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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 36 238 it is the complementary color RGB 141 219 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 36 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 36 238 shade: RGB 119 36 233, RGB 136 54 252, RGB 153 72 255, RGB 170 90 255 and RGB 187 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 36 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 97 18 219, RGB 80 0 200, RGB 63 0 181 and RGB 46 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 169 36 238, RGB 223 36 238, RGB 238 36 199 and RGB 238 36 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 60 36 238 and RGB 36 36 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 36 238 shade matches the following richer shades: RGB 114 36 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 119 55 219, RGB 123 74 200, RGB 127 93 181 and RGB 132 112 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 36 238 shade: RGB 36 67 238, RGB 60 36 238, RGB 114 36 238, RGB 167 36 238 and RGB 221 36 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 36 238 shade: RGB 77 13 179, RGB 94 16 217, RGB 114 36 238, RGB 139 75 241 and RGB 164 113 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 238 36 120 and RGB 40 238 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 238 114 36 and RGB 36 238 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 238 36 120, RGB 161 238 36 and RGB 36 238 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 36 238 shade: RGB 114 36 238, RGB 238 36 60, RGB 161 238 36 and RGB 36 238 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

Complementary color

CMYK 36 / 0 / 92 / 14

HEX #8DDB11

RGB 141 219 17

HSL 83.17, 0.86%, 0.46%

LAB 79.82, -49.87, 76.53

 

CMYK 49 / 85 / 0 / 9

HEX #7724E9

RGB 119 36 233

HSL 265.28, 0.82%, 0.53%

LAB 39.69, 71.28, -82.95

 

CMYK 46 / 79 / 0 / 1

HEX #8836FC

RGB 136 54 252

HSL 264.85, 0.97%, 0.6%

LAB 45.5, 71.7, -84.03

 

CMYK 40 / 72 / 0 / 0

HEX #9948FF

RGB 153 72 255

HSL 266.56, 1%, 0.64%

LAB 50.25, 67.65, -77.85

 

CMYK 33 / 65 / 0 / 0

HEX #AA5AFF

RGB 170 90 255

HSL 269.09, 1%, 0.68%

LAB 55.15, 62.56, -69.79

 

CMYK 27 / 58 / 0 / 0

HEX #BB6CFF

RGB 187 108 255

HSL 272.24, 1%, 0.71%

LAB 60.35, 57.43, -61.34

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 56 / 92 / 0 / 14

HEX #6112DB

RGB 97 18 219

HSL 263.58, 0.85%, 0.46%

LAB 34.17, 70.54, -84.15

 

CMYK 60 / 100 / 0 / 22

HEX #5000C8

RGB 80 0 200

HSL 264, 1%, 0.39%

LAB 29.1, 67.99, -81.58

 

CMYK 65 / 100 / 0 / 29

HEX #3F00B5

RGB 63 0 181

HSL 260.88, 1%, 0.35%

LAB 24.93, 62.65, -77.31

 

CMYK 72 / 100 / 0 / 36

HEX #2E00A2

RGB 46 0 162

HSL 257.04, 1%, 0.32%

LAB 20.79, 57.3, -72.78

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 29 / 85 / 0 / 7

HEX #A924EE

RGB 169 36 238

HSL 279.5, 0.86%, 0.54%

LAB 46.8, 78.67, -73.86

 

CMYK 6 / 85 / 0 / 7

HEX #DF24EE

RGB 223 36 238

HSL 295.54, 0.86%, 0.54%

LAB 55.2, 87.08, -59.87

 

CMYK 0 / 85 / 16 / 7

HEX #EE24C7

RGB 238 36 199

HSL 311.58, 0.86%, 0.54%

LAB 55.65, 84.31, -36.85

 

CMYK 0 / 85 / 39 / 7

HEX #EE2490

RGB 238 36 144

HSL 327.92, 0.86%, 0.54%

LAB 53.44, 78.24, -8.01

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 75 / 85 / 0 / 7

HEX #3C24EE

RGB 60 36 238

HSL 247.13, 0.86%, 0.54%

LAB 34.79, 67.81, -94.06

 

CMYK 85 / 85 / 0 / 7

HEX #2424EE

RGB 36 36 238

HSL 240, 0.86%, 0.54%

LAB 33.58, 66.83, -96.11

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 46 / 75 / 0 / 14

HEX #7737DB

RGB 119 55 219

HSL 263.41, 0.69%, 0.54%

LAB 40.85, 60.85, -73.06

 

CMYK 39 / 63 / 0 / 22

HEX #7B4AC8

RGB 123 74 200

HSL 263.33, 0.53%, 0.54%

LAB 43.18, 47.39, -58.3

 

CMYK 30 / 49 / 0 / 29

HEX #7F5DB5

RGB 127 93 181

HSL 263.18, 0.37%, 0.54%

LAB 46.55, 32.7, -41.83

 

CMYK 19 / 31 / 0 / 36

HEX #8470A2

RGB 132 112 162

HSL 264, 0.21%, 0.54%

LAB 50.81, 18.25, -24.03

 

CMYK 85 / 72 / 0 / 7

HEX #2443EE

RGB 36 67 238

HSL 230.79, 0.86%, 0.54%

LAB 38.83, 51.67, -87.4

 

CMYK 75 / 85 / 0 / 7

HEX #3C24EE

RGB 60 36 238

HSL 247.13, 0.86%, 0.54%

LAB 34.79, 67.81, -94.06

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 30 / 85 / 0 / 7

HEX #A724EE

RGB 167 36 238

HSL 278.91, 0.86%, 0.54%

LAB 46.51, 78.39, -74.35

 

CMYK 7 / 85 / 0 / 7

HEX #DD24EE

RGB 221 36 238

HSL 294.95, 0.86%, 0.54%

LAB 54.87, 86.74, -60.41

 

CMYK 57 / 93 / 0 / 30

HEX #4D0DB3

RGB 77 13 179

HSL 263.13, 0.86%, 0.38%

LAB 27.07, 60.49, -72.51

 

CMYK 57 / 93 / 0 / 15

HEX #5E10D9

RGB 94 16 217

HSL 263.28, 0.86%, 0.46%

LAB 33.48, 70.23, -84.15

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 42 / 69 / 0 / 5

HEX #8B4BF1

RGB 139 75 241

HSL 263.13, 0.86%, 0.62%

LAB 48.1, 60.48, -73.6

 

CMYK 33 / 54 / 0 / 4

HEX #A471F4

RGB 164 113 244

HSL 263.36, 0.86%, 0.7%

LAB 58.26, 46.78, -58.74

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 0 / 85 / 50 / 7

HEX #EE2478

RGB 238 36 120

HSL 335.05, 0.86%, 0.54%

LAB 52.72, 76.21, 5.35

 

CMYK 83 / 0 / 85 / 7

HEX #28EE24

RGB 40 238 36

HSL 118.81, 0.86%, 0.54%

LAB 82.77, -78.73, 74.64

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 0 / 52 / 85 / 7

HEX #EE7224

RGB 238 114 36

HSL 23.17, 0.86%, 0.54%

LAB 61.95, 43.64, 61.21

 

CMYK 85 / 0 / 52 / 7

HEX #24EE72

RGB 36 238 114

HSL 143.17, 0.86%, 0.54%

LAB 83.3, -71.93, 46.79

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 0 / 85 / 50 / 7

HEX #EE2478

RGB 238 36 120

HSL 335.05, 0.86%, 0.54%

LAB 52.72, 76.21, 5.35

 

CMYK 32 / 0 / 85 / 7

HEX #A1EE24

RGB 161 238 36

HSL 82.87, 0.86%, 0.54%

LAB 86.43, -50.12, 79.26

 

CMYK 85 / 0 / 35 / 7

HEX #24EE9A

RGB 36 238 154

HSL 155.05, 0.86%, 0.54%

LAB 83.89, -65.04, 27.87

 

CMYK 52 / 85 / 0 / 7

HEX #7224EE

RGB 114 36 238

HSL 263.17, 0.86%, 0.54%

LAB 39.6, 71.93, -85.95

 

CMYK 0 / 85 / 75 / 7

HEX #EE243C

RGB 238 36 60

HSL 352.87, 0.86%, 0.54%

LAB 51.57, 72.86, 39.74

 

CMYK 32 / 0 / 85 / 7

HEX #A1EE24

RGB 161 238 36

HSL 82.87, 0.86%, 0.54%

LAB 86.43, -50.12, 79.26

 

CMYK 85 / 0 / 10 / 7

HEX #24EED7

RGB 36 238 215

HSL 173.17, 0.86%, 0.54%

LAB 85.22, -50.75, -1.98

 

Description

Color code: RGB 114 36 238 | qconv.com Color code: RGB 114 36 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 36 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 36 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 85 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 85% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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