 / 22

HEX #6AC713

RGB 106 199 19

HSL 91, 0.83%, 0.43%

LAB 72.2, -53.59, 69.35

 

CMYK 90 / 2 / 0 / 22

HEX #13C4C7

RGB 19 196 199

HSL 181, 0.83%, 0.43%

LAB 72.06, -37.92, -12.94

 

Description

Color code: RGB 116 20 201 | qconv.com Color code: RGB 116 20 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 20 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 20 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 90 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 90% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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