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Color name
RGB 116 185 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 185 12 it is the complementary color RGB 139 70 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 185 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 185 12 shade: RGB 121 185 7, RGB 138 203 26, RGB 155 221 45, RGB 172 239 64 and RGB 189 255 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 185 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 185 12 shade: RGB 116 185 12, RGB 99 167 0, RGB 82 149 0, RGB 65 131 0 and RGB 48 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 185 12 shade: RGB 117 186 11, RGB 164 186 11, RGB 186 162 11, RGB 186 115 11 and RGB 186 67 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 185 12 shade: RGB 117 186 11, RGB 69 186 11, RGB 22 186 11, RGB 11 186 48 and RGB 11 186 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 185 12 shade matches the following richer shades: RGB 117 186 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 185 12 shade: RGB 117 186 11, RGB 113 170 28, RGB 110 154 44, RGB 107 138 60 and RGB 104 122 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 185 12 shade: RGB 186 160 11, RGB 166 186 11, RGB 119 186 11, RGB 73 186 11 and RGB 26 186 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 185 12 shade: RGB 68 109 6, RGB 92 148 9, RGB 117 186 11, RGB 141 225 14 and RGB 161 241 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 185 12 shade: RGB 116 185 12, RGB 11 186 114 and RGB 184 11 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 185 12 shade: RGB 116 185 12, RGB 11 119 186 and RGB 186 11 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 185 12 shade: RGB 116 185 12, RGB 11 186 114, RGB 79 11 186 and RGB 186 11 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 185 12 shade: RGB 116 185 12, RGB 11 186 166, RGB 79 11 186 and RGB 186 11 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

Complementary color

CMYK 43 / 71 / 0 / 5

HEX #8B46F3

RGB 139 70 243

HSL 263.93, 0.88%, 0.61%

LAB 47.42, 63.31, -75.83

 

CMYK 35 / 0 / 96 / 27

HEX #79B907

RGB 121 185 7

HSL 81.57, 0.93%, 0.38%

LAB 68.59, -43.09, 68.27

 

CMYK 32 / 0 / 87 / 20

HEX #8ACB1A

RGB 138 203 26

HSL 82.03, 0.77%, 0.45%

LAB 74.94, -44.08, 71.02

 

CMYK 30 / 0 / 80 / 13

HEX #9BDD2D

RGB 155 221 45

HSL 82.5, 0.72%, 0.52%

LAB 81.22, -44.84, 72.41

 

CMYK 28 / 0 / 73 / 6

HEX #ACEF40

RGB 172 239 64

HSL 82.97, 0.85%, 0.59%

LAB 87.42, -45.41, 72.87

 

CMYK 26 / 0 / 67 / 0

HEX #BDFF53

RGB 189 255 83

HSL 83.02, 1%, 0.66%

LAB 93, -44.97, 72.15

 

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

CMYK 41 / 0 / 100 / 35

HEX #63A700

RGB 99 167 0

HSL 84.43, 1%, 0.33%

LAB 61.9, -43.62, 63.43

 

CMYK 45 / 0 / 100 / 42

HEX #529500

RGB 82 149 0

HSL 86.98, 1%, 0.29%

LAB 55.37, -42.14, 58.01

 

CMYK 50 / 0 / 100 / 49

HEX #418300

RGB 65 131 0

HSL 90.23, 1%, 0.26%

LAB 48.71, -40.55, 52.48

 

CMYK 58 / 0 / 100 / 56

HEX #307100

RGB 48 113 0

HSL 94.51, 1%, 0.22%

LAB 41.9, -38.78, 46.84

 

CMYK 37 / 0 / 94 / 27

HEX #75BA0B

RGB 117 186 11

HSL 83.66, 0.89%, 0.39%

LAB 68.7, -44.9, 67.8

 

CMYK 12 / 0 / 94 / 27

HEX #A4BA0B

RGB 164 186 11

HSL 67.54, 0.89%, 0.39%

LAB 71.58, -26.32, 71.31

 

CMYK 0 / 13 / 94 / 27

HEX #BAA20B

RGB 186 162 11

HSL 51.77, 0.89%, 0.39%

LAB 66.75, -4.45, 68.42

 

CMYK 0 / 38 / 94 / 27

HEX #BA730B

RGB 186 115 11

HSL 35.66, 0.89%, 0.39%

LAB 54.79, 21.28, 59.63

 

CMYK 0 / 64 / 94 / 27

HEX #BA430B

RGB 186 67 11

HSL 19.2, 0.89%, 0.39%

LAB 44.91, 45.92, 52.83

 

CMYK 37 / 0 / 94 / 27

HEX #75BA0B

RGB 117 186 11

HSL 83.66, 0.89%, 0.39%

LAB 68.7, -44.9, 67.8

 

CMYK 63 / 0 / 94 / 27

HEX #45BA0B

RGB 69 186 11

HSL 100.11, 0.89%, 0.39%

LAB 66.83, -59.27, 65.51

 

CMYK 88 / 0 / 94 / 27

HEX #16BA0B

RGB 22 186 11

HSL 116.23, 0.89%, 0.39%

LAB 65.99, -66.54, 64.48

 

CMYK 94 / 0 / 74 / 27

HEX #0BBA30

RGB 11 186 48

HSL 132.69, 0.89%, 0.39%

LAB 66.06, -65.36, 55.44

 

CMYK 94 / 0 / 49 / 27

HEX #0BBA5F

RGB 11 186 95

HSL 148.8, 0.89%, 0.39%

LAB 66.53, -59.53, 35.16

 

CMYK 37 / 0 / 94 / 27

HEX #75BA0B

RGB 117 186 11

HSL 83.66, 0.89%, 0.39%

LAB 68.7, -44.9, 67.8

 

CMYK 37 / 0 / 94 / 27

HEX #75BA0B

RGB 117 186 11

HSL 83.66, 0.89%, 0.39%

LAB 68.7, -44.9, 67.8

 

CMYK 34 / 0 / 84 / 33

HEX #71AA1C

RGB 113 170 28

HSL 84.08, 0.72%, 0.39%

LAB 63.63, -39.06, 60.28

 

CMYK 29 / 0 / 71 / 40

HEX #6E9A2C

RGB 110 154 44

HSL 84, 0.56%, 0.39%

LAB 58.61, -32.14, 50.28

 

CMYK 22 / 0 / 57 / 46

HEX #6B8A3C

RGB 107 138 60

HSL 83.85, 0.39%, 0.39%

LAB 53.63, -24.24, 37.68

 

CMYK 15 / 0 / 38 / 52

HEX #687A4C

RGB 104 122 76

HSL 83.48, 0.23%, 0.39%

LAB 48.74, -15.16, 23.05

 

CMYK 0 / 14 / 94 / 27

HEX #BAA00B

RGB 186 160 11

HSL 51.09, 0.89%, 0.39%

LAB 66.22, -3.38, 68.02

 

CMYK 11 / 0 / 94 / 27

HEX #A6BA0B

RGB 166 186 11

HSL 66.86, 0.89%, 0.39%

LAB 71.72, -25.48, 71.48

 

CMYK 36 / 0 / 94 / 27

HEX #77BA0B

RGB 119 186 11

HSL 82.97, 0.89%, 0.39%

LAB 68.8, -44.18, 67.93

 

CMYK 61 / 0 / 94 / 27

HEX #49BA0B

RGB 73 186 11

HSL 98.74, 0.89%, 0.39%

LAB 66.94, -58.32, 65.65

 

CMYK 86 / 0 / 94 / 27

HEX #1ABA0B

RGB 26 186 11

HSL 114.86, 0.89%, 0.39%

LAB 66.03, -66.2, 64.52

 

CMYK 38 / 0 / 94 / 57

HEX #446D06

RGB 68 109 6

HSL 83.88, 0.9%, 0.23%

LAB 41.5, -29.77, 45.44

 

CMYK 38 / 0 / 94 / 42

HEX #5C9409

RGB 92 148 9

HSL 84.17, 0.89%, 0.31%

LAB 55.56, -37.92, 56.91

 

CMYK 37 / 0 / 94 / 27

HEX #75BA0B

RGB 117 186 11

HSL 83.66, 0.89%, 0.39%

LAB 68.7, -44.9, 67.8

 

CMYK 37 / 0 / 94 / 12

HEX #8DE10E

RGB 141 225 14

HSL 83.89, 0.88%, 0.47%

LAB 81.59, -52.34, 78.31

 

CMYK 33 / 0 / 83 / 5

HEX #A1F128

RGB 161 241 40

HSL 83.88, 0.88%, 0.55%

LAB 87.31, -51.22, 79.16

 

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

CMYK 94 / 0 / 39 / 27

HEX #0BBA72

RGB 11 186 114

HSL 155.31, 0.89%, 0.39%

LAB 66.83, -56.02, 25.71

 

CMYK 1 / 94 / 0 / 27

HEX #B80BBA

RGB 184 11 186

HSL 299.31, 0.89%, 0.39%

LAB 44.2, 76.17, -48.04

 

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

CMYK 94 / 36 / 0 / 27

HEX #0B77BA

RGB 11 119 186

HSL 202.97, 0.89%, 0.39%

LAB 48.02, -2.2, -42.76

 

CMYK 0 / 94 / 36 / 27

HEX #BA0B77

RGB 186 11 119

HSL 322.97, 0.89%, 0.39%

LAB 41.23, 68.01, -12.14

 

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

CMYK 94 / 0 / 39 / 27

HEX #0BBA72

RGB 11 186 114

HSL 155.31, 0.89%, 0.39%

LAB 66.83, -56.02, 25.71

 

CMYK 58 / 94 / 0 / 27

HEX #4F0BBA

RGB 79 11 186

HSL 263.31, 0.89%, 0.39%

LAB 27.97, 62.73, -75.19

 

CMYK 0 / 94 / 55 / 27

HEX #BA0B54

RGB 186 11 84

HSL 334.97, 0.89%, 0.39%

LAB 40.11, 64.99, 8.31

 

CMYK 37 / 0 / 94 / 27

HEX #74B90C

RGB 116 185 12

HSL 83.93, 0.88%, 0.39%

LAB 68.34, -44.82, 67.37

 

CMYK 94 / 0 / 11 / 27

HEX #0BBAA6

RGB 11 186 166

HSL 173.14, 0.89%, 0.39%

LAB 67.98, -43.42, -0.92

 

CMYK 58 / 94 / 0 / 27

HEX #4F0BBA

RGB 79 11 186

HSL 263.31, 0.89%, 0.39%

LAB 27.97, 62.73, -75.19

 

CMYK 0 / 94 / 83 / 27

HEX #BA0B20

RGB 186 11 32

HSL 352.8, 0.89%, 0.39%

LAB 39.21, 62.5, 39.43

 

Description

Color code: RGB 116 185 12 | qconv.com Color code: RGB 116 185 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 185 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 185 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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