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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 215 20 it is the complementary color RGB 141 40 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 215 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 215 20 shade: RGB 119 215 15, RGB 136 233 34, RGB 153 251 53, RGB 170 255 72 and RGB 187 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 215 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 215 20 shade: RGB 114 215 20, RGB 97 197 1, RGB 80 179 0, RGB 63 161 0 and RGB 46 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 215 20 shade: RGB 113 214 19, RGB 166 214 19, RGB 214 210 19, RGB 214 157 19 and RGB 214 105 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 215 20 shade: RGB 113 214 19, RGB 61 214 19, RGB 19 214 31, RGB 19 214 83 and RGB 19 214 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 215 20 shade matches the following richer shades: RGB 113 214 19 and RGB 113 233 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 215 20 shade: RGB 113 214 19, RGB 114 195 38, RGB 115 176 57, RGB 115 157 76 and RGB 116 138 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 215 20 shade: RGB 214 211 19, RGB 165 214 19, RGB 114 214 19, RGB 62 214 19 and RGB 19 214 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 215 20 shade: RGB 73 139 12, RGB 93 176 16, RGB 113 214 19, RGB 134 235 40 and RGB 155 238 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 215 20 shade: RGB 114 215 20, RGB 19 214 159 and RGB 214 19 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 215 20 shade: RGB 114 215 20, RGB 19 114 214 and RGB 214 19 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 215 20 shade: RGB 114 215 20, RGB 19 214 159, RGB 120 19 214 and RGB 214 19 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 215 20 shade: RGB 114 215 20, RGB 19 211 214, RGB 120 19 214 and RGB 214 23 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

Complementary color

CMYK 40 / 83 / 0 / 8

HEX #8D28EB

RGB 141 40 235

HSL 271.08, 0.83%, 0.54%

LAB 43.03, 73.18, -78.49

 

CMYK 45 / 0 / 93 / 16

HEX #77D70F

RGB 119 215 15

HSL 88.8, 0.87%, 0.45%

LAB 77.61, -55.69, 74.57

 

CMYK 42 / 0 / 85 / 9

HEX #88E922

RGB 136 233 34

HSL 89.25, 0.82%, 0.52%

LAB 83.77, -56.67, 76.91

 

CMYK 39 / 0 / 79 / 2

HEX #99FB35

RGB 153 251 53

HSL 89.7, 0.96%, 0.6%

LAB 89.87, -57.4, 78.11

 

CMYK 33 / 0 / 72 / 0

HEX #AAFF48

RGB 170 255 72

HSL 87.87, 1%, 0.64%

LAB 91.92, -52.34, 74.6

 

CMYK 27 / 0 / 64 / 0

HEX #BBFF5B

RGB 187 255 91

HSL 84.88, 1%, 0.68%

LAB 92.94, -45.14, 69.03

 

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

CMYK 51 / 0 / 99 / 23

HEX #61C501

RGB 97 197 1

HSL 90.61, 0.99%, 0.39%

LAB 71.2, -55.92, 70.55

 

CMYK 55 / 0 / 100 / 30

HEX #50B300

RGB 80 179 0

HSL 93.18, 1%, 0.35%

LAB 64.92, -54.26, 65.46

 

CMYK 61 / 0 / 100 / 37

HEX #3FA100

RGB 63 161 0

HSL 96.52, 1%, 0.32%

LAB 58.55, -52.38, 60.2

 

CMYK 68 / 0 / 100 / 44

HEX #2E8F00

RGB 46 143 0

HSL 100.7, 1%, 0.28%

LAB 52.09, -50.21, 54.87

 

CMYK 47 / 0 / 91 / 16

HEX #71D613

RGB 113 214 19

HSL 91.08, 0.84%, 0.46%

LAB 77.07, -57.09, 73.5

 

CMYK 22 / 0 / 91 / 16

HEX #A6D613

RGB 166 214 19

HSL 74.77, 0.84%, 0.46%

LAB 79.75, -38.38, 76.79

 

CMYK 0 / 2 / 91 / 16

HEX #D6D213

RGB 214 210 19

HSL 58.77, 0.84%, 0.46%

LAB 82.07, -16.71, 80.08

 

CMYK 0 / 27 / 91 / 16

HEX #D69D13

RGB 214 157 19

HSL 42.46, 0.84%, 0.46%

LAB 68.36, 10.8, 69.61

 

CMYK 0 / 51 / 91 / 16

HEX #D66913

RGB 214 105 19

HSL 26.46, 0.84%, 0.46%

LAB 56.53, 38.43, 60.86

 

CMYK 47 / 0 / 91 / 16

HEX #71D613

RGB 113 214 19

HSL 91.08, 0.84%, 0.46%

LAB 77.07, -57.09, 73.5

 

CMYK 71 / 0 / 91 / 16

HEX #3DD613

RGB 61 214 19

HSL 107.08, 0.84%, 0.46%

LAB 75.53, -69.6, 71.59

 

CMYK 91 / 0 / 86 / 16

HEX #13D61F

RGB 19 214 31

HSL 123.69, 0.84%, 0.46%

LAB 75.03, -73.9, 68.78

 

CMYK 91 / 0 / 61 / 16

HEX #13D653

RGB 19 214 83

HSL 139.69, 0.84%, 0.46%

LAB 75.36, -69.74, 51.43

 

CMYK 91 / 0 / 36 / 16

HEX #13D688

RGB 19 214 136

HSL 156, 0.84%, 0.46%

LAB 76.07, -61.2, 26.57

 

CMYK 47 / 0 / 91 / 16

HEX #71D613

RGB 113 214 19

HSL 91.08, 0.84%, 0.46%

LAB 77.07, -57.09, 73.5

 

CMYK 52 / 0 / 100 / 9

HEX #71E900

RGB 113 233 0

HSL 90.9, 1%, 0.46%

LAB 82.8, -64.27, 80.02

 

CMYK 47 / 0 / 91 / 16

HEX #71D613

RGB 113 214 19

HSL 91.08, 0.84%, 0.46%

LAB 77.07, -57.09, 73.5

 

CMYK 42 / 0 / 81 / 24

HEX #72C326

RGB 114 195 38

HSL 90.96, 0.67%, 0.46%

LAB 71.38, -48.76, 64.61

 

CMYK 35 / 0 / 68 / 31

HEX #73B039

RGB 115 176 57

HSL 90.76, 0.51%, 0.46%

LAB 65.74, -39.26, 52.56

 

CMYK 27 / 0 / 52 / 38

HEX #739D4C

RGB 115 157 76

HSL 91.11, 0.35%, 0.46%

LAB 60.14, -28.68, 37.52

 

CMYK 16 / 0 / 31 / 46

HEX #748A5F

RGB 116 138 95

HSL 90.7, 0.18%, 0.46%

LAB 54.78, -16.07, 20.5

 

CMYK 0 / 1 / 91 / 16

HEX #D6D313

RGB 214 211 19

HSL 59.08, 0.84%, 0.46%

LAB 82.34, -17.21, 80.29

 

CMYK 23 / 0 / 91 / 16

HEX #A5D613

RGB 165 214 19

HSL 75.08, 0.84%, 0.46%

LAB 79.69, -38.77, 76.72

 

CMYK 47 / 0 / 91 / 16

HEX #72D613

RGB 114 214 19

HSL 90.77, 0.84%, 0.46%

LAB 77.11, -56.79, 73.55

 

CMYK 71 / 0 / 91 / 16

HEX #3ED613

RGB 62 214 19

HSL 106.77, 0.84%, 0.46%

LAB 75.55, -69.43, 71.62

 

CMYK 91 / 0 / 86 / 16

HEX #13D61D

RGB 19 214 29

HSL 123.08, 0.84%, 0.46%

LAB 75.03, -73.99, 69.19

 

CMYK 47 / 0 / 91 / 45

HEX #498B0C

RGB 73 139 12

HSL 91.18, 0.84%, 0.3%

LAB 51.73, -40.8, 52.86

 

CMYK 47 / 0 / 91 / 31

HEX #5DB010

RGB 93 176 16

HSL 91.13, 0.83%, 0.38%

LAB 64.5, -48.91, 63.19

 

CMYK 47 / 0 / 91 / 16

HEX #71D613

RGB 113 214 19

HSL 91.08, 0.84%, 0.46%

LAB 77.07, -57.09, 73.5

 

CMYK 43 / 0 / 83 / 8

HEX #86EB28

RGB 134 235 40

HSL 91.08, 0.83%, 0.54%

LAB 84.3, -57.86, 76.04

 

CMYK 35 / 0 / 67 / 7

HEX #9BEE4E

RGB 155 238 78

HSL 91.13, 0.82%, 0.62%

LAB 86.34, -50.08, 66.55

 

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

CMYK 91 / 0 / 26 / 16

HEX #13D69F

RGB 19 214 159

HSL 163.08, 0.84%, 0.46%

LAB 76.52, -56.2, 15.11

 

CMYK 0 / 91 / 11 / 16

HEX #D613BF

RGB 214 19 191

HSL 307.08, 0.84%, 0.46%

LAB 50.12, 81.27, -41.21

 

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

CMYK 91 / 47 / 0 / 16

HEX #1372D6

RGB 19 114 214

HSL 210.77, 0.84%, 0.46%

LAB 48.3, 12.23, -58.35

 

CMYK 0 / 91 / 47 / 16

HEX #D61372

RGB 214 19 114

HSL 330.77, 0.84%, 0.46%

LAB 46.94, 72.87, 0.06

 

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

CMYK 91 / 0 / 26 / 16

HEX #13D69F

RGB 19 214 159

HSL 163.08, 0.84%, 0.46%

LAB 76.52, -56.2, 15.11

 

CMYK 44 / 91 / 0 / 16

HEX #7813D6

RGB 120 19 214

HSL 271.08, 0.84%, 0.46%

LAB 36.58, 71.32, -77.19

 

CMYK 0 / 91 / 65 / 16

HEX #D6134B

RGB 214 19 75

HSL 342.77, 0.84%, 0.46%

LAB 46, 70.26, 22.91

 

CMYK 47 / 0 / 91 / 16

HEX #72D714

RGB 114 215 20

HSL 91.08, 0.83%, 0.46%

LAB 77.42, -57.14, 73.65

 

CMYK 91 / 1 / 0 / 16

HEX #13D3D6

RGB 19 211 214

HSL 180.92, 0.84%, 0.46%

LAB 77.03, -40.24, -13.6

 

CMYK 44 / 91 / 0 / 16

HEX #7813D6

RGB 120 19 214

HSL 271.08, 0.84%, 0.46%

LAB 36.58, 71.32, -77.19

 

CMYK 0 / 89 / 91 / 16

HEX #D61713

RGB 214 23 19

HSL 1.23, 0.84%, 0.46%

LAB 45.57, 67.9, 53.23

 

Description

Color code: RGB 114 215 20 | qconv.com Color code: RGB 114 215 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 215 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 215 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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