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Color name
RGB 115 108 6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 108 6 it is the complementary color RGB 140 147 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 108 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 108 6 shade: RGB 120 108 1, RGB 137 126 20, RGB 154 144 39, RGB 171 162 58 and RGB 188 180 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 108 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 108 6 shade: RGB 115 108 6, RGB 98 90 0, RGB 81 72 0, RGB 64 54 0 and RGB 47 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 108 6 shade: RGB 116 109 6, RGB 116 79 6, RGB 116 49 6, RGB 116 20 6 and RGB 116 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 108 6 shade: RGB 116 109 6, RGB 93 116 6, RGB 63 116 6, RGB 34 116 6 and RGB 6 116 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 108 6 shade matches the following richer shades: RGB 116 109 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 108 6 shade: RGB 116 109 6, RGB 106 100 16, RGB 96 91 25, RGB 86 83 35 and RGB 76 74 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 108 6 shade: RGB 116 50 6, RGB 116 79 6, RGB 116 108 6, RGB 94 116 6 and RGB 64 116 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 108 6 shade: RGB 37 35 1, RGB 77 72 4, RGB 116 109 6, RGB 155 146 8 and RGB 194 182 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 108 6 shade: RGB 115 108 6, RGB 6 116 20 and RGB 64 6 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 108 6 shade: RGB 115 108 6, RGB 6 116 108 and RGB 108 6 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 108 6 shade: RGB 115 108 6, RGB 6 116 20, RGB 6 13 116 and RGB 116 6 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 108 6 shade: RGB 115 108 6, RGB 6 116 53, RGB 6 13 116 and RGB 116 6 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

Complementary color

CMYK 44 / 41 / 0 / 2

HEX #8C93F9

RGB 140 147 249

HSL 236.15, 0.9%, 0.76%

LAB 64.39, 22.96, -51.85

 

CMYK 0 / 10 / 99 / 53

HEX #786C01

RGB 120 108 1

HSL 53.95, 0.98%, 0.24%

LAB 45.25, -5.64, 51.3

 

CMYK 0 / 8 / 85 / 46

HEX #897E14

RGB 137 126 20

HSL 54.36, 0.75%, 0.31%

LAB 52.16, -7.19, 53.13

 

CMYK 0 / 6 / 75 / 40

HEX #9A9027

RGB 154 144 39

HSL 54.78, 0.6%, 0.38%

LAB 58.94, -8.46, 53.63

 

CMYK 0 / 5 / 66 / 33

HEX #ABA23A

RGB 171 162 58

HSL 55.22, 0.49%, 0.45%

LAB 65.6, -9.47, 53.19

 

CMYK 0 / 4 / 59 / 26

HEX #BCB44D

RGB 188 180 77

HSL 55.68, 0.45%, 0.52%

LAB 72.14, -10.29, 52.33

 

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

CMYK 0 / 8 / 100 / 62

HEX #625A00

RGB 98 90 0

HSL 55.1, 1%, 0.19%

LAB 37.68, -6.1, 45.09

 

CMYK 0 / 11 / 100 / 68

HEX #514800

RGB 81 72 0

HSL 53.33, 1%, 0.16%

LAB 30.36, -4, 39.03

 

CMYK 0 / 16 / 100 / 75

HEX #403600

RGB 64 54 0

HSL 50.63, 1%, 0.13%

LAB 22.75, -1.75, 31.52

 

CMYK 0 / 23 / 100 / 82

HEX #2F2400

RGB 47 36 0

HSL 45.96, 1%, 0.09%

LAB 14.77, 0.73, 21.67

 

CMYK 0 / 6 / 95 / 55

HEX #746D06

RGB 116 109 6

HSL 56.18, 0.9%, 0.24%

LAB 45.17, -8.02, 49.91

 

CMYK 0 / 32 / 95 / 55

HEX #744F06

RGB 116 79 6

HSL 39.82, 0.9%, 0.24%

LAB 36.59, 9.61, 43.35

 

CMYK 0 / 58 / 95 / 55

HEX #743106

RGB 116 49 6

HSL 23.45, 0.9%, 0.24%

LAB 29.22, 27.23, 37.84

 

CMYK 0 / 83 / 95 / 55

HEX #741406

RGB 116 20 6

HSL 7.64, 0.9%, 0.24%

LAB 24.41, 40.15, 33.59

 

CMYK 0 / 95 / 95 / 55

HEX #740606

RGB 116 6 6

HSL 0, 0.9%, 0.24%

LAB 23.19, 43.61, 32.38

 

CMYK 0 / 6 / 95 / 55

HEX #746D06

RGB 116 109 6

HSL 56.18, 0.9%, 0.24%

LAB 45.17, -8.02, 49.91

 

CMYK 20 / 0 / 95 / 55

HEX #5D7406

RGB 93 116 6

HSL 72.55, 0.9%, 0.24%

LAB 45.4, -22.54, 49.28

 

CMYK 46 / 0 / 95 / 55

HEX #3F7406

RGB 63 116 6

HSL 88.91, 0.9%, 0.24%

LAB 43.6, -34.8, 47.06

 

CMYK 71 / 0 / 95 / 55

HEX #227406

RGB 34 116 6

HSL 104.73, 0.9%, 0.24%

LAB 42.53, -43.31, 45.74

 

CMYK 95 / 0 / 94 / 55

HEX #067407

RGB 6 116 7

HSL 120.55, 0.9%, 0.24%

LAB 42.07, -47.32, 44.94

 

CMYK 0 / 6 / 95 / 55

HEX #746D06

RGB 116 109 6

HSL 56.18, 0.9%, 0.24%

LAB 45.17, -8.02, 49.91

 

CMYK 0 / 6 / 95 / 55

HEX #746D06

RGB 116 109 6

HSL 56.18, 0.9%, 0.24%

LAB 45.17, -8.02, 49.91

 

CMYK 0 / 6 / 85 / 58

HEX #6A6410

RGB 106 100 16

HSL 56, 0.74%, 0.24%

LAB 41.56, -7.46, 44.03

 

CMYK 0 / 5 / 74 / 62

HEX #605B19

RGB 96 91 25

HSL 55.77, 0.59%, 0.24%

LAB 37.91, -6.7, 36.9

 

CMYK 0 / 3 / 59 / 66

HEX #565323

RGB 86 83 35

HSL 56.47, 0.42%, 0.24%

LAB 34.57, -6.09, 28.1

 

CMYK 0 / 3 / 41 / 70

HEX #4C4A2D

RGB 76 74 45

HSL 56.13, 0.26%, 0.24%

LAB 30.93, -4.3, 17.63

 

CMYK 0 / 57 / 95 / 55

HEX #743206

RGB 116 50 6

HSL 24, 0.9%, 0.24%

LAB 29.43, 26.68, 38.01

 

CMYK 0 / 32 / 95 / 55

HEX #744F06

RGB 116 79 6

HSL 39.82, 0.9%, 0.24%

LAB 36.59, 9.61, 43.35

 

CMYK 0 / 7 / 95 / 55

HEX #746C06

RGB 116 108 6

HSL 55.64, 0.9%, 0.24%

LAB 44.87, -7.45, 49.69

 

CMYK 19 / 0 / 95 / 55

HEX #5E7406

RGB 94 116 6

HSL 72, 0.9%, 0.24%

LAB 45.47, -22.1, 49.37

 

CMYK 45 / 0 / 95 / 55

HEX #407406

RGB 64 116 6

HSL 88.36, 0.9%, 0.24%

LAB 43.64, -34.44, 47.12

 

CMYK 0 / 5 / 97 / 85

HEX #252301

RGB 37 35 1

HSL 56.67, 0.95%, 0.07%

LAB 13.22, -4.26, 19

 

CMYK 0 / 6 / 95 / 70

HEX #4D4804

RGB 77 72 4

HSL 55.89, 0.9%, 0.16%

LAB 29.96, -5.91, 36.94

 

CMYK 0 / 6 / 95 / 55

HEX #746D06

RGB 116 109 6

HSL 56.18, 0.9%, 0.24%

LAB 45.17, -8.02, 49.91

 

CMYK 0 / 6 / 95 / 39

HEX #9B9208

RGB 155 146 8

HSL 56.33, 0.9%, 0.32%

LAB 59.47, -9.99, 62.07

 

CMYK 0 / 6 / 95 / 24

HEX #C2B60A

RGB 194 182 10

HSL 56.09, 0.9%, 0.4%

LAB 72.86, -11.36, 73.44

 

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

CMYK 95 / 0 / 83 / 55

HEX #067414

RGB 6 116 20

HSL 127.64, 0.9%, 0.24%

LAB 42.12, -46.62, 41.53

 

CMYK 45 / 95 / 0 / 55

HEX #400674

RGB 64 6 116

HSL 271.64, 0.9%, 0.24%

LAB 17.83, 45.57, -48.77

 

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

CMYK 95 / 0 / 7 / 55

HEX #06746C

RGB 6 116 108

HSL 175.64, 0.9%, 0.24%

LAB 43.67, -29.08, -3.4

 

CMYK 7 / 95 / 0 / 55

HEX #6C0674

RGB 108 6 116

HSL 295.64, 0.9%, 0.24%

LAB 25.5, 52.36, -35.95

 

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

CMYK 95 / 0 / 83 / 55

HEX #067414

RGB 6 116 20

HSL 127.64, 0.9%, 0.24%

LAB 42.12, -46.62, 41.53

 

CMYK 95 / 89 / 0 / 55

HEX #060D74

RGB 6 13 116

HSL 236.18, 0.9%, 0.24%

LAB 13.15, 38.62, -56.69

 

CMYK 0 / 95 / 13 / 55

HEX #740665

RGB 116 6 101

HSL 308.18, 0.9%, 0.24%

LAB 26.11, 51.49, -25.19

 

CMYK 0 / 6 / 95 / 55

HEX #736C06

RGB 115 108 6

HSL 56.15, 0.9%, 0.24%

LAB 44.78, -7.94, 49.57

 

CMYK 95 / 0 / 54 / 55

HEX #067435

RGB 6 116 53

HSL 145.64, 0.9%, 0.24%

LAB 42.44, -42.68, 26.96

 

CMYK 95 / 89 / 0 / 55

HEX #060D74

RGB 6 13 116

HSL 236.18, 0.9%, 0.24%

LAB 13.15, 38.62, -56.69

 

CMYK 0 / 95 / 41 / 55

HEX #740644

RGB 116 6 68

HSL 326.18, 0.9%, 0.24%

LAB 24.51, 47.29, -5.63

 

Description

Color code: RGB 115 108 6 | qconv.com Color code: RGB 115 108 6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 108 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 108 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 95 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 95% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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