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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 140 92 it is the complementary color RGB 139 115 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 140 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 140 92 shade: RGB 121 140 87, RGB 138 158 106, RGB 155 176 125, RGB 172 194 144 and RGB 189 212 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 140 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 140 92 shade: RGB 116 140 92, RGB 99 122 73, RGB 82 104 54, RGB 65 86 35 and RGB 48 68 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 140 92 shade: RGB 114 138 90, RGB 127 138 90, RGB 138 136 90, RGB 138 123 90 and RGB 138 110 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 140 92 shade: RGB 114 138 90, RGB 101 138 90, RGB 90 138 92, RGB 90 138 105 and RGB 90 138 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 140 92 shade matches the following richer shades: RGB 114 138 90, RGB 114 157 72, RGB 114 175 53, RGB 114 194 34 and RGB 114 213 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 140 92 shade: RGB 114 138 90, RGB 114 120 109, RGB 114 101 127, RGB 114 83 146 and RGB 114 64 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 140 92 shade: RGB 138 137 90, RGB 127 138 90, RGB 114 138 90, RGB 101 138 90 and RGB 90 138 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 140 92 shade: RGB 73 88 58, RGB 94 113 74, RGB 114 138 90, RGB 135 160 110 and RGB 156 176 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 140 92 shade: RGB 116 140 92, RGB 90 138 124 and RGB 138 90 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 140 92 shade: RGB 116 140 92, RGB 90 114 138 and RGB 138 90 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 140 92 shade: RGB 116 140 92, RGB 90 138 124, RGB 114 90 138 and RGB 138 90 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 140 92 shade: RGB 116 140 92, RGB 90 138 138, RGB 114 90 138 and RGB 138 90 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

Complementary color

CMYK 15 / 29 / 0 / 36

HEX #8B73A3

RGB 139 115 163

HSL 270, 0.21%, 0.55%

LAB 52.28, 19.01, -22.28

 

CMYK 14 / 0 / 38 / 45

HEX #798C57

RGB 121 140 87

HSL 81.51, 0.23%, 0.45%

LAB 55.59, -16.32, 26.09

 

CMYK 13 / 0 / 33 / 38

HEX #8A9E6A

RGB 138 158 106

HSL 83.08, 0.21%, 0.52%

LAB 62.42, -16.35, 24.91

 

CMYK 12 / 0 / 29 / 31

HEX #9BB07D

RGB 155 176 125

HSL 84.71, 0.24%, 0.59%

LAB 69.11, -16.35, 23.79

 

CMYK 11 / 0 / 26 / 24

HEX #ACC290

RGB 172 194 144

HSL 86.4, 0.29%, 0.66%

LAB 75.68, -16.34, 22.73

 

CMYK 11 / 0 / 23 / 17

HEX #BDD4A3

RGB 189 212 163

HSL 88.16, 0.36%, 0.74%

LAB 82.14, -16.33, 21.74

 

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

CMYK 19 / 0 / 40 / 52

HEX #637A49

RGB 99 122 73

HSL 88.16, 0.25%, 0.38%

LAB 48.33, -17.64, 24.13

 

CMYK 21 / 0 / 48 / 59

HEX #526836

RGB 82 104 54

HSL 86.4, 0.32%, 0.31%

LAB 41.15, -17.65, 25.43

 

CMYK 24 / 0 / 59 / 66

HEX #415623

RGB 65 86 35

HSL 84.71, 0.42%, 0.24%

LAB 33.78, -17.57, 26.72

 

CMYK 29 / 0 / 76 / 73

HEX #304410

RGB 48 68 16

HSL 83.08, 0.62%, 0.16%

LAB 26.16, -17.3, 27.71

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 8 / 0 / 35 / 46

HEX #7F8A5A

RGB 127 138 90

HSL 73.75, 0.21%, 0.45%

LAB 55.51, -12.4, 24.41

 

CMYK 0 / 1 / 35 / 46

HEX #8A885A

RGB 138 136 90

HSL 57.5, 0.21%, 0.45%

LAB 55.84, -6.74, 25.01

 

CMYK 0 / 11 / 35 / 46

HEX #8A7B5A

RGB 138 123 90

HSL 41.25, 0.21%, 0.45%

LAB 52.18, 0.55, 20.17

 

CMYK 0 / 20 / 35 / 46

HEX #8A6E5A

RGB 138 110 90

HSL 25, 0.21%, 0.45%

LAB 48.63, 8.05, 15.36

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 27 / 0 / 35 / 46

HEX #658A5A

RGB 101 138 90

HSL 106.25, 0.21%, 0.45%

LAB 53.69, -22.58, 21.67

 

CMYK 35 / 0 / 33 / 46

HEX #5A8A5C

RGB 90 138 92

HSL 122.5, 0.21%, 0.45%

LAB 53.08, -26.16, 19.63

 

CMYK 35 / 0 / 24 / 46

HEX #5A8A69

RGB 90 138 105

HSL 138.75, 0.21%, 0.45%

LAB 53.35, -23.69, 12.62

 

CMYK 35 / 0 / 14 / 46

HEX #5A8A76

RGB 90 138 118

HSL 155, 0.21%, 0.45%

LAB 53.66, -20.93, 5.58

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 27 / 0 / 54 / 38

HEX #729D48

RGB 114 157 72

HSL 90.35, 0.37%, 0.45%

LAB 60.03, -29.51, 39.37

 

CMYK 35 / 0 / 70 / 31

HEX #72AF35

RGB 114 175 53

HSL 90, 0.54%, 0.45%

LAB 65.35, -39.48, 53.73

 

CMYK 41 / 0 / 82 / 24

HEX #72C222

RGB 114 194 34

HSL 90, 0.7%, 0.45%

LAB 71.06, -48.54, 65.39

 

CMYK 46 / 0 / 92 / 16

HEX #72D510

RGB 114 213 16

HSL 90.15, 0.86%, 0.45%

LAB 76.8, -56.48, 73.7

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 5 / 0 / 9 / 53

HEX #72786D

RGB 114 120 109

HSL 92.73, 0.05%, 0.45%

LAB 49.63, -4.46, 5.26

 

CMYK 10 / 20 / 0 / 50

HEX #72657F

RGB 114 101 127

HSL 270, 0.11%, 0.45%

LAB 44.83, 10.55, -12.57

 

CMYK 22 / 43 / 0 / 43

HEX #725392

RGB 114 83 146

HSL 269.52, 0.28%, 0.45%

LAB 40.96, 26.01, -29.99

 

CMYK 30 / 61 / 0 / 36

HEX #7240A4

RGB 114 64 164

HSL 270, 0.44%, 0.45%

LAB 37.71, 41.52, -45.98

 

CMYK 0 / 1 / 35 / 46

HEX #8A895A

RGB 138 137 90

HSL 58.75, 0.21%, 0.45%

LAB 56.12, -7.29, 25.38

 

CMYK 8 / 0 / 35 / 46

HEX #7F8A5A

RGB 127 138 90

HSL 73.75, 0.21%, 0.45%

LAB 55.51, -12.4, 24.41

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 27 / 0 / 35 / 46

HEX #658A5A

RGB 101 138 90

HSL 106.25, 0.21%, 0.45%

LAB 53.69, -22.58, 21.67

 

CMYK 35 / 0 / 33 / 46

HEX #5A8A5C

RGB 90 138 92

HSL 122.5, 0.21%, 0.45%

LAB 53.08, -26.16, 19.63

 

CMYK 17 / 0 / 34 / 65

HEX #49583A

RGB 73 88 58

HSL 90, 0.21%, 0.29%

LAB 35.4, -11.97, 15.54

 

CMYK 17 / 0 / 35 / 56

HEX #5E714A

RGB 94 113 74

HSL 89.23, 0.21%, 0.37%

LAB 45.2, -14.66, 19.4

 

CMYK 17 / 0 / 35 / 46

HEX #728A5A

RGB 114 138 90

HSL 90, 0.21%, 0.45%

LAB 54.55, -17.62, 22.97

 

CMYK 16 / 0 / 31 / 37

HEX #87A06E

RGB 135 160 110

HSL 90, 0.21%, 0.53%

LAB 62.86, -17.95, 23.27

 

CMYK 11 / 0 / 23 / 31

HEX #9CB087

RGB 156 176 135

HSL 89.27, 0.21%, 0.61%

LAB 69.38, -14.43, 18.75

 

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

CMYK 35 / 0 / 10 / 46

HEX #5A8A7C

RGB 90 138 124

HSL 162.5, 0.21%, 0.45%

LAB 53.82, -19.55, 2.34

 

CMYK 0 / 35 / 3 / 46

HEX #8A5A86

RGB 138 90 134

HSL 305, 0.21%, 0.45%

LAB 44.85, 27.16, -16.51

 

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

CMYK 35 / 17 / 0 / 46

HEX #5A728A

RGB 90 114 138

HSL 210, 0.21%, 0.45%

LAB 47.03, -2.56, -15.98

 

CMYK 0 / 35 / 17 / 46

HEX #8A5A72

RGB 138 90 114

HSL 330, 0.21%, 0.45%

LAB 44.13, 23.48, -5.48

 

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

CMYK 35 / 0 / 10 / 46

HEX #5A8A7C

RGB 90 138 124

HSL 162.5, 0.21%, 0.45%

LAB 53.82, -19.55, 2.34

 

CMYK 17 / 35 / 0 / 46

HEX #725A8A

RGB 114 90 138

HSL 270, 0.21%, 0.45%

LAB 42.35, 19.81, -23.01

 

CMYK 0 / 35 / 24 / 46

HEX #8A5A69

RGB 138 90 105

HSL 341.25, 0.21%, 0.45%

LAB 43.85, 21.99, -0.41

 

CMYK 17 / 0 / 34 / 45

HEX #748C5C

RGB 116 140 92

HSL 90, 0.21%, 0.45%

LAB 55.32, -17.59, 22.9

 

CMYK 35 / 0 / 0 / 46

HEX #5A8A8A

RGB 90 138 138

HSL 180, 0.21%, 0.45%

LAB 54.22, -16.13, -5.17

 

CMYK 17 / 35 / 0 / 46

HEX #725A8A

RGB 114 90 138

HSL 270, 0.21%, 0.45%

LAB 42.35, 19.81, -23.01

 

CMYK 0 / 35 / 35 / 46

HEX #8A5A5A

RGB 138 90 90

HSL 0, 0.21%, 0.45%

LAB 43.44, 19.78, 8.14

 

Description

Color code: RGB 116 140 92 | qconv.com Color code: RGB 116 140 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 140 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 140 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 34 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 34% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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