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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 246 94 it is the complementary color RGB 140 9 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 246 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 246 94 shade: RGB 120 246 89, RGB 137 255 108, RGB 154 255 127, RGB 171 255 146 and RGB 188 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 246 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 246 94 shade: RGB 115 246 94, RGB 98 228 75, RGB 81 210 56, RGB 64 192 37 and RGB 47 174 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 246 94 shade: RGB 116 245 95, RGB 157 245 95, RGB 197 245 95, RGB 237 245 95 and RGB 245 213 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 246 94 shade: RGB 116 245 95, RGB 95 245 115, RGB 95 245 156, RGB 95 245 196 and RGB 95 245 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 246 94 shade matches the following richer shades: RGB 116 245 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 246 94 shade: RGB 116 245 95, RGB 126 232 109, RGB 136 218 123, RGB 146 204 136 and RGB 156 191 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 246 94 shade: RGB 198 245 95, RGB 158 245 95, RGB 118 245 95, RGB 95 245 113 and RGB 95 245 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 246 94 shade: RGB 48 241 17, RGB 82 243 56, RGB 116 245 95, RGB 150 248 134 and RGB 184 250 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 246 94 shade: RGB 115 246 94, RGB 95 238 245 and RGB 245 95 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 246 94 shade: RGB 115 246 94, RGB 95 118 245 and RGB 245 95 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 246 94 shade: RGB 115 246 94, RGB 95 238 245, RGB 223 95 245 and RGB 245 103 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 246 94 shade: RGB 115 246 94, RGB 95 193 245, RGB 223 95 245 and RGB 245 148 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

Complementary color

CMYK 13 / 94 / 0 / 37

HEX #8C09A1

RGB 140 9 161

HSL 291.71, 0.89%, 0.33%

LAB 34.69, 65.12, -48.84

 

CMYK 51 / 0 / 64 / 4

HEX #78F659

RGB 120 246 89

HSL 108.15, 0.9%, 0.66%

LAB 87.3, -62.91, 62.84

 

CMYK 46 / 0 / 58 / 0

HEX #89FF6C

RGB 137 255 108

HSL 108.16, 1%, 0.71%

LAB 90.74, -59.78, 58.93

 

CMYK 40 / 0 / 50 / 0

HEX #9AFF7F

RGB 154 255 127

HSL 107.34, 1%, 0.75%

LAB 91.65, -52.68, 51.65

 

CMYK 33 / 0 / 43 / 0

HEX #ABFF92

RGB 171 255 146

HSL 106.24, 1%, 0.79%

LAB 92.69, -45.01, 44.12

 

CMYK 26 / 0 / 35 / 0

HEX #BCFFA5

RGB 188 255 165

HSL 104.67, 1%, 0.82%

LAB 93.85, -36.88, 36.5

 

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

CMYK 57 / 0 / 67 / 11

HEX #62E44B

RGB 98 228 75

HSL 110.98, 0.74%, 0.59%

LAB 81.07, -63.28, 61.44

 

CMYK 61 / 0 / 73 / 18

HEX #51D238

RGB 81 210 56

HSL 110.26, 0.63%, 0.52%

LAB 74.91, -62.53, 61.92

 

CMYK 67 / 0 / 81 / 25

HEX #40C025

RGB 64 192 37

HSL 109.55, 0.68%, 0.45%

LAB 68.7, -61.37, 61.77

 

CMYK 73 / 0 / 90 / 32

HEX #2FAE12

RGB 47 174 18

HSL 108.85, 0.81%, 0.38%

LAB 62.44, -59.65, 60.53

 

CMYK 53 / 0 / 61 / 4

HEX #74F55F

RGB 116 245 95

HSL 111.6, 0.88%, 0.67%

LAB 86.92, -63.02, 59.92

 

CMYK 36 / 0 / 61 / 4

HEX #9DF55F

RGB 157 245 95

HSL 95.2, 0.88%, 0.67%

LAB 88.59, -50.93, 62.24

 

CMYK 20 / 0 / 61 / 4

HEX #C5F55F

RGB 197 245 95

HSL 79.2, 0.88%, 0.67%

LAB 90.78, -36.79, 65.27

 

CMYK 3 / 0 / 61 / 4

HEX #EDF55F

RGB 237 245 95

HSL 63.2, 0.88%, 0.67%

LAB 93.51, -21.26, 69.02

 

CMYK 0 / 13 / 61 / 4

HEX #F5D55F

RGB 245 213 95

HSL 47.2, 0.88%, 0.67%

LAB 85.92, -2.17, 60.96

 

CMYK 53 / 0 / 61 / 4

HEX #74F55F

RGB 116 245 95

HSL 111.6, 0.88%, 0.67%

LAB 86.92, -63.02, 59.92

 

CMYK 61 / 0 / 53 / 4

HEX #5FF573

RGB 95 245 115

HSL 128, 0.88%, 0.67%

LAB 86.49, -65.63, 50.44

 

CMYK 61 / 0 / 36 / 4

HEX #5FF59C

RGB 95 245 156

HSL 144.4, 0.88%, 0.67%

LAB 87.06, -59.3, 31.3

 

CMYK 61 / 0 / 20 / 4

HEX #5FF5C4

RGB 95 245 196

HSL 160.4, 0.88%, 0.67%

LAB 87.84, -51.24, 11.86

 

CMYK 61 / 0 / 4 / 4

HEX #5FF5EC

RGB 95 245 236

HSL 176.4, 0.88%, 0.67%

LAB 88.82, -41.56, -7.54

 

CMYK 53 / 0 / 61 / 4

HEX #74F55F

RGB 116 245 95

HSL 111.6, 0.88%, 0.67%

LAB 86.92, -63.02, 59.92

 

CMYK 53 / 0 / 61 / 4

HEX #74F55F

RGB 116 245 95

HSL 111.6, 0.88%, 0.67%

LAB 86.92, -63.02, 59.92

 

CMYK 46 / 0 / 53 / 9

HEX #7EE86D

RGB 126 232 109

HSL 111.71, 0.73%, 0.67%

LAB 83.58, -53.82, 49.94

 

CMYK 38 / 0 / 44 / 15

HEX #88DA7B

RGB 136 218 123

HSL 111.79, 0.56%, 0.67%

LAB 80.07, -43.19, 38.98

 

CMYK 28 / 0 / 33 / 20

HEX #92CC88

RGB 146 204 136

HSL 111.18, 0.4%, 0.67%

LAB 76.72, -31.68, 28.08

 

CMYK 18 / 0 / 21 / 25

HEX #9CBF96

RGB 156 191 150

HSL 111.22, 0.24%, 0.67%

LAB 73.89, -19.61, 16.89

 

CMYK 19 / 0 / 61 / 4

HEX #C6F55F

RGB 198 245 95

HSL 78.8, 0.88%, 0.67%

LAB 90.84, -36.41, 65.36

 

CMYK 36 / 0 / 61 / 4

HEX #9EF55F

RGB 158 245 95

HSL 94.8, 0.88%, 0.67%

LAB 88.64, -50.6, 62.31

 

CMYK 52 / 0 / 61 / 4

HEX #76F55F

RGB 118 245 95

HSL 110.8, 0.88%, 0.67%

LAB 86.99, -62.51, 60.01

 

CMYK 61 / 0 / 54 / 4

HEX #5FF571

RGB 95 245 113

HSL 127.2, 0.88%, 0.67%

LAB 86.47, -65.89, 51.33

 

CMYK 61 / 0 / 38 / 4

HEX #5FF599

RGB 95 245 153

HSL 143.2, 0.88%, 0.67%

LAB 87.02, -59.83, 32.74

 

CMYK 80 / 0 / 93 / 5

HEX #30F111

RGB 48 241 17

HSL 111.7, 0.89%, 0.51%

LAB 83.75, -79.32, 78.62

 

CMYK 66 / 0 / 77 / 5

HEX #52F338

RGB 82 243 56

HSL 111.66, 0.89%, 0.59%

LAB 85.09, -73.15, 71.91

 

CMYK 53 / 0 / 61 / 4

HEX #74F55F

RGB 116 245 95

HSL 111.6, 0.88%, 0.67%

LAB 86.92, -63.02, 59.92

 

CMYK 40 / 0 / 46 / 3

HEX #96F886

RGB 150 248 134

HSL 111.58, 0.89%, 0.75%

LAB 89.55, -50.14, 45.72

 

CMYK 26 / 0 / 31 / 2

HEX #B8FAAD

RGB 184 250 173

HSL 111.43, 0.89%, 0.83%

LAB 92.39, -34.74, 30.51

 

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

CMYK 61 / 3 / 0 / 4

HEX #5FEEF5

RGB 95 238 245

HSL 182.8, 0.88%, 0.67%

LAB 87.08, -35.97, -14.85

 

CMYK 0 / 61 / 27 / 4

HEX #F55FB2

RGB 245 95 178

HSL 326.8, 0.88%, 0.67%

LAB 62.35, 65.34, -14.38

 

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

CMYK 61 / 52 / 0 / 4

HEX #5F76F5

RGB 95 118 245

HSL 230.8, 0.88%, 0.67%

LAB 54.01, 29.66, -66.41

 

CMYK 0 / 61 / 52 / 4

HEX #F55F76

RGB 245 95 118

HSL 350.8, 0.88%, 0.67%

LAB 60.7, 59.16, 17.9

 

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

CMYK 61 / 3 / 0 / 4

HEX #5FEEF5

RGB 95 238 245

HSL 182.8, 0.88%, 0.67%

LAB 87.08, -35.97, -14.85

 

CMYK 9 / 61 / 0 / 4

HEX #DF5FF5

RGB 223 95 245

HSL 291.2, 0.88%, 0.67%

LAB 62.05, 69.88, -52.83

 

CMYK 0 / 58 / 61 / 4

HEX #F5675F

RGB 245 103 95

HSL 3.2, 0.88%, 0.67%

LAB 61.6, 53.97, 32.24

 

CMYK 53 / 0 / 62 / 4

HEX #73F65E

RGB 115 246 94

HSL 111.71, 0.89%, 0.67%

LAB 87.18, -63.74, 60.61

 

CMYK 61 / 21 / 0 / 4

HEX #5FC1F5

RGB 95 193 245

HSL 200.8, 0.88%, 0.67%

LAB 74.3, -13.67, -34.33

 

CMYK 9 / 61 / 0 / 4

HEX #DF5FF5

RGB 223 95 245

HSL 291.2, 0.88%, 0.67%

LAB 62.05, 69.88, -52.83

 

CMYK 0 / 40 / 61 / 4

HEX #F5945F

RGB 245 148 95

HSL 21.2, 0.88%, 0.67%

LAB 70.47, 31.76, 43.17

 

Description

Color code: RGB 115 246 94 | qconv.com Color code: RGB 115 246 94 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 246 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 246 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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