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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 55 148 it is the complementary color RGB 140 200 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 55 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 55 148 shade: RGB 120 55 143, RGB 137 73 162, RGB 154 91 181, RGB 171 109 200 and RGB 188 127 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 55 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 98 37 129, RGB 81 19 110, RGB 64 1 91 and RGB 47 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 140 55 148, RGB 148 55 131, RGB 148 55 106 and RGB 148 55 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 90 55 148, RGB 65 55 148 and RGB 55 55 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 55 148 shade matches the following richer shades: RGB 115 55 148, RGB 120 38 165, RGB 125 22 181 and RGB 129 5 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 110 71 132, RGB 106 88 115, RGB 101 104 99 and RGB 96 121 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 55 148 shade: RGB 64 55 148, RGB 89 55 148, RGB 114 55 148, RGB 139 55 148 and RGB 148 55 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 55 148 shade: RGB 68 32 88, RGB 92 43 118, RGB 115 55 148, RGB 139 66 179 and RGB 158 91 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 148 55 70 and RGB 55 148 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 148 114 55 and RGB 55 148 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 148 55 70, RGB 89 148 55 and RGB 55 148 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 55 148 shade: RGB 115 55 148, RGB 148 67 55, RGB 89 148 55 and RGB 55 136 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

Complementary color

CMYK 30 / 0 / 47 / 22

HEX #8CC86B

RGB 140 200 107

HSL 98.71, 0.46%, 0.6%

LAB 74.79, -35.97, 40.31

 

CMYK 16 / 62 / 0 / 44

HEX #78378F

RGB 120 55 143

HSL 284.32, 0.44%, 0.39%

LAB 35.42, 42.87, -36.89

 

CMYK 15 / 55 / 0 / 36

HEX #8949A2

RGB 137 73 162

HSL 283.15, 0.38%, 0.46%

LAB 42.3, 42.21, -37.3

 

CMYK 15 / 50 / 0 / 29

HEX #9A5BB5

RGB 154 91 181

HSL 282, 0.38%, 0.53%

LAB 49.12, 41.42, -37.57

 

CMYK 15 / 46 / 0 / 22

HEX #AB6DC8

RGB 171 109 200

HSL 280.88, 0.45%, 0.61%

LAB 55.85, 40.61, -37.78

 

CMYK 14 / 42 / 0 / 14

HEX #BC7FDB

RGB 188 127 219

HSL 279.78, 0.56%, 0.68%

LAB 62.49, 39.8, -37.96

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 24 / 71 / 0 / 49

HEX #622581

RGB 98 37 129

HSL 279.78, 0.55%, 0.33%

LAB 28.13, 43.14, -40.06

 

CMYK 26 / 83 / 0 / 57

HEX #51136E

RGB 81 19 110

HSL 280.88, 0.71%, 0.25%

LAB 21.36, 42.81, -39.01

 

CMYK 30 / 99 / 0 / 64

HEX #40015B

RGB 64 1 91

HSL 282, 0.98%, 0.18%

LAB 14.77, 41.47, -37.32

 

CMYK 35 / 100 / 0 / 72

HEX #2F0048

RGB 47 0 72

HSL 279.17, 1%, 0.14%

LAB 9.58, 35.24, -32.9

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 5 / 63 / 0 / 42

HEX #8C3794

RGB 140 55 148

HSL 294.84, 0.46%, 0.4%

LAB 38.63, 49.11, -34.65

 

CMYK 0 / 63 / 11 / 42

HEX #943783

RGB 148 55 131

HSL 310.97, 0.46%, 0.4%

LAB 39.01, 48.27, -23.57

 

CMYK 0 / 63 / 28 / 42

HEX #94376A

RGB 148 55 106

HSL 327.1, 0.46%, 0.4%

LAB 37.97, 44.5, -9.62

 

CMYK 0 / 63 / 46 / 42

HEX #943750

RGB 148 55 80

HSL 343.87, 0.46%, 0.4%

LAB 37.13, 41.36, 5.62

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 39 / 63 / 0 / 42

HEX #5A3794

RGB 90 55 148

HSL 262.58, 0.46%, 0.4%

LAB 31.91, 36.63, -45.79

 

CMYK 56 / 63 / 0 / 42

HEX #413794

RGB 65 55 148

HSL 246.45, 0.46%, 0.4%

LAB 29.4, 31.3, -49.97

 

CMYK 63 / 63 / 0 / 42

HEX #373794

RGB 55 55 148

HSL 240, 0.46%, 0.4%

LAB 28.6, 29.48, -51.31

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 27 / 77 / 0 / 35

HEX #7826A5

RGB 120 38 165

HSL 278.74, 0.63%, 0.4%

LAB 34.18, 55.28, -52.23

 

CMYK 31 / 88 / 0 / 29

HEX #7D16B5

RGB 125 22 181

HSL 278.87, 0.78%, 0.4%

LAB 34.54, 64.34, -61.19

 

CMYK 35 / 97 / 0 / 22

HEX #8105C6

RGB 129 5 198

HSL 278.55, 0.95%, 0.4%

LAB 35.7, 71.04, -69.29

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 17 / 46 / 0 / 48

HEX #6E4784

RGB 110 71 132

HSL 278.36, 0.3%, 0.4%

LAB 36.91, 28.57, -27.87

 

CMYK 8 / 23 / 0 / 55

HEX #6A5873

RGB 106 88 115

HSL 280, 0.13%, 0.4%

LAB 40.05, 12.86, -12.59

 

CMYK 3 / 0 / 5 / 59

HEX #656863

RGB 101 104 99

HSL 96, 0.02%, 0.4%

LAB 43.61, -2.19, 2.4

 

CMYK 21 / 0 / 32 / 53

HEX #607952

RGB 96 121 82

HSL 98.46, 0.19%, 0.4%

LAB 47.97, -16.91, 18.51

 

CMYK 57 / 63 / 0 / 42

HEX #403794

RGB 64 55 148

HSL 245.81, 0.46%, 0.4%

LAB 29.31, 31.1, -50.11

 

CMYK 40 / 63 / 0 / 42

HEX #593794

RGB 89 55 148

HSL 261.94, 0.46%, 0.4%

LAB 31.79, 36.4, -45.97

 

CMYK 23 / 63 / 0 / 42

HEX #723794

RGB 114 55 148

HSL 278.06, 0.46%, 0.4%

LAB 34.9, 42.45, -40.82

 

CMYK 6 / 63 / 0 / 42

HEX #8B3794

RGB 139 55 148

HSL 294.19, 0.46%, 0.4%

LAB 38.48, 48.85, -34.9

 

CMYK 0 / 63 / 10 / 42

HEX #943785

RGB 148 55 133

HSL 309.68, 0.46%, 0.4%

LAB 39.11, 48.6, -24.65

 

CMYK 23 / 64 / 0 / 65

HEX #442058

RGB 68 32 88

HSL 278.57, 0.47%, 0.24%

LAB 19.91, 28.24, -26.98

 

CMYK 22 / 64 / 0 / 54

HEX #5C2B76

RGB 92 43 118

HSL 279.2, 0.47%, 0.32%

LAB 27.6, 36.07, -34

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 22 / 63 / 0 / 30

HEX #8B42B3

RGB 139 66 179

HSL 278.76, 0.46%, 0.48%

LAB 42.22, 50.05, -47.49

 

CMYK 19 / 53 / 0 / 24

HEX #9E5BC2

RGB 158 91 194

HSL 279.03, 0.46%, 0.56%

LAB 50.27, 45.37, -43.25

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 0 / 63 / 53 / 42

HEX #943746

RGB 148 55 70

HSL 350.32, 0.46%, 0.4%

LAB 36.87, 40.38, 11.63

 

CMYK 63 / 0 / 49 / 42

HEX #37944C

RGB 55 148 76

HSL 133.55, 0.46%, 0.4%

LAB 54.57, -43.49, 30.03

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 0 / 23 / 63 / 42

HEX #947237

RGB 148 114 55

HSL 38.06, 0.46%, 0.4%

LAB 50.22, 6.49, 37.2

 

CMYK 63 / 0 / 23 / 42

HEX #379472

RGB 55 148 114

HSL 158.06, 0.46%, 0.4%

LAB 55.28, -35.85, 9.98

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 0 / 63 / 53 / 42

HEX #943746

RGB 148 55 70

HSL 350.32, 0.46%, 0.4%

LAB 36.87, 40.38, 11.63

 

CMYK 40 / 0 / 63 / 42

HEX #599437

RGB 89 148 55

HSL 98.06, 0.46%, 0.4%

LAB 55.66, -36.32, 42.11

 

CMYK 63 / 0 / 10 / 42

HEX #379485

RGB 55 148 133

HSL 170.32, 0.46%, 0.4%

LAB 55.77, -31.01, -0.17

 

CMYK 22 / 63 / 0 / 42

HEX #733794

RGB 115 55 148

HSL 278.71, 0.46%, 0.4%

LAB 35.03, 42.71, -40.59

 

CMYK 0 / 55 / 63 / 42

HEX #944337

RGB 148 67 55

HSL 7.74, 0.46%, 0.4%

LAB 38.87, 33.13, 23.61

 

CMYK 40 / 0 / 63 / 42

HEX #599437

RGB 89 148 55

HSL 98.06, 0.46%, 0.4%

LAB 55.66, -36.32, 42.11

 

CMYK 63 / 8 / 0 / 42

HEX #378894

RGB 55 136 148

HSL 187.74, 0.46%, 0.4%

LAB 52.46, -20.61, -13.75

 

Description

Color code: RGB 115 55 148 | qconv.com Color code: RGB 115 55 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 55 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 55 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 63 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 63% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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