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Color name
RGB 115 43 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 43 32 it is the complementary color RGB 140 212 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 43 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 43 32 shade: RGB 120 43 27, RGB 137 61 46, RGB 154 79 65, RGB 171 97 84 and RGB 188 115 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 43 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 98 25 13, RGB 81 7 0, RGB 64 0 0 and RGB 47 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 43 32 shade: RGB 115 43 32 and RGB 115 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 115 65 32, RGB 115 88 32, RGB 115 110 32 and RGB 97 115 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 43 32 shade matches the following richer shades: RGB 115 43 32, RGB 127 34 20 and RGB 139 25 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 103 52 44, RGB 91 61 56, RGB 79 69 68 and RGB 67 78 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 43 32 shade: RGB 115 32 67, RGB 115 32 44, RGB 115 42 32, RGB 115 64 32 and RGB 115 86 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 43 32 shade: RGB 50 19 14, RGB 83 31 23, RGB 115 43 32, RGB 147 55 41 and RGB 179 67 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 89 115 32 and RGB 32 56 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 32 115 42 and RGB 42 32 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 89 115 32, RGB 32 105 115 and RGB 58 32 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 43 32 shade: RGB 115 43 32, RGB 64 115 32, RGB 32 105 115 and RGB 83 32 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

Complementary color

CMYK 37 / 5 / 0 / 13

HEX #8CD4DF

RGB 140 212 223

HSL 187.95, 0.56%, 0.71%

LAB 80.73, -19.67, -12.55

 

CMYK 0 / 64 / 78 / 53

HEX #782B1B

RGB 120 43 27

HSL 10.32, 0.63%, 0.29%

LAB 28.9, 32.72, 27.51

 

CMYK 0 / 55 / 66 / 46

HEX #893D2E

RGB 137 61 46

HSL 9.89, 0.5%, 0.36%

LAB 35.7, 31.28, 24.73

 

CMYK 0 / 49 / 58 / 40

HEX #9A4F41

RGB 154 79 65

HSL 9.44, 0.41%, 0.43%

LAB 42.53, 29.86, 22.42

 

CMYK 0 / 43 / 51 / 33

HEX #AB6154

RGB 171 97 84

HSL 8.97, 0.34%, 0.5%

LAB 49.31, 28.57, 20.49

 

CMYK 0 / 39 / 45 / 26

HEX #BC7367

RGB 188 115 103

HSL 8.47, 0.39%, 0.57%

LAB 56.02, 27.4, 18.84

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 74 / 87 / 62

HEX #62190D

RGB 98 25 13

HSL 8.47, 0.77%, 0.22%

LAB 21.29, 32.18, 26.2

 

CMYK 0 / 91 / 100 / 68

HEX #510700

RGB 81 7 0

HSL 5.19, 1%, 0.16%

LAB 14.96, 32.41, 23.16

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 72 / 72 / 55

HEX #732020

RGB 115 32 32

HSL 0, 0.56%, 0.29%

LAB 26.1, 36.23, 20.94

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 43 / 72 / 55

HEX #734120

RGB 115 65 32

HSL 23.86, 0.56%, 0.29%

LAB 32.98, 18.61, 28.9

 

CMYK 0 / 23 / 72 / 55

HEX #735820

RGB 115 88 32

HSL 40.48, 0.56%, 0.29%

LAB 39.12, 4.75, 35.53

 

CMYK 0 / 4 / 72 / 55

HEX #736E20

RGB 115 110 32

HSL 56.39, 0.56%, 0.29%

LAB 45.5, -8.08, 42.06

 

CMYK 16 / 0 / 72 / 55

HEX #617320

RGB 97 115 32

HSL 73.01, 0.56%, 0.29%

LAB 45.51, -19.1, 41.58

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 73 / 84 / 50

HEX #7F2214

RGB 127 34 20

HSL 7.85, 0.73%, 0.29%

LAB 28.66, 39.14, 31.7

 

CMYK 0 / 82 / 94 / 45

HEX #8B1908

RGB 139 25 8

HSL 7.79, 0.89%, 0.29%

LAB 29.92, 46.04, 39.49

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 50 / 57 / 60

HEX #67342C

RGB 103 52 44

HSL 8.14, 0.4%, 0.29%

LAB 28.17, 21.91, 15.32

 

CMYK 0 / 33 / 38 / 64

HEX #5B3D38

RGB 91 61 56

HSL 8.57, 0.24%, 0.29%

LAB 29.02, 12.45, 8.39

 

CMYK 0 / 13 / 14 / 69

HEX #4F4544

RGB 79 69 68

HSL 5.45, 0.07%, 0.29%

LAB 30.24, 4.04, 2.15

 

CMYK 16 / 2 / 0 / 69

HEX #434E50

RGB 67 78 80

HSL 189.23, 0.09%, 0.29%

LAB 32.31, -3.88, -2.66

 

CMYK 0 / 72 / 42 / 55

HEX #732043

RGB 115 32 67

HSL 334.7, 0.56%, 0.29%

LAB 26.97, 39.25, -1.33

 

CMYK 0 / 72 / 62 / 55

HEX #73202C

RGB 115 32 44

HSL 351.33, 0.56%, 0.29%

LAB 26.33, 37.04, 13.28

 

CMYK 0 / 63 / 72 / 55

HEX #732A20

RGB 115 42 32

HSL 7.23, 0.56%, 0.29%

LAB 27.86, 31.52, 23.03

 

CMYK 0 / 44 / 72 / 55

HEX #734020

RGB 115 64 32

HSL 23.13, 0.56%, 0.29%

LAB 32.74, 19.21, 28.62

 

CMYK 0 / 25 / 72 / 55

HEX #735620

RGB 115 86 32

HSL 39.04, 0.56%, 0.29%

LAB 38.56, 5.95, 34.94

 

CMYK 0 / 62 / 72 / 80

HEX #32130E

RGB 50 19 14

HSL 8.33, 0.56%, 0.13%

LAB 10.38, 15.19, 9.93

 

CMYK 0 / 63 / 72 / 67

HEX #531F17

RGB 83 31 23

HSL 8, 0.57%, 0.21%

LAB 19.56, 23.66, 17.5

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 0 / 63 / 72 / 42

HEX #933729

RGB 147 55 41

HSL 7.92, 0.56%, 0.37%

LAB 36.17, 37.93, 28.7

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 23 / 0 / 72 / 55

HEX #597320

RGB 89 115 32

HSL 78.8, 0.56%, 0.29%

LAB 44.93, -22.62, 40.8

 

CMYK 72 / 51 / 0 / 55

HEX #203873

RGB 32 56 115

HSL 222.65, 0.56%, 0.29%

LAB 24.87, 12.48, -36.8

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 72 / 0 / 63 / 55

HEX #20732A

RGB 32 115 42

HSL 127.23, 0.56%, 0.29%

LAB 42.36, -40.55, 32.66

 

CMYK 63 / 72 / 0 / 55

HEX #2A2073

RGB 42 32 115

HSL 247.23, 0.56%, 0.29%

LAB 19.07, 30.6, -46.19

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 23 / 0 / 72 / 55

HEX #597320

RGB 89 115 32

HSL 78.8, 0.56%, 0.29%

LAB 44.93, -22.62, 40.8

 

CMYK 72 / 9 / 0 / 55

HEX #206973

RGB 32 105 115

HSL 187.23, 0.56%, 0.29%

LAB 40.65, -18.49, -12.11

 

CMYK 50 / 72 / 0 / 55

HEX #3A2073

RGB 58 32 115

HSL 258.8, 0.56%, 0.29%

LAB 20.71, 33.44, -43.43

 

CMYK 0 / 63 / 72 / 55

HEX #732B20

RGB 115 43 32

HSL 7.95, 0.56%, 0.29%

LAB 28.05, 31.01, 23.26

 

CMYK 44 / 0 / 72 / 55

HEX #407320

RGB 64 115 32

HSL 96.87, 0.56%, 0.29%

LAB 43.44, -32.57, 38.8

 

CMYK 72 / 9 / 0 / 55

HEX #206973

RGB 32 105 115

HSL 187.23, 0.56%, 0.29%

LAB 40.65, -18.49, -12.11

 

CMYK 28 / 72 / 0 / 55

HEX #532073

RGB 83 32 115

HSL 276.87, 0.56%, 0.29%

LAB 24.03, 38.8, -37.9

 

Description

Color code: RGB 115 43 32 | qconv.com Color code: RGB 115 43 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 43 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 43 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 72 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 72% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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