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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 0 187 it is the complementary color RGB 140 255 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 0 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 0 187 shade: RGB 120 0 182, RGB 137 18 201, RGB 154 36 220, RGB 171 54 239 and RGB 188 72 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 0 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 0 187 shade: RGB 115 0 187, RGB 98 0 168, RGB 81 0 149, RGB 64 0 130 and RGB 47 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 0 187 shade: RGB 116 0 188, RGB 166 0 188, RGB 188 0 159, RGB 188 0 108 and RGB 188 0 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 0 187 shade: RGB 116 0 188, RGB 65 0 188, RGB 14 0 188 and RGB 0 0 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 0 187 shade matches the following richer shades: RGB 116 0 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 0 187 shade: RGB 116 0 188, RGB 112 15 173, RGB 109 30 158, RGB 105 45 142 and RGB 102 61 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 0 187 shade: RGB 12 0 188, RGB 62 0 188, RGB 113 0 188, RGB 163 0 188 and RGB 188 0 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 0 187 shade: RGB 65 0 106, RGB 90 0 147, RGB 116 0 188, RGB 141 0 229 and RGB 163 16 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 0 187 shade: RGB 115 0 187, RGB 188 0 37 and RGB 0 188 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 0 187 shade: RGB 115 0 187, RGB 188 113 0 and RGB 0 188 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 0 187 shade: RGB 115 0 187, RGB 188 0 37, RGB 75 188 0 and RGB 0 188 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 0 187 shade: RGB 115 0 187, RGB 188 18 0, RGB 75 188 0 and RGB 0 169 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

Complementary color

CMYK 45 / 0 / 73 / 0

HEX #8CFF44

RGB 140 255 68

HSL 96.9, 1%, 0.63%

LAB 90.56, -62.18, 74.12

 

CMYK 34 / 100 / 0 / 29

HEX #7800B6

RGB 120 0 182

HSL 279.56, 1%, 0.36%

LAB 32.64, 67.52, -64.93

 

CMYK 32 / 91 / 0 / 21

HEX #8912C9

RGB 137 18 201

HSL 279.02, 0.84%, 0.43%

LAB 37.78, 70.8, -67.58

 

CMYK 30 / 84 / 0 / 14

HEX #9A24DC

RGB 154 36 220

HSL 278.48, 0.72%, 0.5%

LAB 43.21, 72.96, -69.59

 

CMYK 28 / 77 / 0 / 6

HEX #AB36EF

RGB 171 54 239

HSL 277.95, 0.85%, 0.57%

LAB 48.92, 74.04, -70.97

 

CMYK 26 / 72 / 0 / 0

HEX #BC48FF

RGB 188 72 255

HSL 278.03, 1%, 0.64%

LAB 54.6, 73.8, -70.58

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 42 / 100 / 0 / 34

HEX #6200A8

RGB 98 0 168

HSL 275, 1%, 0.33%

LAB 27.91, 62.3, -64.43

 

CMYK 46 / 100 / 0 / 42

HEX #510095

RGB 81 0 149

HSL 272.62, 1%, 0.29%

LAB 23.4, 56.51, -60.34

 

CMYK 51 / 100 / 0 / 49

HEX #400082

RGB 64 0 130

HSL 269.54, 1%, 0.25%

LAB 18.81, 50.63, -56.12

 

CMYK 58 / 100 / 0 / 56

HEX #2F006F

RGB 47 0 111

HSL 265.41, 1%, 0.22%

LAB 14.13, 44.65, -51.72

 

CMYK 38 / 100 / 0 / 26

HEX #7400BC

RGB 116 0 188

HSL 277.02, 1%, 0.37%

LAB 32.58, 68.29, -68.61

 

CMYK 12 / 100 / 0 / 26

HEX #A600BC

RGB 166 0 188

HSL 292.98, 1%, 0.37%

LAB 40.8, 74.7, -54.85

 

CMYK 0 / 100 / 15 / 26

HEX #BC009F

RGB 188 0 159

HSL 309.26, 1%, 0.37%

LAB 43.05, 74.12, -33.77

 

CMYK 0 / 100 / 43 / 26

HEX #BC006C

RGB 188 0 108

HSL 325.53, 1%, 0.37%

LAB 40.85, 68.51, -5.78

 

CMYK 0 / 100 / 70 / 26

HEX #BC0039

RGB 188 0 57

HSL 341.81, 1%, 0.37%

LAB 39.56, 65.07, 24.85

 

CMYK 38 / 100 / 0 / 26

HEX #7400BC

RGB 116 0 188

HSL 277.02, 1%, 0.37%

LAB 32.58, 68.29, -68.61

 

CMYK 65 / 100 / 0 / 26

HEX #4100BC

RGB 65 0 188

HSL 260.74, 1%, 0.37%

LAB 26.02, 64.41, -79.66

 

CMYK 93 / 100 / 0 / 26

HEX #0E00BC

RGB 14 0 188

HSL 244.47, 1%, 0.37%

LAB 22.74, 63.08, -85.22

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 38 / 100 / 0 / 26

HEX #7400BC

RGB 116 0 188

HSL 277.02, 1%, 0.37%

LAB 32.58, 68.29, -68.61

 

CMYK 38 / 100 / 0 / 26

HEX #7400BC

RGB 116 0 188

HSL 277.02, 1%, 0.37%

LAB 32.58, 68.29, -68.61

 

CMYK 35 / 91 / 0 / 32

HEX #700FAD

RGB 112 15 173

HSL 276.84, 0.84%, 0.37%

LAB 31.36, 62.41, -61.7

 

CMYK 31 / 81 / 0 / 38

HEX #6D1E9E

RGB 109 30 158

HSL 277.03, 0.68%, 0.37%

LAB 30.99, 54.68, -53.25

 

CMYK 26 / 68 / 0 / 44

HEX #692D8E

RGB 105 45 142

HSL 277.11, 0.52%, 0.37%

LAB 31.42, 43.93, -42.78

 

CMYK 20 / 52 / 0 / 50

HEX #663D7F

RGB 102 61 127

HSL 277.27, 0.35%, 0.37%

LAB 33.34, 30.84, -30.46

 

CMYK 94 / 100 / 0 / 26

HEX #0C00BC

RGB 12 0 188

HSL 243.83, 1%, 0.37%

LAB 22.69, 63.06, -85.31

 

CMYK 67 / 100 / 0 / 26

HEX #3E00BC

RGB 62 0 188

HSL 259.79, 1%, 0.37%

LAB 25.73, 64.27, -80.16

 

CMYK 40 / 100 / 0 / 26

HEX #7100BC

RGB 113 0 188

HSL 276.06, 1%, 0.37%

LAB 32.13, 67.98, -69.36

 

CMYK 13 / 100 / 0 / 26

HEX #A300BC

RGB 163 0 188

HSL 292.02, 1%, 0.37%

LAB 40.27, 74.26, -55.72

 

CMYK 0 / 100 / 13 / 26

HEX #BC00A3

RGB 188 0 163

HSL 307.98, 1%, 0.37%

LAB 43.26, 74.65, -35.84

 

CMYK 39 / 100 / 0 / 58

HEX #41006A

RGB 65 0 106

HSL 276.79, 1%, 0.21%

LAB 16.33, 45.23, -44.73

 

CMYK 39 / 100 / 0 / 42

HEX #5A0093

RGB 90 0 147

HSL 276.73, 1%, 0.29%

LAB 24.58, 57, -57.12

 

CMYK 38 / 100 / 0 / 26

HEX #7400BC

RGB 116 0 188

HSL 277.02, 1%, 0.37%

LAB 32.58, 68.29, -68.61

 

CMYK 38 / 100 / 0 / 10

HEX #8D00E5

RGB 141 0 229

HSL 276.94, 1%, 0.45%

LAB 40.11, 79.03, -79.87

 

CMYK 36 / 94 / 0 / 0

HEX #A310FF

RGB 163 16 255

HSL 276.9, 1%, 0.53%

LAB 46.15, 84.75, -84.51

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 0 / 100 / 80 / 26

HEX #BC0025

RGB 188 0 37

HSL 348.19, 1%, 0.37%

LAB 39.28, 64.33, 36.79

 

CMYK 100 / 0 / 80 / 26

HEX #00BC25

RGB 0 188 37

HSL 131.81, 1%, 0.37%

LAB 66.6, -67.21, 59.51

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 0 / 40 / 100 / 26

HEX #BC7100

RGB 188 113 0

HSL 36.06, 1%, 0.37%

LAB 54.56, 23.12, 61.65

 

CMYK 100 / 0 / 40 / 26

HEX #00BC71

RGB 0 188 113

HSL 156.06, 1%, 0.37%

LAB 67.4, -57.37, 26.98

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 0 / 100 / 80 / 26

HEX #BC0025

RGB 188 0 37

HSL 348.19, 1%, 0.37%

LAB 39.28, 64.33, 36.79

 

CMYK 60 / 0 / 100 / 26

HEX #4BBC00

RGB 75 188 0

HSL 96.06, 1%, 0.37%

LAB 67.62, -58.72, 67.52

 

CMYK 100 / 0 / 20 / 26

HEX #00BC96

RGB 0 188 150

HSL 167.87, 1%, 0.37%

LAB 68.14, -48.93, 8.09

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 0 / 90 / 100 / 26

HEX #BC1200

RGB 188 18 0

HSL 5.74, 1%, 0.37%

LAB 39.79, 61.59, 53.72

 

CMYK 60 / 0 / 100 / 26

HEX #4BBC00

RGB 75 188 0

HSL 96.06, 1%, 0.37%

LAB 67.62, -58.72, 67.52

 

CMYK 100 / 10 / 0 / 26

HEX #00A9BC

RGB 0 169 188

HSL 186.06, 1%, 0.37%

LAB 63.35, -29.25, -20.05

 

Description

Color code: RGB 115 0 187 | qconv.com Color code: RGB 115 0 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, none green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 0 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 100 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 100% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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