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Color name
RGB 114 253 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 253 158 it is the complementary color RGB 141 2 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 253 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 253 158 shade: RGB 119 253 153, RGB 136 255 172, RGB 153 255 191, RGB 170 255 210 and RGB 187 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 253 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 253 158 shade: RGB 114 253 158, RGB 97 235 139, RGB 80 217 120, RGB 63 199 101 and RGB 46 181 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 253 158 shade: RGB 114 252 158, RGB 114 252 120, RGB 145 252 114, RGB 182 252 114 and RGB 219 252 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 253 158 shade: RGB 114 252 158, RGB 114 252 195, RGB 114 252 232, RGB 114 235 252 and RGB 114 198 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 253 158 shade matches the following richer shades: RGB 114 252 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 253 158 shade: RGB 114 252 158, RGB 125 241 162, RGB 137 229 166, RGB 148 218 170 and RGB 160 206 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 253 158 shade: RGB 146 252 114, RGB 114 252 118, RGB 114 252 155, RGB 114 252 192 and RGB 114 252 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 253 158 shade: RGB 33 251 102, RGB 73 252 130, RGB 114 252 158, RGB 154 253 186 and RGB 195 254 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 253 158 shade: RGB 114 253 158, RGB 114 183 252 and RGB 252 114 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 253 158 shade: RGB 114 253 158, RGB 155 114 252 and RGB 252 155 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 253 158 shade: RGB 114 253 158, RGB 114 183 252, RGB 252 114 211 and RGB 252 183 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 253 158 shade: RGB 114 253 158, RGB 114 142 252, RGB 252 114 211 and RGB 252 225 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

Complementary color

CMYK 0 / 99 / 31 / 45

HEX #8D0261

RGB 141 2 97

HSL 318.99, 0.97%, 0.28%

LAB 30.81, 56.95, -14.88

 

CMYK 53 / 0 / 40 / 1

HEX #77FD99

RGB 119 253 153

HSL 135.22, 0.97%, 0.73%

LAB 90.08, -57.73, 36.91

 

CMYK 47 / 0 / 33 / 0

HEX #88FFAC

RGB 136 255 172

HSL 138.15, 1%, 0.77%

LAB 91.56, -51.17, 29.52

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 33 / 0 / 18 / 0

HEX #AAFFD2

RGB 170 255 210

HSL 148.24, 1%, 0.83%

LAB 93.76, -34.93, 13.44

 

CMYK 27 / 0 / 10 / 0

HEX #BBFFE5

RGB 187 255 229

HSL 157.06, 1%, 0.87%

LAB 95.05, -26.29, 5.63

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 59 / 0 / 41 / 8

HEX #61EB8B

RGB 97 235 139

HSL 138.26, 0.78%, 0.65%

LAB 83.87, -58, 35.62

 

CMYK 63 / 0 / 45 / 15

HEX #50D978

RGB 80 217 120

HSL 137.52, 0.64%, 0.58%

LAB 77.69, -57.78, 37.01

 

CMYK 68 / 0 / 49 / 22

HEX #3FC765

RGB 63 199 101

HSL 136.76, 0.55%, 0.51%

LAB 71.45, -57.33, 38.48

 

CMYK 75 / 0 / 55 / 29

HEX #2EB552

RGB 46 181 82

HSL 136, 0.59%, 0.45%

LAB 65.15, -56.55, 39.99

 

CMYK 55 / 0 / 37 / 1

HEX #72FC9E

RGB 114 252 158

HSL 139.13, 0.96%, 0.72%

LAB 89.7, -57.67, 33.91

 

CMYK 55 / 0 / 52 / 1

HEX #72FC78

RGB 114 252 120

HSL 122.61, 0.96%, 0.72%

LAB 89.18, -63.28, 51.53

 

CMYK 42 / 0 / 55 / 1

HEX #91FC72

RGB 145 252 114

HSL 106.52, 0.96%, 0.72%

LAB 90.26, -55.65, 55.8

 

CMYK 28 / 0 / 55 / 1

HEX #B6FC72

RGB 182 252 114

HSL 90.43, 0.96%, 0.72%

LAB 92.03, -43.67, 58.33

 

CMYK 13 / 0 / 55 / 1

HEX #DBFC72

RGB 219 252 114

HSL 74.35, 0.96%, 0.72%

LAB 94.27, -30.17, 61.49

 

CMYK 55 / 0 / 37 / 1

HEX #72FC9E

RGB 114 252 158

HSL 139.13, 0.96%, 0.72%

LAB 89.7, -57.67, 33.91

 

CMYK 55 / 0 / 23 / 1

HEX #72FCC3

RGB 114 252 195

HSL 155.22, 0.96%, 0.72%

LAB 90.39, -50.67, 16.06

 

CMYK 55 / 0 / 8 / 1

HEX #72FCE8

RGB 114 252 232

HSL 171.3, 0.96%, 0.72%

LAB 91.25, -42.31, -1.83

 

CMYK 55 / 7 / 0 / 1

HEX #72EBFC

RGB 114 235 252

HSL 187.39, 0.96%, 0.72%

LAB 87.01, -29.33, -18.57

 

CMYK 55 / 21 / 0 / 1

HEX #72C6FC

RGB 114 198 252

HSL 203.48, 0.96%, 0.72%

LAB 76.68, -10.62, -34.35

 

CMYK 55 / 0 / 37 / 1

HEX #72FC9E

RGB 114 252 158

HSL 139.13, 0.96%, 0.72%

LAB 89.7, -57.67, 33.91

 

CMYK 55 / 0 / 37 / 1

HEX #72FC9E

RGB 114 252 158

HSL 139.13, 0.96%, 0.72%

LAB 89.7, -57.67, 33.91

 

CMYK 48 / 0 / 33 / 5

HEX #7DF1A2

RGB 125 241 162

HSL 139.14, 0.81%, 0.72%

LAB 86.94, -49.9, 28.26

 

CMYK 40 / 0 / 28 / 10

HEX #89E5A6

RGB 137 229 166

HSL 138.91, 0.64%, 0.72%

LAB 84.02, -40.81, 22.31

 

CMYK 32 / 0 / 22 / 15

HEX #94DAAA

RGB 148 218 170

HSL 138.86, 0.49%, 0.72%

LAB 81.48, -31.8, 16.77

 

CMYK 22 / 0 / 15 / 19

HEX #A0CEAF

RGB 160 206 175

HSL 139.57, 0.32%, 0.72%

LAB 78.87, -21.26, 10.54

 

CMYK 42 / 0 / 55 / 1

HEX #92FC72

RGB 146 252 114

HSL 106.09, 0.96%, 0.72%

LAB 90.3, -55.35, 55.86

 

CMYK 55 / 0 / 53 / 1

HEX #72FC76

RGB 114 252 118

HSL 121.74, 0.96%, 0.72%

LAB 89.16, -63.53, 52.41

 

CMYK 55 / 0 / 38 / 1

HEX #72FC9B

RGB 114 252 155

HSL 137.83, 0.96%, 0.72%

LAB 89.66, -58.17, 35.34

 

CMYK 55 / 0 / 24 / 1

HEX #72FCC0

RGB 114 252 192

HSL 153.91, 0.96%, 0.72%

LAB 90.32, -51.29, 17.52

 

CMYK 55 / 0 / 9 / 1

HEX #72FCE5

RGB 114 252 229

HSL 170, 0.96%, 0.72%

LAB 91.17, -43.04, -0.39

 

CMYK 87 / 0 / 59 / 2

HEX #21FB66

RGB 33 251 102

HSL 138.99, 0.96%, 0.56%

LAB 87.13, -77.74, 56.74

 

CMYK 71 / 0 / 48 / 1

HEX #49FC82

RGB 73 252 130

HSL 139.11, 0.97%, 0.64%

LAB 88.28, -69.9, 45.52

 

CMYK 55 / 0 / 37 / 1

HEX #72FC9E

RGB 114 252 158

HSL 139.13, 0.96%, 0.72%

LAB 89.7, -57.67, 33.91

 

CMYK 39 / 0 / 26 / 1

HEX #9AFDBA

RGB 154 253 186

HSL 139.39, 0.96%, 0.8%

LAB 91.98, -43.02, 23.12

 

CMYK 23 / 0 / 16 / 0

HEX #C3FED6

RGB 195 254 214

HSL 139.32, 0.97%, 0.88%

LAB 94.88, -26.23, 13.16

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 55 / 27 / 0 / 1

HEX #72B7FC

RGB 114 183 252

HSL 210, 0.96%, 0.72%

LAB 72.54, -2.5, -40.77

 

CMYK 0 / 55 / 49 / 1

HEX #FC7280

RGB 252 114 128

HSL 353.91, 0.96%, 0.72%

LAB 65.19, 53.82, 18.5

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 38 / 55 / 0 / 1

HEX #9B72FC

RGB 155 114 252

HSL 257.83, 0.96%, 0.72%

LAB 58.07, 46.18, -63.52

 

CMYK 0 / 38 / 55 / 1

HEX #FC9B72

RGB 252 155 114

HSL 17.83, 0.96%, 0.72%

LAB 73.12, 32.26, 36.7

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 55 / 27 / 0 / 1

HEX #72B7FC

RGB 114 183 252

HSL 210, 0.96%, 0.72%

LAB 72.54, -2.5, -40.77

 

CMYK 0 / 55 / 16 / 1

HEX #FC72D3

RGB 252 114 211

HSL 317.83, 0.96%, 0.72%

LAB 67.6, 63.56, -24.95

 

CMYK 0 / 27 / 55 / 1

HEX #FCB772

RGB 252 183 114

HSL 30, 0.96%, 0.72%

LAB 79.49, 17.61, 44.64

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9E

RGB 114 253 158

HSL 138.99, 0.97%, 0.72%

LAB 90, -58.06, 34.3

 

CMYK 55 / 44 / 0 / 1

HEX #728EFC

RGB 114 142 252

HSL 227.83, 0.96%, 0.72%

LAB 61.61, 21.04, -58.01

 

CMYK 0 / 55 / 16 / 1

HEX #FC72D3

RGB 252 114 211

HSL 317.83, 0.96%, 0.72%

LAB 67.6, 63.56, -24.95

 

CMYK 0 / 11 / 55 / 1

HEX #FCE172

RGB 252 225 114

HSL 48.26, 0.96%, 0.72%

LAB 89.75, -4.05, 56.91

 

Description

Color code: RGB 114 253 158 | qconv.com Color code: RGB 114 253 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 253 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 253 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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