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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 222 119 it is the complementary color RGB 141 33 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 222 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 222 119 shade: RGB 119 222 114, RGB 136 240 133, RGB 153 255 152, RGB 170 255 171 and RGB 187 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 222 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 97 204 100, RGB 80 186 81, RGB 63 168 62 and RGB 46 150 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 138 222 114, RGB 167 222 114, RGB 196 222 114 and RGB 222 218 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 114 222 148, RGB 114 222 177, RGB 114 222 206 and RGB 114 208 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 222 119 shade matches the following richer shades: RGB 114 222 119, RGB 100 236 106 and RGB 86 250 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 128 208 132, RGB 142 193 144, RGB 156 179 157 and RGB 170 165 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 222 119 shade: RGB 168 222 114, RGB 139 222 114, RGB 114 222 118, RGB 114 222 146 and RGB 114 222 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 222 119 shade: RGB 48 205 55, RGB 81 214 87, RGB 114 222 119, RGB 147 229 151 and RGB 181 237 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 114 196 222 and RGB 222 114 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 118 114 222 and RGB 222 118 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 114 196 222, RGB 222 114 218 and RGB 222 139 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 222 119 shade: RGB 114 222 119, RGB 114 164 222, RGB 222 114 218 and RGB 222 171 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

Complementary color

CMYK 0 / 77 / 4 / 45

HEX #8D2188

RGB 141 33 136

HSL 302.78, 0.62%, 0.34%

LAB 35.06, 55.84, -32.94

 

CMYK 46 / 0 / 49 / 13

HEX #77DE72

RGB 119 222 114

HSL 117.22, 0.62%, 0.66%

LAB 80.39, -51.17, 43.63

 

CMYK 43 / 0 / 45 / 6

HEX #88F085

RGB 136 240 133

HSL 118.32, 0.78%, 0.73%

LAB 86.63, -51.09, 42.39

 

CMYK 40 / 0 / 40 / 0

HEX #99FF98

RGB 153 255 152

HSL 119.42, 1%, 0.8%

LAB 91.94, -49.68, 40.07

 

CMYK 33 / 0 / 33 / 0

HEX #AAFFAB

RGB 170 255 171

HSL 120.71, 1%, 0.83%

LAB 93.02, -41.73, 32.23

 

CMYK 27 / 0 / 25 / 0

HEX #BBFFBE

RGB 187 255 190

HSL 122.65, 1%, 0.87%

LAB 94.23, -33.37, 24.44

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 52 / 0 / 51 / 20

HEX #61CC64

RGB 97 204 100

HSL 121.68, 0.51%, 0.59%

LAB 73.96, -51.85, 42.3

 

CMYK 57 / 0 / 56 / 27

HEX #50BA51

RGB 80 186 81

HSL 120.57, 0.43%, 0.52%

LAB 67.59, -51.67, 43.59

 

CMYK 63 / 0 / 63 / 34

HEX #3FA83E

RGB 63 168 62

HSL 119.43, 0.46%, 0.45%

LAB 61.14, -51.23, 44.79

 

CMYK 69 / 0 / 71 / 41

HEX #2E962B

RGB 46 150 43

HSL 118.32, 0.55%, 0.38%

LAB 54.62, -50.36, 45.73

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 38 / 0 / 49 / 13

HEX #8ADE72

RGB 138 222 114

HSL 106.67, 0.62%, 0.66%

LAB 81.21, -45.46, 44.83

 

CMYK 25 / 0 / 49 / 13

HEX #A7DE72

RGB 167 222 114

HSL 90.56, 0.62%, 0.66%

LAB 82.74, -35.63, 47.05

 

CMYK 12 / 0 / 49 / 13

HEX #C4DE72

RGB 196 222 114

HSL 74.44, 0.62%, 0.66%

LAB 84.58, -24.81, 49.71

 

CMYK 0 / 2 / 49 / 13

HEX #DEDA72

RGB 222 218 114

HSL 57.78, 0.62%, 0.66%

LAB 85.45, -12.61, 51.21

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 49 / 0 / 33 / 13

HEX #72DE94

RGB 114 222 148

HSL 138.89, 0.62%, 0.66%

LAB 80.72, -47.23, 26.96

 

CMYK 49 / 0 / 20 / 13

HEX #72DEB1

RGB 114 222 177

HSL 155, 0.62%, 0.66%

LAB 81.29, -41.57, 12.6

 

CMYK 49 / 0 / 7 / 13

HEX #72DECE

RGB 114 222 206

HSL 171.11, 0.62%, 0.66%

LAB 81.99, -34.98, -1.76

 

CMYK 49 / 6 / 0 / 13

HEX #72D0DE

RGB 114 208 222

HSL 187.78, 0.62%, 0.66%

LAB 78.44, -24.19, -15.57

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 58 / 0 / 55 / 7

HEX #64EC6A

RGB 100 236 106

HSL 122.65, 0.78%, 0.66%

LAB 83.83, -62.44, 51.4

 

CMYK 66 / 0 / 62 / 2

HEX #56FA5E

RGB 86 250 94

HSL 122.93, 0.94%, 0.66%

LAB 87.56, -71.56, 60.82

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 38 / 0 / 37 / 18

HEX #80D084

RGB 128 208 132

HSL 123, 0.46%, 0.66%

LAB 76.9, -39.94, 30.22

 

CMYK 26 / 0 / 25 / 24

HEX #8EC190

RGB 142 193 144

HSL 122.35, 0.29%, 0.66%

LAB 73.48, -26.44, 19.41

 

CMYK 13 / 0 / 12 / 30

HEX #9CB39D

RGB 156 179 157

HSL 122.61, 0.13%, 0.66%

LAB 70.69, -12.19, 8.58

 

CMYK 0 / 3 / 0 / 33

HEX #AAA5AA

RGB 170 165 170

HSL 300, 0.03%, 0.66%

LAB 68.28, 2.74, -1.95

 

CMYK 24 / 0 / 49 / 13

HEX #A8DE72

RGB 168 222 114

HSL 90, 0.62%, 0.66%

LAB 82.8, -35.27, 47.13

 

CMYK 37 / 0 / 49 / 13

HEX #8BDE72

RGB 139 222 114

HSL 106.11, 0.62%, 0.66%

LAB 81.26, -45.15, 44.9

 

CMYK 49 / 0 / 47 / 13

HEX #72DE76

RGB 114 222 118

HSL 122.22, 0.62%, 0.66%

LAB 80.25, -52.01, 41.47

 

CMYK 49 / 0 / 34 / 13

HEX #72DE92

RGB 114 222 146

HSL 137.78, 0.62%, 0.66%

LAB 80.68, -47.58, 27.94

 

CMYK 49 / 0 / 21 / 13

HEX #72DEAF

RGB 114 222 175

HSL 153.89, 0.62%, 0.66%

LAB 81.24, -41.99, 13.59

 

CMYK 77 / 0 / 73 / 20

HEX #30CD37

RGB 48 205 55

HSL 122.68, 0.62%, 0.5%

LAB 72.61, -67.04, 59.72

 

CMYK 62 / 0 / 59 / 16

HEX #51D657

RGB 81 214 87

HSL 122.71, 0.62%, 0.58%

LAB 76.39, -61.02, 51.11

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 36 / 0 / 34 / 10

HEX #93E597

RGB 147 229 151

HSL 122.93, 0.61%, 0.74%

LAB 84.21, -40.42, 30.36

 

CMYK 24 / 0 / 23 / 7

HEX #B5EDB7

RGB 181 237 183

HSL 122.14, 0.61%, 0.82%

LAB 88.83, -28.04, 20.51

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 49 / 12 / 0 / 13

HEX #72C4DE

RGB 114 196 222

HSL 194.44, 0.62%, 0.66%

LAB 75.03, -18.12, -20.72

 

CMYK 0 / 49 / 31 / 13

HEX #DE7299

RGB 222 114 153

HSL 338.33, 0.62%, 0.66%

LAB 61.54, 46.3, -1.59

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 47 / 49 / 0 / 13

HEX #7672DE

RGB 118 114 222

HSL 242.22, 0.62%, 0.66%

LAB 53.12, 29.4, -54.89

 

CMYK 0 / 47 / 49 / 13

HEX #DE7672

RGB 222 118 114

HSL 2.22, 0.62%, 0.66%

LAB 61.4, 39.96, 20.59

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 49 / 12 / 0 / 13

HEX #72C4DE

RGB 114 196 222

HSL 194.44, 0.62%, 0.66%

LAB 75.03, -18.12, -20.72

 

CMYK 0 / 49 / 2 / 13

HEX #DE72DA

RGB 222 114 218

HSL 302.22, 0.62%, 0.66%

LAB 63.86, 56.15, -34.97

 

CMYK 0 / 37 / 49 / 13

HEX #DE8B72

RGB 222 139 114

HSL 13.89, 0.62%, 0.66%

LAB 65.91, 28.96, 26.63

 

CMYK 49 / 0 / 46 / 13

HEX #72DE77

RGB 114 222 119

HSL 122.78, 0.62%, 0.66%

LAB 80.26, -51.87, 41

 

CMYK 49 / 26 / 0 / 13

HEX #72A4DE

RGB 114 164 222

HSL 212.22, 0.62%, 0.66%

LAB 66.06, -0.87, -34.5

 

CMYK 0 / 49 / 2 / 13

HEX #DE72DA

RGB 222 114 218

HSL 302.22, 0.62%, 0.66%

LAB 63.86, 56.15, -34.97

 

CMYK 0 / 23 / 49 / 13

HEX #DEAB72

RGB 222 171 114

HSL 31.67, 0.62%, 0.66%

LAB 73.46, 11.8, 36.43

 

Description

Color code: RGB 114 222 119 | qconv.com Color code: RGB 114 222 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 222 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 222 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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