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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 179 34 it is the complementary color RGB 139 76 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 179 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 179 34 shade: RGB 121 179 29, RGB 138 197 48, RGB 155 215 67, RGB 172 233 86 and RGB 189 251 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 179 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 99 161 15, RGB 82 143 0, RGB 65 125 0 and RGB 48 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 155 179 34, RGB 179 164 34, RGB 179 125 34 and RGB 179 86 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 77 179 34, RGB 38 179 34, RGB 34 179 69 and RGB 34 179 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 179 34 shade matches the following richer shades: RGB 116 179 34 and RGB 118 197 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 114 162 51, RGB 112 145 68, RGB 109 127 86 and RGB 107 110 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 179 34 shade: RGB 179 165 34, RGB 155 179 34, RGB 116 179 34, RGB 77 179 34 and RGB 39 179 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 179 34 shade: RGB 71 110 21, RGB 94 145 27, RGB 116 179 34, RGB 139 214 41 and RGB 157 220 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 34 179 126 and RGB 179 34 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 34 116 179 and RGB 179 34 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 34 179 126, RGB 97 34 179 and RGB 179 34 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 179 34 shade: RGB 116 179 34, RGB 34 179 170, RGB 97 34 179 and RGB 179 34 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

Complementary color

CMYK 37 / 66 / 0 / 13

HEX #8B4CDD

RGB 139 76 221

HSL 266.07, 0.68%, 0.58%

LAB 46.81, 55, -64.38

 

CMYK 32 / 0 / 84 / 30

HEX #79B31D

RGB 121 179 29

HSL 83.2, 0.72%, 0.41%

LAB 66.82, -39.96, 63.02

 

CMYK 30 / 0 / 76 / 23

HEX #8AC530

RGB 138 197 48

HSL 83.76, 0.61%, 0.48%

LAB 73.25, -40.6, 63.78

 

CMYK 28 / 0 / 69 / 16

HEX #9BD743

RGB 155 215 67

HSL 84.32, 0.65%, 0.55%

LAB 79.6, -41.06, 63.72

 

CMYK 26 / 0 / 63 / 9

HEX #ACE956

RGB 172 233 86

HSL 84.9, 0.77%, 0.63%

LAB 85.87, -41.37, 63.18

 

CMYK 25 / 0 / 58 / 2

HEX #BDFB69

RGB 189 251 105

HSL 85.48, 0.95%, 0.7%

LAB 92.06, -41.59, 62.37

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 39 / 0 / 91 / 37

HEX #63A10F

RGB 99 161 15

HSL 85.48, 0.83%, 0.35%

LAB 60.05, -40.79, 59.77

 

CMYK 43 / 0 / 100 / 44

HEX #528F00

RGB 82 143 0

HSL 85.59, 1%, 0.28%

LAB 53.43, -39.66, 56.49

 

CMYK 48 / 0 / 100 / 51

HEX #417D00

RGB 65 125 0

HSL 88.8, 1%, 0.25%

LAB 46.7, -38.1, 50.91

 

CMYK 55 / 0 / 100 / 58

HEX #306B00

RGB 48 107 0

HSL 93.08, 1%, 0.21%

LAB 39.82, -36.39, 45.2

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 13 / 0 / 81 / 30

HEX #9BB322

RGB 155 179 34

HSL 69.93, 0.68%, 0.42%

LAB 68.99, -26.16, 64.45

 

CMYK 0 / 8 / 81 / 30

HEX #B3A422

RGB 179 164 34

HSL 53.79, 0.68%, 0.42%

LAB 66.71, -8.12, 63.19

 

CMYK 0 / 30 / 81 / 30

HEX #B37D22

RGB 179 125 34

HSL 37.66, 0.68%, 0.42%

LAB 56.45, 13.16, 54.1

 

CMYK 0 / 52 / 81 / 30

HEX #B35622

RGB 179 86 34

HSL 21.52, 0.68%, 0.42%

LAB 47.44, 34.52, 45.78

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 57 / 0 / 81 / 30

HEX #4DB322

RGB 77 179 34

HSL 102.21, 0.68%, 0.42%

LAB 64.91, -54.01, 59.24

 

CMYK 79 / 0 / 81 / 30

HEX #26B322

RGB 38 179 34

HSL 118.34, 0.68%, 0.42%

LAB 63.97, -61.85, 58.03

 

CMYK 81 / 0 / 61 / 30

HEX #22B345

RGB 34 179 69

HSL 134.48, 0.68%, 0.42%

LAB 64.17, -59.2, 44.9

 

CMYK 81 / 0 / 39 / 30

HEX #22B36D

RGB 34 179 109

HSL 151.03, 0.68%, 0.42%

LAB 64.71, -52.8, 25.58

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 40 / 0 / 92 / 23

HEX #76C510

RGB 118 197 16

HSL 86.19, 0.85%, 0.42%

LAB 72.11, -48.96, 69.94

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 30 / 0 / 69 / 36

HEX #72A233

RGB 114 162 51

HSL 85.95, 0.52%, 0.42%

LAB 61.36, -33.79, 50.39

 

CMYK 23 / 0 / 53 / 43

HEX #709144

RGB 112 145 68

HSL 85.71, 0.36%, 0.42%

LAB 56.2, -24.87, 36.78

 

CMYK 14 / 0 / 32 / 50

HEX #6D7F56

RGB 109 127 86

HSL 86.34, 0.19%, 0.42%

LAB 50.81, -14.34, 20.18

 

CMYK 3 / 0 / 6 / 57

HEX #6B6E67

RGB 107 110 103

HSL 85.71, 0.03%, 0.42%

LAB 45.98, -2.57, 3.5

 

CMYK 0 / 8 / 81 / 30

HEX #B3A522

RGB 179 165 34

HSL 54.21, 0.68%, 0.42%

LAB 66.98, -8.64, 63.43

 

CMYK 13 / 0 / 81 / 30

HEX #9BB322

RGB 155 179 34

HSL 69.93, 0.68%, 0.42%

LAB 68.99, -26.16, 64.45

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 57 / 0 / 81 / 30

HEX #4DB322

RGB 77 179 34

HSL 102.21, 0.68%, 0.42%

LAB 64.91, -54.01, 59.24

 

CMYK 78 / 0 / 81 / 30

HEX #27B322

RGB 39 179 34

HSL 117.93, 0.68%, 0.42%

LAB 63.99, -61.71, 58.05

 

CMYK 35 / 0 / 81 / 57

HEX #476E15

RGB 71 110 21

HSL 86.29, 0.68%, 0.26%

LAB 42.07, -28.39, 41.85

 

CMYK 35 / 0 / 81 / 43

HEX #5E911B

RGB 94 145 27

HSL 85.93, 0.69%, 0.34%

LAB 54.77, -35.21, 52.2

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 35 / 0 / 81 / 16

HEX #8BD629

RGB 139 214 41

HSL 86.01, 0.68%, 0.5%

LAB 78.31, -47.81, 70.54

 

CMYK 29 / 0 / 66 / 14

HEX #9DDC4B

RGB 157 220 75

HSL 86.07, 0.67%, 0.58%

LAB 81.22, -41.96, 62.36

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 81 / 0 / 30 / 30

HEX #22B37E

RGB 34 179 126

HSL 158.07, 0.68%, 0.42%

LAB 65.03, -49.2, 16.86

 

CMYK 0 / 81 / 2 / 30

HEX #B322AF

RGB 179 34 175

HSL 301.66, 0.68%, 0.42%

LAB 43.98, 69.75, -41.96

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 81 / 35 / 0 / 30

HEX #2274B3

RGB 34 116 179

HSL 206.07, 0.68%, 0.42%

LAB 47.09, -1.47, -40.16

 

CMYK 0 / 81 / 35 / 30

HEX #B32274

RGB 179 34 116

HSL 326.07, 0.68%, 0.42%

LAB 41.2, 61.91, -10.45

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 81 / 0 / 30 / 30

HEX #22B37E

RGB 34 179 126

HSL 158.07, 0.68%, 0.42%

LAB 65.03, -49.2, 16.86

 

CMYK 46 / 81 / 0 / 30

HEX #6122B3

RGB 97 34 179

HSL 266.07, 0.68%, 0.42%

LAB 31.67, 56.29, -64.85

 

CMYK 0 / 81 / 51 / 30

HEX #B32257

RGB 179 34 87

HSL 338.07, 0.68%, 0.42%

LAB 40.27, 59.15, 6.43

 

CMYK 35 / 0 / 81 / 30

HEX #74B322

RGB 116 179 34

HSL 86.07, 0.68%, 0.42%

LAB 66.57, -41.6, 61.37

 

CMYK 81 / 0 / 5 / 30

HEX #22B3AA

RGB 34 179 170

HSL 176.28, 0.68%, 0.42%

LAB 66.12, -37.79, -5.84

 

CMYK 46 / 81 / 0 / 30

HEX #6122B3

RGB 97 34 179

HSL 266.07, 0.68%, 0.42%

LAB 31.67, 56.29, -64.85

 

CMYK 0 / 81 / 76 / 30

HEX #B3222B

RGB 179 34 43

HSL 356.28, 0.68%, 0.42%

LAB 39.42, 56.53, 32.83

 

Description

Color code: RGB 116 179 34 | qconv.com Color code: RGB 116 179 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 179 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 179 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 81% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

77% - kromozoma | gráfico&...
Link: http://www.kromozoma.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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