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Color name
RGB 116 194 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 194 70 it is the complementary color RGB 139 61 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 194 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 194 70 shade: RGB 121 194 65, RGB 138 212 84, RGB 155 230 103, RGB 172 248 122 and RGB 189 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 194 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 194 70 shade: RGB 116 194 70, RGB 99 176 51, RGB 82 158 32, RGB 65 140 13 and RGB 48 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 194 70 shade: RGB 116 193 71, RGB 149 193 71, RGB 182 193 71, RGB 193 171 71 and RGB 193 138 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 194 70 shade: RGB 116 193 71, RGB 83 193 71, RGB 71 193 92, RGB 71 193 125 and RGB 71 193 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 194 70 shade matches the following richer shades: RGB 116 193 71, RGB 111 213 51, RGB 106 233 31 and RGB 101 253 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 194 70 shade: RGB 116 193 71, RGB 121 173 91, RGB 127 154 111, RGB 132 134 130 and RGB 137 114 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 194 70 shade: RGB 183 193 71, RGB 150 193 71, RGB 118 193 71, RGB 85 193 71 and RGB 71 193 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 194 70 shade: RGB 79 137 45, RGB 97 167 55, RGB 116 193 71, RGB 140 204 102 and RGB 163 214 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 194 70 shade: RGB 116 194 70, RGB 71 193 171 and RGB 193 71 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 194 70 shade: RGB 116 194 70, RGB 71 118 193 and RGB 193 71 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 194 70 shade: RGB 116 194 70, RGB 71 193 171, RGB 146 71 193 and RGB 193 71 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 194 70 shade: RGB 116 194 70, RGB 71 179 193, RGB 146 71 193 and RGB 193 85 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

Complementary color

CMYK 25 / 67 / 0 / 27

HEX #8B3DB9

RGB 139 61 185

HSL 277.74, 0.5%, 0.48%

LAB 41.73, 53.77, -51.79

 

CMYK 38 / 0 / 66 / 24

HEX #79C241

RGB 121 194 65

HSL 93.95, 0.51%, 0.51%

LAB 71.58, -44.27, 55.57

 

CMYK 35 / 0 / 60 / 17

HEX #8AD454

RGB 138 212 84

HSL 94.69, 0.6%, 0.58%

LAB 77.95, -44.46, 54.79

 

CMYK 33 / 0 / 55 / 10

HEX #9BE667

RGB 155 230 103

HSL 95.43, 0.72%, 0.65%

LAB 84.25, -44.54, 53.8

 

CMYK 31 / 0 / 51 / 3

HEX #ACF87A

RGB 172 248 122

HSL 96.19, 0.9%, 0.73%

LAB 90.46, -44.54, 52.72

 

CMYK 26 / 0 / 45 / 0

HEX #BDFF8D

RGB 189 255 141

HSL 94.74, 1%, 0.78%

LAB 93.56, -39.67, 47.82

 

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

CMYK 44 / 0 / 71 / 31

HEX #63B033

RGB 99 176 51

HSL 96.96, 0.55%, 0.45%

LAB 64.92, -45.23, 53.83

 

CMYK 48 / 0 / 80 / 38

HEX #529E20

RGB 82 158 32

HSL 96.19, 0.66%, 0.37%

LAB 58.37, -44.67, 53.8

 

CMYK 54 / 0 / 91 / 45

HEX #418C0D

RGB 65 140 13

HSL 95.43, 0.83%, 0.3%

LAB 51.73, -43.73, 52.53

 

CMYK 61 / 0 / 100 / 52

HEX #307A00

RGB 48 122 0

HSL 96.39, 1%, 0.24%

LAB 45.01, -42.23, 49.29

 

CMYK 40 / 0 / 63 / 24

HEX #74C147

RGB 116 193 71

HSL 97.87, 0.5%, 0.52%

LAB 71.08, -45.02, 52.47

 

CMYK 23 / 0 / 63 / 24

HEX #95C147

RGB 149 193 71

HSL 81.64, 0.5%, 0.52%

LAB 72.88, -33.11, 54.95

 

CMYK 6 / 0 / 63 / 24

HEX #B6C147

RGB 182 193 71

HSL 65.41, 0.5%, 0.52%

LAB 75.16, -19.83, 58.07

 

CMYK 0 / 11 / 63 / 24

HEX #C1AB47

RGB 193 171 71

HSL 49.18, 0.5%, 0.52%

LAB 70.12, -3.85, 52.93

 

CMYK 0 / 28 / 63 / 24

HEX #C18A47

RGB 193 138 71

HSL 32.95, 0.5%, 0.52%

LAB 61.63, 14.02, 43.46

 

CMYK 40 / 0 / 63 / 24

HEX #74C147

RGB 116 193 71

HSL 97.87, 0.5%, 0.52%

LAB 71.08, -45.02, 52.47

 

CMYK 57 / 0 / 63 / 24

HEX #53C147

RGB 83 193 71

HSL 114.1, 0.5%, 0.52%

LAB 69.78, -54.69, 50.66

 

CMYK 63 / 0 / 52 / 24

HEX #47C15C

RGB 71 193 92

HSL 130.33, 0.5%, 0.52%

LAB 69.65, -54.91, 40.72

 

CMYK 63 / 0 / 35 / 24

HEX #47C17D

RGB 71 193 125

HSL 146.56, 0.5%, 0.52%

LAB 70.15, -49.4, 24.5

 

CMYK 63 / 0 / 18 / 24

HEX #47C19E

RGB 71 193 158

HSL 162.79, 0.5%, 0.52%

LAB 70.84, -42.23, 7.71

 

CMYK 40 / 0 / 63 / 24

HEX #74C147

RGB 116 193 71

HSL 97.87, 0.5%, 0.52%

LAB 71.08, -45.02, 52.47

 

CMYK 48 / 0 / 76 / 16

HEX #6FD533

RGB 111 213 51

HSL 97.78, 0.66%, 0.52%

LAB 76.8, -56.04, 65.79

 

CMYK 55 / 0 / 87 / 9

HEX #6AE91F

RGB 106 233 31

HSL 97.72, 0.82%, 0.52%

LAB 82.62, -65.56, 76.06

 

CMYK 60 / 0 / 96 / 1

HEX #65FD0B

RGB 101 253 11

HSL 97.69, 0.98%, 0.52%

LAB 88.47, -73.88, 83.49

 

CMYK 40 / 0 / 63 / 24

HEX #74C147

RGB 116 193 71

HSL 97.87, 0.5%, 0.52%

LAB 71.08, -45.02, 52.47

 

CMYK 30 / 0 / 47 / 32

HEX #79AD5B

RGB 121 173 91

HSL 98.05, 0.33%, 0.52%

LAB 65.52, -32.23, 36.59

 

CMYK 18 / 0 / 28 / 40

HEX #7F9A6F

RGB 127 154 111

HSL 97.67, 0.18%, 0.52%

LAB 60.58, -17.71, 19.55

 

CMYK 1 / 0 / 3 / 47

HEX #848682

RGB 132 134 130

HSL 90, 0.02%, 0.52%

LAB 55.65, -1.52, 1.88

 

CMYK 9 / 24 / 0 / 41

HEX #897296

RGB 137 114 150

HSL 278.33, 0.15%, 0.52%

LAB 51.33, 16.03, -16.16

 

CMYK 5 / 0 / 63 / 24

HEX #B7C147

RGB 183 193 71

HSL 64.92, 0.5%, 0.52%

LAB 75.24, -19.41, 58.18

 

CMYK 22 / 0 / 63 / 24

HEX #96C147

RGB 150 193 71

HSL 81.15, 0.5%, 0.52%

LAB 72.94, -32.72, 55.04

 

CMYK 39 / 0 / 63 / 24

HEX #76C147

RGB 118 193 71

HSL 96.89, 0.5%, 0.52%

LAB 71.18, -44.35, 52.6

 

CMYK 56 / 0 / 63 / 24

HEX #55C147

RGB 85 193 71

HSL 113.11, 0.5%, 0.52%

LAB 69.84, -54.19, 50.75

 

CMYK 63 / 0 / 54 / 24

HEX #47C159

RGB 71 193 89

HSL 128.85, 0.5%, 0.52%

LAB 69.61, -55.33, 42.13

 

CMYK 42 / 0 / 67 / 46

HEX #4F892D

RGB 79 137 45

HSL 97.83, 0.51%, 0.36%

LAB 51.55, -35.9, 41.96

 

CMYK 42 / 0 / 67 / 35

HEX #61A737

RGB 97 167 55

HSL 97.5, 0.5%, 0.44%

LAB 62.04, -41.82, 49.19

 

CMYK 40 / 0 / 63 / 24

HEX #74C147

RGB 116 193 71

HSL 97.87, 0.5%, 0.52%

LAB 71.08, -45.02, 52.47

 

CMYK 31 / 0 / 50 / 20

HEX #8CCC66

RGB 140 204 102

HSL 97.65, 0.5%, 0.6%

LAB 75.9, -38.39, 44.13

 

CMYK 24 / 0 / 38 / 16

HEX #A3D685

RGB 163 214 133

HSL 97.78, 0.5%, 0.68%

LAB 80.5, -30.97, 34.79

 

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

CMYK 63 / 0 / 11 / 24

HEX #47C1AB

RGB 71 193 171

HSL 169.18, 0.5%, 0.52%

LAB 71.16, -39.01, 1.09

 

CMYK 0 / 63 / 13 / 24

HEX #C147A7

RGB 193 71 167

HSL 312.79, 0.5%, 0.52%

LAB 50.26, 59.4, -27.2

 

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

CMYK 63 / 39 / 0 / 24

HEX #4776C1

RGB 71 118 193

HSL 216.89, 0.5%, 0.52%

LAB 49.67, 7.74, -44.07

 

CMYK 0 / 63 / 39 / 24

HEX #C14776

RGB 193 71 118

HSL 336.89, 0.5%, 0.52%

LAB 48.45, 52.96, -0.64

 

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

CMYK 63 / 0 / 11 / 24

HEX #47C1AB

RGB 71 193 171

HSL 169.18, 0.5%, 0.52%

LAB 71.16, -39.01, 1.09

 

CMYK 24 / 63 / 0 / 24

HEX #9247C1

RGB 146 71 193

HSL 276.89, 0.5%, 0.52%

LAB 44.9, 52.37, -51.33

 

CMYK 0 / 63 / 52 / 24

HEX #C1475D

RGB 193 71 93

HSL 349.18, 0.5%, 0.52%

LAB 47.8, 50.51, 13.61

 

CMYK 40 / 0 / 64 / 24

HEX #74C246

RGB 116 194 70

HSL 97.74, 0.5%, 0.52%

LAB 71.38, -45.53, 53.22

 

CMYK 63 / 7 / 0 / 24

HEX #47B3C1

RGB 71 179 193

HSL 186.89, 0.5%, 0.52%

LAB 67.6, -26.29, -16.28

 

CMYK 24 / 63 / 0 / 24

HEX #9247C1

RGB 146 71 193

HSL 276.89, 0.5%, 0.52%

LAB 44.9, 52.37, -51.33

 

CMYK 0 / 56 / 63 / 24

HEX #C15547

RGB 193 85 71

HSL 6.89, 0.5%, 0.52%

LAB 49.85, 42.33, 29.41

 

Description

Color code: RGB 116 194 70 | qconv.com Color code: RGB 116 194 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 194 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 194 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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