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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 149 126 it is the complementary color RGB 140 106 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 149 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 149 126 shade: RGB 120 149 121, RGB 137 167 140, RGB 154 185 159, RGB 171 203 178 and RGB 188 221 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 149 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 98 131 107, RGB 81 113 88, RGB 64 95 69 and RGB 47 77 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 115 149 117, RGB 122 149 115, RGB 132 149 115 and RGB 141 149 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 115 149 135, RGB 115 149 145, RGB 115 145 149 and RGB 115 135 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 149 126 shade matches the following richer shades: RGB 115 149 126, RGB 95 169 119, RGB 75 189 112, RGB 56 209 105 and RGB 36 228 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 135 129 133, RGB 155 110 140, RGB 174 90 147 and RGB 194 70 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 149 126 shade: RGB 122 149 115, RGB 115 149 117, RGB 115 149 126, RGB 115 149 135 and RGB 115 149 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 149 126 shade: RGB 78 104 86, RGB 96 127 106, RGB 115 149 126, RGB 138 167 148 and RGB 162 185 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 115 132 149 and RGB 149 115 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 126 115 149 and RGB 149 126 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 115 132 149, RGB 149 115 138 and RGB 149 133 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 149 126 shade: RGB 115 149 126, RGB 115 121 149, RGB 149 115 138 and RGB 149 143 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

Complementary color

CMYK 0 / 24 / 8 / 45

HEX #8C6A81

RGB 140 106 129

HSL 319.41, 0.14%, 0.48%

LAB 48.85, 17.55, -7.46

 

CMYK 19 / 0 / 19 / 42

HEX #789579

RGB 120 149 121

HSL 122.07, 0.12%, 0.53%

LAB 58.85, -15.9, 11.49

 

CMYK 18 / 0 / 16 / 35

HEX #89A78C

RGB 137 167 140

HSL 126, 0.15%, 0.6%

LAB 65.63, -15.76, 10.58

 

CMYK 17 / 0 / 14 / 27

HEX #9AB99F

RGB 154 185 159

HSL 129.68, 0.18%, 0.66%

LAB 72.28, -15.64, 9.73

 

CMYK 16 / 0 / 12 / 20

HEX #ABCBB2

RGB 171 203 178

HSL 133.13, 0.24%, 0.73%

LAB 78.8, -15.53, 8.92

 

CMYK 15 / 0 / 11 / 13

HEX #BCDDC5

RGB 188 221 197

HSL 136.36, 0.33%, 0.8%

LAB 85.22, -15.44, 8.16

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 25 / 0 / 18 / 49

HEX #62836B

RGB 98 131 107

HSL 136.36, 0.14%, 0.45%

LAB 51.71, -16.91, 9.23

 

CMYK 28 / 0 / 22 / 56

HEX #517158

RGB 81 113 88

HSL 133.13, 0.16%, 0.38%

LAB 44.61, -17.14, 10.23

 

CMYK 33 / 0 / 27 / 63

HEX #405F45

RGB 64 95 69

HSL 129.68, 0.19%, 0.31%

LAB 37.31, -17.42, 11.33

 

CMYK 39 / 0 / 35 / 70

HEX #2F4D32

RGB 47 77 50

HSL 126, 0.24%, 0.24%

LAB 29.77, -17.72, 12.59

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 0 / 21 / 42

HEX #739575

RGB 115 149 117

HSL 123.53, 0.14%, 0.52%

LAB 58.44, -18.44, 13.11

 

CMYK 18 / 0 / 23 / 42

HEX #7A9573

RGB 122 149 115

HSL 107.65, 0.14%, 0.52%

LAB 58.85, -16.27, 14.89

 

CMYK 11 / 0 / 23 / 42

HEX #849573

RGB 132 149 115

HSL 90, 0.14%, 0.52%

LAB 59.56, -12.51, 15.98

 

CMYK 5 / 0 / 23 / 42

HEX #8D9573

RGB 141 149 115

HSL 74.12, 0.14%, 0.52%

LAB 60.24, -9.02, 17.03

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 0 / 9 / 42

HEX #739587

RGB 115 149 135

HSL 155.29, 0.14%, 0.52%

LAB 58.87, -14.84, 3.53

 

CMYK 23 / 0 / 3 / 42

HEX #739591

RGB 115 149 145

HSL 172.94, 0.14%, 0.52%

LAB 59.14, -12.64, -1.77

 

CMYK 23 / 3 / 0 / 42

HEX #739195

RGB 115 145 149

HSL 187.06, 0.14%, 0.52%

LAB 58.1, -9.54, -5.59

 

CMYK 23 / 9 / 0 / 42

HEX #738795

RGB 115 135 149

HSL 204.71, 0.14%, 0.52%

LAB 55.22, -3.95, -9.88

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 44 / 0 / 30 / 34

HEX #5FA977

RGB 95 169 119

HSL 139.46, 0.3%, 0.52%

LAB 63.46, -34.4, 18.78

 

CMYK 60 / 0 / 41 / 26

HEX #4BBD70

RGB 75 189 112

HSL 139.47, 0.46%, 0.52%

LAB 68.8, -49.36, 29.55

 

CMYK 73 / 0 / 50 / 18

HEX #38D169

RGB 56 209 105

HSL 139.22, 0.62%, 0.52%

LAB 74.48, -61.41, 40.26

 

CMYK 84 / 0 / 57 / 11

HEX #24E462

RGB 36 228 98

HSL 139.38, 0.78%, 0.52%

LAB 80.04, -70.98, 50.22

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 0 / 4 / 1 / 47

HEX #878185

RGB 135 129 133

HSL 320, 0.02%, 0.52%

LAB 54.6, 3.03, -1.36

 

CMYK 0 / 29 / 10 / 39

HEX #9B6E8C

RGB 155 110 140

HSL 320, 0.18%, 0.52%

LAB 51.85, 22.8, -9.31

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A93

RGB 174 90 147

HSL 319.29, 0.34%, 0.52%

LAB 50, 41.66, -16.02

 

CMYK 0 / 64 / 21 / 24

HEX #C2469A

RGB 194 70 154

HSL 319.35, 0.5%, 0.52%

LAB 49.72, 58.19, -20.34

 

CMYK 18 / 0 / 23 / 42

HEX #7A9573

RGB 122 149 115

HSL 107.65, 0.14%, 0.52%

LAB 58.85, -16.27, 14.89

 

CMYK 23 / 0 / 21 / 42

HEX #739575

RGB 115 149 117

HSL 123.53, 0.14%, 0.52%

LAB 58.44, -18.44, 13.11

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 0 / 9 / 42

HEX #739587

RGB 115 149 135

HSL 155.29, 0.14%, 0.52%

LAB 58.87, -14.84, 3.53

 

CMYK 23 / 0 / 3 / 42

HEX #739590

RGB 115 149 144

HSL 171.18, 0.14%, 0.52%

LAB 59.12, -12.87, -1.24

 

CMYK 25 / 0 / 17 / 59

HEX #4E6856

RGB 78 104 86

HSL 138.46, 0.14%, 0.36%

LAB 41.52, -13.7, 7.04

 

CMYK 24 / 0 / 17 / 50

HEX #607F6A

RGB 96 127 106

HSL 139.35, 0.14%, 0.44%

LAB 50.34, -15.67, 7.85

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 17 / 0 / 11 / 35

HEX #8AA794

RGB 138 167 148

HSL 140.69, 0.14%, 0.6%

LAB 65.89, -13.88, 6.51

 

CMYK 12 / 0 / 9 / 27

HEX #A2B9A9

RGB 162 185 169

HSL 138.26, 0.14%, 0.68%

LAB 73.05, -11, 5.46

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 11 / 0 / 42

HEX #738495

RGB 115 132 149

HSL 210, 0.14%, 0.52%

LAB 54.36, -2.24, -11.17

 

CMYK 0 / 23 / 21 / 42

HEX #957376

RGB 149 115 118

HSL 354.71, 0.14%, 0.52%

LAB 51.79, 13.84, 3.49

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 15 / 23 / 0 / 42

HEX #7E7395

RGB 126 115 149

HSL 259.41, 0.14%, 0.52%

LAB 50.53, 11.41, -16.88

 

CMYK 0 / 15 / 23 / 42

HEX #957E73

RGB 149 126 115

HSL 19.41, 0.14%, 0.52%

LAB 54.6, 7.02, 9.26

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 11 / 0 / 42

HEX #738495

RGB 115 132 149

HSL 210, 0.14%, 0.52%

LAB 54.36, -2.24, -11.17

 

CMYK 0 / 23 / 7 / 42

HEX #95738A

RGB 149 115 138

HSL 319.41, 0.14%, 0.52%

LAB 52.38, 17.33, -7.41

 

CMYK 0 / 11 / 23 / 42

HEX #958573

RGB 149 133 115

HSL 31.76, 0.14%, 0.52%

LAB 56.49, 3.04, 11.92

 

CMYK 23 / 0 / 15 / 42

HEX #73957E

RGB 115 149 126

HSL 139.41, 0.14%, 0.52%

LAB 58.65, -16.7, 8.32

 

CMYK 23 / 19 / 0 / 42

HEX #737995

RGB 115 121 149

HSL 229.41, 0.14%, 0.52%

LAB 51.26, 4.16, -15.86

 

CMYK 0 / 23 / 7 / 42

HEX #95738A

RGB 149 115 138

HSL 319.41, 0.14%, 0.52%

LAB 52.38, 17.33, -7.41

 

CMYK 0 / 4 / 23 / 42

HEX #958F73

RGB 149 143 115

HSL 49.41, 0.14%, 0.52%

LAB 59.23, -2.56, 15.73

 

Description

Color code: RGB 115 149 126 | qconv.com Color code: RGB 115 149 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 149 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 149 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 15 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 15% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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