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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 134 171 it is the complementary color RGB 139 121 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 134 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 134 171 shade: RGB 121 134 166, RGB 138 152 185, RGB 155 170 204, RGB 172 188 223 and RGB 189 206 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 134 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 134 171 shade: RGB 116 134 171, RGB 99 116 152, RGB 82 98 133, RGB 65 80 114 and RGB 48 62 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 134 171 shade: RGB 114 133 170, RGB 114 117 170, RGB 126 114 170, RGB 141 114 170 and RGB 156 114 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 134 171 shade: RGB 114 133 170, RGB 114 117 170 and RGB 114 114 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 134 171 shade matches the following richer shades: RGB 114 133 170, RGB 96 126 189, RGB 78 120 207, RGB 60 114 225 and RGB 42 108 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 134 171 shade: RGB 114 133 170, RGB 132 139 152, RGB 151 145 134, RGB 169 151 116 and RGB 187 158 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 134 171 shade: RGB 114 163 170, RGB 114 148 170, RGB 114 133 170, RGB 114 118 170 and RGB 125 114 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 134 171 shade: RGB 76 92 126, RGB 91 111 152, RGB 114 133 170, RGB 140 155 186 and RGB 166 177 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 134 171 shade: RGB 116 134 171, RGB 163 114 170 and RGB 155 170 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 134 171 shade: RGB 116 134 171, RGB 170 114 133 and RGB 133 170 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 134 171 shade: RGB 116 134 171, RGB 163 114 170, RGB 170 152 114 and RGB 122 170 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 134 171 shade: RGB 116 134 171, RGB 170 114 161, RGB 170 152 114 and RGB 114 170 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

Complementary color

CMYK 0 / 13 / 40 / 45

HEX #8B7954

RGB 139 121 84

HSL 40.36, 0.25%, 0.44%

LAB 51.61, 1.35, 22.86

 

CMYK 27 / 19 / 0 / 35

HEX #7986A6

RGB 121 134 166

HSL 222.67, 0.2%, 0.56%

LAB 55.96, 2.74, -18.53

 

CMYK 25 / 18 / 0 / 27

HEX #8A98B9

RGB 138 152 185

HSL 222.13, 0.25%, 0.63%

LAB 62.81, 2.48, -18.77

 

CMYK 24 / 17 / 0 / 20

HEX #9BAACC

RGB 155 170 204

HSL 221.63, 0.32%, 0.7%

LAB 69.52, 2.24, -19.04

 

CMYK 23 / 16 / 0 / 13

HEX #ACBCDF

RGB 172 188 223

HSL 221.18, 0.44%, 0.77%

LAB 76.11, 2.02, -19.32

 

CMYK 22 / 15 / 0 / 5

HEX #BDCEF2

RGB 189 206 242

HSL 220.75, 0.67%, 0.85%

LAB 82.58, 1.82, -19.62

 

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

CMYK 35 / 24 / 0 / 40

HEX #637498

RGB 99 116 152

HSL 220.75, 0.21%, 0.49%

LAB 48.77, 2.84, -21.53

 

CMYK 38 / 26 / 0 / 48

HEX #526285

RGB 82 98 133

HSL 221.18, 0.24%, 0.42%

LAB 41.57, 3.26, -21.41

 

CMYK 43 / 30 / 0 / 55

HEX #415072

RGB 65 80 114

HSL 221.63, 0.27%, 0.35%

LAB 34.14, 3.78, -21.35

 

CMYK 49 / 35 / 0 / 63

HEX #303E5F

RGB 48 62 95

HSL 222.13, 0.33%, 0.28%

LAB 26.45, 4.47, -21.38

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 33 / 31 / 0 / 33

HEX #7275AA

RGB 114 117 170

HSL 236.79, 0.25%, 0.56%

LAB 50.92, 11.67, -28.63

 

CMYK 26 / 33 / 0 / 33

HEX #7E72AA

RGB 126 114 170

HSL 252.86, 0.25%, 0.56%

LAB 51.12, 17.11, -28.25

 

CMYK 17 / 33 / 0 / 33

HEX #8D72AA

RGB 141 114 170

HSL 268.93, 0.25%, 0.56%

LAB 52.51, 21.86, -25.99

 

CMYK 8 / 33 / 0 / 33

HEX #9C72AA

RGB 156 114 170

HSL 285, 0.25%, 0.56%

LAB 54.03, 26.75, -23.51

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 33 / 31 / 0 / 33

HEX #7275AA

RGB 114 117 170

HSL 236.79, 0.25%, 0.56%

LAB 50.92, 11.67, -28.63

 

CMYK 33 / 33 / 0 / 33

HEX #7272AA

RGB 114 114 170

HSL 240, 0.25%, 0.56%

LAB 50.11, 13.47, -29.89

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 49 / 33 / 0 / 26

HEX #607EBD

RGB 96 126 189

HSL 220.65, 0.41%, 0.56%

LAB 53.04, 6.92, -36.37

 

CMYK 62 / 42 / 0 / 19

HEX #4E78CF

RGB 78 120 207

HSL 220.47, 0.57%, 0.56%

LAB 51.33, 12.62, -49.4

 

CMYK 73 / 49 / 0 / 12

HEX #3C72E1

RGB 60 114 225

HSL 220.36, 0.73%, 0.56%

LAB 50.02, 19.97, -61.75

 

CMYK 83 / 56 / 0 / 5

HEX #2A6CF3

RGB 42 108 243

HSL 220.3, 0.89%, 0.56%

LAB 49.12, 28.61, -73.34

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 13 / 9 / 0 / 40

HEX #848B98

RGB 132 139 152

HSL 219, 0.09%, 0.56%

LAB 57.69, 0.21, -7.79

 

CMYK 0 / 4 / 11 / 41

HEX #979186

RGB 151 145 134

HSL 38.82, 0.08%, 0.56%

LAB 60.38, 0.22, 6.62

 

CMYK 0 / 11 / 31 / 34

HEX #A99774

RGB 169 151 116

HSL 39.62, 0.24%, 0.56%

LAB 63.2, 1.23, 20.9

 

CMYK 0 / 16 / 48 / 27

HEX #BB9E62

RGB 187 158 98

HSL 40.45, 0.4%, 0.56%

LAB 66.44, 2.77, 35.21

 

CMYK 33 / 4 / 0 / 33

HEX #72A3AA

RGB 114 163 170

HSL 187.5, 0.25%, 0.56%

LAB 63.9, -14.51, -8.87

 

CMYK 33 / 13 / 0 / 33

HEX #7294AA

RGB 114 148 170

HSL 203.57, 0.25%, 0.56%

LAB 59.58, -6.34, -15.35

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 33 / 31 / 0 / 33

HEX #7276AA

RGB 114 118 170

HSL 235.71, 0.25%, 0.56%

LAB 51.19, 11.07, -28.21

 

CMYK 26 / 33 / 0 / 33

HEX #7D72AA

RGB 125 114 170

HSL 251.79, 0.25%, 0.56%

LAB 51.03, 16.8, -28.39

 

CMYK 40 / 27 / 0 / 51

HEX #4C5C7E

RGB 76 92 126

HSL 220.8, 0.25%, 0.4%

LAB 39.07, 3.12, -21.06

 

CMYK 40 / 27 / 0 / 40

HEX #5B6F98

RGB 91 111 152

HSL 220.33, 0.25%, 0.48%

LAB 46.79, 3.5, -24.63

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 25 / 17 / 0 / 27

HEX #8C9BBA

RGB 140 155 186

HSL 220.43, 0.25%, 0.64%

LAB 63.81, 1.66, -17.81

 

CMYK 17 / 12 / 0 / 21

HEX #A6B1C9

RGB 166 177 201

HSL 221.14, 0.24%, 0.72%

LAB 72.07, 1.18, -13.47

 

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

CMYK 4 / 33 / 0 / 33

HEX #A372AA

RGB 163 114 170

HSL 292.5, 0.25%, 0.56%

LAB 54.79, 29.07, -22.28

 

CMYK 9 / 0 / 33 / 33

HEX #9BAA72

RGB 155 170 114

HSL 76.07, 0.25%, 0.56%

LAB 67.23, -14.82, 27.18

 

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

CMYK 0 / 33 / 22 / 33

HEX #AA7285

RGB 170 114 133

HSL 339.64, 0.25%, 0.56%

LAB 54.32, 24.9, -1.36

 

CMYK 22 / 0 / 33 / 33

HEX #85AA72

RGB 133 170 114

HSL 99.64, 0.25%, 0.56%

LAB 65.71, -23.17, 24.89

 

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

CMYK 4 / 33 / 0 / 33

HEX #A372AA

RGB 163 114 170

HSL 292.5, 0.25%, 0.56%

LAB 54.79, 29.07, -22.28

 

CMYK 0 / 11 / 33 / 33

HEX #AA9872

RGB 170 152 114

HSL 40.71, 0.25%, 0.56%

LAB 63.52, 0.82, 22.45

 

CMYK 28 / 0 / 33 / 33

HEX #7AAA72

RGB 122 170 114

HSL 111.43, 0.25%, 0.56%

LAB 65.04, -27.11, 23.88

 

CMYK 32 / 22 / 0 / 33

HEX #7486AB

RGB 116 134 171

HSL 220.36, 0.25%, 0.56%

LAB 55.79, 2.49, -21.68

 

CMYK 0 / 33 / 5 / 33

HEX #AA72A1

RGB 170 114 161

HSL 309.64, 0.25%, 0.56%

LAB 55.23, 29.69, -16.32

 

CMYK 0 / 11 / 33 / 33

HEX #AA9872

RGB 170 152 114

HSL 40.71, 0.25%, 0.56%

LAB 63.52, 0.82, 22.45

 

CMYK 33 / 0 / 27 / 33

HEX #72AA7C

RGB 114 170 124

HSL 130.71, 0.25%, 0.56%

LAB 64.79, -28.07, 18.02

 

Description

Color code: RGB 116 134 171 | qconv.com Color code: RGB 116 134 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 134 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 134 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 22% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Multex Digital
Link: http://MDESIGNZ.TK

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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