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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 115 82 it is the complementary color RGB 140 140 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 115 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 115 82 shade: RGB 120 115 77, RGB 137 133 96, RGB 154 151 115, RGB 171 169 134 and RGB 188 187 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 115 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 115 82 shade: RGB 115 115 82, RGB 98 97 63, RGB 81 79 44, RGB 64 61 25 and RGB 47 43 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 115 82 shade: RGB 116 116 82, RGB 116 107 82, RGB 116 98 82, RGB 116 89 82 and RGB 116 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 115 82 shade: RGB 116 116 82, RGB 107 116 82, RGB 98 116 82, RGB 89 116 82 and RGB 82 116 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 115 82 shade matches the following richer shades: RGB 116 116 82, RGB 132 132 66, RGB 148 148 50, RGB 164 164 34 and RGB 180 180 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 115 82 shade: RGB 116 116 82, RGB 100 100 98, RGB 84 84 114, RGB 68 68 130 and RGB 51 51 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 115 82 shade: RGB 116 98 82, RGB 116 107 82, RGB 116 116 82, RGB 107 116 82 and RGB 98 116 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 115 82 shade: RGB 68 68 48, RGB 92 92 65, RGB 116 116 82, RGB 140 140 99 and RGB 160 160 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 115 82 shade: RGB 115 115 82, RGB 82 116 89 and RGB 102 82 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 115 82 shade: RGB 115 115 82, RGB 82 116 116 and RGB 116 82 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 115 82 shade: RGB 115 115 82, RGB 82 116 89, RGB 82 82 116 and RGB 116 82 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 115 82 shade: RGB 115 115 82, RGB 82 116 99, RGB 82 82 116 and RGB 116 82 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

Complementary color

CMYK 19 / 19 / 0 / 32

HEX #8C8CAD

RGB 140 140 173

HSL 240, 0.17%, 0.61%

LAB 59.3, 7.09, -17.31

 

CMYK 0 / 4 / 36 / 53

HEX #78734D

RGB 120 115 77

HSL 53.02, 0.22%, 0.39%

LAB 47.99, -4.35, 21.75

 

CMYK 0 / 3 / 30 / 46

HEX #898560

RGB 137 133 96

HSL 54.15, 0.18%, 0.46%

LAB 55.01, -4.69, 20.54

 

CMYK 0 / 2 / 25 / 40

HEX #9A9773

RGB 154 151 115

HSL 55.38, 0.16%, 0.53%

LAB 61.86, -4.96, 19.41

 

CMYK 0 / 1 / 22 / 33

HEX #ABA986

RGB 171 169 134

HSL 56.76, 0.18%, 0.6%

LAB 68.57, -5.19, 18.37

 

CMYK 0 / 1 / 19 / 26

HEX #BCBB99

RGB 188 187 153

HSL 58.29, 0.21%, 0.67%

LAB 75.16, -5.38, 17.39

 

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

CMYK 0 / 1 / 36 / 62

HEX #62613F

RGB 98 97 63

HSL 58.29, 0.22%, 0.32%

LAB 40.42, -5.51, 19.57

 

CMYK 0 / 2 / 46 / 68

HEX #514F2C

RGB 81 79 44

HSL 56.76, 0.3%, 0.25%

LAB 32.97, -5.11, 20.93

 

CMYK 0 / 5 / 61 / 75

HEX #403D19

RGB 64 61 25

HSL 55.38, 0.44%, 0.17%

LAB 25.25, -4.5, 22.35

 

CMYK 0 / 9 / 87 / 82

HEX #2F2B06

RGB 47 43 6

HSL 54.15, 0.77%, 0.1%

LAB 17.2, -3.51, 22.28

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 0 / 8 / 29 / 55

HEX #746B52

RGB 116 107 82

HSL 44.12, 0.17%, 0.39%

LAB 45.41, -0.75, 15.32

 

CMYK 0 / 16 / 29 / 55

HEX #746252

RGB 116 98 82

HSL 28.24, 0.17%, 0.39%

LAB 42.85, 4.57, 11.8

 

CMYK 0 / 23 / 29 / 55

HEX #745952

RGB 116 89 82

HSL 12.35, 0.17%, 0.39%

LAB 40.36, 9.98, 8.31

 

CMYK 0 / 29 / 29 / 55

HEX #745252

RGB 116 82 82

HSL 0, 0.17%, 0.39%

LAB 38.48, 14.22, 5.65

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 8 / 0 / 29 / 55

HEX #6B7452

RGB 107 116 82

HSL 75.88, 0.17%, 0.39%

LAB 47.27, -9.72, 17.7

 

CMYK 16 / 0 / 29 / 55

HEX #627452

RGB 98 116 82

HSL 91.76, 0.17%, 0.39%

LAB 46.57, -13.39, 16.65

 

CMYK 23 / 0 / 29 / 55

HEX #597452

RGB 89 116 82

HSL 107.65, 0.17%, 0.39%

LAB 45.94, -16.93, 15.68

 

CMYK 29 / 0 / 27 / 55

HEX #527455

RGB 82 116 85

HSL 125.29, 0.17%, 0.39%

LAB 45.55, -18.99, 13.32

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 0 / 0 / 50 / 48

HEX #848442

RGB 132 132 66

HSL 60, 0.33%, 0.39%

LAB 53.82, -9.86, 35.32

 

CMYK 0 / 0 / 66 / 42

HEX #949432

RGB 148 148 50

HSL 60, 0.49%, 0.39%

LAB 59.62, -12.68, 49.76

 

CMYK 0 / 0 / 79 / 36

HEX #A4A422

RGB 164 164 34

HSL 60, 0.66%, 0.39%

LAB 65.4, -14.76, 61.54

 

CMYK 0 / 0 / 90 / 29

HEX #B4B412

RGB 180 180 18

HSL 60, 0.82%, 0.39%

LAB 71.14, -16.35, 70.52

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 0 / 0 / 2 / 61

HEX #646462

RGB 100 100 98

HSL 60, 0.01%, 0.39%

LAB 42.32, -0.41, 1.13

 

CMYK 26 / 26 / 0 / 55

HEX #545472

RGB 84 84 114

HSL 240, 0.15%, 0.39%

LAB 36.82, 7.3, -17.09

 

CMYK 48 / 48 / 0 / 49

HEX #444482

RGB 68 68 130

HSL 240, 0.31%, 0.39%

LAB 31.75, 17.61, -35.07

 

CMYK 65 / 65 / 0 / 43

HEX #333392

RGB 51 51 146

HSL 240, 0.48%, 0.39%

LAB 27.15, 30.71, -52.45

 

CMYK 0 / 16 / 29 / 55

HEX #746252

RGB 116 98 82

HSL 28.24, 0.17%, 0.39%

LAB 42.85, 4.57, 11.8

 

CMYK 0 / 8 / 29 / 55

HEX #746B52

RGB 116 107 82

HSL 44.12, 0.17%, 0.39%

LAB 45.41, -0.75, 15.32

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 8 / 0 / 29 / 55

HEX #6B7452

RGB 107 116 82

HSL 75.88, 0.17%, 0.39%

LAB 47.27, -9.72, 17.7

 

CMYK 16 / 0 / 29 / 55

HEX #627452

RGB 98 116 82

HSL 91.76, 0.17%, 0.39%

LAB 46.57, -13.39, 16.65

 

CMYK 0 / 0 / 29 / 73

HEX #444430

RGB 68 68 48

HSL 60, 0.17%, 0.23%

LAB 28.32, -3.87, 12.16

 

CMYK 0 / 0 / 29 / 64

HEX #5C5C41

RGB 92 92 65

HSL 60, 0.17%, 0.31%

LAB 38.4, -4.93, 15.59

 

CMYK 0 / 0 / 29 / 55

HEX #747452

RGB 116 116 82

HSL 60, 0.17%, 0.39%

LAB 48.02, -5.94, 18.85

 

CMYK 0 / 0 / 29 / 45

HEX #8C8C63

RGB 140 140 99

HSL 60, 0.17%, 0.47%

LAB 57.3, -6.9, 21.97

 

CMYK 0 / 0 / 24 / 37

HEX #A0A079

RGB 160 160 121

HSL 60, 0.17%, 0.55%

LAB 64.96, -6.58, 20.4

 

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

CMYK 29 / 0 / 23 / 55

HEX #527459

RGB 82 116 89

HSL 132.35, 0.17%, 0.39%

LAB 45.64, -18.2, 11.09

 

CMYK 12 / 29 / 0 / 55

HEX #665274

RGB 102 82 116

HSL 275.29, 0.17%, 0.39%

LAB 38.06, 15.36, -16.28

 

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

CMYK 29 / 0 / 0 / 55

HEX #527474

RGB 82 116 116

HSL 180, 0.17%, 0.39%

LAB 46.37, -12.04, -3.92

 

CMYK 0 / 29 / 0 / 55

HEX #745274

RGB 116 82 116

HSL 300, 0.17%, 0.39%

LAB 39.59, 20.42, -13.8

 

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

CMYK 29 / 0 / 23 / 55

HEX #527459

RGB 82 116 89

HSL 132.35, 0.17%, 0.39%

LAB 45.64, -18.2, 11.09

 

CMYK 29 / 29 / 0 / 55

HEX #525274

RGB 82 82 116

HSL 240, 0.17%, 0.39%

LAB 36.16, 8.44, -19.37

 

CMYK 0 / 29 / 6 / 55

HEX #74526D

RGB 116 82 109

HSL 312.35, 0.17%, 0.39%

LAB 39.33, 18.99, -9.88

 

CMYK 0 / 0 / 29 / 55

HEX #737352

RGB 115 115 82

HSL 60, 0.17%, 0.39%

LAB 47.64, -5.79, 18.32

 

CMYK 29 / 0 / 15 / 55

HEX #527463

RGB 82 116 99

HSL 150, 0.17%, 0.39%

LAB 45.89, -16.08, 5.51

 

CMYK 29 / 29 / 0 / 55

HEX #525274

RGB 82 82 116

HSL 240, 0.17%, 0.39%

LAB 36.16, 8.44, -19.37

 

CMYK 0 / 29 / 15 / 55

HEX #745263

RGB 116 82 99

HSL 330, 0.17%, 0.39%

LAB 38.98, 17.09, -4.19

 

Description

Color code: RGB 115 115 82 | qconv.com Color code: RGB 115 115 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 115 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 115 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 29 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 29% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Delgado Community Co...
Link: http://www.dcc.edu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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