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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 152 61 it is the complementary color RGB 139 103 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 152 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 152 61 shade: RGB 121 152 56, RGB 138 170 75, RGB 155 188 94, RGB 172 206 113 and RGB 189 224 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 152 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 152 61 shade: RGB 116 152 61, RGB 99 134 42, RGB 82 116 23, RGB 65 98 4 and RGB 48 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 152 61 shade: RGB 116 153 61, RGB 141 153 61, RGB 153 139 61, RGB 153 115 61 and RGB 153 90 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 152 61 shade: RGB 116 153 61, RGB 91 153 61, RGB 67 153 61, RGB 61 153 79 and RGB 61 153 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 152 61 shade matches the following richer shades: RGB 116 153 61, RGB 120 170 43, RGB 123 187 26 and RGB 127 205 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 152 61 shade: RGB 116 153 61, RGB 113 135 78, RGB 109 118 95, RGB 105 101 113 and RGB 102 83 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 152 61 shade: RGB 153 139 61, RGB 142 153 61, RGB 117 153 61, RGB 93 153 61 and RGB 68 153 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 152 61 shade: RGB 71 94 37, RGB 94 123 49, RGB 116 153 61, RGB 139 182 73 and RGB 157 194 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 152 61 shade: RGB 116 152 61, RGB 61 153 114 and RGB 151 61 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 152 61 shade: RGB 116 152 61, RGB 61 117 153 and RGB 153 61 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 152 61 shade: RGB 116 152 61, RGB 61 153 114, RGB 96 61 153 and RGB 153 61 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 152 61 shade: RGB 116 152 61, RGB 61 153 142, RGB 96 61 153 and RGB 153 61 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

Complementary color

CMYK 28 / 47 / 0 / 24

HEX #8B67C2

RGB 139 103 194

HSL 263.74, 0.43%, 0.58%

LAB 50.79, 33.49, -42.57

 

CMYK 20 / 0 / 63 / 40

HEX #799838

RGB 121 152 56

HSL 79.38, 0.46%, 0.41%

LAB 58.8, -25.86, 45.64

 

CMYK 19 / 0 / 56 / 33

HEX #8AAA4B

RGB 138 170 75

HSL 80.21, 0.39%, 0.48%

LAB 65.48, -26.12, 44.68

 

CMYK 18 / 0 / 50 / 26

HEX #9BBC5E

RGB 155 188 94

HSL 81.06, 0.41%, 0.55%

LAB 72.06, -26.29, 43.57

 

CMYK 17 / 0 / 45 / 19

HEX #ACCE71

RGB 172 206 113

HSL 81.94, 0.49%, 0.63%

LAB 78.52, -26.39, 42.41

 

CMYK 16 / 0 / 41 / 12

HEX #BDE084

RGB 189 224 132

HSL 82.83, 0.6%, 0.7%

LAB 84.89, -26.45, 41.26

 

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

CMYK 26 / 0 / 69 / 47

HEX #63862A

RGB 99 134 42

HSL 82.83, 0.52%, 0.35%

LAB 51.69, -27.15, 43.76

 

CMYK 29 / 0 / 80 / 55

HEX #527417

RGB 82 116 23

HSL 81.94, 0.67%, 0.27%

LAB 44.73, -26.66, 43.9

 

CMYK 34 / 0 / 96 / 62

HEX #416204

RGB 65 98 4

HSL 81.06, 0.92%, 0.2%

LAB 37.6, -25.86, 42.7

 

CMYK 40 / 0 / 100 / 69

HEX #305000

RGB 48 80 0

HSL 84, 1%, 0.16%

LAB 30.32, -24.46, 37.79

 

CMYK 24 / 0 / 60 / 40

HEX #74993D

RGB 116 153 61

HSL 84.13, 0.43%, 0.42%

LAB 58.82, -27.92, 43.29

 

CMYK 8 / 0 / 60 / 40

HEX #8D993D

RGB 141 153 61

HSL 67.83, 0.43%, 0.42%

LAB 60.59, -17.57, 45.75

 

CMYK 0 / 9 / 60 / 40

HEX #998B3D

RGB 153 139 61

HSL 50.87, 0.43%, 0.42%

LAB 57.63, -4.84, 42.74

 

CMYK 0 / 25 / 60 / 40

HEX #99733D

RGB 153 115 61

HSL 35.22, 0.43%, 0.42%

LAB 51.12, 8.64, 35.24

 

CMYK 0 / 41 / 60 / 40

HEX #995A3D

RGB 153 90 61

HSL 18.91, 0.43%, 0.42%

LAB 44.83, 22.97, 27.65

 

CMYK 24 / 0 / 60 / 40

HEX #74993D

RGB 116 153 61

HSL 84.13, 0.43%, 0.42%

LAB 58.82, -27.92, 43.29

 

CMYK 41 / 0 / 60 / 40

HEX #5B993D

RGB 91 153 61

HSL 100.43, 0.43%, 0.42%

LAB 57.41, -37.22, 41.31

 

CMYK 56 / 0 / 60 / 40

HEX #43993D

RGB 67 153 61

HSL 116.09, 0.43%, 0.42%

LAB 56.4, -44.61, 39.89

 

CMYK 60 / 0 / 48 / 40

HEX #3D994F

RGB 61 153 79

HSL 131.74, 0.43%, 0.42%

LAB 56.43, -43.63, 30.83

 

CMYK 60 / 0 / 32 / 40

HEX #3D9968

RGB 61 153 104

HSL 148.04, 0.43%, 0.42%

LAB 56.85, -39.02, 17.82

 

CMYK 24 / 0 / 60 / 40

HEX #74993D

RGB 116 153 61

HSL 84.13, 0.43%, 0.42%

LAB 58.82, -27.92, 43.29

 

CMYK 29 / 0 / 75 / 33

HEX #78AA2B

RGB 120 170 43

HSL 83.62, 0.6%, 0.42%

LAB 64.09, -35.67, 56.29

 

CMYK 34 / 0 / 86 / 27

HEX #7BBB1A

RGB 123 187 26

HSL 83.85, 0.76%, 0.42%

LAB 69.35, -42.77, 65.94

 

CMYK 38 / 0 / 96 / 20

HEX #7FCD09

RGB 127 205 9

HSL 83.88, 0.92%, 0.42%

LAB 74.95, -49.2, 73.23

 

CMYK 24 / 0 / 60 / 40

HEX #74993D

RGB 116 153 61

HSL 84.13, 0.43%, 0.42%

LAB 58.82, -27.92, 43.29

 

CMYK 16 / 0 / 42 / 47

HEX #71874E

RGB 113 135 78

HSL 83.16, 0.27%, 0.42%

LAB 53.37, -18.14, 28.04

 

CMYK 8 / 0 / 19 / 54

HEX #6D765F

RGB 109 118 95

HSL 83.48, 0.11%, 0.42%

LAB 48.3, -7.87, 11.55

 

CMYK 7 / 11 / 0 / 56

HEX #696571

RGB 105 101 113

HSL 260, 0.06%, 0.42%

LAB 43.51, 4.1, -6.17

 

CMYK 22 / 36 / 0 / 49

HEX #665382

RGB 102 83 130

HSL 264.26, 0.22%, 0.42%

LAB 38.94, 18.16, -23.53

 

CMYK 0 / 9 / 60 / 40

HEX #998B3D

RGB 153 139 61

HSL 50.87, 0.43%, 0.42%

LAB 57.63, -4.84, 42.74

 

CMYK 7 / 0 / 60 / 40

HEX #8E993D

RGB 142 153 61

HSL 67.17, 0.43%, 0.42%

LAB 60.67, -17.14, 45.86

 

CMYK 24 / 0 / 60 / 40

HEX #75993D

RGB 117 153 61

HSL 83.48, 0.43%, 0.42%

LAB 58.88, -27.52, 43.38

 

CMYK 39 / 0 / 60 / 40

HEX #5D993D

RGB 93 153 61

HSL 99.13, 0.43%, 0.42%

LAB 57.51, -36.53, 41.45

 

CMYK 56 / 0 / 60 / 40

HEX #44993D

RGB 68 153 61

HSL 115.43, 0.43%, 0.42%

LAB 56.43, -44.33, 39.94

 

CMYK 24 / 0 / 61 / 63

HEX #475E25

RGB 71 94 37

HSL 84.21, 0.44%, 0.26%

LAB 36.89, -19.04, 29.38

 

CMYK 24 / 0 / 60 / 52

HEX #5E7B31

RGB 94 123 49

HSL 83.51, 0.43%, 0.34%

LAB 47.97, -23.13, 36.37

 

CMYK 24 / 0 / 60 / 40

HEX #74993D

RGB 116 153 61

HSL 84.13, 0.43%, 0.42%

LAB 58.82, -27.92, 43.29

 

CMYK 24 / 0 / 60 / 29

HEX #8BB649

RGB 139 182 73

HSL 83.67, 0.43%, 0.5%

LAB 69.06, -31.67, 49.69

 

CMYK 19 / 0 / 47 / 24

HEX #9DC266

RGB 157 194 102

HSL 84.13, 0.43%, 0.58%

LAB 74, -27.55, 42.04

 

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

CMYK 60 / 0 / 25 / 40

HEX #3D9972

RGB 61 153 114

HSL 154.57, 0.43%, 0.42%

LAB 57.07, -36.84, 12.51

 

CMYK 1 / 60 / 0 / 40

HEX #973D99

RGB 151 61 153

HSL 298.7, 0.43%, 0.42%

LAB 41.56, 50.19, -32.94

 

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

CMYK 60 / 24 / 0 / 40

HEX #3D7599

RGB 61 117 153

HSL 203.48, 0.43%, 0.42%

LAB 46.99, -7.24, -25.04

 

CMYK 0 / 60 / 24 / 40

HEX #993D75

RGB 153 61 117

HSL 323.48, 0.43%, 0.42%

LAB 40.24, 44.82, -12.97

 

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

CMYK 60 / 0 / 25 / 40

HEX #3D9972

RGB 61 153 114

HSL 154.57, 0.43%, 0.42%

LAB 57.07, -36.84, 12.51

 

CMYK 37 / 60 / 0 / 40

HEX #603D99

RGB 96 61 153

HSL 262.83, 0.43%, 0.42%

LAB 34.24, 35.96, -45.04

 

CMYK 0 / 60 / 35 / 40

HEX #993D63

RGB 153 61 99

HSL 335.22, 0.43%, 0.42%

LAB 39.6, 42.38, -2.7

 

CMYK 24 / 0 / 60 / 40

HEX #74983D

RGB 116 152 61

HSL 83.74, 0.43%, 0.42%

LAB 58.51, -27.44, 42.95

 

CMYK 60 / 0 / 7 / 40

HEX #3D998E

RGB 61 153 142

HSL 172.83, 0.43%, 0.42%

LAB 57.78, -29.82, -2.36

 

CMYK 37 / 60 / 0 / 40

HEX #603D99

RGB 96 61 153

HSL 262.83, 0.43%, 0.42%

LAB 34.24, 35.96, -45.04

 

CMYK 0 / 60 / 54 / 40

HEX #993D47

RGB 153 61 71

HSL 353.48, 0.43%, 0.42%

LAB 38.84, 39.38, 13.82

 

Description

Color code: RGB 116 152 61 | qconv.com Color code: RGB 116 152 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 152 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 152 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 60 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 60% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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