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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 147 106 it is the complementary color RGB 140 108 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 147 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 147 106 shade: RGB 120 147 101, RGB 137 165 120, RGB 154 183 139, RGB 171 201 158 and RGB 188 219 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 147 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 147 106 shade: RGB 115 147 106, RGB 98 129 87, RGB 81 111 68, RGB 64 93 49 and RGB 47 75 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 147 106 shade: RGB 116 147 107, RGB 127 147 107, RGB 138 147 107, RGB 147 146 107 and RGB 147 135 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 147 106 shade: RGB 116 147 107, RGB 107 147 109, RGB 107 147 120, RGB 107 147 131 and RGB 107 147 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 147 106 shade matches the following richer shades: RGB 116 147 107, RGB 104 168 86, RGB 92 189 65, RGB 81 209 45 and RGB 69 230 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 147 106 shade: RGB 116 147 107, RGB 127 127 127, RGB 139 106 148, RGB 150 86 168 and RGB 162 65 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 147 106 shade: RGB 138 147 107, RGB 127 147 107, RGB 116 147 107, RGB 107 147 108 and RGB 107 147 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 147 106 shade: RGB 78 100 72, RGB 97 123 89, RGB 116 147 107, RGB 138 165 131 and RGB 161 182 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 147 106 shade: RGB 115 147 106, RGB 107 147 146 and RGB 147 107 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 147 106 shade: RGB 115 147 106, RGB 107 116 147 and RGB 147 107 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 147 106 shade: RGB 115 147 106, RGB 107 147 146, RGB 138 107 147 and RGB 147 107 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 147 106 shade: RGB 115 147 106, RGB 107 137 147, RGB 138 107 147 and RGB 147 117 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

Complementary color

CMYK 6 / 28 / 0 / 42

HEX #8C6C95

RGB 140 108 149

HSL 286.83, 0.16%, 0.5%

LAB 50.06, 20.39, -17.47

 

CMYK 18 / 0 / 31 / 42

HEX #789365

RGB 120 147 101

HSL 95.22, 0.19%, 0.49%

LAB 57.85, -18.31, 21.32

 

CMYK 17 / 0 / 27 / 35

HEX #89A578

RGB 137 165 120

HSL 97.33, 0.2%, 0.56%

LAB 64.63, -18.21, 20.22

 

CMYK 16 / 0 / 24 / 28

HEX #9AB78B

RGB 154 183 139

HSL 99.55, 0.23%, 0.63%

LAB 71.28, -18.11, 19.19

 

CMYK 15 / 0 / 21 / 21

HEX #ABC99E

RGB 171 201 158

HSL 101.86, 0.28%, 0.7%

LAB 77.82, -18.02, 18.22

 

CMYK 14 / 0 / 19 / 14

HEX #BCDBB1

RGB 188 219 177

HSL 104.29, 0.37%, 0.78%

LAB 84.24, -17.94, 17.3

 

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

CMYK 24 / 0 / 33 / 49

HEX #628157

RGB 98 129 87

HSL 104.29, 0.19%, 0.42%

LAB 50.67, -19.55, 19.3

 

CMYK 27 / 0 / 39 / 56

HEX #516F44

RGB 81 111 68

HSL 101.86, 0.24%, 0.35%

LAB 43.56, -19.73, 20.53

 

CMYK 31 / 0 / 47 / 64

HEX #405D31

RGB 64 93 49

HSL 99.55, 0.31%, 0.28%

LAB 36.25, -19.89, 21.86

 

CMYK 37 / 0 / 60 / 71

HEX #2F4B1E

RGB 47 75 30

HSL 97.33, 0.43%, 0.21%

LAB 28.72, -19.97, 23.24

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 14 / 0 / 27 / 42

HEX #7F936B

RGB 127 147 107

HSL 90, 0.16%, 0.5%

LAB 58.45, -14.67, 18.88

 

CMYK 6 / 0 / 27 / 42

HEX #8A936B

RGB 138 147 107

HSL 73.5, 0.16%, 0.5%

LAB 59.28, -10.36, 20.14

 

CMYK 0 / 1 / 27 / 42

HEX #93926B

RGB 147 146 107

HSL 58.5, 0.16%, 0.5%

LAB 59.73, -6.2, 20.87

 

CMYK 0 / 8 / 27 / 42

HEX #93876B

RGB 147 135 107

HSL 42, 0.16%, 0.5%

LAB 56.68, -0.11, 16.72

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 27 / 0 / 26 / 42

HEX #6B936D

RGB 107 147 109

HSL 123, 0.16%, 0.5%

LAB 57.17, -21.72, 15.79

 

CMYK 27 / 0 / 18 / 42

HEX #6B9378

RGB 107 147 120

HSL 139.5, 0.16%, 0.5%

LAB 57.41, -19.61, 9.91

 

CMYK 27 / 0 / 11 / 42

HEX #6B9383

RGB 107 147 131

HSL 156, 0.16%, 0.5%

LAB 57.69, -17.3, 4.03

 

CMYK 27 / 0 / 3 / 42

HEX #6B938E

RGB 107 147 142

HSL 172.5, 0.16%, 0.5%

LAB 57.99, -14.82, -1.81

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 38 / 0 / 49 / 34

HEX #68A856

RGB 104 168 86

HSL 106.83, 0.32%, 0.5%

LAB 63.03, -36.5, 35.84

 

CMYK 51 / 0 / 66 / 26

HEX #5CBD41

RGB 92 189 65

HSL 106.94, 0.49%, 0.5%

LAB 68.79, -51.36, 52.21

 

CMYK 61 / 0 / 78 / 18

HEX #51D12D

RGB 81 209 45

HSL 106.83, 0.65%, 0.5%

LAB 74.53, -62.9, 65.1

 

CMYK 70 / 0 / 90 / 10

HEX #45E618

RGB 69 230 24

HSL 106.89, 0.81%, 0.5%

LAB 80.7, -72.93, 75.25

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 6 / 28 / 0 / 42

HEX #8B6A94

RGB 139 106 148

HSL 287.14, 0.17%, 0.5%

LAB 49.42, 21, -17.88

 

CMYK 11 / 49 / 0 / 34

HEX #9656A8

RGB 150 86 168

HSL 286.83, 0.32%, 0.5%

LAB 46.93, 40.2, -33.43

 

CMYK 14 / 66 / 0 / 26

HEX #A241BD

RGB 162 65 189

HSL 286.94, 0.49%, 0.5%

LAB 45.82, 58.01, -47.4

 

CMYK 6 / 0 / 27 / 42

HEX #8A936B

RGB 138 147 107

HSL 73.5, 0.16%, 0.5%

LAB 59.28, -10.36, 20.14

 

CMYK 14 / 0 / 27 / 42

HEX #7F936B

RGB 127 147 107

HSL 90, 0.16%, 0.5%

LAB 58.45, -14.67, 18.88

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 27 / 0 / 27 / 42

HEX #6B936C

RGB 107 147 108

HSL 121.5, 0.16%, 0.5%

LAB 57.15, -21.9, 16.32

 

CMYK 27 / 0 / 19 / 42

HEX #6B9377

RGB 107 147 119

HSL 138, 0.16%, 0.5%

LAB 57.39, -19.81, 10.44

 

CMYK 22 / 0 / 28 / 61

HEX #4E6448

RGB 78 100 72

HSL 107.14, 0.16%, 0.34%

LAB 39.92, -14.24, 13.26

 

CMYK 21 / 0 / 28 / 52

HEX #617B59

RGB 97 123 89

HSL 105.88, 0.16%, 0.42%

LAB 48.8, -16.4, 15.6

 

CMYK 21 / 0 / 27 / 42

HEX #74936B

RGB 116 147 107

HSL 106.5, 0.16%, 0.5%

LAB 57.7, -18.83, 17.72

 

CMYK 16 / 0 / 21 / 35

HEX #8AA583

RGB 138 165 131

HSL 107.65, 0.16%, 0.58%

LAB 64.92, -15.99, 14.58

 

CMYK 12 / 0 / 15 / 29

HEX #A1B69A

RGB 161 182 154

HSL 105, 0.16%, 0.66%

LAB 71.8, -12.53, 11.85

 

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

CMYK 27 / 0 / 1 / 42

HEX #6B9392

RGB 107 147 146

HSL 178.5, 0.16%, 0.5%

LAB 58.1, -13.88, -3.93

 

CMYK 0 / 27 / 10 / 42

HEX #936B84

RGB 147 107 132

HSL 322.5, 0.16%, 0.5%

LAB 49.96, 20.13, -7.5

 

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

CMYK 27 / 21 / 0 / 42

HEX #6B7493

RGB 107 116 147

HSL 226.5, 0.16%, 0.5%

LAB 49.16, 4, -17.94

 

CMYK 0 / 27 / 21 / 42

HEX #936B74

RGB 147 107 116

HSL 346.5, 0.16%, 0.5%

LAB 49.47, 17.37, 1.28

 

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

CMYK 27 / 0 / 1 / 42

HEX #6B9392

RGB 107 147 146

HSL 178.5, 0.16%, 0.5%

LAB 58.1, -13.88, -3.93

 

CMYK 6 / 27 / 0 / 42

HEX #8A6B93

RGB 138 107 147

HSL 286.5, 0.16%, 0.5%

LAB 49.53, 19.85, -17.13

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 22 / 0 / 28 / 42

HEX #73936A

RGB 115 147 106

HSL 106.83, 0.16%, 0.5%

LAB 57.61, -19.37, 18.16

 

CMYK 27 / 7 / 0 / 42

HEX #6B8993

RGB 107 137 147

HSL 195, 0.16%, 0.5%

LAB 55.2, -8.14, -8.81

 

CMYK 6 / 27 / 0 / 42

HEX #8A6B93

RGB 138 107 147

HSL 286.5, 0.16%, 0.5%

LAB 49.53, 19.85, -17.13

 

CMYK 0 / 20 / 27 / 42

HEX #93756B

RGB 147 117 107

HSL 15, 0.16%, 0.5%

LAB 51.82, 10.16, 9.97

 

Description

Color code: RGB 115 147 106 | qconv.com Color code: RGB 115 147 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 147 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 147 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 28 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 28% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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