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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 53 145 it is the complementary color RGB 141 202 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 53 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 53 145 shade: RGB 119 53 140, RGB 136 71 159, RGB 153 89 178, RGB 170 107 197 and RGB 187 125 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 53 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 97 35 126, RGB 80 17 107, RGB 63 0 88 and RGB 46 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 139 53 145, RGB 145 53 126, RGB 145 53 102 and RGB 145 53 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 89 53 145, RGB 65 53 145 and RGB 53 53 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 53 145 shade matches the following richer shades: RGB 114 53 145, RGB 119 37 161, RGB 124 21 177 and RGB 130 5 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 109 69 129, RGB 103 85 113, RGB 98 101 96 and RGB 93 118 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 53 145 shade: RGB 64 53 145, RGB 88 53 145, RGB 113 53 145, RGB 137 53 145 and RGB 145 53 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 53 145 shade: RGB 66 31 84, RGB 90 42 115, RGB 114 53 145, RGB 138 64 175 and RGB 157 88 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 145 53 67 and RGB 53 145 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 145 113 53 and RGB 53 145 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 145 53 67, RGB 85 145 53 and RGB 53 145 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 53 145 shade: RGB 114 53 145, RGB 145 67 53, RGB 85 145 53 and RGB 53 131 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

Complementary color

CMYK 30 / 0 / 46 / 21

HEX #8DCA6E

RGB 141 202 110

HSL 99.78, 0.46%, 0.61%

LAB 75.47, -36.16, 39.68

 

CMYK 15 / 62 / 0 / 45

HEX #77358C

RGB 119 53 140

HSL 285.52, 0.45%, 0.38%

LAB 34.72, 42.97, -36.16

 

CMYK 14 / 55 / 0 / 38

HEX #88479F

RGB 136 71 159

HSL 284.32, 0.38%, 0.45%

LAB 41.6, 42.34, -36.61

 

CMYK 14 / 50 / 0 / 30

HEX #9959B2

RGB 153 89 178

HSL 283.15, 0.37%, 0.52%

LAB 48.43, 41.57, -36.92

 

CMYK 14 / 46 / 0 / 23

HEX #AA6BC5

RGB 170 107 197

HSL 282, 0.44%, 0.6%

LAB 55.17, 40.76, -37.15

 

CMYK 13 / 42 / 0 / 15

HEX #BB7DD8

RGB 187 125 216

HSL 280.88, 0.54%, 0.67%

LAB 61.82, 39.96, -37.35

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 23 / 72 / 0 / 51

HEX #61237E

RGB 97 35 126

HSL 280.88, 0.57%, 0.32%

LAB 27.43, 43.15, -39.3

 

CMYK 25 / 84 / 0 / 58

HEX #50116B

RGB 80 17 107

HSL 282, 0.73%, 0.24%

LAB 20.7, 42.66, -38.13

 

CMYK 28 / 100 / 0 / 65

HEX #3F0058

RGB 63 0 88

HSL 282.95, 1%, 0.17%

LAB 14.18, 41.05, -36.27

 

CMYK 33 / 100 / 0 / 73

HEX #2E0045

RGB 46 0 69

HSL 280, 1%, 0.14%

LAB 9.08, 34.42, -31.62

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 4 / 63 / 0 / 43

HEX #8B3591

RGB 139 53 145

HSL 296.09, 0.46%, 0.39%

LAB 37.98, 49.19, -33.86

 

CMYK 0 / 63 / 13 / 43

HEX #91357E

RGB 145 53 126

HSL 312.39, 0.46%, 0.39%

LAB 37.97, 47.5, -22.13

 

CMYK 0 / 63 / 30 / 43

HEX #913566

RGB 145 53 102

HSL 328.04, 0.46%, 0.39%

LAB 36.98, 43.93, -8.64

 

CMYK 0 / 63 / 47 / 43

HEX #91354D

RGB 145 53 77

HSL 344.35, 0.46%, 0.39%

LAB 36.18, 40.96, 6.11

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 39 / 63 / 0 / 43

HEX #593591

RGB 89 53 145

HSL 263.48, 0.46%, 0.39%

LAB 31.15, 36.72, -45.18

 

CMYK 55 / 63 / 0 / 43

HEX #413591

RGB 65 53 145

HSL 247.83, 0.46%, 0.39%

LAB 28.68, 31.57, -49.29

 

CMYK 63 / 63 / 0 / 43

HEX #353591

RGB 53 53 145

HSL 240, 0.46%, 0.39%

LAB 27.7, 29.39, -50.93

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 26 / 77 / 0 / 37

HEX #7725A1

RGB 119 37 161

HSL 279.68, 0.63%, 0.39%

LAB 33.6, 54.6, -50.77

 

CMYK 30 / 88 / 0 / 31

HEX #7C15B1

RGB 124 21 177

HSL 279.62, 0.79%, 0.39%

LAB 33.97, 63.61, -59.73

 

CMYK 33 / 97 / 0 / 24

HEX #8205C1

RGB 130 5 193

HSL 279.89, 0.95%, 0.39%

LAB 35.41, 70.18, -66.82

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 16 / 47 / 0 / 49

HEX #6D4581

RGB 109 69 129

HSL 280, 0.3%, 0.39%

LAB 36.16, 28.74, -27.19

 

CMYK 9 / 25 / 0 / 56

HEX #675571

RGB 103 85 113

HSL 278.57, 0.14%, 0.39%

LAB 38.85, 13.16, -13.21

 

CMYK 3 / 0 / 5 / 60

HEX #626560

RGB 98 101 96

HSL 96, 0.03%, 0.39%

LAB 42.38, -2.2, 2.42

 

CMYK 21 / 0 / 32 / 54

HEX #5D7650

RGB 93 118 80

HSL 99.47, 0.19%, 0.39%

LAB 46.79, -16.8, 18.04

 

CMYK 56 / 63 / 0 / 43

HEX #403591

RGB 64 53 145

HSL 247.17, 0.46%, 0.39%

LAB 28.59, 31.38, -49.44

 

CMYK 39 / 63 / 0 / 43

HEX #583591

RGB 88 53 145

HSL 262.83, 0.46%, 0.39%

LAB 31.03, 36.49, -45.37

 

CMYK 22 / 63 / 0 / 43

HEX #713591

RGB 113 53 145

HSL 279.13, 0.46%, 0.39%

LAB 34.19, 42.54, -40.12

 

CMYK 6 / 63 / 0 / 43

HEX #893591

RGB 137 53 145

HSL 294.78, 0.46%, 0.39%

LAB 37.68, 48.68, -34.36

 

CMYK 0 / 63 / 12 / 43

HEX #913580

RGB 145 53 128

HSL 311.09, 0.46%, 0.39%

LAB 38.06, 47.82, -23.23

 

CMYK 21 / 63 / 0 / 67

HEX #421F54

RGB 66 31 84

HSL 279.62, 0.46%, 0.23%

LAB 19.13, 27.23, -25.55

 

CMYK 22 / 63 / 0 / 55

HEX #5A2A73

RGB 90 42 115

HSL 279.45, 0.46%, 0.31%

LAB 26.93, 35.36, -33.19

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 21 / 63 / 0 / 31

HEX #8A40AF

RGB 138 64 175

HSL 280, 0.46%, 0.47%

LAB 41.48, 49.91, -46.31

 

CMYK 19 / 54 / 0 / 24

HEX #9D58C1

RGB 157 88 193

HSL 279.43, 0.46%, 0.55%

LAB 49.49, 46.47, -43.91

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 0 / 63 / 54 / 43

HEX #913543

RGB 145 53 67

HSL 350.87, 0.46%, 0.39%

LAB 35.93, 40, 12.15

 

CMYK 63 / 0 / 48 / 43

HEX #35914C

RGB 53 145 76

HSL 135, 0.46%, 0.39%

LAB 53.52, -42.73, 28.7

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 0 / 22 / 63 / 43

HEX #917135

RGB 145 113 53

HSL 39.13, 0.46%, 0.39%

LAB 49.6, 5.56, 37.43

 

CMYK 63 / 0 / 22 / 43

HEX #359171

RGB 53 145 113

HSL 159.13, 0.46%, 0.39%

LAB 54.24, -35.13, 9.07

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 0 / 63 / 54 / 43

HEX #913543

RGB 145 53 67

HSL 350.87, 0.46%, 0.39%

LAB 35.93, 40, 12.15

 

CMYK 41 / 0 / 63 / 43

HEX #559135

RGB 85 145 53

HSL 99.13, 0.46%, 0.39%

LAB 54.49, -36.58, 41.67

 

CMYK 63 / 0 / 10 / 43

HEX #359183

RGB 53 145 131

HSL 170.87, 0.46%, 0.39%

LAB 54.71, -30.48, -0.59

 

CMYK 21 / 63 / 0 / 43

HEX #723591

RGB 114 53 145

HSL 279.78, 0.46%, 0.39%

LAB 34.33, 42.79, -39.89

 

CMYK 0 / 54 / 63 / 43

HEX #914335

RGB 145 67 53

HSL 9.13, 0.46%, 0.39%

LAB 38.36, 31.79, 24.07

 

CMYK 41 / 0 / 63 / 43

HEX #559135

RGB 85 145 53

HSL 99.13, 0.46%, 0.39%

LAB 54.49, -36.58, 41.67

 

CMYK 63 / 10 / 0 / 43

HEX #358391

RGB 53 131 145

HSL 189.13, 0.46%, 0.39%

LAB 50.73, -19.26, -14.64

 

Description

Color code: RGB 114 53 145 | qconv.com Color code: RGB 114 53 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 53 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 53 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 63 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 63% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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