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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 231 228 it is the complementary color RGB 140 24 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 231 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 231 228 shade: RGB 120 231 223, RGB 137 249 242, RGB 154 255 255, RGB 171 255 255 and RGB 188 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 231 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 98 213 209, RGB 81 195 190, RGB 64 177 171 and RGB 47 159 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 115 231 197, RGB 115 231 165, RGB 115 231 134 and RGB 127 231 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 115 203 231, RGB 115 171 231, RGB 115 140 231 and RGB 115 115 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 231 228 shade matches the following richer shades: RGB 115 231 228 and RGB 102 244 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 128 218 215, RGB 141 204 203, RGB 155 191 190 and RGB 168 178 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 231 228 shade: RGB 115 231 165, RGB 115 231 196, RGB 115 231 227, RGB 115 204 231 and RGB 115 173 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 231 228 shade: RGB 44 219 214, RGB 80 225 221, RGB 115 231 228, RGB 150 237 235 and RGB 186 243 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 134 115 231 and RGB 231 181 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 227 115 231 and RGB 231 227 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 134 115 231, RGB 231 115 119 and RGB 212 231 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 231 228 shade: RGB 115 231 228, RGB 169 115 231, RGB 231 115 119 and RGB 177 231 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

Complementary color

CMYK 0 / 83 / 81 / 45

HEX #8C181B

RGB 140 24 27

HSL 358.45, 0.71%, 0.32%

LAB 30.18, 47.11, 30.05

 

CMYK 48 / 0 / 3 / 9

HEX #78E7DF

RGB 120 231 223

HSL 175.68, 0.7%, 0.69%

LAB 85.24, -33.71, -5.94

 

CMYK 45 / 0 / 3 / 2

HEX #89F9F2

RGB 137 249 242

HSL 176.25, 0.9%, 0.76%

LAB 91.45, -33.71, -6.63

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 54 / 0 / 2 / 16

HEX #62D5D1

RGB 98 213 209

HSL 177.91, 0.58%, 0.61%

LAB 78.92, -33.38, -7.94

 

CMYK 58 / 0 / 3 / 24

HEX #51C3BE

RGB 81 195 190

HSL 177.37, 0.49%, 0.54%

LAB 72.56, -33.15, -7.18

 

CMYK 64 / 0 / 3 / 31

HEX #40B1AB

RGB 64 177 171

HSL 176.81, 0.47%, 0.47%

LAB 66.12, -32.79, -6.34

 

CMYK 70 / 0 / 4 / 38

HEX #2F9F98

RGB 47 159 152

HSL 176.25, 0.54%, 0.4%

LAB 59.59, -32.24, -5.41

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 50 / 0 / 15 / 9

HEX #73E7C5

RGB 115 231 197

HSL 162.41, 0.71%, 0.68%

LAB 84.39, -40.96, 6.5

 

CMYK 50 / 0 / 29 / 9

HEX #73E7A5

RGB 115 231 165

HSL 145.86, 0.71%, 0.68%

LAB 83.71, -47.64, 22.26

 

CMYK 50 / 0 / 42 / 9

HEX #73E786

RGB 115 231 134

HSL 129.83, 0.71%, 0.68%

LAB 83.19, -53, 37.33

 

CMYK 45 / 0 / 50 / 9

HEX #7FE773

RGB 127 231 115

HSL 113.79, 0.71%, 0.68%

LAB 83.39, -52.4, 46.92

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 50 / 12 / 0 / 9

HEX #73CBE7

RGB 115 203 231

HSL 194.48, 0.71%, 0.68%

LAB 77.36, -19.01, -22.04

 

CMYK 50 / 26 / 0 / 9

HEX #73ABE7

RGB 115 171 231

HSL 211.03, 0.71%, 0.68%

LAB 68.42, -1.91, -35.78

 

CMYK 50 / 39 / 0 / 9

HEX #738CE7

RGB 115 140 231

HSL 227.07, 0.71%, 0.68%

LAB 60.04, 15.93, -48.92

 

CMYK 50 / 50 / 0 / 9

HEX #7373E7

RGB 115 115 231

HSL 240, 0.71%, 0.68%

LAB 53.68, 30.85, -59.07

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 58 / 0 / 2 / 4

HEX #66F4F0

RGB 102 244 240

HSL 178.31, 0.87%, 0.68%

LAB 88.84, -38.9, -9.59

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 41 / 0 / 1 / 15

HEX #80DAD7

RGB 128 218 215

HSL 178, 0.55%, 0.68%

LAB 81.64, -27.62, -6.99

 

CMYK 31 / 0 / 0 / 20

HEX #8DCCCB

RGB 141 204 203

HSL 179.05, 0.38%, 0.68%

LAB 77.97, -20.15, -5.93

 

CMYK 19 / 0 / 1 / 25

HEX #9BBFBE

RGB 155 191 190

HSL 178.33, 0.22%, 0.68%

LAB 74.79, -12.2, -3.5

 

CMYK 6 / 0 / 0 / 30

HEX #A8B2B2

RGB 168 178 178

HSL 180, 0.06%, 0.68%

LAB 71.81, -3.48, -1.21

 

CMYK 50 / 0 / 29 / 9

HEX #73E7A5

RGB 115 231 165

HSL 145.86, 0.71%, 0.68%

LAB 83.71, -47.64, 22.26

 

CMYK 50 / 0 / 15 / 9

HEX #73E7C4

RGB 115 231 196

HSL 161.9, 0.71%, 0.68%

LAB 84.37, -41.18, 6.99

 

CMYK 50 / 0 / 2 / 9

HEX #73E7E3

RGB 115 231 227

HSL 177.93, 0.71%, 0.68%

LAB 85.17, -33.77, -8.17

 

CMYK 50 / 12 / 0 / 9

HEX #73CCE7

RGB 115 204 231

HSL 193.97, 0.71%, 0.68%

LAB 77.64, -19.52, -21.61

 

CMYK 50 / 25 / 0 / 9

HEX #73ADE7

RGB 115 173 231

HSL 210, 0.71%, 0.68%

LAB 68.97, -3.02, -34.92

 

CMYK 80 / 0 / 2 / 14

HEX #2CDBD6

RGB 44 219 214

HSL 178.29, 0.71%, 0.52%

LAB 79.64, -42.28, -9.67

 

CMYK 64 / 0 / 2 / 12

HEX #50E1DD

RGB 80 225 221

HSL 178.34, 0.71%, 0.6%

LAB 82.26, -38.85, -9.43

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 37 / 0 / 1 / 7

HEX #96EDEB

RGB 150 237 235

HSL 178.62, 0.71%, 0.76%

LAB 88.47, -26.56, -7.33

 

CMYK 23 / 0 / 1 / 5

HEX #BAF3F1

RGB 186 243 241

HSL 177.89, 0.7%, 0.84%

LAB 92.08, -18.3, -4.92

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 0 / 22 / 50 / 9

HEX #E7B573

RGB 231 181 115

HSL 34.14, 0.71%, 0.68%

LAB 76.84, 10.24, 40.37

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 2 / 50 / 0 / 9

HEX #E373E7

RGB 227 115 231

HSL 297.93, 0.71%, 0.68%

LAB 65.25, 59.34, -40

 

CMYK 0 / 2 / 50 / 9

HEX #E7E373

RGB 231 227 115

HSL 57.93, 0.71%, 0.68%

LAB 88.53, -13.4, 54.58

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 0 / 50 / 48 / 9

HEX #E77377

RGB 231 115 119

HSL 357.93, 0.71%, 0.68%

LAB 62.15, 45.22, 18.97

 

CMYK 8 / 0 / 50 / 9

HEX #D4E773

RGB 212 231 115

HSL 69.83, 0.71%, 0.68%

LAB 88.15, -22.85, 53.78

 

CMYK 50 / 0 / 1 / 9

HEX #73E7E4

RGB 115 231 228

HSL 178.45, 0.71%, 0.68%

LAB 85.2, -33.52, -8.66

 

CMYK 27 / 50 / 0 / 9

HEX #A973E7

RGB 169 115 231

HSL 267.93, 0.71%, 0.68%

LAB 58.48, 43.79, -51.13

 

CMYK 0 / 50 / 48 / 9

HEX #E77377

RGB 231 115 119

HSL 357.93, 0.71%, 0.68%

LAB 62.15, 45.22, 18.97

 

CMYK 23 / 0 / 50 / 9

HEX #B1E773

RGB 177 231 115

HSL 87.93, 0.71%, 0.68%

LAB 85.87, -36.02, 50.51

 

Description

Color code: RGB 115 231 228 | qconv.com Color code: RGB 115 231 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 231 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 231 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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