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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 159 231 it is the complementary color RGB 140 96 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 159 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 159 231 shade: RGB 120 159 226, RGB 137 177 245, RGB 154 195 255, RGB 171 213 255 and RGB 188 231 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 159 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 98 141 212, RGB 81 123 193, RGB 64 105 174 and RGB 47 87 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 115 128 231, RGB 134 115 231, RGB 165 115 231 and RGB 196 115 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 115 128 231 and RGB 115 115 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 159 231 shade matches the following richer shades: RGB 115 159 231 and RGB 102 156 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 128 162 218, RGB 141 165 204, RGB 155 168 191 and RGB 168 172 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 159 231 shade: RGB 115 221 231, RGB 115 190 231, RGB 115 159 231, RGB 115 128 231 and RGB 132 115 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 159 231 shade: RGB 44 111 219, RGB 80 135 225, RGB 115 159 231, RGB 150 183 237 and RGB 186 207 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 210 115 231 and RGB 206 231 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 231 115 159 and RGB 159 231 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 210 115 231, RGB 231 186 115 and RGB 136 231 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 159 231 shade: RGB 115 159 231, RGB 231 115 217, RGB 231 186 115 and RGB 115 231 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

Complementary color

CMYK 0 / 31 / 83 / 45

HEX #8C6018

RGB 140 96 24

HSL 37.24, 0.71%, 0.32%

LAB 44.24, 11.51, 45.06

 

CMYK 47 / 30 / 0 / 11

HEX #789FE2

RGB 120 159 226

HSL 217.92, 0.65%, 0.68%

LAB 65.18, 4.55, -38.05

 

CMYK 44 / 28 / 0 / 4

HEX #89B1F5

RGB 137 177 245

HSL 217.78, 0.84%, 0.75%

LAB 71.8, 3.98, -38.06

 

CMYK 40 / 24 / 0 / 0

HEX #9AC3FF

RGB 154 195 255

HSL 215.64, 1%, 0.8%

LAB 77.95, 1.07, -33.83

 

CMYK 33 / 16 / 0 / 0

HEX #ABD5FF

RGB 171 213 255

HSL 210, 1%, 0.84%

LAB 83.69, -4.04, -24.94

 

CMYK 26 / 9 / 0 / 0

HEX #BCE7FF

RGB 188 231 255

HSL 201.49, 1%, 0.87%

LAB 89.42, -8.61, -16.17

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 54 / 33 / 0 / 17

HEX #628DD4

RGB 98 141 212

HSL 217.37, 0.57%, 0.61%

LAB 58.41, 5.67, -40.95

 

CMYK 58 / 36 / 0 / 24

HEX #517BC1

RGB 81 123 193

HSL 217.5, 0.47%, 0.54%

LAB 51.57, 6.65, -41.03

 

CMYK 63 / 40 / 0 / 32

HEX #4069AE

RGB 64 105 174

HSL 217.64, 0.46%, 0.47%

LAB 44.59, 7.88, -41.14

 

CMYK 70 / 44 / 0 / 39

HEX #2F579B

RGB 47 87 155

HSL 217.78, 0.53%, 0.4%

LAB 37.46, 9.47, -41.28

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 50 / 45 / 0 / 9

HEX #7380E7

RGB 115 128 231

HSL 233.28, 0.71%, 0.68%

LAB 56.93, 23.07, -53.86

 

CMYK 42 / 50 / 0 / 9

HEX #8673E7

RGB 134 115 231

HSL 249.83, 0.71%, 0.68%

LAB 55.17, 35.1, -56.59

 

CMYK 29 / 50 / 0 / 9

HEX #A573E7

RGB 165 115 231

HSL 265.86, 0.71%, 0.68%

LAB 58.07, 42.75, -51.81

 

CMYK 15 / 50 / 0 / 9

HEX #C473E7

RGB 196 115 231

HSL 281.9, 0.71%, 0.68%

LAB 61.45, 50.94, -46.23

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 50 / 45 / 0 / 9

HEX #7380E7

RGB 115 128 231

HSL 233.28, 0.71%, 0.68%

LAB 56.93, 23.07, -53.86

 

CMYK 50 / 50 / 0 / 9

HEX #7373E7

RGB 115 115 231

HSL 240, 0.71%, 0.68%

LAB 53.68, 30.85, -59.07

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 58 / 36 / 0 / 4

HEX #669CF4

RGB 102 156 244

HSL 217.18, 0.87%, 0.68%

LAB 64.27, 7.89, -49.45

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 41 / 26 / 0 / 15

HEX #80A2DA

RGB 128 162 218

HSL 217.33, 0.55%, 0.68%

LAB 66.13, 2.58, -32.12

 

CMYK 31 / 19 / 0 / 20

HEX #8DA5CC

RGB 141 165 204

HSL 217.14, 0.38%, 0.68%

LAB 67.23, 0.8, -22.63

 

CMYK 19 / 12 / 0 / 25

HEX #9BA8BF

RGB 155 168 191

HSL 218.33, 0.22%, 0.68%

LAB 68.56, 0.35, -13.32

 

CMYK 6 / 3 / 0 / 30

HEX #A8ACB2

RGB 168 172 178

HSL 216, 0.06%, 0.68%

LAB 70.21, -0.24, -3.57

 

CMYK 50 / 4 / 0 / 9

HEX #73DDE7

RGB 115 221 231

HSL 185.17, 0.71%, 0.68%

LAB 82.45, -27.97, -14.35

 

CMYK 50 / 18 / 0 / 9

HEX #73BEE7

RGB 115 190 231

HSL 201.21, 0.71%, 0.68%

LAB 73.7, -12.24, -27.62

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 50 / 45 / 0 / 9

HEX #7380E7

RGB 115 128 231

HSL 233.28, 0.71%, 0.68%

LAB 56.93, 23.07, -53.86

 

CMYK 43 / 50 / 0 / 9

HEX #8473E7

RGB 132 115 231

HSL 248.79, 0.71%, 0.68%

LAB 55.01, 34.63, -56.87

 

CMYK 80 / 49 / 0 / 14

HEX #2C6FDB

RGB 44 111 219

HSL 217.03, 0.71%, 0.52%

LAB 48.28, 17.86, -61.18

 

CMYK 64 / 40 / 0 / 12

HEX #5087E1

RGB 80 135 225

HSL 217.24, 0.71%, 0.6%

LAB 56.55, 10.01, -51.23

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 37 / 23 / 0 / 7

HEX #96B7ED

RGB 150 183 237

HSL 217.24, 0.71%, 0.76%

LAB 73.85, 1.84, -30.49

 

CMYK 23 / 15 / 0 / 5

HEX #BACFF3

RGB 186 207 243

HSL 217.89, 0.7%, 0.84%

LAB 82.67, 0.61, -20.04

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 9 / 50 / 0 / 9

HEX #D273E7

RGB 210 115 231

HSL 289.14, 0.71%, 0.68%

LAB 63.12, 54.72, -43.48

 

CMYK 11 / 0 / 50 / 9

HEX #CEE773

RGB 206 231 115

HSL 72.93, 0.71%, 0.68%

LAB 87.73, -25.17, 53.18

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 0 / 50 / 31 / 9

HEX #E7739F

RGB 231 115 159

HSL 337.24, 0.71%, 0.68%

LAB 63.14, 49.57, -2.54

 

CMYK 31 / 0 / 50 / 9

HEX #9FE773

RGB 159 231 115

HSL 97.24, 0.71%, 0.68%

LAB 84.87, -42.33, 49.07

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 9 / 50 / 0 / 9

HEX #D273E7

RGB 210 115 231

HSL 289.14, 0.71%, 0.68%

LAB 63.12, 54.72, -43.48

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 41 / 0 / 50 / 9

HEX #88E773

RGB 136 231 115

HSL 109.14, 0.71%, 0.68%

LAB 83.77, -49.74, 47.47

 

CMYK 50 / 31 / 0 / 9

HEX #739FE7

RGB 115 159 231

HSL 217.24, 0.71%, 0.68%

LAB 65.13, 4.86, -40.91

 

CMYK 0 / 50 / 6 / 9

HEX #E773D9

RGB 231 115 217

HSL 307.24, 0.71%, 0.68%

LAB 65.17, 58.05, -32.29

 

CMYK 0 / 19 / 50 / 9

HEX #E7BA73

RGB 231 186 115

HSL 36.72, 0.71%, 0.68%

LAB 78.08, 7.6, 41.91

 

CMYK 50 / 0 / 45 / 9

HEX #73E780

RGB 115 231 128

HSL 126.72, 0.71%, 0.68%

LAB 83.1, -53.9, 40.19

 

Description

Color code: RGB 115 159 231 | qconv.com Color code: RGB 115 159 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 159 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 159 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 31 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 31% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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